DOCSLIB.ORG

Young Frankenstein January 11 - March 11, 2018 DISCOVER GREATNESS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Young Frankenstein January 11 - March 11, 2018 DISCOVER GREATNESS The Dinner TheaTre of Columbia Presents november 16, 2017 - January 7, 2018 Next at TOBY’s Young Frankenstein January 11 - March 11, 2018 DISCOVER GREATNESS MUSIC | THEATRE | DANCE | FILM | POETRY VISUAL ARTS | PERFORMANCES | EXHIBITS CLASSES | LESSONS howardcc.edu/horowitzcenter Box Office: 443- 518-1500 Open Mon- Fri 12-6 pm “Sunbeam” Cathrin Hoskinson Howard County ARTsites 2014-2015 Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois The Dinner TheaTre of Columbia Production of miracle on 34th street, the musical Book, music and lyrics by meredith Willson Based on the 20th century Fox Picture story by Valentine davies screen Play by George seaton Director Shawn Kettering Choreographer Mark Minnick Musical Direction & Orchestrations Douglas Lawler Scenic Designer Costume Designer David A. Hopkins Lawrence B. Munsey Lighting Designer Sound Designer Lynn Joslin Mark Smedley Meredith Willson’s Miracle on 34th Street, the Musical is presented through special arrangement with Musical Theatrical International (MTI) All authorized performance materials are also supplies by MTI. 423 West 55th Street New York, NY 10019 Phone: 212-5414684; Fax: 212-397-4684; www.MTIShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com the cast (In order of Appearance) Doris Walker ………………………………........................................... Heather Marie Beck Susan Walker ……............................................. Camden Lippert or Lilianna Robinson Fred Gaily ……………………….....................…….....……...................... Jeffrey Shankle Kris Kringle ……………............................................................... Robert Biedermann 125 Marvin Shellhammer ………................……………...........................…..... Tommy Malek R.H. Macy …...……….......…..........…............…..............................…… Russell Sunday Mr. Sawyer, Climber ………………………….......................................... David Jennings Miss Crookshank .............................................................................. Santina Maiolatesi Judge Martin Group, Governor …............................................ David Bosley-Reynolds Tammany O’Halloran, Mr. Gimbel ………................................................... David James Thomas Mara, Mayor ..……………..........................................................… Justin Calhoun Alvin, Goldilocks ................................................................................. AJ Whittenberger Whitey, Bailiff ..................................................................................... DeCarlo Raspberry Clara ………………………...............…………..................................... MaryKate Brouillet Miss Simms ..................................................................................... Tina Marie DeSimone Sherry or Harry Finfer ........................................................ Sofina Davis or Jonah Hale Henrika .............................................................................. Ella Boodin or Hannah Dash Thomas Mara Jr. .......................................................... Owen Landle or Jackson Smith Girl Scout ................................................................................... Amanda Jillian Kaplan Adult ENSEMBLE MaryKate Brouillet, Justin Calhoun, Coby Kay Callahan, Tina DeSimone, David James, David Jennings, Amanda Jillian Kaplan, Santina Maiolatesi, DeCarlo Raspberry, David Bosley-Reynolds, AJ Whittenberger YOUNg ACTOR ENSEMBLE Ella Boodin or Hannah Dash; Owen Landle or Jackson Smith; Madeline Ellinghaus or Lily Ulman; Sofina Davis or Jonah Hale UNDERSTUDIES Doris (MaryKate Brouillet); Fred (Justin Calhoun); Kris, Macy (David Bosley-Reynolds); Shellhammer (David James); Tammany, Sawyer (Stephen Foreman); Thomas Mara (David Jennings), Judge (DeCarlo Raspberry); Female Ensemble Swing (Elizabeth Rayca); Male Ensemble Swing (Stephen Foreman) orchestra Conductor/Keyboard 1................................................. Douglas Lawler or Pamela Wilt Keyboard 2 ...................................................................... Ann Prizzi or Nathan Scavilla Percussion ............. Bob LaForce, Lucky Marino, Evander McLean, or Glenn Scimonelli Trumpet ................................................. Mike Barber, Frank Gorecki, or Tony Neenan Trombone .................................................... Patrick Crossland, Jay Ellis, Dan Pedley, Seth Rees or Todd Baldwin Reeds/Woodwinds ........................ Steve Hasser, Katie Kellert, or Charlene McDaniel How Do I Tip...? Generally, tipping is based on the price of admission plus any beverages purchased from the bar. If the service has been satisfactory, a tip of 15% is customary. For those customers who purchased their admission through our group sales department, a gratuity was included in the admission price. Any beverages purchased by you from your actor/waiter, however, did not include a gratuity. As such, a 15% gratuity on those purchases is customary. Should you find that your actor/waiter has provided you with outstanding service, your recognition of this would be gratefully appreciated. In the event your service has not been up to our excellent standards, please ask to speak to one of our managers. Thank you for your generosity, and enjoy the show! 4 scenes & musical numBers Act I SCENES 1-4: ON ThE STREET, MACY’S ThANKSgIvINg day pARADE “Big Ca-Lown Balloons” …...................................................................................... Company SCENE 5: DORIS’ Apartment “Arm in Arm” ...................................................................................................... Susan, Doris “You Don’t Know” .......................................................................................................... Doris SCENE 6, 7: TOY DEpartment Of MACY’S DEpartment STORE “Plastic Alligator” ................................................................................. Shellhammer, Clerks SCENE 8: playgROUND, CENTRAL pARK “My Wish” ............................................................................................................ Fred, Susan SCENE 9: DORIS’ OffICE, MACY’S DEpartment STORE “Pinecones and Hollyberries” ........................................................ Kris, Doris, Shellhammer SCENE 10: fRED’S Apartment “Look, Little Girl” ............................................................................................................. Fred SCENE 11: OUTSIDE fRED’S Apartment “Look, Little Girl (Reprise)” ............................................................................................ Doris SCENE 12: MR. sawyer’S OffICE SCENE 13: TOY DEpartment Of MACY’S DEpartment STORE “Expect Things to Happen” ................................................................................ Kris, Susan “Toy Ballet” .................................................................... Susan, Kris, Doris, Fred, Ensemble tHere wiLL Be one twenty-Minute interMiSSion Act I I OpENINg “It’s Beginning to Look a Lot Like Christmas” ..................................................… Ensemble SCENE 1: ChAMBERS Of JUDgE MARTIN gROUp SCENE 2: BELLEvUE hOSpITAL “Pinecones . (Reprise)” ................................................................................... Susan, Kris SCENE 3: fRED’S ApARTMENT “She Hadda Go Back” .............................................................. Fred, Alvin, Whitey, Climber SCENE 4-7: NEW YORK STATE SUpREME COURT “That Man Over There” ................................................................................ Macy, Company “My State, My Kansas” ...................... Doris, Macy, Shellhammer, Tammany, Judge Group “That Man Over There (Reprise)” ........................................................................... Company SCENE 8: hOUSE IN ThE SUBURBS “Love, Come Take Me Again” ....................................................................................... Doris 5 25+ Years in Howard County • Natural Market • Doris and Susan Licensed • Bonded • Insured would love the great shopping Residential Commercial experience at Davids, Complete Mobile Service featuring organic produce, Trucks vitamins and more in an atmosphere FULL SERVICE LOCKSMITH of service and helpful consultation. hours: monday thru Friday 7:30 am - 5 pm www.davidsnaturalmarket.com 410-730-2304 5410 Lynx Lane, Columbia 21044 8970-C Rt.Complete 108, ServiceColumbia, Center MD 21045 410-997-5969 Emergency Service 1-800-848-7754 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 6 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM under the liGhts! HEATHER BECK (Doris) COBY KAY CALLAHAN Credits include: Cats, Spamalot, (Ensemble)Coby is happy to The Full Monty, The King and spend the holidays at Toby’s! I, Little Shop of Horrors, and Favorite credits include Narrator Miss Saigon. Sign language in Joseph, Emma Goldman interpreter and business owner in Ragtime, Fiona in Shrek, by day. This show is dedicated ensemble in Les Mis and The to her Grammie, 3 cats, and
