DOCSLIB.ORG

Early American Portrait Painters in Miniature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Early American Portrait Painters in Miniature E A R LY A M E RIC A N PO RT RA IT PA IN T E RS IN M IN IA T U RE TH E O D O RE BO L TO N N EW YORK O FREDERIC FAIRCHILD SHERMAN MCMXXI LIST OF ILLUSTRATIONS MA L B O NE , EDWARD Ch arles Harris Fron tispiccc Ni cholas Bowm an FACI NG PA GE COPLEY, JOHN SINGLETON Self Portrai t VA N AM E s DYCK, J J ames Lyon H E N Y . R BROWN , J President Buch an an M DUNLAP, WILLIA President Tyler F ULTON , ROBERT S amuel Beach DUVAL, AMBROSE G . a r OV . Wm . C . C Cl ibo ne BO U N E TH E A U . , HENRY B r a Hen y M . Manig ult A R BAKER, GEORGE . , J . Andrew J ackson BIRCH , WILLIAM George Washin gton PE TTI CO LAs . , E A George Washington D R . M THORNTON , WILLIA George Washington RAMAGE, JOHN George Washin gton CLARK, ALVAN B arn a b as Cl ark iii FA CI NO PAG E GIMBREDE , THOMAS Mr . Schley BRIDPORT, H . C aroline Dugan INMAN , HENRY Por trait of a Lady JARVIS , JOHN WESLEY Miss J arvis ALLSTON , WASHINGTON i . Pra C apta n A H . y TROTT, BENJAMIN Lewis Adams P EALE , JAMES V n N r . a M s John P . ess M ANDRE , AJOR JOHN M argaret Shippen STAIGG M . , RICHARD John Lothrop Motley P ELHAM, HENRY Jon a th an Cl ark SAVAGE , EDWARD Self Por trait F IELD, ROB ERT George Washington a ar i M . D. J mes S gent Ew ng, WOOD , JOSEPH Por trait Of a Ma n MUNGER, GEORGE Self Por trait P HILL, AMELA Rebecca Dean S alisbury WILLIAMS , HENRY Sa muel Larkin HE p resent volume li sts as ma ny of the p ortra i t i n mi n i ature b t n at A , o h i ve meri ca ns a nd orei n a i nters worki n i n Ameri ca rom the f g p g , f earli est ti mes until 1 8 0 as i t has been ossible to 5 , p t t i cl de n ot n l i en umera e. I n u s o y vory mi n i atures b t sma ll o t a i ts i n oil a nd water colo a l u p r r r s wel . FOREWORD I TH E word min i a ture comes from min ium meaning r the r u n a r a ve milion , colo used by the ill mi to s Of m nu i ra At a i a k scripts as a border to the r deco tions . wh t t me li e ness with a vermilion border a bout i t was de tached from the p age of vellum an d used as a por table por trai t is both difficult Sufli ce it sa t a n an d useless to determine . to y h t the doze u n a ur r r a n a r ai r ndoubted mi i t es by the fi st g e t mi i tu e p nte , a n w r all ai on or a k H ns Holbei , e e p nted vellum , the b c s of a ar an d t at was a ri a ra the pl ying c ds, h the m te l gene lly used in sixteen th an d seven teen th centuries in En gl an d by such men as N a Hill arde aa an d P t r r k ichol s y , Is c e e Ollive , John Hos ins, a r a F a a an d a r r . S muel Coope , Thom s l tm n L w ence C osse It was n o t un til the beginning Of the eighteenth century t a t r was as a ai r a a h ivo y used p nting su f ce, but upon its dop t was u a v . a u ion it sed lmost exclusi ely S m el Shelly, John ar r r an d i ar Coswa Sm t, And ew Robe tson R ch d y, to mention a of n i at r a n r of r few the fi est English min u e p i te s the pe iod, a a n r on r an was n o ar i p inted lmos t e ti ely ivo y . The ch ge t p t c ularl for r Pa a t r r on i y the bette . inting in w e colo th n sheets o f ivory gummed at the corners to a piece of card is a most pre ari r ma r r c ous method . The colo y be uined o en tirely removed of a t r a n d the r by the touch mois ened finge ivo y, too , is most a r r ar a r sensitive to ch nges Of tempe atu e . Hung ne fi epl ace h e r o k r i i t ivo y is apt t buc le o spl t . As n the case of other a r t r ai aff h r P r t t e . e p inting, di ec sunlight is ce t n to ec colo s h aps the bes t way Of keeping the small portrai ts is in a ca b n a ca n r are n o t i et th t be cove ed when they being enj oyed . Gl ass a t the b ack as well as the face is an excellent m anner Of ra i r i a r f ming vo y min tu es . In more recent times the deriva tion Of the word mini ” “ ” a r has or i r tu e been lost confused w th the wo d minute, an d the word in its modern sense means simply a sm all por trait . Mini ature painting in America started with n o more tha n ' an r a a r for ra sn ufi box an d o n ment l pu pose b celets, tops , a i r i a i i i r w tch l ds . Even Cha les W llson Pe le pa nted m n