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In the Aftermath of the Emanuel Nine in the September
For Immediate Release: September 21, 2015 Press Contacts: Natalie Raabe, (212) 286-6591 Molly Erman, (212) 286-7936 Adrea Piazza, (212) 286-4255 In the Aftermath of the Emanuel Nine In the September 28, 2015, issue of The New Yorker, in “Blood at the Root” (p. 26), David Remnick travels to Charleston, South Caro- lina, and explores the city’s resistance and resilience in the aftermath of the June murders of nine people at Emanuel A.M.E. Church. Like many people in Charleston, Pastor Norvel Goff, Sr., at Emanuel, says that members of the community remain in shock and immense pain “(‘post-traumatic-stress syndrome’ was the term they often used), but they were alive, and feeling joy in their pews—and at their jobs, and at their Bible classes and dinner tables and Sunday strolls—because of the depth of their spiritual lives,” Remnick writes. “This was the way of a church that had been around since the days when enslaved black men and women, in a quest for safety, community, dignity, co- hesion, empowerment, ritual, and peace, broke from white churches and built ‘invisible’ institutions, sometimes called ‘hush harbors.’ ” The black church, even as it has changed, aged, and, in some places, lost ground to mega-churches, Remnick writes, remains a powerful insti- tution of black life, and of black political influence. The families of the Emanuel Nine shocked the nation with their message of forgive- ness at the killer Dylann Roof ’s hearing the day after the murders. That forgiveness is hard to understand for anyone “who hasn’t had to cope with that kind of powerlessness,” James H.
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LO60 Juin2011.Pdf
MELLSKIP THE . RODRIGUE USE N°60 MIROSHAKA . LAPONK PHAZE ALEXHELL’S BEAUPAIN KITCHEN & &RODOLPHE JOSEPH D’ANVERS BURGER LELES BAL OGRES DES SURENRAGÉS LA ROUTE ORCHESTERARNAUD REBOTINI ÉTÉ 2011 MYMONOFOCUS JAZZY CHILD PSYKICKSOCALLED LYRIKAH JACQUESHOQUETS DUVALL FRANCE QUÉBEC BELGIQUE SUISSE 100.000 EXEMPLAIRES France DE GRIESSEN ATTENTION, FILLES BARBELÉES Chloé MONS LE MAG MUSICAL QU’ON N’ACHÈTE PAS ! LiLi Cros & 60 Thierry ChazeLLe soMMaire … sont heureux de vous an- noncer la sortie de leur pre- mier album en duo : Voyager 5 ON Y CROIT léger, en sortie nationale le 18 juillet chez L'Autre Distri- Venus in the Dust, Anakronic Electro Orkestra, bution. La tournée du même Alb, Viva and the Diva, Franco Mannara, GiedRé, nom s'annonce joyeuse et fructueuse avec plus de 100 Dona Confuse, Concrete Knives, Clytem Scanning dates sur les deux ans à venir, dont une présence au 11 Francofolies en juillet et à ON Y TIENT Paris en octobre ! Fred Alpi, L’Herbe Folle, Nestor is Bianca, Loki Starfish, Honey for Petzi, Monofocus RENCONTRES 17 Hoquets 19 Arnaud Rebotini 21 Shaka Ponk 22 Skip the Use 24 Les Ogres sur la route 26 Hell’s Kitchen & Rodolphe Burger 29 France de Griessen & Chloé Mons 34 Dossier Festivals 37 INITIATIVES Gérôme Guibert 39 LABEL HISTOIRE Crammed Discs 40 K COMME KÉBEC Socalled 42 FESTIVALS 46 BRUITAGE 54 CA GAVE La FiChe siGNaLee... ToC ! eDiTo LA RÉVOLUTION DES SILENCIEUX Sûr que tu te sens bien petit face à la puissance gigantesque comment ils le font. Chaque centime compte. Et chaque cen- des multinationales, des pouvoirs politiques, économiques time qui sort du système des pouvoirs sans lendemains, pour Été 2011 Été et financiers qui dirigent ton monde, face à tous ceux qui font nourrir plutôt des entreprises, des paysans ou des artisans et défont les choses pour leurs propres profits.
