PRENESTINO Creating Connections: Reclaiming Lost Space and Reinforcing Social Bonds
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Walker's Point Strategic Action Plan MILWAUKEE
MILWAUKEE comprehensive Department of City Development Plan • June, 2015 Walker’s Point Strategic Action Plan A Plan for the Area ii Acknowledgments Neighborhood Associations and Continuum Architects + Planners Interest Groups Ursula Twombly, AIA, LEED AP Arts@Large Walker’s Point Association GRAEF The Mandel Group Greater Milwaukee Committee Larry Witzling, Principal The Harbor District Initiative Craig Huebner, Planner/Urban Designer 12th District Alderman Jose Perez University of Wisconsin - Milwaukee Urban Development Studio City of Milwaukee Department of City Development Carolyn Esswein, AICP, CNU-A, Faculty Member in Charge Rocky Marcoux, Commissioner Vanessa Koster, Planning Manager Sam Leichtling, Long Range Planning Manager Mike Maierle, former Long Range Planning Manager Greg Patin, Strategic Planning Manager Dan Casanova, Economic Development Specialist Janet Grau, Plan Project Manager Nolan Zaroff, Senior Planner GIS, Eco- nomic Development Jeff Poellmann, Planning Intern (Urban Design) Andrew Falkenburg, Planning Intern (GIS/Mapping, Editing) City of Milwaukee Redevelopment Authority David Misky, Assistant Executive Director - Secretary Department of Public Works Mike Loughran, Special Projects Manager Walker’s Point Kristin Bennett, Bicycle Coordinator Strategic Action Plan Historic Preservation Carlen Hatala, Historic Preservation Principal Researcher iii Plan Advisory Group Sean Kiebzak, Arts@Large Juli Kaufmann, Fix Development Dan Adams, Harbor District Initiative Joe Klein, HKS/Junior House Dean Amhaus, Milwaukee Water Council Anthony A. LaCroix Nick & JoAnne Anton, La Perla Scott Luber, Independence First Samer Asad, Envy Nightclub Barry Mandel, The Mandel Group Luis “Tony” Baez, El Centro Hispano Megan & Tyler Mason, Wayward Kitchen Tricia M. Beckwith, Wangard Partners Robert Monnat, The Mandel Group Kristin Bennett, Bike Ped Coordinator Cristina Morales Brigette Breitenbach, Company B Lorna Mueller, The Realty Company, LLC Mike Brenner, Brenner Brewing Co. -
'I Fori Imperiali,'
P a g e | 1 Rome, the ‘I Fori Imperiali,’ the ‘Il Quartiere Alessandrina’, and the ‘Via dei Fori Imperiali’: The Documentation and Dissemination of the Scholarly Research and Related Studies (1993-2013). Martin. G. Conde, Washington DC, USA (June 2014). [email protected] Fig. 1 – Rome, the Imperial Fora & the Via dei Fori Imperiali in 2011-12: View of Trajan’s Column and Forum taken from the roof-top terrace of the Palazzo Valentini overlooking the recently excavated ruins within the Forum of Trajan and the surrounding surviving historic structures dating from antiquity onwards. _________________________________________________________________________________________________________________________ “…Nothing remains on the surface of the ground. But, I who was born amid these ruins and who have lived in them, I can testify that in all the cellars of all the houses of the region and in many of the walls, there is evidence to prove that if one where to excavate the ground and demolish the houses, one would find exceptional important information concerning the ancient topography of Rome and the history of the arts.” Prof. Antonio Nibby, ‘Roma nell` Anno 1838,’ Rome (1841). ‘…Before closing this brief preface, I must warn students against a tendency which is occasionally observable in books and papers on the topography of Rome, — that of upsetting and condemning all received notions on the subject, in order to substitute fanciful theories of a new type.” (…) “Yet there are people willing to try the experiment, only to waste their own time and make us lose ours in considering their attempts. Temples of the gods are cast away from their august seats, and relegated to places never heard of before; gates of the city are swept away in a whirlwind till they fly before our eyes like one of Dante’s visions; diminutive ruins are magnified into the remains of great historical buildings; designs are produced of monuments which have never existed.’ Prof. -
