Batman: Dark Victory Free
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Joker (2019 Film) - Wikipedia
Joker (2019 film) - Wikipedia https://en.wikipedia.org/wiki/Joker_(2019_film) Joker (2019 film) Joker is a 2019 American psychological thriller film directed by Todd Joker Phillips, who co-wrote the screenplay with Scott Silver. The film, based on DC Comics characters, stars Joaquin Phoenix as the Joker. An origin story set in 1981, the film follows Arthur Fleck, a failed stand-up comedian who turns to a life of crime and chaos in Gotham City. Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, and Marc Maron appear in supporting roles. Joker was produced by Warner Bros. Pictures, DC Films, and Joint Effort in association with Bron Creative and Village Roadshow Pictures, and distributed by Warner Bros. Phillips conceived Joker in 2016 and wrote the script with Silver throughout 2017. The two were inspired by 1970s character studies and the films of Martin Scorsese, who was initially attached to the project as a producer. The graphic novel Batman: The Killing Joke (1988) was the basis for the premise, but Phillips and Silver otherwise did not look to specific comics for inspiration. Phoenix became attached in February 2018 and was cast that July, while the majority of the cast signed on by August. Theatrical release poster Principal photography took place in New York City, Jersey City, and Newark, from September to December 2018. It is the first live-action Directed by Todd Phillips theatrical Batman film to receive an R-rating from the Motion Picture Produced by Todd Phillips Association of America, due to its violent and disturbing content. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Batman Year One Proprosal by Larry and Andy
BATMAN YEAR ONE PROPROSAL BY LARRY AND ANDY WACHOWSKI The scene is Gotham City, in the past. A party is going on and from it descends Thomas Wayne with his wife Martha, and son Bruce. They are talking, with Bruce chatting away about how he wants to see The Mark of Zorro again. Obviously they have just come from a movie premiere. As they turn a corner to their car, they are met by a hooded gunman who tries holding them up. There is a struggle and the Wayne parents are murdered in a bloodbath. Bruce is left there, when he is met by a police officer. There is a screech and a bat flies overhead... Twenty years have passed. Bruce is now twenty‐eight and quite dynamic. The main character has been travelling the world, training for a war on crime, to avenge his parents' deaths. He is at the Ludlow International Airport, where his butler Alfred picks him up. The two drive to Wayne Manor, just outside of Gotham. Bruce watches the city from the distance. The scene moves to downtown Gotham, where Bruce is wearing a hockey mask and black clothes. A fight breaks out between him and a pimp which leads to Bruce escaping to a rotting building. Bleeding badly, he doesn't know whether to continue his crusade against crime. A screech fills the area and a bat dives at him, knocking him onto an old chair. Bruce realises his destiny... The opening credits feature Bruce at Wayne Manor, slamming down a hammer on scrap metal, moulding it into shape. -
Activity Kit Proudly Presented By
ACTIVITY KIT PROUDLY PRESENTED BY: #BatmanDay dccomics.com/batmanday #Batman80 Entertainment Inc. (s19) Inc. Entertainment WB SHIELD: TM & © Warner Bros. Bros. Warner © & TM SHIELD: WB and elements © & TM DC Comics. DC TM & © elements and WWW.INSIGHTEDITIONS.COM BATMAN and all related characters characters related all and BATMAN Copyright © 2019 DC Comics Comics DC 2019 © Copyright ANSWERS 1. ALFRED PENNYWORTH 2. JAMES GORDON 3. HARVEY DENT 4. BARBARA GORDON 5. KILLER CROC 5. LRELKI CRCO LRELKI 5. 4. ARARBAB DRONGO ARARBAB 4. 3. VHYRAE TEND VHYRAE 3. 2. SEAJM GODORN SEAJM 2. 1. DELFRA ROTPYHNWNE DELFRA 1. WORD SCRAMBLE WORD BATMAN TRIVIA 1. WHO IS BEHIND THE MASK OF THE DARK KNIGHT? 2. WHICH CITY DOES BATMAN PROTECT? 3. WHO IS BATMAN'S SIDEKICK? 4. HARLEEN QUINZEL IS THE REAL NAME OF WHICH VILLAIN? 5. WHAT IS THE NAME OF BATMAN'S FAMOUS, MULTI-PURPOSE VEHICLE? 6. WHAT IS CATWOMAN'S REAL NAME? 7. WHEN JIM GORDON NEEDS TO GET IN TOUCH WITH BATMAN, WHAT DOES HE LIGHT? 9. MR. FREEZE MR. 9. 8. THOMAS AND MARTHA WAYNE MARTHA AND THOMAS 8. 8. WHAT ARE THE NAMES OF BATMAN'S PARENTS? BAT-SIGNAL THE 7. 6. SELINA KYLE SELINA 6. 5. BATMOBILE 5. 4. HARLEY QUINN HARLEY 4. 3. ROBIN 3. 9. WHICH BATMAN VILLAIN USES ICE TO FREEZE HIS ENEMIES? CITY GOTHAM 2. 1. BRUCE WAYNE BRUCE 1. ANSWERS Copyright © 2019 DC Comics WWW.INSIGHTEDITIONS.COM BATMAN and all related characters and elements © & TM DC Comics. WB SHIELD: TM & © Warner Bros. Entertainment Inc. (s19) WORD SEARCH ALFRED BANE BATMOBILE JOKER ROBIN ARKHAM BATMAN CATWOMAN RIDDLER SCARECROW I B W F P -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
JOKER an Origin Written by Todd Phillips & Scott Silver 13 April 2018