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15 Tips for 5 Cities
#6 Companion Magazine #6 / 2015 Free for guests of 25h hotels € 5,50 / £ 4,00 $ 6,00 CHF companion-magazine.com A magazine by freundevonfreunden.com for 25hours Hotels featuring Fashion & Style, Food & Drink, Art & Entertainment, Wellness & Activity, People & Business from Berlin, Hamburg, Frankfurt, Vienna, Zurich & beyond Beyond Kale & A Way Success Company With Wood Highly successful entre- Yoga teacher and chef Belén Berlin Lumberjacks – preneur Bobby Dekeyser on Vázquez Amaro shares one Albrecht von Alvensleben the intricacies of valuing of her favorite dishes – and Max Pauen aka Bullen- material possessions. a winter special. berg make the cut in oak. A tour to the family forest. Interview, p. 13 Recipe, p. 16 Portrait, p. 26 15 TIPS WOVEN FOR 5 CITIES PLAY- Bits & Pieces, p. 4 GROUNDS One could call them playing fields – the nature-inspired, woven rugs and textile objects by Alexandra Kehayoglou. The designer specializes in items that usually just lay flat THE DO-IT-YOURSELF WOMAN on the ground, adding a third dimension and a touch of nature to any home. Lately, her craft has also extended to Pop star, feminist, do-it-yourself heroine, poster girl of art and fashion installations. COMPANION met with the the internet generation: Claire Boucher does it all. She Argentinian rising star in her Buenos Aires studio to speak achieved stardom in 2012 with her indie music project about heritage and happy accidents. Grimes. With “Art Angels,” the long-awaited follow-up to her breakthrough album “Visions,” the Canadian has once Spielwiesen könnte man sie nennen – die von der Natur in- again shown how a woman in the pop music industry can spirierten gewebten Teppiche und textilen Objekte von take her career into her own hands.
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Introduction
Introduction anne grImes had a gift for collecting songs—partly because she knew how and where to find them. “Everybody thinks you find folk music in the hills; you don’t . it’s in people’s heads,” she told a reporter for the Columbus Citizen- Journal in 1971 before performing at Governor John Gilligan’s Inau- gural Gala at the Ohio Theater in Columbus, Ohio. Born into a pio- neer Ohio family in which music had been important over the gen- erations, Anne Grimes felt a kin- ship with the traditional singers she discovered. As she told the reporter: “In the folk music field, the technical term is ‘informants’; I prefer to think of the people as contributors.” During the height of her col- lecting and performing career in the 1950s and early 1960s, Anne Grimes sang several times at the The cover of the Columbus Dispatch Sunday Magazine, annual National Folk Festival February 17, 1952: Anne Grimes and recorded on Folkways. She with her five children—Mindy also became an expert in the lore (2), Mary (4), Jennifer (6), Sara and techniques of the plucked (10), and Steve (12)—in front or lap dulcimer (also referred to of the Jonathan Alder cabin as the mountain or Appalachian west of Columbus. Photo by Dan F. Prugh courtesy of the dulcimer), and the Anne Grimes Columbus Dispatch collection of these rare folk in- struments—now housed at the Smithsonian Institution—ranks among the nation’s finest. But much of her time and energy was devoted to collecting hundreds of songs and ballads that she then performed in concert-lectures with the general theme of Ohio history through song.
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Exhibits 5 Through 8 to Declaration of Katherine A. Moerke
10-PR-16-4610'PR'16'46 Filed in First Judicial District Court 12/5/201612/5/2016 6:27:08 PM Carver County, MN EXHIBITEXHIBIT 5 10-PR-16-46 Filed in First Judicial District Court 12/5/2016 6:27:08 PM Carver County, MN Reed Smith LLP 599 Lexington Avenue New York, NY 10022-7650 Jordan W. Siev Tel +1 212 521 5400 Direct Phone: +1 212 205 6085 Fax +1 212 521 5450 Email: [email protected] reedsmith.com October 17, 2016 By Email ([email protected]) Laura Halferty Stinson Leonard Street 150 South Fifth Street Suite 2300 Minneapolis, MN 55402 Re: Roc Nation LLC as Exclusive Rights Holder to Assets of the Estate of Prince Rogers Nelson Dear Ms. Halferty: Roc Nation Musical Assets Artist Bremer May 27 Letter Nation, and its licensors, licensees and assigns, controls and administers certain specific rights in connection with various Artist Musical Assets. Roc Nation does so pursuant to agreements between the relevant parties including, but not limited to, that certain exclusive distribution agreement between Roc MPMusic SA., on the one hand, and NPG Records, Inc. NR NPG Distribution Agreement recordings and other intellectual property rights. The Distribution Agreement provides that the term of the Distribution Agreement is the longer of three years or full recoupment of monies advanced under the Distribution Agreement. As neither of these milestones has yet occurred, the Distribution Agreement remains in full force and effect. By way of background, and as highlighted in the May 27 Letter, Roc Nation and NPG have enjoyed a successful working relationship that has included, among other things, the Distribution involvement of Roc Nation in various aspects o -owned music streaming service.