International Students Guide 2021 2022
Istituzione di Alta Formazione Artistica Musicale autorizzata con D.M. 144 del 1° agosto 2012 Ministero dell’Istruzione, dell’Università e della Ricerca STUDENT GUIDE Useful Information Before your departure and upon your arrival ---------------------------------------------------------------- Saint Louis College of Music Via Baccina, 47 - Via Urbana, 49/a - Via del Boschetto, 106 – Via Cimarra 19/b (00184, Roma) Tel +39 (0)6 4870017 - Fax +39 (0)6 91659362 www.slmc.it / www.saintlouiscollege.eu / [email protected] Sede legale: Via Cimarra 19b Roma Partita IVA 05731131008 – Registro Società del Tribunale di Roma n. 918703 . S i n c e 1 9 7 6 ---------------------------------------------------------------- Welcome to Saint Louis!………………………………………………………………… pag. 3 About Us….……………………………………………………………………………… pag. 3 Academic Programs……………………………………………………………………… pag. 3 Academic Calendar……………………………………………………………………… pag. 4 National Holidays and Breaks…………………………………………………………… pag. 4 Locations ………………………………………………………………………………… pag. 4 International Office ……………………………………………………………………… pag. 4 Orientation day…………………………………………………………………………… pag. 5 Dedicated services for Erasmus+ students ……………………………………………… pag. 5 CFA, ECTS and grading system ………………………………………………………… pag. 5 PRACTICAL INFORMATION Accommodation before arrival...………………………..……………………………… pag. 6 Visa / Residence Permit / Residence Registration ……………………………………… pag. 6 Codice fiscale…………………………………………………………………………… pag. 8 Health insurance ………………………………………………………………………… pag. 9 How to get to Saint Louis ……………………………………………………………… -
Sculptor Nina Slobodinskaya (1898-1984)
1 de 2 SCULPTOR NINA SLOBODINSKAYA (1898-1984). LIFE AND SEARCH OF CREATIVE BOUNDARIES IN THE SOVIET EPOCH Anastasia GNEZDILOVA Dipòsit legal: Gi. 2081-2016 http://hdl.handle.net/10803/334701 http://creativecommons.org/licenses/by/4.0/deed.ca Aquesta obra està subjecta a una llicència Creative Commons Reconeixement Esta obra está bajo una licencia Creative Commons Reconocimiento This work is licensed under a Creative Commons Attribution licence TESI DOCTORAL Sculptor Nina Slobodinskaya (1898 -1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 TESI DOCTORAL Sculptor Nina Slobodinskaya (1898-1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 Programa de doctorat: Ciències humanes I de la cultura Dirigida per: Dra. Maria-Josep Balsach i Peig Memòria presentada per optar al títol de doctora per la Universitat de Girona 1 2 Acknowledgments First of all I would like to thank my scientific tutor Maria-Josep Balsach I Peig, who inspired and encouraged me to work on subject which truly interested me, but I did not dare considering to work on it, although it was most actual, despite all seeming difficulties. Her invaluable support and wise and unfailing guiadance throughthout all work periods were crucial as returned hope and belief in proper forces in moments of despair and finally to bring my study to a conclusion. My research would not be realized without constant sacrifices, enormous patience, encouragement and understanding, moral support, good advices, and faith in me of all my family: my husband Daniel, my parents Andrey and Tamara, my ount Liubov, my children Iaroslav and Maria, my parents-in-law Francesc and Maria –Antonia, and my sister-in-law Silvia. -
Gazeta Winter 2016
Chaim Goldberg, Purim Parade, 1993, oil painting on canvas Volume 23, No. 1 Gazeta Winter 2016 A quarterly publication of the American Association for Polish-Jewish Studies and Taube Foundation for Jewish Life & Culture Editorial & Design: Fay Bussgang, Julian Bussgang, Shana Penn, Vera Hannush, Alice Lawrence, Maayan Stanton, LaserCom Design. Front Cover Photo: Chaim Goldberg; Back Cover Photo: Esther Nisenthal Krinitz J.D. Kirszenbaum, Self-portrait, c. 1925, oil on canvas TABLE OF CONTENTS Message from Irene Pipes ............................................................................................... 1 Message from Tad Taube and Shana Penn ................................................................... 2 RESEARCH PROJECT The Holocaust in the Eyes of Polish Youth By Dr. Jolanta Ambrosewicz-Jacobs .................................................................................. 