JOKER an origin written by Todd Phillips & Scott Silver 13 April 2018 This story takes place in its own universe. It has no connection to any of the DC films that have come before it. We see it as a classic Warner Bros. movie. Gritty, intimate and oddly funny, the characters live in the real world and the stakes are personal. Although it is never mentioned in the film, this story takes place in the past. Let's call it 1981. It's a troubled time. The crime rate in Gotham is at record highs. A garbage strike has crippled the city for the past six weeks. And the divide between the "haves" and the "have- nots" is palpable. Dreams are beyond reach, slipping into delusions. TP/SS OVER BLACK: HEAR LAUGHTER. The sound of a man totally cracking up. FADE IN: 1 INT. DEPT. OF HEALTH, OFFICE - MORNING 1 CLOSE ON JOKER (30's), tears in his eyes from laughing so hard. He's trying to get it under control. His greasy, black hair is matted down. He's wearing an old, faded red hooded zip-up sweatshirt, a threadbare gray scarf, thin from years of use, hangs loosely around his neck. WE NOTICE TWO FADED OLD SCARS cut at the corners of his mouth. Almost forming a smile. He's sitting across from an overworked SOCIAL WORKER (50's), African American. Her office is cramped and run-down in a cramped and run-down building. Stacks of folders piled high in front of her. She just sits behind her desk, waiting for his laughing fit to end, she's been through this before. -
Talisman: Batman™ Super-Villains Edition Rules
INTRODUCTION Key Components and The object of the game is to sneak, fight and search your way through Arkham Asylum, and be the first of the Concepts Overview Villains to reach the Security Control Room at the top of This section will introduce new players to the key concepts the Guard Tower. Once there you must subdue Batman and components of Talisman. For players who are familiar and turn off all security systems. The first player to do with Batman Talisman, or the original Talisman game, we this will free all of the Villains and become the leader of recommend jumping ahead to ‘Game Set-up’ on page 6. Gotham City’s underworld, and will win the game. In order to reach the end, you’ll need to collect various Items, gain Followers and improve your Strength and Cunning. Game Board Most importantly, you will need to locate a Security Key Card The game board depicts the Villains’ hand drawn maps of to unlock the Security Control Room. Without one of these Arkham Asylum. It is divided into three Regions: First Floor powerful cards there is no hope of completing your task. (Outer Region), Second Floor (Middle Region), and Tower (Inner Region). Number of Players Up to six players can play Batman Talisman, but the more players that are participating, the longer the game will last. For this reason we suggest using the following rules for faster play. If you have fewer players, or would like to experience the traditional longer Talisman game there are alternative rules provided at the end of this rulebook on page 14. -
Batman Begins Free
FREE BATMAN BEGINS PDF Dennis O'Neil | 305 pages | 15 Jul 2005 | Random House USA Inc | 9780345479464 | English | New York, United States It's Time to Talk About How Goofy 'Batman Begins' Is | GQ As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get some streaming picks. Watch the video. When his parents are killed, billionaire playboy Bruce Wayne relocates to Asia, where he is mentored by Henri Ducard and Batman Begins Al Ghul in how to fight evil. When learning about the plan to wipe out evil in Gotham City by Ducard, Bruce prevents this plan from getting any further and heads back to his home. Back in his original surroundings, Bruce adopts the image of a bat to strike fear into the criminals and Batman Begins corrupt as the icon known as "Batman". But it doesn't stay quiet for long. Written by konstantinwe. I've just come back from a preview screening of Batman Batman Begins. I went in with low expectations, despite the excellence of Christopher Nolan's previous efforts. Talk about having your expectations confounded! This film grips like wet rope from the start. I won't give away any of the story; suffice to say it mixes and matches its sources freely, tossing in a dash of Frank Miller, a bit of Alan Moore and a pinch of Bob Kane to great effect. What's impressive is that despite the weight of the franchise, Nolan has managed to work so many of his trademarks into a mainstream movie. -
JOKER an Origin
JOKER an origin written by Todd Phillips & Scott Silver 1 DECEMBER 2018 FINAL SHOOTING SCRIPT ii This story takes place in its own universe. It has no connection to any of the DC films that have come before it. We see it as a classic Warner Bros. movie. Gritty, intimate and oddly funny, the characters live in the real world and the stakes are personal. Although it is never mentioned in the film, this story takes place in the past. Let's call it 1981. It's a troubled time. The crime rate in Gotham is at record highs. A garbage strike has crippled the city for the past six weeks. And the divide between the "haves" and the "have- nots" is palpable. Dreams are beyond reach, slipping into delusions. TP/SS OVER BLACK: HEAR LAUGHTER. The sound of a man totally cracking up. FADE IN: INT. DEPT. OF HEALTH, OFFICE - MORNING CLOSE ON ARTHUR (30's), tears in his eyes from laughing so hard. He's trying to get it under control. His greasy, black hair hanging down over his forehead. He's wearing an old, faded green cardigan sweater, a threadbare gray scarf, thin from years of use, hangs loosely around his neck. He's sitting across from an overworked SOCIAL WORKER (50's), African American. Her office is cramped and run-down in a cramped and run-down building. Stacks of folders piled high in front of her. She just sits behind her desk, waiting for his laughing fit to end, she's been through this before. -