a tu es r i Fi a i i a r ra r to se ve th s end . n lly t developed nto sm ll po t itu e w r i r r o thy Of a spec al f ame . The leisu e of the people Of the “ n ew r a r r rai epublic w s gene ously expended upon po t ts . The ” r was a t i i mad o n ra count y th s t me, the subject gene lly , ri Mr i M r a hi ar on w tes . John H ll o g n in s excellent ticle ai - Mémin a n d r ra r in i i a r an d en rav S nt , po t itu e O ls , m ni tu e g ri in a r h r i i ing flou shed a m nne it as neve s nce atta ned . ar r r M a uc Fra r P a Stu t , Sully, T umbull , T ott, lbo , se , the e le — family these an d m any lesser men could not supply the k Mi r i a . ar an d F dem nd Englishmen li e les , Bi ch, Sh pless eld a r an d a i i an d c me to the count y p nted w th success , countless Frenchmen varying from the excellence Of Saint- Memin to i ri med oc ty found full employment . was a r a ra a The movement pe fectly n tu l , spont neous r a ra a i is i n g owth . In m ny cases the c ftsm nsh p mpecca ble a d would cause astonishment to a n y on e n o t famili ar with the ri r r i r ra i — pe od . Fo the a t sts we e t ned a number h ad the advantage O f European tra ining but for the most par t they r i t a ned themselves . a r a r r i ar r r The l te mini tu es we e pa nted on l ge su fa ces . r r a ar a r a i Some we e ect ngul in sh pe, Often they we e p nted on a r n i i p pe a d on cab net s ze wood panels . viii Of all the rich variety O f portra its produced by the early Amer ican min i a ture pa inters m any compare with the work r a a r i n r F r a a a Of Eu ope n m ste s the a t . ou n mes st nd out bove — r lb n Fra r r a n F M a r a o e d . the est M , se , T ott ield ini tu es by the eminently ar tistic Edward M albon e h ave long been a r a r k Of i r e ge ly sought fte .
Load more

Recommended publications
  • Checklist of Anniversary Acquisitions
    Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1.
    [Show full text]
  • A Finding Aid to the Charles Henry Hart Autograph Collection, 1731-1918, in the Archives of American Art
    A Finding Aid to the Charles Henry Hart Autograph Collection, 1731-1918, in the Archives of American Art Jayna M. Josefson Funding for the processing of this collection was provided by the Terra Foundation for American Art 2014 February 20 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Charles Henry Hart autograph collection, 1731-1918............................... 4 Series 2: Unprocessed Addition, 1826-1892 and undated..................................... 18 Charles Henry Hart autograph collection AAA.hartchar Collection
    [Show full text]
  • Maryland Historical Magazine, 1946, Volume 41, Issue No. 4
    MHRYMnD CWAQAZIU^j MARYLAND HISTORICAL SOCIETY BALTIMORE DECEMBER • 1946 t. IN 1900 Hutzler Brothers Co. annexed the building at 210 N. Howard Street. Most of the additional space was used for the expansion of existing de- partments, but a new shoe shop was installed on the third floor. It is interesting to note that the shoe department has now returned to its original location ... in a greatly expanded form. HUTZLER BPOTHERSe N\S/Vsc5S8M-lW MARYLAND HISTORICAL MAGAZINE A Quarterly Volume XLI DECEMBER, 1946 Number 4 BALTIMORE AND THE CRISIS OF 1861 Introduction by CHARLES MCHENRY HOWARD » HE following letters, copies of letters, and other documents are from the papers of General Isaac Ridgeway Trimble (b. 1805, d. 1888). They are confined to a brief period of great excitement in Baltimore, viz, after the riot of April 19, 1861, when Federal troops were attacked by the mob while being marched through the City streets, up to May 13th of that year, when General Butler, with a large body of troops occupied Federal Hill, after which Baltimore was substantially under control of the 1 Some months before his death in 1942 the late Charles McHenry Howard (a grandson of Charles Howard, president of the Board of Police in 1861) placed the papers here printed in the Editor's hands for examination, and offered to write an introduction if the Committee on Publications found them acceptable for the Magazine. Owing to the extraordinary events related and the revelation of an episode unknown in Baltimore history, Mr. Howard's proposal was promptly accepted.