Load more

Recommended publications
  • Broadway Patina Miller Leads a (Mostly) Un-Hollywood Lineup of Stellar Stage Nominees
    05.23.13 • backstage.com The Tonys return to Broadway Patina Miller leads a (mostly) un-Hollywood lineup of stellar stage nominees wHo will win—and wHo sHould 0523 COV.indd 1 5/21/13 12:26 PM Be the Master Storyteller Learn to engage in the truth of a story, breathe life into characters, and create powerful moments on camera. Welcome to your craft. acting for film & television Vancouver Film School pureacting.com Vancouver Film Sch_0321_FP.indd 1 3/18/13 11:00 AM CONTENTS vol. 54, no. 21 | 05.23.13 CENTER STAGE COVER STORY Flying High 1 8 s inging, acting, dancing, and trapeze! Patina Miller secures her spot as one of Broadway’s best with her tony-nominated multi- hyphenate performance in “Pippin” FEATURES 17 2013 tony awards 22 smackdown who will—and who should— UPSTAGE take home the tony on June 9 Col a NEWS : Ni 05 take Five hair ipka what to see and where to go r in the week ahead ith DOWNSTAGE D : Ju griffith; 07 top news CASTING D Looking ahead at the 2013–14 27 new York tristate ewelry tv season Notices audition highlights heia; J 08 stage t : the Drama League opens 39 california Ng a new theater center Notices lothi in downtown Manhattan audition highlights illey;Miller: photo: Cha l ayes; C ayes; 10 screen 43 national/regional h ouise l 72 hour shootout 18 Notices gives opportunities audition highlights arah arah s to asian-americans : Chelsea CHARTS ACTOR 101 54 production stylist ; 13 Inside Job L.a.: feature films: N Dogfish accelerator upcoming co-founders James Belfer n.Y.: feature films: k salo ; lilley: Courtesy C N and Michelle soffen upcoming so N 14 the working actor 55 cast away a robi Dealing with unprofessional hey, Beantown! for roy teelu NiN co-stars D MEMBER SPOTLIGHT har C 16 secret agent Man 56 sarah Louise Lilley rit p why you could still lose your “i was once told that my roles ai k pilot job have a theme in common— : characters that are torn oftware; Dogfish: s akeup 17 tech & dIY between two choices, snapseed whether it be two worlds, two e; M N men, two cultures, or two cover photo: chad griffith personalities.
    [Show full text]
  • A BED and a CHAIR: a New York Love Affair
    Contact: Helene Davis [email protected]/212.354.7436 Helene Davis Public Relations: NORM LEWIS, JEREMY JORDAN join CYRILLE AIMÉE, BERNADETTE PETERS in A BED AND A CHAIR: A New York Love Affair New Stephen Sondheim/Wynton Marsalis Collaboration Presented by NEW YORK CITY CENTER & JAZZ AT LINCOLN CENTER Directed by John Doyle; Choreographed by Parker Esse November 13 – 17 at City Center Special Gala Benefit Performance on November 14 New York, N.Y., October 11, 2013 – Norm Lewis and Jeremy Jordan will join Cyrille Aimée and Bernadette Peters in Stephen Sondheim and Wynton Marsalis’s A BED AND A CHAIR: A New York Love Affair, a new musical event featuring Sondheim’s music arranged and performed by the Jazz at Lincoln Center Orchestra with Wynton Marsalis. This Encores! Special Event, directed by frequent Sondheim collaborator John Doyle, with choreography by Parker Esse and musical supervision by David Loud, was conceived by Peter Gethers, Jack Viertel and John Doyle, and will run for seven performances, November 13 – 17 at City Center. The cast will include Cyrille Aimée, Jeremy Jordan, Norm Lewis and Bernadette Peters with dancers Meg Gillentine, Tyler Hanes, Grasan Kingsberry and Elizabeth Parkinson. A BED AND A CHAIR: A New York Love Affair, presented by the combined forces of City Center’s Encores! program and Jazz at Lincoln Center, celebrates love in New York and love of New York. Native Manhattanite Sondheim and adopted citizen Marsalis (originally from New Orleans) and compared musical notes on their shared passion for our city in a program that features more than two dozen Sondheim compositions, each piece newly re-imagined by the unique musical sensibility of Marsalis and performed by the Jazz at Lincoln Center Orchestra.