Should Batman Kill the Joker?” by Mark D
!New York Times: “Should Batman kill the Joker?” By Mark D. White and Robert Arp Published: Friday, July 25, 2008 ! Batman should kill the Joker. How many of us would agree with that? Quite a few, we'd wager. Even Heath Ledger's Joker in "The Dark Knight" marvels at Batman's refusal to kill him. After all, the Joker is a murderous psychopath, and Batman could save countless innocent lives by ending his miserable existence once and for all. Of course, there are plenty of masked loonies ready to take the Joker's place, but none of them has ever shown the same twisted devotion to chaos and tragedy as the Clown Prince of Crime. But if we say that Batman should kill the Joker, doesn't that imply that we should torture terrorism suspects if there's a chance of getting information that could save innocent lives? Of course, terrorism is all too present in the real world, and Batman only exists in the comics and movies. So maybe we're just too detached from the Dark Knight and the problems of Gotham City, so we can say "go ahead, kill him." But, if anything, that detachment implies that there's more at stake in the real world - so why aren't we tougher on actual terrorists than we are on the make-believe Joker? Pop culture, such as the Batman comics and movies, provides an opportunity to think philosophically about issues and topics that parallel the real world. For instance, thinking about why Batman has never killed the Joker may help us reflect on our issues with terrorism and torture, specifically their ethics. -
—Six for the Hangman“ —Lights Out“
“SIX FOR THE HANGMAN” Strange and Intriguing Murder Cases From The New Brunswick Past Barry J. Grant 1983; Fiddlehead Poetry Books & Goose Lane Editions, Ltd. Fredericton, NB ISBN 0-86492-042-3 Chapter Two “LIGHTS OUT” They found her under a hummock of moss in a field by the Harbour Road. The moss thereabouts was peculiar, a kind having long stems and feathery heads. It grew everywhere and one mound covered what looked much like any other. But one was different and “you wouldn’t have noticed it unless you were looking for it.” a policeman said later. Its difference was that a human foot protruded from it. “There she is!” a girl shrieked, and then fled. The girl who almost stepped on the mossy “grave” was one of the four who went to the lonely field that afternoon looking for traces of their friend. Moments before Cpl. Dunn had found a girl’s shoe, the mate to another Thomas Gaudet picked up a few hours earlier on Deadman’s Harbour Road nearby. Gaudet spotted the show as he and Oscar Craig walked along the road about 4:00 pm that Sunday in 1942. It was a good shoe and a new one. Not all women in Blacks Harbour had such expensive footwear as this. News travels fast in a small town. He’d heard that day that one of the Connors girls was missing and suspicion made him take the shoe home. One of the Gaudet children was almost certain: it belong to Bernice Connors. Bernice, one of a family of 12 children, lived with her parents, Mr. -
Superhero Therapy Day 1 Slides
Origin Stories Origin Stories • “What I wouldn’t give to be normal” – Mystique and Beast (First Class) Post-Traumatic Growth Superman: Clinical Application • “I wanted to be Superman… I failed” Superman: Clinical Application • “I wanted to be Superman, I failed” • Invincible Superman: Clinical Application • “I wanted to be Superman, I failed” • Invincible • Kryptonite What is Superhero Therapy? Using popular culture (books, TV shows, movies, and video games examples) in evidence-based therapies (CBT, ACT, prosocial research) For “KIDS” of all ages Most Important Rule: • You don’t have to be the expert in pop culture • The client is the expert ! Why Superhero Therapy? • During most difficult times, people feel alone • Shame is a common feature Brene Brown’s Research • “We deny our loneliness. We feel shame around being lonely even when it’s caused by grief, loss, or heartbreak” Brené Brown • Many people suffer from periodic shame – Shame is “under the radar”, difficult to talk about – The less it’s talked about, the more shame compounds • Shame has negative effects – May underlie low mood, low self esteem, alienation – Drives negative behavior, compensatory attention seeking Potential Triggers for Shame Experiences of Not Fitting In related to: • Appearance • Sex (including ”slut-shaming”) • Body Image • Gender identity/sexual orientation • Money • Religion/Cultural identity • Mental health • Surviving/experiencing trauma • Physical health • Race/ethnicity • Addiction • Divorce • Homelessness • Incarceration How shame shows up in mental