3 ART AS FAMILY LEGACY A Daughter Returns with Memories in Art By Bernice Steinhardt .......................................................................................................... 7 Resurrection of a Painter: “From Staszów to Paris, via Weimar, Berlin and Rio de Janeiro” By Nathan Diament ........................................................................................................... 12 Creating a New Museum in Kazimierz By Shalom Goldberg ......................................................................................................... 16 CONFERENCES, SPRING/SUMMER PROGRAMS, AND FESTIVALS Conference on Launch of Volume -
Carta Della Qualità Dei Servizi Del Trasporto Pubblico E Dei Servizi Complementari Atac 2019 Indice
Carta della qualità dei servizi del trasporto pubblico e dei servizi complementari Atac 2019 Indice Capitolo 1 – La Carta dei Servizi 3 1.1 La Carta dei Servizi: obiettivi 3 1.2 I Contratti di Servizio con Roma Capitale 3 1.3 Le Associazioni e il processo partecipativo 4 1.4 Le fonti normative e di indirizzo 4 Capitolo 2 – Atac si presenta 5 2.1 I principi dell’Azienda 5 3.2 Il trasporto pubblico su metropolitana 9 3.3 Sosta 19 3.4 Sicurezza 22 Capitolo 4 - L’attenzione alla qualità 23 4.1 La rendicontazione dell’attività di monitoraggio permanente 23 4.2 Gli indicatori di qualità erogata e programmata 23 4.3 Le segnalazioni degli utenti 30 4.4 Indagini di customer satisfaction 31 Capitolo 5 - La politica per il Sistema di Gestione di Atac SpA 34 5.1 Strategia aziendale 34 5.2 Salute e sicurezza degli utenti e tutela del patrimonio aziendale 34 5.3 Il rispetto dell’ambiente e l’uso razionale dell’energia 34 Capitolo 7 - Comunicazione e informazione 50 7.3 Nucleo Operativo sul Territorio 50 7.4 Altri canali di informazione e comunicazione 50 Appendice A - Diritti, doveri e condizioni generali di utilizzo dei servizi 57 2 Capitolo 1 La Carta dei Servizi 1.1 La Carta dei Servizi: obiettivi renza 1 agosto 2015; - Contratto di servizio per i servizi complementari al tra- La Carta della Qualità dei Servizi è il documento attraver- so il quale ogni ente erogatore di pubblici servizi assume una serie di impegni nei confronti della propria utenza, settembre 2017 con decorrenza 1 gennaio 2017. -
Student Impact
SUMMER 2018 NONPROFIT ORGANIZATION US POSTAGE 80 NEW SCOTLAND AVENUE PAID ALBANY, NEW YORK 12208-3494 PERMIT #161 ALBANY, NY 2018 REUNION SEPT. 20-22, 2018 VISIT THE NEW ALUMNI WEBSITE AT: ALUMNI.ALBANYLAW.EDU • VIEW UPCOMING PROGRAMS AND EVENTS • READ ALUMNI NEWS, SPOTLIGHTS, AND CLASS NOTES • SEARCH FOR CLASSMATES AND COLLEAGUES • UPDATE YOUR CONTACT INFORMATION STUDENT IMPACT ALSO SUMMER 2018 A DEGREE FOR ALBANY LAW SCHOOL’S ALEXANDER HAMILTON FIRST 50 YEARS 2017-2018 ALBANY LAW SCHOOL BOARD OF TRUSTEES CHAIR J. Kevin McCarthy, Esq. ’90 Mary Ann Cody, Esq. ’83 James E. Hacker, Esq. ’84 New York, NY Ocean Ridge, FL Albany, N.Y. David E. McCraw, Esq. ’92 Barbara D. Cottrell, Esq. ’84 New York, NY Hudson, NY SAVE THE DATE! VICE CHAIR Daniel P. Nolan, Esq. ’78 Donald D. DeAngelis, Esq. ’60 Debra F. Treyz, Esq. ’77 Albany, NY Delmar, NY Charleston, SC SEPTEMBER 20–22 Timothy D. O’Hara, Esq. ’96 Jonathan P. Harvey, Esq. ’66 SECRETARY Saratoga Springs, NY Albany, NY • Innovative New Reunion Programming Dan S. Grossman, Esq. ’78 Dianne R. Phillips, Esq. ’88 James E. Kelly, Esq. ’83 New York, NY Boston, MA Germantown, NY • Building Upon Established Traditions TREASURER Rory J. Radding, Esq. ’75 Stephen M. Kiernan, Esq. ’62 New York, NY Marco Island, FL Dale M. Thuillez, Esq. ’72 • Celebrating the Classes Ending in 3’s & 8’s Albany, NY Earl T. Redding, Esq. ’03 Hon. Bernard J. Malone, Jr. ’72 Albany, NY Delmar, NY MEMBERS Hon. Christina L. Ryba ’01 Matthew H. Mataraso, Esq. ’58 Jeanine Arden-Ornt, Esq. -
Mappa Partecipata Anello Verde
