Book 48.4.Indb
LANGUAGEP. ANDPrieto, SPEECH, M. D’Imperio, 2005, 48 and (4), B. 359 Gili –396Fivela 359 Pitch Accent Alignment in Romance: Primary and Secondary Associations with Metrical Structure Pilar Prieto1, Mariapaola D’Imperio2, Barbara Gili Fivela3 1 Institució Catalana de la Recerca i Estudis Avançats (ICREA) and Universitat Autònoma de Barcelona (UAB), Spain 2 Laboratoire Parole et Langage, UMR 6057 CNRS, Aix-en Provence, France 3 Universitá degli Studi di Lecce, Italy Key words Abstract The article describes the contrastive possibilities of alignment of high accents phonological representation in three Romance varieties, namely, Central Catalan, Neapolitan Italian, of pitch accents and Pisa Italian. The Romance languages analyzed in this article provide crucial evidence that small differences in alignment in rising accents should be encoded phonologically. To account for such facts within the AM model, the primary and article develops the notion of “phonological anchoring” as an extension of secondary the concept of secondary association originally proposed by Pierrehumbert association of tones and Beckman (1988), and later adopted by Grice (1995), Grice, Ladd, and Arvaniti (2000), and others to explain the behavior of edge tones. The Romance data represent evidence that not only peripheral edge tones seek tonal alignment secondary associations. We claim that the phonological representation of Acknowledgments: The article develops some materials and ideas presented by the first author at the Workshop on Intonation in Language Varieties organized by P. Warren and P. Vermillion as a Satellite Meeting to the 15th International Congress of Phonetic Sciences (Barcelona, August 2003) and at the 2004 ESF Workshop on Typology of Tone and Intonation (Cascais, April 2004).
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