Oct Pg1.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Spring 2017 • May 7, 2017 • 12 P.M
THE OHIO STATE UNIVERSITY 415TH COMMENCEMENT SPRING 2017 • MAY 7, 2017 • 12 P.M. • OHIO STADIUM Presiding Officer Commencement Address Conferring of Degrees in Course Michael V. Drake Abigail S. Wexner Colleges presented by President Bruce A. McPheron Student Speaker Executive Vice President and Provost Prelude—11:30 a.m. Gerard C. Basalla to 12 p.m. Class of 2017 Welcome to New Alumni The Ohio State University James E. Smith Wind Symphony Conferring of Senior Vice President of Alumni Relations Russel C. Mikkelson, Conductor Honorary Degrees President and CEO Recipients presented by The Ohio State University Alumni Association, Inc. Welcome Alex Shumate, Chair Javaune Adams-Gaston Board of Trustees Senior Vice President for Student Life Alma Mater—Carmen Ohio Charles F. Bolden Jr. Graduates and guests led by Doctor of Public Administration Processional Daina A. Robinson Abigail S. Wexner Oh! Come let’s sing Ohio’s praise, Doctor of Public Service National Anthem And songs to Alma Mater raise; Graduates and guests led by While our hearts rebounding thrill, Daina A. Robinson Conferring of Distinguished Class of 2017 Service Awards With joy which death alone can still. Recipients presented by Summer’s heat or winter’s cold, Invocation Alex Shumate The seasons pass, the years will roll; Imani Jones Lucy Shelton Caswell Time and change will surely show Manager How firm thy friendship—O-hi-o! Department of Chaplaincy and Clinical Richard S. Stoddard Pastoral Education Awarding of Diplomas Wexner Medical Center Excerpts from the commencement ceremony will be broadcast on WOSU-TV, Channel 34, on Monday, May 8, at 5:30 p.m. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
{Download PDF} the Stars Are Right Ebook Free Download
THE STARS ARE RIGHT PDF, EPUB, EBOOK Chaosium RPG Team | 180 pages | 14 May 2008 | CHAOSIUM INC | 9781568821771 | English | Hayward, United States The Stars are Right PDF Book Photo Courtesy: P! Natalie Dormer and Gene Tierney With HBO's massively successful fantasy series Game of Thrones finally over and a whole slew of spinoff series coming down the pipeline soon enough , many fans of the show are left wondering what star Natalie Dormer will do next. For instance, they've starred in the Ocean's film series and Burn After Reading. Here's What to Expect for the Super Bowl. It can't be denied that everyone knows her name. It can sometimes feel like society has hit a new level of boy craziness sometimes. Lea Michele and Naya Rivera The cast of Glee was riddled with as much in-house drama as a real-life glee club. When Lea Michele started gaining a massive fanbase, other characters started receiving fewer lines and less-important storylines. If more than one person in your household wants to vote, each person will need to create a personal ABC account. More than one person can use the same computer or device to vote, but each person needs to log out after voting. The achievement or service doesn't involve participation in aerial flight, and it can occur during engagement against a U. As such, it must be said that both these two stars deserve far more praise than they typically receive. As it turns out, the coffee business didn't quite work out. -
DJ WARS : Origine : Corée Du Sud (Séoul) – 1986 – Lille/France