    [Show full text]
  • Papers of the American Slave Trade
    Cover: Slaver taking captives. Illustration from the Mary Evans Picture Library. A Guide to the Microfilm Edition of Papers of the American Slave Trade Series A: Selections from the Rhode Island Historical Society Part 2: Selected Collections Editorial Adviser Jay Coughtry Associate Editor Martin Schipper Inventories Prepared by Rick Stattler A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of LexisNexis Academic & Library Solutions 4520 East-West Highway Bethesda, MD 20814-3389 i Library of Congress Cataloging-in-Publication Data Papers of the American slave trade. Series A, Selections from the Rhode Island Historical Society [microfilm] / editorial adviser, Jay Coughtry. microfilm reels ; 35 mm.(Black studies research sources) Accompanied by a printed guide compiled by Martin P. Schipper, entitled: A guide to the microfilm edition of Papers of the American slave trade. Series A, Selections from the Rhode Island Historical Society. Contents: pt. 1. Brown family collectionspt. 2. Selected collections. ISBN 1-55655-650-0 (pt. 1).ISBN 1-55655-651-9 (pt. 2) 1. Slave-tradeRhode IslandHistorySources. 2. Slave-trade United StatesHistorySources. 3. Rhode IslandCommerce HistorySources. 4. Brown familyManuscripts. I. Coughtry, Jay. II. Schipper, Martin Paul. III. Rhode Island Historical Society. IV. University Publications of America (Firm) V. Title: Guide to the microfilm edition of Papers of the American slave trade. Series A, Selections from the Rhode Island Historical Society. VI. Series. [E445.R4] 380.14409745dc21 97-46700
    [Show full text]
  • Landon·Genealogy
    LANDON·GENEALOGY LANDON GENEALOGY THE FRENCH: AND ENGLISH HOME AND ANCESTRY WITH SOME ACCOUNT OF THE DESCENDANTS OF JAMES AND MARY VAILL. LANDON IN AMERICA PART II BOARDMAN GENEALOGY THE ENGLISH HOME AND ANCESTRY OF SAMUEL BOREMAN AND THOMAS BOREMAN, NOW CALLED BOARDMAN' WITH SOME ACCOUNT OF THEIR DESCENDANTS IN AMERICA Bv JAMES ORVILLE LANDON NEW YORK, N. Y. SOUTH HERO, VT. CLARK BOARDMAN CO., LTD. 1928 FOREWORD Our father, the author and compiler of this work, died suddenly July 7, 1927, in his 87th year. He had, however, completed his task the March previous, and the manuscript was ready for the printer. _ Since his retirement over twenty years ago he had devoted most of his time to the collecting and compilation of these records, which was to him of such great interest and most decidedly a labor of love. This research work kept his mind most active, and up to the day of his death he was as keen and bright and as interested in all things as the man of fifty. We gratefully acknowledge the invaluable assistance given him in transcribing the manuscript by Emma Jeffrey Tucker of Everett, Massachusetts. We also express our great appreciation to Colonel Thomas Durland Landon and to Mr. Clark Boardman, and to the others who assisted in the underwriting of the expense of this publica­ tion, without whose help these records might not have been pub­ lished and preserved in permanent form for future generations. KATE HUNTINGTON LANDON LUCY HIN-CKLEY LANDON WOOD July 15, 1928 iii IMITATE OUR FATHERS "Honor to ~e memory of our fathers: May the turf lie gently on their sacred graves: but let us not in word only, but in deeds also, testify our reverence for their names.
