Fifteen Minutes of Fame with Giuseppe Lupis -“Happy Birthday
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VIVA VERDI a Small Tribute to a Great Man, Composer, Italian
VIVA VERDI A small tribute to a great man, composer, Italian. Giuseppe Verdi • What do you know about Giuseppe Verdi? What does modern Western society offer everyday about him and his works? Plenty more than you would think. • Commercials with his most famous arias, such as “La donna e` nobile”, from Rigoletto, are invading the air time of television… • Movies and cartoons have also plenty of his arias… What about stamps from all over the world carrying his image? • There are hundreds of them…. and coins and medals… …and banknotes? Well, those only in Italy, that I know of…. Statues of him are all over the world… ….and we have Verdi Squares and Verdi Streets And let’s not forget the many theaters with his name… His operas even became comic books… • Well, he was a famous composer… but it’s that the only reason? Let’s look into that… Giuseppe Fortunino Francesco Verdi Born Joseph Fortunin François Verdi on October 10, 1813 in a village near Busseto, in Emilia Romagna, at the time part of the First French Empire. He was therefore born French! Giuseppe Verdi He was refused admission by the Conservatory of Milan because he did not have enough talent… …that Conservatory now carries his name. In Busseto, Verdi met Antonio Barezzi, a local merchant and music lover, who became his patron, financed some of his studies and helped him throughout the dark years… Thanks to Barezzi, Verdi went to Milano to take private lessons. He then returned to his town, where he became the town music master. -
Verdi Falstaff
Table of Opera 101: Getting Ready for the Opera 4 A Brief History of Western Opera 6 Philadelphia’s Academy of Music 8 Broad Street: Avenue of the Arts Con9tOperae Etiquette 101 nts 10 Why I Like Opera by Taylor Baggs Relating Opera to History: The Culture Connection 11 Giuseppe Verdi: Hero of Italy 12 Verdi Timeline 13 Make Your Own Timeline 14 Game: Falstaff Crossword Puzzle 16 Bard of Stratford – William Shakespeare 18 All the World’s a Stage: The Globe Theatre Falstaff: Libretto and Production Information 20 Falstaff Synopsis 22 Meet the Artists 23 Introducing Soprano Christine Goerke 24 Falstaff LIBRETTO Behind the Scenes: Careers in the Arts 65 Game: Connect the Opera Terms 66 So You Want to Sing Like an Opera Singer! 68 The Highs and Lows of the Operatic Voice 70 Life in the Opera Chorus: Julie-Ann Whitely 71 The Subtle Art of Costume Design Lessons 72 Conflicts and Loves in Falstaff 73 Review of Philadelphia’s First Falstaff 74 2006-2007 Season Subscriptions Glossary 75 State Standards 79 State Standards Met 80 A Brief History of 4 Western Opera Theatrical performances that use music, song Music was changing, too. and dance to tell a story can be found in many Composers abandoned the ornate cultures. Opera is just one example of music drama. Baroque style of music and began Claudio Monteverdi In its 400-year history opera has been shaped by the to write less complicated music 1567-1643 times in which it was created and tells us much that expressed the character’s thoughts and feelings about those who participated in the art form as writers, more believably. -
CHAN 3036 BOOK COVER.Qxd 22/8/07 2:50 Pm Page 1