The First Korean French Dj Présentation DJ WARS : Origine : Corée du Sud (Séoul) – 1986 – Lille/France DJ WARS : Artiste Dj depuis une dizaine d’année, issue des années 2000 , a su montrer sa motivation, sa persévérance dans le monde du Hip Hop tel un ‘’Guerrier’’ qui souhaite découvrir auprès du public la culture du Hip Hop. Quelques touches dans le graffiti dès son début dans le HipHop , puis de passage par la danse (breakdance) mais sans succès. Après 9ans de piano intensif, il a trouvé son point de chute : Le Dj’ing ! DJ WARS : Artiste polyvalent hors pair serait la définition de ce dj. un style bien à lui en mélangeant sonorités Hip hop/Funk/ R&B ainsi qu’une touche d’électro et de Dancehall… Activités ARTIST DJ /DEVELOPPER + Consulting 2000 : Débuts 2006-2010 : Animateur Radio sur Radio Boomerang (Roubaix/59) 2007 : Dj du groupe SANCTU’R 2003-2005 : Création du label Two Hot Production : Homicide Crew , Mal& Diktion, Podz, Kero (Beatmaker) 2006-2010 : Création du label Flowkut Records + Création du collectif de Dj’s : Royal Scratch Deluxe (3Dj’s) 2004 – 2010 : Dj du Rappeur : PODZ (Lille/59) 2009 : Dj du Rappeur : FOUDEALER (Roubaix/59) 2010 : Dj du Groupe Rock/Fusion : Mô Alika (Dunkerque/59) Discographie RAFALE URBAINE Vol.1 (2003) 100% Rap 59 : Mudjahid, Dj Saika, Dj Serom, Dj Nocif, Ultim D, Nature Morte, La Jonction, Kronik 2 Clan, T-Roro, Da Mas. .. Too Hot (2004) 100% Rap Us : Joe Budden, Mop, G-unit, Missy Eliott, Gangstarr, Jadakiss, Pitch Black.. RAFALE URBAINE Vol.2 (2007) 100% Rap Fr: Lucien16s (Ipm), Dj Smoke, Dj Crown & Perf, Dj Sim'sima (Scred Co), Rsp, Tango & Kash, Assos 2 Locos, Dj Supa Jay, Dj Niuma, Madah & Kiddam, Originaire du Sud, Effi Ello, Verbal Kint, Alliance Du Nord.. -
Received by NSD/FARA Registration Unit 05/28/2020 11:24:38 AM
Received by NSD/FARA Registration Unit 05/28/2020 11:24:38 AM Ryne Chua From: Ron Klink Sent: Thursday, November 7, 2019 9:06 AM To: [email protected]; [email protected] Cc: Ryne Chua; Bob Crowe Subject: Invitation: Third Annual Autism Awareness Gala Attachments: 2019 Autism Gala digital invitation 2.pdf Good morning, Our client the State of Qatar is hosting an autism gala next week on Tuesday, November 12, starting at 6:30 PM at the Anthem in the D.C. Wharf. I would like to invite your boss to join Brendan Boyle and me at a table reserved for Members of Congress and VIPs, including the Qatari ambassador to the U.S. Lea Michele, star of Spring Awakening on Broadway and Glee on Fox, will be the evening's entertainment. An invitation is attached, and more information may be seen below. If your boss is interested, please e-mail my assistant Ryne Chua ([email protected]) so we may pass along an RSVP to the Qatari Embassy. Thank you, Ron Klink Tuesday, November 12, 2019 The Anthem 901 Wharf Street SW Washington, DC 20024 6:30pm Reception 7:30pm Dinner & Awards* Presentations 9:00pm Entertainment 9:30pm Jazz, Dessert & Nightcap *Confirmed Honorees include: Congressional Honorees - Senator Maggie Hassan (D-NH) and Rep. Cathy McMorris Rodgers (R-WA) Corporate Honorees - Microsoft Corporation & SAP software solution Attached is a formal invitation for the event. If you would like to learn more, please visit our website at qatarautismgala.com. Our entertainment for the night will be Lea Michele: ABOUT LEA MICHELE Since making her Broadway debut at just eight years old in Les Miserables, Lea Michele has continued to be a powerhouse on both stage and screen as well as a chart-topping solo artist and New York Times bestselling author. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Press Release: HPFI® Product Again Featured in New Movie
Press Release For Immediate Release HPFI® Product Again Featured in New Movie HPFI (High Point Furniture Industries) is pleased to announce that, once again, its products will be included in a major motion picture. The 7500 Series reception furnishings will be featured in “New Year’s Eve,” an ensemble comedy starring Sarah Jessica Parker, Lea Michele, Abigail Breslin, Robert De Niro, Michelle Pfeiffer, Hilary Swank, Ashton Kutcher, Jessica Biel, Sofia Vergara, Halle Berry, Zac Efron, Til Schweiger and Sienna Miller. “New Year’s Eve” is a follow up to New Line Cinema’s “Valentine’s Day” and will again be directed by Garry Marshall. The cast portrays a group of interconnected New Yorkers as they navigate their way through romance and heartbreak over the course of the last day of the year. It is scheduled for release on December 9, 2011. The 7500 Series is but one of over two dozen