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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Wickenden Wonderland, Dec 21, Rings in Holiday Spirit,H.R. From
Wickenden Wonderland, Dec 21, Rings In Holiday Spirit Caroling is part of the Christmas tradition. Ordinary folks gracing their neighborhood with their own style of holiday cheer is commonplace in many cities. Fox Point on the PVD East Side, one of the city’s neighborhoods with an artistic temperament, is putting their own spin on it. Wickenden Wonderland – Thursday, Dec 21, 6-8pm – is a celebration put together by the Fox Point Neighborhood Association, and it is for a great cause. Raising money for the homeless with Amos House, this wonderland provides a glimpse of beauty in the human spirit. It also looks like a damned good time. The start is the Point Tavern 6-7pm with drinks and plans for merrymaking. The kitchen will be occupied by Great Northern Barbeque, so it’s an opportunity to enjoy delicious food among friends. There will be drink specials at the Point, and their beverages are a great way to lubricate your singing voice – and no one should be caroling on an empty stomach. Revenue from food and drink sales will go toward Amos House. This all makes for a stellar reason to join in on the fun. At 7pm, the party moves to George M. Cohan Plaza (the intersection of Wickenden and Governor Streets) for what the event Facebook page describes as “great musical accompaniment of the Mighty Good Boys. There will be hot chocolate and cookies for everyone!” If you find yourself on PVD’s East Side or you’re in the city looking for something to do on a Thursday night, then celebrate the holiday season with a caroling crowd. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Family Tree the Beatles
pre-metal JOHANN SEBASTIAN BACH RICHARD WAGNER NICCOLO PAGANINI ROBERT JOHNSON BUDDY RICH CHUCK BERRY ELVIS PRESLEY LITTLE RICHARD FAMILY TREE THE BEATLES THE KINKS THE WHO CREAM JIMI HENDRIX progressive rock early metal us early metal uk shock rock original punk JETHRO TULL VANILLA FUDGE DEEP PURPLE SCREAMIN’ JAY HAWKINS RAMONES STEPPENWOLF LED ZEPPELIN ARTHUR BROWN KING CRIMSON IRON BUTTERFLY THE DAMNED BLACK SABBATH ALICE COOPER BLUE CHEER EMERSON LAKE & PALMER THE MC5 BUDGIE NEW YORK DOLLS SEX PISTOLS THE STOOGES THE SWEET KISS YES THE CLASH ALICE COOPER SLADE OZZY OSBOURNE MOUNTAIN GENESIS STATUS QUO VENOM THE VIBRATORS ZZ TOP NAZARETH W.A.S.P. URIAH HEEP BLUE OYSTER CULT THE SAINTS AEROSMITH THIN LIZZY KING DIAMOND MAHAVISHNU ORCHESTRA MONTROSE QUEEN GWAR DEAD BOYS KISS JUDAS PRIEST MARILYN MANSON JOURNEY TED NUGENT RAINBOW SLIPKNOT Y&T STYX VAN HALEN WHITESNAKE RAMMSTEIN KANSAS progressive metal power metal new wave of british heavy metal hardcore RUSH SCORPIONS AC/DC D.O.A. ACCEPT SAVATAGE MOTÖRHEAD DEAD KENNEDYS QUEENSRYCHE MAN O WAR DEF LEPPARD DIO DISCHARGE FATES WARNING QUARTZ MARJORIE J. WALLERSTEIN BLACK FLAG VOIVOD HELLOWEEN SAXON DREAM THEATER BLIND GUARDIAN IRON MAIDEN CIRCLE JERKS MESHUGGAH TYGERS OF PAN TANG STRATOVARIUS THE EXPLOITED PORCUPINE TREE ICED EARTH DIAMOND HEAD TOOL KAMELOT ANGEL WITCH MINOR THREAT DILLINGER ESCAPE PLAN HAMMERFALL GIRLSCHOOL CHARGED G.B.H RHAPSODY OF FIRE OPETH RAVEN NIGHTWISH MISFITS GOJIRA FIST PRIMAL FEAR BAD BRAINS MASTODON SONATA ARCTICA HOLOCAUST COHEED & CAMBRIA DRAGON FORCE TANK -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
Native Elements (Reggae)
Native Elements (Reggae) Driven by tireless passion and their mission to reach as many people as possible Native Elements on average clocks-in 50-80 shows a year crossing continents, borders and city limits from Oregon to San Diego to Baja California, Mexico, France, Belgium, and Hawaii. They have toured with Steel Pulse, Midnite and Bunny Wailer while also sharing bills with reggae royalty, Third World, Black Uhuru, Don Carlos, and Alpha Blondy among dozens of others. As a back up band, Native Elements has supported Hawaii’s own Humble Soul, Marty Dread, J Boog and Jamaica’s own Luciano. Formed in the bedroom of drummer Chris Cortez in Daly City, CA the band grew from a seed planted by lead singer Jose Pangan after his first trip to Jamaica in 1994. He soon traded his Bad Brains