    [Show full text]
  • Os Caminhos Da Coreografia No Teatro Musical: As Trajetórias Artísticas De Agnes De Mille, Jerome Robbins, Bob Fosse E Susan Stroman Marianna Chaves
    MESTRADO ARTES CÉNICAS INTERPRETAÇÃO E DIREÇÃO ARTÍSTICA Os caminhos da coreografia no teatro musical: as trajetórias artísticas de Agnes de Mille, Jerome Robbins, Bob Fosse e Susan Stroman Marianna Chaves 12/2020 ESMAE ESCOLA SUPERIOR DE MÚSICA E ARTES DO ESPETÁCULO POLITÉCNICO DO PORTO MESTRADO ARTES CÉNICAS M INTERPRETAÇÃO E DIREÇÃO ARTÍSTICA Os caminhos da coreografia no teatro musical: as trajetórias artísticas de Agnes de Mille, Jerome Robbins, Bob Fosse e Susan Stroman Marianna Chaves Dissertação apresentada à Escola Superior de Música e Artes do Espetáculo como requisito parcial para obtenção do grau de Mestre em Artes Cénicas, especialização em Interpretação e Direção Artística. Professora Orientadora Claudia Marisa Silva de Oliveira Professor Coorientador Rubens Rodrigues Lima Junior 12/2020 ii Dedico este trabalho à minha mãe, Liana Chaves, uma grande artista, professora e pesquisadora, que será sempre uma fonte de inspiração constante na minha vida. Durante toda sua vida pude acompanhar o seu fazer artístico e sua luta para desenvolver no Brasil uma educação voltada para a valorização das artes. Ela me ensinou tudo o que sei e sempre me incentivou a estudar, pois só assim eu construiria a melhor trajetória dentro das artes cênicas. Seu esforço para me dar sempre a melhor educação me trouxe até aqui. Juntas sonhamos com a realização deste mestrado e sei que onde estiver estará felicíssima por esta conquista! iii Agradecimentos A Deus, meu Anjo da Guarda e Nossa Senhora de Fátima, meus protetores. À minha mãe, Liana Chaves, que me apoiou desde o princípio e fez de tudo para que eu viesse para Portugal realizar este mestrado.
    [Show full text]
  • What Makes Or Breaks a Broadway Run Jack Stucky
    Show-Stopping Numbers: What Makes or Breaks a Broadway Run Jack Stucky Advisor: Scott Ogawa Northwestern University MMSS Senior Thesis June 15, 2018 Acknowledgements I would like to thank my advisor, Professor Scott Ogawa, for his advice and support throughout this process. Next, I would like to thank the MMSS program for giving me the tools to complete this thesis. In particular, thank you to Professor Joseph Ferrie for coordinating the thesis seminars and to Nicole Schneider and Professor Jeff Ely for coordinating the program. Finally, thank you to my sister, Ellen, for leading me to this topic. Abstract This paper seeks to determine the effect that Tony Awards have on the longevity and gross of a Broadway show. To do so, I examine week-by-week data collected by Broadway League on shows that have premiered on Broadway from 2000 to 2017. Much literature already exists on finding the effect of a Tony Award on a show’s success; however, this paper seeks to take this a step further. In particular, I look specifically at the differing effects of nominations versus wins for Tony Awards and the effect of single versus multiple nominations and wins. Additionally, I closely examine the differing effects that Tony Awards have on musicals versus plays. I find that while all nominated musicals see a boost in weekly gross as a result of being nominated, only plays that are able to go on to win multiple awards experience a boost because of their nomination. The most significant improvement in expected longevity that can be caused by the Tony Awards occurs for a musical that wins at least three awards, while plays need additional wins in order to see a significant increase in their longevity.
    [Show full text]
  • Academy of Television Arts & Sciences
    68 YEARS OF EMMY® 1948 The Emmy Awards are conceived. The Television Academy’s founding fathers struggle to name the award: Television Academy founder Syd Cassyd suggests “Ike,” the nickname for the television iconoscope tube. Pioneer television engineer and future (1949) Academy president Harry Lubcke suggests “Immy,” a nickname for the image-orthicon camera tube instrumental in the technical development of television. “Immy” is feminized as “Emmy” because the statuette, designed by engineer Louis McManus (who enlisted his wife Dorothy to model for it) depicts the winged “muse of art uplifting the electron of science.” 1949 First Emmy Awards – given to Los Angeles area programming – take place at the Hollywood Athletic Club on January 25. Tickets are $5.00. It is broadcast on local station KTSL. There are less than a million television sets in the U.S. The master of ceremonies was popular TV host Walter O’Keefe. Six awards are given: • Most Outstanding Television Personality: Twenty-year-old Shirley Dinsdale and her puppet sidekick Judy Splinters for “The Judy Splinters Show.” • The Station Award for Outstanding Overall Achievement: KTLA (the first commercial television station west of the Mississippi River). • Technical Award: Engineer Charles Mesak of Don Lee Television for the introduction of TV camera technology. • The Best Film Made for Television: “The Necklace” (a half hour adaptation of Guy de Maupassant's classic short story). • Most Popular Television Program: “Pantomime Quiz.” • A special Emmy is presented to Louis McManus for designing the statuette. 1950 Second Emmy Awards (January 27, Ambassador Hotel) • KFI-TV broadcasts, the six other Los Angeles area stations share expense of the telecast.