collections of reception furnishings manufactured and marketed by HPFI. New Year’s Eve will feature three sofas and ten sled-base chairs from the 7500 Series. HPFI operates in two manufacturing facilities in High Point, North Carolina with over 440,000 square feet of manufacturing space. With roots in High Point, the furniture capital of the world, HPFI combines the skill and expertise of seasoned furniture craftspeople with modern day technology to deliver exceptional value to its customers. For more information, please contact Tom Carrigan, Director of Marketing, 1104 Bedford Street, High Point, North Carolina 27263, Telephone: 336-431-7101 Ext 2241, Fax: 336-431-0673, Email: [email protected]. -
Cast Members from FOX's New Musical Comedy Series GLEE to Ring the NASDAQ Stock Market Closing Bell
Cast Members From FOX's New Musical Comedy Series GLEE to Ring The NASDAQ Stock Market Closing Bell ADVISORY, Sep 29, 2009 (GlobeNewswire via COMTEX News Network) -- What: Cory Monteith and Amber Riley from FOX's new musical comedy series, GLEE, will preside over the NASDAQ Closing Bell to celebrate the show's first season pick-up. GLEE airs on Wednesday's at 9:00-10:00 PM ET/PT on FOX. Where: NASDAQ MarketSite - 4 Times Square - 43rd & Broadway - Broadcast Studio When: Wednesday, September 30th 2009 at 3:45 p.m. to 4:00 p.m. ET Contacts: Elissa Johansmeier Vice President, Publicity & Corporate Communications Fox Broadcasting Company phone: 212-556-2567 email: [email protected] NASDAQ MarketSite: Jolene Libretto (646) 441-5220 [email protected] Feed Information: The Closing Bell is available from 3:50 p.m. to 4:05 p.m. on AMC-3/C-3 (ul 5985V; dl 3760H). The feed can also be found on Ascent fiber 1623. If you have any questions, please contact Jolene Libretto at (646) 441-5220. Radio Feed: An audio transmission of the Closing Bell is also available from 3:50 p.m. to 4:05 p.m. on uplink IA6 C band / transponder 24, downlink frequency 4180 horizontal. The feed can be found on Ascent fiber 1623 as well. Webcast: A live webcast of the NASDAQ Closing Bell will be available at: http://www.nasdaq.com/about/marketsitetowervideo.asx Photos: To obtain a high-resolution photograph of the Market Close, please go to http://www.nasdaq.com/reference/marketsite_events.stm and click on the market close of your choice. -
“The Social Cut of Black and Yellow Female Hip Hop” Erick Raven
“The Social Cut of Black and Yellow Female Hip Hop” Erick Raven University of Texas at Arlington May 2020 Abstract Korean female hip hop artists are expanding the definition of femininity in South Korea through hip hop. In doing so, they are following a tradition first established by Black female musical performers in a new context. Korean artists are conceiving and expressing, through rap and dance, alternative versions of a “Korean woman,” thus challenging and attempting to add to the dominant conceptions of “woman.” This Thesis seeks to point out the ways female Korean hip hop artists are engaging dominant discourse regarding skin tone, body type, and expression of female sexuality, and creating spaces for the development of new discourses about gender in South Korean society. Contents Introduction – Into the Cut ................................................ 1 Chapter I – Yoon Mi-rae and Negotiating the West and East of Colorism ............................................................. 12 Chapter II – The Performing Black and Yellow Female Body ................................................................................ 31 Chapter III – Performing Sexuality ................................. 47 Chapter IV – Dis-Orientation .......................................... 59 Conclusion .................................................................... 67 Works Cited .................................................................... 70 Introduction – Into the Cut Identities are performed discourse; they are formed when those who identify as a particular personality perform and establish a discourse in a particular social context. As George Lipsitz states, “improvisation is a site of encounter” (61). In South Korea, female Korean hip hop is the site of a social cut in dominant culture and has become a space of improvisation where new, counter-hegemonic identities are constructed and performed. In this Thesis, I argue that Korean female hip hop artists are enacting a social rupture by performing improvised identities. -