records for early Black Uhuru and Mighty Diamond mix tapes which provided a perfect soundtrack to their favorite past time, skateboarding. Cortez, who was also transitioning out of his punk rock days, had just disbanded his high school thrash band, “Demented” taking along with him Jaime Duran (bass) and Peter Hadden (keys) to soon form the early incarnation of Native Elements. They later enlisted the keyboard/trumpet and trombone talents of Benjamin Thompson and Mike Heuser who both came from playing funk, soul and jazz with the funky Motivators. Saxophonist, Mike Baz entered the picture in the year 2000 opening a new level of excitement and improvisation to their live shows. Together, the band has developed their own innovative style of soulful, energetic, roots reggae incorporating smooth lovers rock and hard hitting original rockers rhythms all fostered by the fearless San Francisco Bay Area community. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
Free Press Issue
ISSUE X FREE PRESS 1 COVER Fight The Power -Dj Lord - Public Enemy Pic Rigablood Below Davi Olivera - bs tailslide 180 Pic Rigablood WHAT’S HOT 8 Library BACKSTAGE 10 PaperToy Editor In Chief/Founder - Andrea Rigano Art Director - Alexandra Romano, [email protected] 12 The Drinking Revolution Advertising - Silvia Rapisarda, [email protected] 14 Don’t Sweat The Technique Executive Producer - Mat The Cat Traduzioni - Alessandra Meneghello 16 Risk 22 B Real Photographers - Luca Benedet, Giuliano Berarducci, Enrica Brandimarte, Mattia Cabani, Verena Stefanie Grotto, Alvin Carrillo, Lance 26 Mattia Rocchi 404, Augusto Lucati, Alex Luise, Alan Maag, Mattia Malanga, Matthew Miller, 30 Francesco Mauriello Felice “Piacca” De Sena , Alex Ruffini, StreetBoxVideoLab, Federico Vezzoli 34 Warriors Illustrations - Marcello Crescenzi 44 Sick Of It All Contributors - Milo Bandini, Massimo Barzelatto, Maurice Bellotti/Poison For Souls, 48 Step On Memories - Foxshark Eurotour 2011 Marco Capelli, Matteo Cavanna, Paola Dal Bosco, 51 CIV Fabrizio De Guidi, Giangiacomo De Stefano, Flavio Ignelzi, Fra, Andrea KNGL Longo, Max Mbassadò, Eros Pasi, Davide Pettenuzzo, 54 Matthew Miller Seeso, Alex ‘Wizo’, Marco ‘X-Man’ Xodo, Alberto Zannier 62 Family Album Stampa - Tipografia Nuova Jolly 70 Digging Tales Viale Industria 28 76 Slaine 35030 Rubano (PD) 78 Piff Gang 2 Salad Days Magazine è una rivista registrata presso il 80 D.R.I. Tribunale di Vicenza, N. 1221 del 04/03/2010. 84 The Peawees Get in touch - www.saladdaysmag.com 86 Dirty Armada [email protected] facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints & Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Mike Tramp con testi immagini. -
INSIDE:- Earliest Use of “Heavy Metal” - 1300 Underground Metal Flyers - Original KISS Zine Art - Signed Books, Albums and More
METALSECOND CATALOG OF HEAVY METAL JUNE 2015 Featuring: INSIDE:- Earliest Use of “Heavy Metal” - 1300 Underground Metal Flyers - Original KISS Zine Art - Signed Books, Albums and More.... Arthur Brown The God of Hellfire TERMS OF SALE This material is subject to prior sale. If you are interested in items in this catalog, we recommend you contact us HEAVY right away to secure it. As always, if you are not satis- fied with your purchase, all items are returnable within ten days of delivery. Materials must be returned in the same condition as sent. Simply call us at 626.967.1888 to discuss. Institutions and previously known custom- METAL ers can expect the usual terms. We accept all manner of payment. California residents will pay 9% sales tax, or, if items are purchased at a book fair, pay the sales ORIGIN tax appropriate to that local. As proud members of the Antiquarian Book- STORY sellers’ Association of America, we uphold our The Fugs. THE FUGS PRESENT A NIGHT OF NAPALM association’s code of IN SUPPORT OF THE ASSEMBLY OF UNREPRESENTED ethics. For more information about ABAA book fairs and PEOPLE. New York: [Ed Sanders / Fuck You Press], [1965]. events and to review our complete code of ethics, please An original flyer promoting the band’s August 7, 1965 visit the website: www.ABAA.org concert at The Bridge Theatre in New York. Mimeographed on a 8 ½” x 11” sheet of yellow paper. Mild smudging of the BRAD & JEN JOHNSON mimeo ink to the top right corner; else clean and bright. -