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Grimes Partners with Wetransfer to Activate the Creative Community with Collaborative Art Project
⏲ 01 April 2020, 11:55 (CEST) Grimes partners with WeTransfer to activate the creative community with collaborative art project Musician, Grimes, shares raw files of her new single to inspire creators to make their own videos. UNDER EMBARGO UNTIL 11am PT / 6pm GMT / 7pm CET (Los Angeles, CA - April 1, 2020 - 11am PT) Today, Grimes released the video for “You’ll Miss Me When I’m Not Around”, a track from her latest album, MISS ANTHROPOCENE, which was released last month. Grimes has announced an open call to creatives in isolation to create their own version of her music video, in collaboration with WeTransfer to distribute her raw video files. Grimes grew up on bootleg sampling and DIY creation and considers it a vital part of exploring personal style and creativity. She shares her new video in front of a green screen, encouraging creators to generate their own videos, as part of a collective art project, using the raw files and audio stems she is making available to all. Grimes shares, “Because we’re all in lockdown we thought if people are bored and wanna learn new things, we could release the raw components of a music video for anyone who wants to try making stuff using our footage." WeTransfer’s Head of Music, Tiff Yu adds, “Grimes has always been a fan of collaboration and open source creativity. This project is a great opportunity to let your mind run wild and free, within any creative field. With no limitations, timing or restrictions, she’s made a project for where creatives can be truly creative, without worrying about any red tape or timing.” WeTransfer is embedded within the creative industries and is helping Grimes activate the creative community through their audience.
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San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.
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Psaudio Copper
Issue 107 MARCH 23RD, 2020 Cover: violinist Jascha Heifetz (1901 - 1987). Many consider him to be the greatest violinist ever. He was one of the most influential performing artists of all time and in his later years became a teacher and an advocate of causes he believed in, including clean air and the establishment of 911 as an emergency phone number. Stay safe. Be careful out there. Maintain social distancing. Wash your hands frequently. Familiar phrases in these tough times. To those I’d add: listen to music. Read a book or magazine. Watch a movie. Play your instrument. Surf the web. Don’t let the endless barrage of TV news make you crazy. Ignore (except to debunk) misinformation on Facebook and social media. Call or video chat with a family member, friend or loved one. Though we may be temporarily separated, we’re all in this together and we’ll help each other stay strong. In this issue: Anne E. Johnson gives us incisive looks into two of the modern era’s greatest artists: Frank Sinatra and the Kinks! John Seetoo contributes his CanJam NYC 2020 Part Two report. J.I. Agnew continues his series on linearity in audio, with clear explanations of this technical topic. Tom Gibbs gives unrestrained opinions on Brandy Clark, King Crimson, Charlie Parker and Tame Impala. Professor Larry Schenbeck enthuses about Sanctuary Road, a new oratorio. Dan Schwartz asks: why don’t musicians use audiophile speakers? Veteran broadcaster Bob Wood shakes his head over the state of today’s commercial radio. Wayne Robins provides a step by step operating manual for Miss Anthropocene by Grimes.