Amfar Charity Poker Tournament All in for a Cure
Jon Hamm at amfAR Gala Los Angeles amfAR Charity Poker Tournament All in for a Cure January 24, 2018 Private Residence San Francisico, California Event produced by Josh Wood Productions amfAR Charity Poker Tournament amfAR will host its rst amfAR Charity Poker Tournament to reinforce the Foundation’s presence in Silicon Valley and engage the tech industry donor base with a new amfAR event format. Funds raised will benet amfAR’s research initiatives, including the amfAR Institute for HIV Cure Research, based at the University of California, San Francisco. About the Event A VIP poker tournament with 100-150 industry leaders, innovators, and philanthropists Featuring cocktails, a poker tournament, a live auction, and entertainment Entertainment will be available for non- players, such as mixology lessons, poker lessons, and performances by magicians Previous Guests of Events Produced by Josh Wood Productions Alessandra Ambrosio, Matt Bomer, Adrien Brody, Naomi Campbell, Dan Caten, Dean Caten, Andy Cohen, Coldplay’s Chris Martin and Jonny Buckland, Kenneth Cole, Anderson Cooper, Laverne Cox, Miley Cyrus, Larry David, Josh Duhamel, Estelle, Colin Farrell, Fergie, Lady Gaga, Jean Paul Gaultier, Cuba Gooding Jr., Brad Goreski, Grace Jones, Debbie Harry, Jennifer Hudson, Kate Hudson, Sarah Hyland, amfAR Ambassador Cheyenne Jackson, Joshua Jackson, Heidi Klum, Diane Kruger, Karolina Kurkova, Cyndi Lauper, Jennifer Lopez, Courtney Love, Ricky Martin, Rose McGowan, Lea Michele, Liza Minnelli, Kate Moss, Ryan Murphy, Sinéad O’Connor, Sarah Jessica -
Roots and Routes 188
Fendler / Roots and Routes 188 ROOTS AND ROUTES Hip-Hop from South Korea Ute Fendler University of Bayreuth [email protected] Abstract With the growing success of hip-hop in South Korea, the discussions about the authenticity of this genre increase and create cleavages between the mainstream and the underground rappers. The paper intends to analyze three examples of the contemporary music scene that are representative of different positions. Taking Simon Frith’s work on popular music as a means to construct identity, the paper suggests questioning the concept of authenticity (“roots”) and proposes instead conceiving hip-hop in South Korea as a movement at the crossroads (“routes”) of various influences and practices. Keywords Authenticity, Identity, Music videos, Performance, R&B, Rap About the Author Ute Fendler is chair of romance cultural and comparative cultural studies at the University of Bayreuth (Germany). Her research interests include intermedial and intercultural phenomenon, popular culture, migration, iconographies, music video, and performance. Kritika Kultura 29 (2017): –213 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Fendler / Roots and Routes 189 In the ongoing process of reaching out to global markets, pop music in South Korea undergoes fast changes, mainly under the influence of US-American and Western European markets, as literature on K-pop highlights (Choi and Maliangkay). John Lie dealt with the question of K-pop as music positioned between different influences: K-pop is symptomatic of the cultural transformation of South Korea: at once the almost complete repudiation of traditional cultures—both Confucian and folk—and the repeated rhetorical stress on the continuities between the past and the present: the nearly empty signifier that is South Korean cultural-national identity.