! MC Farnesina ! Parchi istituiti, urbani e territoriali MB1 Conca D'Oro MF Monte Antenne 31 ! ANELLO VERDE Aree verdi MAPPA PARTECIPATA Ambito ferroviario ! Stazioni ferroviarie esistenti e previste (PUMS) MF Campi Sportivi ! ! Stazioni metropolitane esistenti e previste (PUMS) FR Nomentana MF Acqua Acetosa ! ! MB1 Libia ! 16 Tessuti ed ambiti urbani in relazione diretta (locale) morfologica e funzionale 27 Piani attuativi oggetto di riorganizzazione n. Tematica Ambito Sintesi proposta MF Euclide 27 2 Luoghi da valorizzare Trastevere Realizzazione parcheggio interrato con parco urbano sovrastante ! 3 Interventi di traffic calming P.P. Sub Comprensorio Quadraro (ex SDO) Istituzione isola ambientale 27 AMBITI INTERESSATI DALLE PROPOSTE 4 Luoghi di aggregazione P.P. Sub Comprensorio Quadraro (ex SDO) Riqualificazione e riconversione a servizi di edificio della Regione Lazio MB1 S.Agnese/Annibaliano MB Rebibbia Valorizzazione area archeologica Parco Tiburtino, riqualificazione aree verdi esistenti e loro ! ! 5 Luoghi da valorizzare Comprensorio Tiburtino 27 connessione con parchi limitrofi Valorizzazione area archeologica Parco Tiburtino, riqualificazione aree verdi esistenti e loro 6 Luoghi da valorizzare Comprensorio Tiburtino Parchi e aree verdi da valorizzare connessione con parchi limitrofi Valorizzazione area archeologica Parco Tiburtino, riqualificazione aree verdi esistenti e loro 7 Luoghi da valorizzare Comprensorio Tiburtino 28 connessione con parchi limitrofi 27 Valorizzazione area archeologica Parco Tiburtino, riqualificazione -
Jewish Refugee Women, Transnational Coalition Politics, and Affect in Ebe Cagli Seidenberg’S Come Ospiti: Eva Ed Altri
Jewish Refugee Women, Transnational Coalition Politics, and Affect in Ebe Cagli Seidenberg’s Come ospiti: Eva ed altri Eveljn Ferraro Writing across and beyond borders evokes at once the human aspiration to connectedness and the reality of a divided world invested in particular interests. For Ebe Cagli Seidenberg, the act of writing emanates from the Fascist “leggi razziali” (“racial laws”) of 1938, which forced her––a young Jewish Italian woman––to leave her native Italy and find refuge in the United States. Her five-volume series entitled Ciclo dell’esilio obbligato (Cycle of the Forced Exile, 1975-91) is a testament to that unwanted separation and the enormous implications that borders have on processes of self and communal identity, hybridization, and exclusion.1 The question of how Italy has been made (or imagined to be) borderless is an ongoing preoccupation in Cagli Seidenberg’s testimonial writing. The unforeseen racial persecution and the abrupt transition from a sheltered life in Rome to that of a refugee in Baltimore created a fracture—in her terms, “uno strappo nelle radici” (“an uprooting”)—that her writing both reflects and seeks to heal. Cagli Seidenberg’s goals to bear witness to racial violence while also reimagining an ordinary existence in the diaspora lie at the center of her narrative approach. In fact, her work both records borders and also affirms the right to a hybrid Italianità and multiple belongings. One of the most effective expressions of border-crossing in Cagli Seidenberg’s production can be found in the novel Il Tempo dei Dioscuri (The Time of the Dioscuri, 1980), the second volume of Ciclo dell’esilio obbligato, where literary and visual representations are intertextually linked in order to tell the parallel yet divergent stories of Ebe and her brother Corrado Cagli, a noted painter who, after fleeing Italy, joined the U.S. -
Brad J Goldberg
BRAD J GOLDBERG 5706 GOLIAD AVENUE DALLAS, TX 75206 . W 214 821 9692 . [email protected] . WWW.BRADJGOLDBERG.COM CURRENT PROJECTS 2014- Moore Square, Raleigh, North Carolina 2013- Washington D.C. Metro Innovation Center Station 2011- Passage, Pueblo Grande Archeological Museum, Phoenix, Arizona 2009- Terminal 4 Terrazzo Floor Project, Ft. Lauderdale International Airport, Florida COMPLETED PROJECTS 2014 Trinity River Amenities Project, Dallas, Texas 2012 Water Tower, Elevated Water Tower Design/Wind Energy Project, Town of Addison, Texas 2012 Belt Line Station, Dallas Area Rapid Transit, Irving, Texas 2011 Every Place A History, Austin Animal Shelter/Betty Dunkerley Campus, Austin, Texas 2011 Water Table, Cityplace, Dallas, Texas 2011 Bollard Series, West Palm Beach County Courthouse Project, West Palm Beach, Florida 2011 Alluvium, Pinnacle/Pima Road Project, Scottsdale, Arizona 