CHAN 3036 BOOK COVER.qxd 22/8/07 2:50 pm Page 1 CHAN 3036(2) CHANDOS O PERA I N ENGLISH Il Trovatore David Parry PETE MOOES FOUNDATION CHAN 3036 BOOK.qxd 22/8/07 3:15 pm Page 2 Giuseppe Verdi (1813–1901) Il trovatore (The Troubadour) Opera in four parts AKG Text by Salvatore Cammarano, from the drama El trovador by Antonio Garcia Gutiérrez English translation by Tom Hammond Count di Luna, a young nobleman of Aragon ....................................................................Alan Opie baritone Ferrando, captain of the Count’s guard ..................................................................................Clive Bayley bass Doña Leonora, lady-in-waiting to the Princess of Aragon ..............................................Sharon Sweet soprano Inez, confidante of Leonora ........................................................................................Helen Williams soprano Azucena, a gipsy woman from Biscay ....................................................................Anne Mason mezzo-soprano Manrico (The Troubadour), supposed son of Azucena, a rebel under Prince Urgel ........Dennis O’Neill tenor Ruiz, a soldier in Manrico’s service ..................................................................................Marc Le Brocq tenor A Gipsy, a Messenger, Servants and Retainers of the Count, Followers of Manrico, Soldiers, Gipsies, Nuns, Guards Geoffrey Mitchell Choir London Philharmonic Orchestra Nicholas Kok and Gareth Hancock assistant conductors David Parry Further appearances in Opera in English Dennis O’Neill: -
German Arias Concert Program
Graduate Vocal Arts Program Bard College Conservatory of Music OPERA WORKSHOP Stephanie Blythe and Howard Watkins, instructors “Thank you, do you have anything in German?” Friday, March 5 at 8pm Wo bin ich? Engelbert Humperdinck (1854 - 1921) from Hänsel und Gretel Diana Schwam, soprano Ryan McCullough, piano Nimmermehr wird mein Herze sich grämen Friedrich von Flotow (1812 - 1883) from Martha Joanne Evans, mezzo-soprano Elias Dagher, piano Glück, das mir verblieb Erich Wolfgang Korngold (1897 - 1957) from Die tote Stadt Jardena Gertler-Jaffe, soprano Diana Borshcheva, piano Einst träumte meiner sel’gen Base Carl Maria von Weber (1786 - 1826) from Der Freischütz Kirby Burgess, soprano Gwyyon Sin, piano Witch’s Aria Humperdinck from Hänsel und Gretel Maximillian Jansen, tenor Diana Borshcheva, piano Da Anagilda sich geehret… Ich bete sie an Reinhard Kaiser (1674 - 1739) from Die Macht der Tugend Chuanyuan Liu, countertenor Ryan McCullough, piano Arabien, mein Heimatland Weber from Oberon Micah Gleason, mezzo-soprano Gwyyon Sin, piano Da schlägt die Abschiedsstunde Wolfgang Amadeus Mozart (1756 - 1791) from Der Schauspieldirektor Meg Jones, soprano Sung-Soo Cho, piano Mein Sehnen, mein Wähnen Korngold from Die tote Stadt Louis Tiemann, baritone Diana Borshcheva, piano Wie du warst Richard Strauss (1864 - 1949) from Der Rosenkavalier Melanie Dubil, mezzo-soprano Elias Dagher, piano Presentation of the Rose Strauss from Der Rosenkavalier Samantha Martin, soprano Elias Dagher, piano Arie des Trommlers Viktor Ullman (1898 - 1944) from Der Kaiser von Atlantis Sarah Rauch, mezzo-soprano Gwyyon Sin, piano Weiche, Wotan, weiche! Richard Wagner (1813 - 1883) from Das Rheingold Pauline Tan, mezzo-soprano Sung-Soo Cho, piano Nun eilt herbei! Otto Nicolai (1810 - 1849) from Die lustigen Weiber von Windsor Alexis Seminario, soprano Elias Dagher, piano SYNOPSES: Wo bin ich? Hänsel und Gretel Engelbert Humperdinck, Adelheid Wette, 1893 Gretel has just awakened from a deep sleep in the forest. -
HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist
HOWARD COLLEGE MUSIC FALL 2018 RECITAL Monday November 5, 2018 Hall Center for the Arts Linda Lindell, Accompanist Makinsey Grant . Bb Clarinet Fantasy Piece No. 1 by Robert Schumann Fantasy Piece No. 1 by Robert Schumann (1810 – 1856) was written in 1849. It is the first movement of three pieces written to promote the creative notion of the performer. It allows the performer to be unrestricted with their imagination. Fantasy Piece No. 1 is written to be “Zart und mit Ausdruck” which translates to tenderly and expressively. It begins in the key of A minor to give the audience the sense of melancholy then ends in the key of A major to give resolution and leave the audience looking forward to the next movements. (M. Grant) Tony Lozano . Guitar Tu Lo Sai by Giuseppe Torelli (1650 – 1703) Tu lo sai (You Know It) This musical piece is emotionally fueled. Told from the perspective of someone who has confessed their love for someone only to find that they no longer feel the same way. The piece also ends on a sad note, when they find that they don’t feel the same way. “How much I do love you. Ah, cruel heart how well you know.” (T. Lozano) Ruth Sorenson . Mezzo Soprano Sure on this Shining Night by Samuel Barber Samuel Barber (1910 – 1981) was an American composer known for his choral, orchestral, and opera works. He was also well known for his adaptation of poetry into choral and vocal music. Considered to be one of the composers most famous pieces, “Sure on this shining night,” became one of the most frequently programmed songs in both the United States and Europe. -
12-04-2018 Traviata Eve.Indd
GIUSEPPE VERDI la traviata conductor Opera in three acts Yannick Nézet-Séguin Libretto by Francesco Maria Piave, production Michael Mayer based on the play La Dame aux Camélias by Alexandre Dumas fils set designer Christine Jones Tuesday, December 4, 2018 costume designer 8:00–11:00 PM Susan Hilferty lighting designer New Production Premiere Kevin Adams choreographer Lorin Latarro DEBUT The production of La Traviata was made possible by a generous gift from The Paiko Foundation Major additional funding for this production was received from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,012th Metropolitan Opera performance of GIUSEPPE VERDI’S la traviata conductor Yannick Nézet-Séguin in order of vocal appearance violet ta valéry annina Diana Damrau Maria Zifchak flor a bervoix giuseppe Kirstin Chávez Marco Antonio Jordão the marquis d’obigny giorgio germont Jeongcheol Cha Quinn Kelsey baron douphol a messenger Dwayne Croft* Ross Benoliel dr. grenvil Kevin Short germont’s daughter Selin Sahbazoglu gastone solo dancers Scott Scully Garen Scribner This performance Martha Nichols is being broadcast live on Metropolitan alfredo germont Opera Radio on Juan Diego Flórez SiriusXM channel 75 and streamed at metopera.org. Tuesday, December 4, 2018, 8:00–11:00PM MARTY SOHL / MET OPERA Diana Damrau Chorus Master Donald Palumbo as Violetta and Musical Preparation John Keenan, Yelena Kurdina, Juan Diego Flórez Liora Maurer, and Jonathan -
Hoirup Presents Study
Hoirup Presents Study Symphony· Guild Holds First Night Meeti~g Donald Hoirup, instructor in voice at Wake Forest Leading roles will be taken by three.singers new to local University, presented the pre-concert study of Bizet's audiences. Dorothy Krebift, mezzo soprano will portray "Carmen" for members of the Winston-Salem Symphony the gypsy, Carmen; James McCray, tenor, will be the cor- Guild Thursday night in the lower auditorium of Centenary poral, Don Jose; and Thomas Palmer, baritone, will sing Uriit«I Methodist Church. the role of the bullfighter, Escamillo. 1he public was invited to this first night meeting of the David Partington is chorus master, and John Iuele, con- G~ild, which was preceded by a social hour. · ductor. Beverly Culbreath, Steve Wellman, Lewis Turner, Stqdents from the N.C. School of the Arts, Debbie Smith, Andrew Beattie, [?eborah Smith and Martha Lindsey will sopr$10, and Martha Sizemore, mezzo soprano, joined be in the supporting cast. Mrs. Sandy Rushing is also train- Hoir11P in his presentation. One of his own voice students, ing a children's chorus which will sing in addition to the Mar~ne Hyatt, mezzo soprano, and Mrs. Margaret Kolb, chorus of Symphony Chorale members. pianiat, also took part in the program of excerpts from the Hoirup, who joined the Wake Forest faculty in 1972, holds popular opera. · degrees from Juilliard School of Music and has studied in Carmen", to be presented March 7 and 8 at Reynolds Frankfurt, Germany. A bass-baritone, he sang last year in ~nald Hoirup, Wake Forest faculty member gives a Audi&orium, will be sung in English this time. -