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GRIMES / D'eon Darkbloom
GRIMES / d'Eon Darkbloom TRACKLISTING d'Eon Side – 01 Telepathy 02 Thousand Mile Trench 03 Tounges 04 Transparency Grimes Side – 05 Orphia 06 Vanessa 07 Crystal Ball 08 Urban Twilight 09 Hedra “Darkbloom announces Grimes' arrival as an avant-pop force.” - Pitchfork CATALOGUE NUMBER: ABT017 ARTIST: Grimes / d'Eon TITLE: Darkbloom GENRE: Experimental, Synth-pop, Darkwave RELEASE DATE: May 20th, 2016 A joint release by LA's Hippos In Tanks and Montreal's Arbutus Records, the Darkbloom EP is a thrilling split by d'Eon and Grimes. AVAILABLE FORMATS: CD, LP TERRITORY: Worldwide Harnessing the dark energy of her sophomore album Halfaxa, along with the shimmering dream pop of her debut Geidi Primes, Grimes’ side represents a BOX LOT: LP – 30 synthesis of her two sonic personalities. Displaying a level of clarity and ASSOCIATED RELEASES: craftsmanship heretofore unseen in her releases, Boucher presents a stunning - ABT007 Grimes Geidi Primes new collection of ethereal dreamscapes that expand her creative palette without - ABT014 Grimes Halfaxa compromising the spectral presence she is known for. VINYL IS NOT RETURNABLE Following the Middle-Eastern-tinged R&B of 2010’s Palinopsia, d’Eon broadens CD: 884501501972 his stylistic breadth through reference to a number of electronic genres – for example, he simultaneously incorporates elements of Chicago footwork and new jack swing, but surprises the listener with strange forays into bygone genres such as UK drum and bass and trip hop. LP: 061297488162 Presently available worldwide on CD and Digital formats, Darkbloom will be available on vinyl, for the frst time in many territories, on May 20th, 2016.
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The Sonic Bildungsroman: Coming-Of-Age Narratives in Album Form
The Sonic Bildungsroman: Coming-of-Age Narratives in Album Form Dallas Killeen TC 660H Plan II Honors Program The University of Texas at Austin May 2019 __________________________________________ Hannah Wojciehowski Department of English Supervising Professor __________________________________________ Chad Bennett Department of English Second Reader Abstract Author: Dallas Killeen Title: The Sonic Bildungsroman: Coming-of-Age Narratives in Album Form Supervising Professors: Hannah Wojciehowski, Ph.D. Chad Bennett, Ph.D. The Bildungsroman, or coming-of-age story, deals with the transitional period of adolescence. Although initially conceived in the novel form, the Bildungsroman has since found expression in various media. This thesis expands the scope of the genre by describing the “sonic Bildungsroman,” or coming-of-age album, and exploring a few key examples of this previously undefined concept. Furthermore, the record as a medium affords musicians narrative agency critical to their identity development, so this project positions the coming- of-age album squarely in the tradition of the Bildungsroman as a tool for self-cultivation. This thesis examines two albums in great detail: Pure Heroine by Lorde and Channel Orange by Frank Ocean. In these records, Lorde and Ocean lyrically, musically, and visually portray their journeys toward self-actualization. While the works show thematic similarities in their respective presentations of the adolescent experience, Lorde and Ocean craft stories colored by their unique identities. In this way, the two albums capture distinct approaches to constructing coming-of-age narratives in album form, yet both represent foundational examples of the genre due to their subject matter, narrative trajectory, and careful composition. From this basis, this project offers a framework for understanding how popular musicians construct coming-of-age stories in their albums—and for understanding how these stories affect us as listeners.
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Introduction
Chapter I Introduction 1.1 Background of the Study Feminism is a movement that advocates for gender equality. The goal of feminism is for all people to be treated equally. This movement appears because women are sick that they are got no rights, cannot give opinions freely, cannot vote, cannot work, cannot get a fair education, to earn fair wages, and told to behave, unlike men. They want to change their lives to have a free life that not strict by their genders roles and wanted an equality between men and women by having the same opportunities that men received. Therefore, feminism has helped a lot of women to live their life to be free and had a huge impact on the everyday role of women in fighting what they believe in. The difference between feminism from other social movement is feminism focusing on gender and how it relates to the oppression of women all around the world. Female empowerment is the movement to make all the feminist goal to happen. Without female empowerment, feminism goal will not be achieved because, if women do not march to empower others, how can others understand what women want, what women have been through, what equal rights are if not properly given the understanding if women do not speak up and women do not 1 fight for it. Female empowerment is to empower other people. To invite all people, to fight together for their rights, to fight for equality. Empowerment enables them to take control of their lives, and their rights. Besides, organize to help each other and make demands on the nation to back and support their movement and for the society for a change of men perspective of women.
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Venues Are Finally Receiving Funds, but Crew Members Are Still Struggling
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