2010 Healing Stones, Solar Light Project, Children’s Hospital, Minneapolis, Minnesota 2010 DART System-Wide Lead Artist, Dallas Area Rapid Transit Projects (12 Years) 2009 Trinity Lakes Project, Conceptual Design, Design Team Member with WRT, Dallas, Texas 2009 Fair Park Station, Dallas Area Rapid Transit, Main Entrance to Fair Park, Dallas, Texas 2007 Cisterna, Stone Cistern and Wind Turbine Project, Montgomery Farm, Allen, Texas 2007 Illumination, Symantec Corporation Solar Light Project, Culver City, California 2007 Coral Eden, Miami International Airport Project, Miami, Florida 2006 Place of Origin, Land Reclamation Project, Village of Kemnay, Aberdeenshire, -
International Society for Soil Mechanics and Geotechnical Engineering
INTERNATIONAL SOCIETY FOR SOIL MECHANICS AND GEOTECHNICAL ENGINEERING This paper was downloaded from the Online Library of the International Society for Soil Mechanics and Geotechnical Engineering (ISSMGE). The library is available here: https://www.issmge.org/publications/online-library This is an open-access database that archives thousands of papers published under the Auspices of the ISSMGE and maintained by the Innovation and Development Committee of ISSMGE. Geotechnical Aspects of Underground Construction in Soft Ground – Viggiani (ed) © 2012 Taylor & Francis Group, London, ISBN 978-0-415-68367-8 Dewatering tests results for underground C Line stations construction Massimo Grisolia & Giuseppe Iorio Department of Civil, Architectural and Environmental Engineering, University of Rome “Sapienza”, Italy Antonio Zechini RomaMetropolitane S.r.l., Rome, Italy ABSTRACT: The new C Line of Rome Underground -T4, T5 and T6A lots- mainly runs into volcanic deposits deriving from the Colli Albani apparatus, widely extended in south-eastern areas of Rome. The local hydrogeological framework is very complex due to the large variations of permeability in function of granulometry, cementation processes and secondary fracturing of pyroclastic strata. The bottom of the excavation of the underground stations lies 25/30 meters below the groundwater level. In order to allow dry conditions and to prevent bottom heave during excavation, the groundwater level is lowered by deep wells systems. Some dewatering field tests showed how the local stratigraphy -
Perspektiven Der Spolienforschung 2. Zentren Und Konjunkturen Der
Perspektiven der Spolienforschung Stefan Altekamp Carmen Marcks-Jacobs Peter Seiler (eds.) BERLIN STUDIES OF THE ANCIENT WORLD antiker Bauten, Bauteile und Skulpturen ist ein weitverbreite- tes Phänomen der Nachantike. Rom und der Maghreb liefern zahlreiche und vielfältige Beispiele für diese An- eignung materieller Hinterlassenscha en der Antike. Während sich die beiden Regionen seit dem Ausgang der Antike politisch und kulturell sehr unterschiedlich entwickeln, zeigen sie in der praktischen Umsetzung der Wiederverwendung, die zwischenzeitlich quasi- indus trielle Ausmaße annimmt, strukturell ähnliche orga nisatorische, logistische und rechtlich-lenkende Praktiken. An beiden Schauplätzen kann die Antike alternativ als eigene oder fremde Vergangenheit kon- struiert und die Praxis der Wiederverwendung utili- taristischen oder ostentativen Charakter besitzen. 40 · 40 Perspektiven der Spolien- forschung Stefan Altekamp Carmen Marcks-Jacobs Peter Seiler Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © Edition Topoi / Exzellenzcluster Topoi der Freien Universität Berlin und der Humboldt-Universität zu Berlin Abbildung Umschlag: Straßenkreuzung in Tripolis, Photo: Stefan Altekamp Typographisches Konzept und Einbandgestaltung: Stephan Fiedler Printed and distributed by PRO BUSINESS digital printing Deutschland GmbH, Berlin ISBN ---- URN urn:nbn:de:kobv:- First published Published under Creative Commons Licence CC BY-NC . DE. For the terms of use of the illustrations, please see the reference lists. www.edition-topoi.org INHALT , -, Einleitung — 7 Commerce de Marbre et Remploi dans les Monuments de L’Ifriqiya Médiévale — 15 Reuse and Redistribution of Latin Inscriptions on Stone in Post-Roman North-Africa — 43 Pulcherrima Spolia in the Architecture and Urban Space at Tripoli — 67 Adding a Layer.