    [Show full text]
  • A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
    A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W.
    [Show full text]
  • Portrait Miniatures in the New Republic
    he stunning events of July 1804 were almost unfath- omable for the citizens of the new American republic. One Founding Father had fatally wounded another. TAlexander Hamilton was dead and Aaron Burr would be indicted for murder. The duel and its aftermath marked a turning point in American culture. Five days before the Burr-Hamilton duel, Edward Greene Malbone arrived for a week’s stay in New York. Considered the Portrait finest miniaturist in the United States, Malbone was attractive, popular, already exceedingly successful, and only twenty-six miniatures years old. As Hamilton’s massive funeral snaked up Broadway on July 14, he was meeting twenty-five year-old Anson Dick- Left to right, from facing page, bottom: in the New inson for the first time. A fledgling artist, Dickinson had com- Fig. 1. Anson Dickinson [1779– missioned Malbone to paint his miniature, hoping to learn by 1852] by Edward Greene Malbone Republic (1777–1807), 1804. Watercolor on 1 watching the more experienced artist at work (Fig. 1). So ab- ivory, 2 ½ by 1 7⁄8 inches. Stamford sorbed was Malbone in the painting “that he neither paused Historical Society, Connecticut, 2 Cruikshank Bequest. himself to view the pageant nor suffered his sitter to do so.” Fig 2. John Francis [1763–1796] by Around the corner on Wall Street, twenty-five-year-old Malbone, 1795. Signed and dated Joseph Wood and twenty-three-year-old John Wesley Jarvis had “Malbone 1795” at center right. recently formed an artistic partnership. All four artists, soon to Watercolor on ivory, 2 13⁄16 by 2 1⁄8 inches.
    [Show full text]
  • NEH Coversheet: GRANT10749845
    Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Division of Preservation and Access application guidelines at http://www.neh.gov/grants/preservation/sustaining-cultural-heritage-collections for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Improving Environmental Conditions to Preserve Collections Institution: Litchfield Historical Society Project Director: Julie Leone Grant Program: Sustaining Cultural Heritage Collections 1100 Pennsylvania Ave., N.W., Rm. 411, Washington, D.C. 20506 P 202.606.8570 F 202.606.8639 E [email protected] www.neh.gov Description of Project and its Significance The Litchfield Historical Society (LHS) seeks a Sustaining Cultural Heritage Collections Implementation Grant of $399,412 from the National Endowment for the Humanities to execute specific recommendations made by an interdisciplinary team of experts consisting of an architect, engineer and museum conservator. The Society hired these consultants with funds provided by a 2009 NEH Sustaining Cultural Heritage Planning Grant.
    [Show full text]
  • The Portrait Miniature Revival, 1890-1930
    DISMISSED YET DISARMING: THE PORTRAIT MINIATURE REVIVAL, 1890-1930 A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment Of the requirements for the degree Master of Fine Arts Maryann Sudnick Gunderson November 2003 This thesis entitled DISMISSED YET DISARMING: THE 20TH CENTURY PORTRAIT MINIATURE REVIVAL BY MARYANN SUDNICK GUNDERSON Has been approved for the School of Art and the College of Fine Arts Jody Lamb Associate Professor of Art History Raymond Tymas-Jones Dean, College of Fine Arts GUNDERSON, MARYANN S. MFA. November 2003. Art History Dismissed yet Disarming: The Portrait Miniature Revival, 1890-1930 (112pp.) Director of Thesis: Jody Lamb The portrait miniature revival is examined regarding contemporary influences and artists, during the period c. 1890-1930. Modern influences, including the philosophies of Arts and Crafts and Art Nouveau, are defined in context of the miniature. The fine arts of John Singer Sargent’s portraiture, as well as the abstraction and color of Mary Cassatt and Edgar Degas, are revealed as instrumental in altering the style of the revival miniature. Photography is examined for its influence versus eclipse of the miniature. The miniaturist’s environment is found to be highly significant, as the city of New York provided constant immersion in art societies, exhibitions, and studio residences where artists coexisted while creating new styles. Focus is on the works of miniaturists Eulabee Dix and Laura Coombs Hills. Patronage is found to be highly supportive of the portrait miniature and essential to an understanding of why the miniature was revived during the period.