    [Show full text]
  • Guide to New York
    GUIDE TO NEW YORK SHOWS WHO SHOULD WIN THE TONYS SHOP A PERSONAL SHOPPER FOR GUYS EXPLORE LONG ISLAND CITY, ART & HIPSTER HAVEN 最佳之地 潇洒购物 游览名胜 Step inside a world of pure imagination at Broadway’s golden ticket: “Charlie and the Chocolate Factory.” JUNE 2017 wheretraveler.com Tickets available at ONEWORLDOBSERVATORY.COM SEE NEW YORK. BE NEW YORK. THE BEST PART OF GOING UP BRUNCH . LUNCH . DINNER . HAPPY HOUR . NIGHTLIFE . CONCERTS IS LOOKING DOWN. www.HornblowerNY.com/Where | 646-846-4803 SEE NEW YORK. BE NEW YORK. HOLIDAYS . PRIVATE PARTIES . CORPORATE EVENTS . WEDDINGS 4 EDITOR’S NOTE June 6 PUBLISHER’S PICK Where New York 72 THE FIX 8 TOP 5 Our favorite ways for spending a June day in NYC. 10 CALENDAR A 1920s lawn party, a Big Apple Barbecue and more. 14 INSIDER A personal shopper reveals the best gifts for guys. 16 ONE BLOCK. ONE DAY. Chinatown—once the site of gang wars—now thrives. 18 ACROSS THE BRIDGE Long Island City, Queens—home to distinctive museums, cool watering holes and much more. 22 AND THE WINNER SHOULD BE… Our theater writer dishes on who is really Tony-worthy this year. 24 GAME DAY There is so much more to our stadiums than just sporting events. Read on! 供中国旅行人士使用 26 城市探索指南 专为中国旅行人士选择的文化景 点、高档购物场所和地方餐饮 30 Shows 60 Sights 42 Food 63 Explore 49 Shop 68 Be Well COVER PROMOTION 55 Art 69 Maps Broadway’s “Charlie and the Chocolate Factory” is a delicious 57 Scene Located at Pier 15 at the South Street Seaport musical, featuring beloved songs & Pier 40 in the West Village.
    [Show full text]
  • 72 YEARS of EMMY® 1948 the Emmy Awards Are Conceived. The
    ® 72 YEARS OF EMMY 1948 The Emmy Awards are conceived. The Television Academy’s founding fathers struggle to name the award: Television Academy founder Syd Cassyd suggests “Ike,” the nickname for the television iconoscope tube. Pioneer television engineer and future (1949) Academy president Harry Lubcke suggests “Immy,” a nickname for the image-orthicon camera tube instrumental in the technical development of television. “Immy” is feminized as “Emmy” because the statuette, designed by engineer Louis McManus (who enlisted his wife Dorothy to model for it) depicts the winged “muse of art uplifting the electron of science.” 1949 First Emmy Awards – given to Los Angeles area programming – take place at the Hollywood Athletic Club on January 25. Tickets are $5.00. It is broadcast on local station KTSL. There are less than a million television sets in the U.S. The master of ceremonies was popular TV host Walter O’Keefe. Six awards are given: ● Most Outstanding Television Personality: Twenty-year-old Shirley Dinsdale and her puppet sidekick Judy Splinters for “The Judy Splinters Show.” ● The Station Award for Outstanding Overall Achievement: KTLA (the first commercial television station west of the Mississippi River). ● Technical Award: Engineer Charles Mesak of Don Lee Television for the introduction of TV camera technology. ● The Best Film Made for Television: “The Necklace” (a half hour adaptation of Guy de Maupassant's classic short story). ● Most Popular Television Program: “Pantomime Quiz.” ● A special Emmy is presented to Louis McManus for designing the statuette. 1950 Second Emmy Awards (January 27, Ambassador Hotel) ● KFI-TV broadcasts, the six other Los Angeles area stations share expense of the telecast.