The Dicks Top: the Dicks in the Early 1980S
The Dicks Top: The Dicks in the early 1980s. Photo: Mark Christal. Bottom: The Dicks in 2005. L to R: Buxf Parrot (bass), Gary Floyd (vocals), Pat Deason (drums). Photo: Carlos Lowry. 4 The Dicks The Dicks were confrontational right out of the gate. A seminal band, and not just because singer Gary Floyd sometimes threw condoms filled with fake cum into the crowd. By all accounts, the Dicks challenged their audiences and revealed new possibilities. They made their concerts a hell of an experience and created memorable political music with a sound that was completely their own. The Dicks formed in Austin in 1980. They relocated to San Francisco and changed personnel halfway through the duration of the group, before breaking up in 1986. When one thinks of early hardcore punk music in Texas, a small but critical list of bands comes to mind immediately: the Big Boys, Dirty Rotten Imbeciles (DRI), Butthole Surfers, Really Red, the Stains (later renamed MDC), the Offenders and the Dicks. The Dicks first came to the ears of many with a three song 7”, The Dicks Hate the Police . The band re - leased this 7” in 1980 on their own Radical Records label (by the way, no relation to the more well known R Radical label that Dave Dictor from Stains and MDC created soon after). The song “The Dicks Hate the Police” is an exceptionally memorable and passionate first statement for a band. These lyrics by guitarist Glen Taylor remain stinging and painful, especially while being delivered in a voice that is both mournful and pissed off at the same time: Daddy, Daddy, Daddy Proud of his son He’s got a good job Kills niggers and Mexicans We’ll tell you something and it’s true If you can’t find justice it’ll find you The popular Seattle-based band Mudhoney covered the song as “Hate the Police.” This brought the Dicks’ music to the attention of many thousands of people that might not have heard them otherwise. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
Hardcore! Reggae! Pma! Bad Brains!
3DOGWYMSHQPJ ~ eBook » Punk! Hardcore! Reggae! Pma! Bad Brains! Punk! Hardcore! Reggae! Pma! Bad Brains! Filesize: 4.99 MB Reviews Certainly, this is actually the best job by any article writer. It can be loaded with knowledge and wisdom I realized this pdf from my i and dad advised this book to discover. (Ms. Verlie Goyette) DISCLAIMER | DMCA JIK9FGIBW6T7 > PDF Punk! Hardcore! Reggae! Pma! Bad Brains! PUNK! HARDCORE! REGGAE! PMA! BAD BRAINS! To read Punk! Hardcore! Reggae! Pma! Bad Brains! PDF, remember to access the web link below and save the file or have accessibility to additional information that are related to PUNK! HARDCORE! REGGAE! PMA! BAD BRAINS! ebook. Createspace Independent Publishing Platform, United States, 2014. Paperback. Book Condition: New. 214 x 149 mm. Language: English . Brand New Book ***** Print on Demand *****.On par with only a select few rock bands, the Bad Brains influenced numerous artists over the years - covering a wide range of styles. This is understandable, as the Bad Brains themselves oered up a variety of sounds since forming in the late 70s (punk, hardcore, reggae, metal, funk, etc.), and in the process, penned some of rock s all-time great tunes ( Pay to Cum, Sailin On, Re-Ignition, Sacred Love ) and classic albums ( Bad Brains, Rock for Light, I Against I, Quickness ). But somehow, someway, the Bad Brains never managed to truly break through to the mainstream - while many of the bands they influenced (Beastie Boys, Living Colour, Nirvana) did. At last, there is a book that tells the story of the band, Punk! Hardcore! Reggae! PMA! Bad Brains! Interviews include Charlie Benante (Anthrax), Max Cavalera (Soulfly/ex-Sepultura), Chad Channing (Nirvana), Bobby Hackney (Death), Jamey Jasta (Hatebreed), Curt Kirkwood (Meat Puppets), Mitts (Madball), Keith Morris (Circle Jerks/ex-Black Flag), Chuck Mosley (ex-Faith No More/ex-Bad Brains), Greg Puciato (Dillinger Escape Plan), Travis Stever (Coheed and Cambria), Kim Thayil (Soundgarden), Tesco Vee (Meatmen), and Tim Williams (Vision of Disorder), among many others.