American Spiritual Program Fall 2009
Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Download Booklet
2 CDs the ultimate DDD VERDI 8.578068-69 opera album CD 1 innovative style. His effective use of the spectacular, the supernatural, the superstitious, the sentimental, the scandalous, even the downright silly, are evident to everyone familiar with 1 Prelude to La Traviata 3:53 these great operas. But Verdi cannily uses these melodramatic conventions of Romantic opera Slovak Radio Symphony Orchestra, Alexander Rahbari (conductor) to reveal his characters’ psychological situations both directly (through their own words and actions, which of course give rise to their predicaments) and indirectly (as mirrored by, say, the 2 Brindisi: Libiamo ne’ lieti calici from La Traviata 2:54 famous storm in Rigoletto, or by contrasting Aïda’s inner turmoil when she discovers her father Monika Krause (soprano), Yordy Ramiro (tenor), Slovak Philharmonic Chorus, has been taken captive with the Egyptian’s public victory celebrations over the Ethiopians). Slovak Radio Symphony Orchestra, Alexander Rahbari (conductor) Few may find it credible when the old gypsy Azucena reveals that she had mistakenly thrown her own baby into the flames instead of the son of the man who burned her mother at the stake 3 La donna è mobile from Rigoletto 2:55 as a witch, but the disastrous consequences are tragic for all concerned. And the wide-ranging Yordy Ramiro (tenor), Slovak Radio Symphony Orchestra, grand guignol plot of La forza del destino may beggar belief, but it remains a gothic classic, Alexander Rahbari (conductor) complete with its own legendary ‘curse’ which apparently originated when the American baritone Leonard Warren died on the Metropolitan Opera stage on 4 March 1960 while singing Morir, 4 Va, pensiero ‘Chorus of the Hebrew Slaves’ from Nabucco 4:39 tremenda cosa (‘to die, a momentous thing’). -
Giuseppe Verdi Scritti Di
ACCADEMIA MUSICALE CHIGIANA FONDATORE E PRESIDENTE IL CONTE GUIDO CHIGI SARACINI Ente Autonomo per le Settimane Musicali Senesi GIUSEPPE VERDI SCRITTI DI S. A. M. BOTTENHEIM - MATTEO GLINSKI . AUGUSTO HERMET DYNELEY HUSSEY - PIERRE PETIT - ULDERICO ROLANDI FRANCO SCHLITZER . BENCE SZABOLCSI - ALBERT VAN DER LINDEN FRANK WALKER Raccolti in occasione delle « Celebrazioni Verdiane :. dell' VIII Settimana Musicale 16 -22 SETTEMBRE 1951 CASA EDITRICE TICCI SIENA 1951 Proprietà latteraria riservata ARTI GRAFICHE TICCI-SIENA La serie delle « Settimane Musicali Senesi », che ebbe inizio nel nome di Antonio Vivaldi il 1939 e che dopo l' interruzione per il sopraggiungere dello stato di guerra, fu, nel 1948, ripresa ancora nel nome di quell' insigne musicista, continuò nel 1948 con la cele brazione di Baldassare Galuppi e poi con quella dedicata a Domenico Cimarosa. La costituzione dell' Ente Autonomo per le Settimane Senesi, - un mio iniimo e civo desiderio affinchè l' ini ziativa della mia Accademia acesse un sicuro prosegui mento nel tempo, • è ormai un fatto compiuto. La Direzione artistica affidata all'Accademia per garantire le finalità culturali e la serietà delle manifestazioni, costituisce per me motfoo d'intima soddisfazione, perchè è riconoscimento di quel che è stata la mia opera appassionata e disin teressata a favore ed ad onore della Musica Italiana. Per queste ragioni essenziali ancora quest' anno, in occasione del Cinquantenario Verdiano, che si celebra in tutto il mondo, l'Ente Autonomo ha voluto affidare la direzione artistica delle manifestazioni m onore di Giuseppe Verdi all'Accademia, la quale se, in un certo senso, ha derogato dal suo programma fondamentale, ha assunto altresì un impegno che altamente l' onora e di cui io sono lieto e fiero. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system.