    [Show full text]
  • New York City with Big Dreams and a Tiny Bank Account Who Settles Into the Only Neighborhood He Can Afford, Avenue Q, and of His Neighbors That He Comes to Know
    WHAT’S ON NEW YORK 2011-2012 Contact Your Travel Agent for Direct Access to Special Rates on Preferred Ticket Inventory THE ADDAMS FAMILY MUSICAL It's every parent's nightmare. Your little girl has suddenly become a young woman, and what's worse, has fallen deliriously in love with a sweet, smart young man from a respectable family. Yes, Wednesday Addams, the ultimate princess of darkness, has a "normal" boyfriend, and for parents Gomez and Morticia, it's a shocking development that turns the Addams house upside down when they are forced to host a dinner for the young man and his parents. Starring Roger Rees and Brooke Shields. SCHEDULE: Tuesday – Sunday. Dark Monday. Performances through 31 December. VENUE: Lunt Fontanne Theatre, 205 West 46th Street (between Broadway & 8th Avenue) ANYTHING GOES MUSICAL This saucy and splendid new production of Cole Porter's musical romp across the Atlantic is the recipient of the 2011 Tony Awards for Best Musical Revival, Best Choreography and Best Actress Sutton Foster! When the S.S. American heads out to sea, etiquette and convention head out the portholes as two unlikely pairs set off on the course to true love. Peppering this hilariously bumpy ride are some of musical theater's most memorable standards, including "I Get a Kick out of You," "You're the Top" and "It's De-lovely." Also starring Tony and Oscar winner Joel Grey. SCHEDULE: Tuesday – Sunday. Dark Monday. VENUE: Stephen Sondheim Theatre, 124 West 43rd St (between Broadway & 6th Avenue) AVENUE Q MUSICAL Avenue Q is the story of Princeton, a bright-eyed college grad who comes to New York City with big dreams and a tiny bank account who settles into the only neighborhood he can afford, Avenue Q, and of his neighbors that he comes to know.
    [Show full text]
  • LGBTQ PERFORMING ARTS in NYC June 22, 1868 Singer Edwin Kelly and Female Impersonator Francis Role of Hedda Gabler to Start Her Broadway Acting Career
    CURTAINS UP! New York City Council L G B T Q PERFORMING ARTS IN NYC 2020 CALENDAR Cover: Adina Verson and Katrina Lenk performing in Indecent, Original Broadway Company. Photograph by Carol Rosegg. t is my pleasure to introduce this calendar from the LaGuardia and Wagner Archives documenting the rich history of the local LGBTQ community’s role in the performing arts. This vibrant and welcoming community is one of the main reasons that I was drawn to New York City as a young gay man. I When one thinks of the magical allure of New York City throughout the nation and around the world, the performing arts immediately come to mind. These arts have shaped the city’s culture and, in turn, the nation’s. Performing arts typically include the dramas, comedies, and musicals of Broadway, Off- Broadway, and Off-Off Broadway theatre, as well as opera, cabaret, orchestral music, classical dance, and more. This calendar is truly unique in that it reaches beyond this standard definition by exploring the role of performing arts as political and cultural protest. From the Latinx L’Unicorns of Staten Island, to the Brooklyn-based Ballez, to the Bronx Academy of Arts and Dance (BAAD!), the calendar features performing arts from all five boroughs. Dancers from all five Queens-based CUNY schools are also depicted performing in the annual Queens Pride Parade in Jackson Heights over the last two years. Manhattan, of course, is represented by the dramas and musicals of Broadway and the queer cabaret performed downtown. Yet, the LGBTQ community’s history with New York’s performing arts also reveals a story of prejudice and outright prohibition.