    [Show full text]
  • William King, First Governor of Maine: His Known Portraits and Their Stories
    Maine History Volume 43 Article 5 Number 4 Traditional Landscapes, Modern Maine 6-1-2008 William King, First Governor of Maine: His Known Portraits and Their tS ories Deanna Bonner-Ganter Maine State Museum Follow this and additional works at: https://digitalcommons.library.umaine.edu/ mainehistoryjournal Part of the American Art and Architecture Commons, Political History Commons, and the United States History Commons Recommended Citation Bonner-Ganter, Deanna. "William King, First Governor of Maine: His Known Portraits and Their tS ories." Maine History 43, 4 (2008): 434-467. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol43/iss4/5 This Reflection is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Reflections from the Curator’s Desk WILLIAM KING, FIRST GOVERNOR OF MAINE: HIS KNOWN PORTRAITS AND THEIR STORIES BY DEANNA BONNER-GANTER This article studies the known studio portraits of William King (1768- 1852), first governor of Maine, finding that the leader’s personal life and professional travels led to sittings with such noted master painters as Gilbert Stuart, Edward Greene Malbone, and Chester Harding. These living portraits reflect period styles, while later likenesses require a broad understanding of formal state portraiture and its historical elements. One portrait, having resurfaced recently, was found to have hung in the Hall of Flags in the State Capitol for almost thirty years; others required considerable research to determine their provenance. The Honorable James G. Blaine played an unexpected role in this history of King’s like- nesses, while the author traces other portrait provenances through mu- seum, probate, church, and vital records; deeds; family and town histo- ries; and the papers of notable politicians like Rufus King of New York.
    [Show full text]
  • Ruel P. Tolman Collection, 1909-1964
    Ruel P. Tolman Collection, 1909-1964 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Chronology....................................................................................................................... 2 Descriptive Entry.............................................................................................................. 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: PERSONAL CORRESPONDENCE AND RELATED MATERIALS, 1909-1954, 1958, AND UNDATED.......................................................................... 4 Series 2: SCRAPBOOKS, 1934-1936, 1944............................................................ 6 Series 3: PRINTS, DRAWINGS AND PHOTOGRAPHS........................................ 12 Series 4: NEWSPAPER CLIPPINGS, 1908-1952, 1964........................................ 13 Series 5: PATENT, 1909.......................................................................................
    [Show full text]
  • Early American Portrait Painters in Miniature
    E A R LY A M E RIC A N PO RT RA IT PA IN T E RS IN M IN IA T U RE TH E O D O RE BO L TO N N EW YORK O FREDERIC FAIRCHILD SHERMAN MCMXXI LIST OF ILLUSTRATIONS MA L B O NE , EDWARD Ch arles Harris Fron tispiccc Ni cholas Bowm an FACI NG PA GE COPLEY, JOHN SINGLETON Self Portrai t VA N AM E s DYCK, J J ames Lyon H E N Y . R BROWN , J President Buch an an M DUNLAP, WILLIA President Tyler F ULTON , ROBERT S amuel Beach DUVAL, AMBROSE G . a r OV . Wm . C . C Cl ibo ne BO U N E TH E A U . , HENRY B r a Hen y M . Manig ult A R BAKER, GEORGE . , J . Andrew J ackson BIRCH , WILLIAM George Washin gton PE TTI CO LAs . , E A George Washington D R . M THORNTON , WILLIA George Washington RAMAGE, JOHN George Washin gton CLARK, ALVAN B arn a b as Cl ark iii FA CI NO PAG E GIMBREDE , THOMAS Mr . Schley BRIDPORT, H . C aroline Dugan INMAN , HENRY Por trait of a Lady JARVIS , JOHN WESLEY Miss J arvis ALLSTON , WASHINGTON i . Pra C apta n A H . y TROTT, BENJAMIN Lewis Adams P EALE , JAMES V n N r . a M s John P . ess M ANDRE , AJOR JOHN M argaret Shippen STAIGG M . , RICHARD John Lothrop Motley P ELHAM, HENRY Jon a th an Cl ark SAVAGE , EDWARD Self Por trait F IELD, ROB ERT George Washington a ar i M .
    [Show full text]