    [Show full text]
  • The Inventory of the Tyne Daly Collection #1702
    The Inventory of the Tyne Daly Collection #1702 Howard Gotlieb Archival Research Center Daly, Tyne #1702 9/21/05, 9/22/05, 11/18/05, 11/21/05, 11/23/05, 12/5/05, 12/8/05, 1/11/06 Preliminary Listing I. Manuscripts. Box 1 A. Stage plays. 1. "Annie," book by Thomas Meehan, music by Charles Strause, lyrics by Martin Charnin, libretto/vocal book, ca. 97 p., photocopy, (c) 1977. [F. 1] 2. "Anything Goes," music and lyrics by Cole Porter, original book by Guy Bolton, P. G. Wodehouse, Howard Lindsay and Russell Grouse; new book by Timothy Grouse and Jolm Weidman; Beaumont Theatre version. a. Script, TS with holograph notes (probably by Lisa Rawlings), photocopy, 96 p., (c) 1934, 1988. b. Adaptation for BBC Radio 2 by Warner Brown, TS (photocopy) with holograph notes, 131 p. [F. 2] 3. "Ashes," by David Rudkin, TS with holograph notes, 65 p., 2 copies. [F. 3] 4. "Big Maggie: A Drama in Two Acts," by John B. Keane a. Draft, TS with holograph markings and notes, 66 p., n.d. b. Draft of final monologue, TS (fax copy), 4 p., n.d. c. Photocopy of published version, ca. 50 p., (c) 1969; includes ALS to TD from Nancy Malone, 1 p., n.d. [F. 4, Env. 1] 5. "Call Me Madam," music and lyrics by Irving Berlin, book by Howard Lindsay and Russell Crouse, a. Draft, TS (photocopy), 92 p., n.d. b. ALS from Judith E. Daykin (Pres. and Exec. Dir., City Center) to TD, 1 p., 1/14/03; includes program for "The Pirates of Penzance" at City Center, perfom1ed by the New York Gilbert and Sullivan Players, Jan.
    [Show full text]
  • Download Program
    2016/17 Dear Court Theatre Family, I first discovered the power of this art form as an undergraduate student in Los Angeles. My theatre was the Mark Taper Forum, which was the most progressive and daring theatre in the country outside of New York City: in less than two decades, the Taper produced five new plays that were awarded the Pulitzer Prize. It was on that stage I was introduced to the talent of Michael Cristofer, an actor of incredible depth and power, in three different and unforgettable productions. The Taper produced his play The Shadow Box, a moving exploration of confronting the end of life. It was a tremendous success in LA and moved east to Broadway, ultimately winning both a Pulitzer Prize and a Tony Award. Michael’s career has been totally unique. As he continued to write plays, he became a highly sought-after screenwriter, adapting several major novels for the screen. He directed for both film and television and he continued to work as an actor. He is a rare and gifted artist. Court is so honored to introduce Michael’s work to you, our audience. This production has been inspired by Kamal Angelo Bolden. He approached us a few years ago after reading the definitive biography Nine... Ten... And Out! The Two Worlds of Emile Griffith by Ron Ross. Kamal felt there was a play in Emile’s story, and I remembered the drama of watching the fateful fight between Benny “Kid” Paret and Emile as a young boy, when the Friday Night Fights were an important event in our home.
    [Show full text]
  • They Chose Yellow
    20160606-NEWS--0001-NAT-CCI-CN_-- 6/3/2016 7:31 PM Page 1 CRAINS Pols’ sinking poll numbers P. 11 | New York’s largest architecture firms P. 12 | Secret score of a Broadway hit P. 17 CRAINS ® JUNE 6-12, 2016 | PRICE $3.00 NEW YORK BUSINESS THEY CHOSE VOL. XXXII, NO. 23 WWW.CRAINSNEWYORK.COM YELLOW Why an immigrant family from Bangladesh represents the taxi 0 71486 01068 5 23 industry’s best shot at taking on Uber PAGE 14 NEWSPAPER 20160606-NEWS--0002-NAT-CCI-CN_-- 6/3/2016 7:32 PM Page 1 JUNECRAINS 6-12, 2016 FROM THE NEWSROOM | BARBARA BENSON IN THIS ISSUE Signing off after 20 years 3 AGENDA Hudson Yards ON MAY 21, 1996, Crain’s Health Pulse launched as a one- 4 IN CASE YOU MISSED IT opens amid questions page fax about the health care business in New York. In 5 REAL ESTATE those early days, we worried whether insurers, hospitals, 8 WHO OWNS THE BLOCK physicians and companies would generate news to fill the 9 HEALTH CARE page. But Pulse soon became the industry bible. 10 ASKED & ANSWERED When Pulse hit its 20th anniversary a few weeks ago, I 11 felt it was time to step down as its founding editor and VIEWPOINTS consider new challenges. As I prepare to pass the baton 12 THE LIST when the new Pulse editor starts— FEATURES and is introduced to readers—June 20, I’ve reminisced We’ve chronicled about those 20 years. We’ve chronicled many journeys as 14 CHOOSING TAXIS luminaries changed jobs, retired, died or were even jailed many journeys as 17 THE BOOKS OF MORMON for bribery.
    [Show full text]