Participants Projects

DIGITAL PRODUCTION CHALLENGE 2012

Participants projects

Thursday 15 to Saturday 17 November 2012, Paris

Participant projects DPC 2012 Recommendation Point of views of following experts:

- Andreas Grimso (D.I.T - Norvège)

- Filip Kovcin (Director, Editor, Post production supervisor - Poland)

- Philippe Piffeteau, afc (DP - France)

- Philippe Ros, afc (DP & Digital imaging supervisor - France)

- Ruedi Schik (Founder & manager of Swiss effects - Suisse)

- Tommaso Vergallo (Digital production manager, Digimage Cinema – France)

Moderator: Pr. Martin Hagemann (Producer, Zero Films – Germany)

Head of project: Xavier Grin (Producer – PS Production) Production manager: Sophie Bourdon

Decision tree designed by: Franck Montagne Philippe Ros Post production manager Director of Photography - AFC Consultant / Instructor & Digital Imaging Supervisor / Instructor www.Imagemagie.com www.philipperos.com How does the “DPC 2012 recommendation work?

Project

2 3 4 5 Participant DPC experts Participant project DPC experts proposition for proposition for proposition propositions Digital intermediate Digital intermediate DPC experts remarqs highlighted in green represented by represented by highlighted in red decision tree decision tree SHOOT POST-PRODUCTION EXHIBITION

FIEBER LUXEMBOURG Andre Fetzer (Postproduction manager) EXHIBITION FIEBER - LUXEMBOURG Participant proposition Andre Fetzer (Postproduction manager) 35 mm / 70 mm Destination: Theatre, TV, Festivals

Delivery: 2K DCP

Ref: Digital Check: Data wrangler or DIT Projection REMARQS Post prod: SDSD // HDHD

Advice:

Questions 1. - Asset (or data) management 2. - Archiving 3. - Compression TV Broadcast - DVD Mobile Blu-Ray Internet 2 EXHIBITION FIEBER - LUXEMBOURG DPC 2012 Recommendation Andre Fetzer (Postproduction manager) 35 mm / 70 mm Destination: Theatre, TV, Festivals

Delivery: 2K DCP

Budget: 3'184'000 - (650 000 € are missing) Subject: 95 mn FICTION Film Projection Shooting time: 6 Weeks Luxembourg, Austria, Serbia, Hungary D.I. 2K D.I. SD / HD2K / 2K / 4K Camera: 35 mm 3perfs or Arri Alexa or Red EPIC (better than Red One) Aspect ratio 1,85 Post: 6-8 months. Post-production manager Digital Ref: Projection Check: Data wrangler or DIT REMARQS SDSD // HDHD Post prod: Advice for DP & Post: Shooting Alexa with LogC

Advice:

Questions 1. - Asset (or data) management 2. - Archiving TV Broadcast - DVD 3. - Compression Mobile Blu-Ray Internet 2 SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm Participant Super 8 Digital still

propositioncamera

Film DIGITAL Projection Super 16 Standard Definition SD SD / HD2K / 2K / 4K Standard Telecine Definition From DVcam to 35 mm Digital Betacam

4 P HD RED EPIC, 3 P RED ONE?? High Digital 2 P TeleScan Definition Projection ? 65 mm SDSD // HDHD 2 K CODEX 2K Scan ALEXA Imax TV Broadcast - DVD Digital 4K4 K 4K Scan Mobile Blu-Ray Internet 2 Cinema SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm DPC 2012 Super 8 Digital still

Recommendationcamera

Film DIGITAL Projection Super 16 Standard Definition SD OPTION 1 SD / HD2K / 2K / 4K ANALOG Standard Telecine CAPTURE Definition From DVcam to 35 mm Digital Betacam

4 P HD 3 P Red EPIC, High Digital 2 P TeleScan Definition Projection 65 mm or SDSD // HDHD 2 K 2K Scan Arri ALEXA

Imax OPTION 2 TV Broadcast - DVD Digital DIGITAL 4K4 K CAPTURE4K Scan Mobile Blu-Ray Internet 2 Cinema SHOOT POST-PRODUCTION EXHIBITION

RAMU & JULIETTE FRANCE Manu Rewal (Director / Producer) EXHIBITION RAMU & JULIETTE - FRANCE Participant proposition Manu Rewal (Director / Producer) 35 mm35 mm/ 70 mm Destination: Theatre, TV, Internet, Mobile devices, DVD

Delivery: 35mm print - 2K DCP - Blu-ray/DVD -Broadcast master

Budget: 2'600'000 Subject: 100’ - Fiction, satirical romantic comedy Film Projection Shooting time: 8 weeks (5 in Delhi et 3 in Paris). Copro with India, Germany and/or Switzerland, UK, Belgium. SD / HD2K / 2K / 4K D.I. Hybrid, system. 2K D.I. Camera: ????

Post: VFX

Ref: Digital Check: On set - In postproduction Assistant Cameraman Projection REMARQS Prod : SDSD // HDHD

Advice: Missing infos on style, on where the post prod will be done Questions 1. - The Look/Aspect 2. - Compression 3. - Artifacts TV Broadcast - DVD Mobile Blu-Ray Internet 2 EXHIBITION RAMU & JULIETTE - FRANCE DPC 2012 Recommendation Manu Rewal (Director / Producer) 35 mm35 mm/ 70 mm Destination: Theatre, TV, Internet, Mobile devices, DVD Delivery: 35mm print - 2K DCP - Blu-ray/DVD -Broadcast master Budget: 2'600'000

Subject: 100’ - Fiction, satirical romantic comedy Film Shooting time: 8 weeks (5 in Delhi et 3 in Paris). Copro with India, Germany Projection and/or Switzerland, UK, Belgium. D.I. 2K D.I. SD / HD2K / 2K / 4K Camera: Alexa en Pro Res - EX-1 : EX 3 for documentaries shots

Post: VFX Ref:

Check: On set - In postproduction Assistant Cameraman Digital REMARQS Projection 35 mm/ 3 perfs could have been a solution depending on rental house in India and location of the lab but 35 mm has been rejected because of demand of director to have a lot of footage SDSD // HDHD Advice for DP & Post: Shooting Alexa with LogC Use of the EX-3: shooting full range Gamma - 108%, ingest full range and for: BROADCAST DELIVERIES: during grading remapping (gamma curve and LUT) in legal range 100% Questions 1. - The Look/Aspect TV Broadcast - DVD 2. - Compression Mobile Blu-Ray Internet 2 3. - Artifacts SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm35 mm/ 70 mm DPC 2012 Super 8 Digital still

Recommendationcamera

Film DIGITAL Projection Super 16 Standard RAMU & JULIETTE Definition SD FRANCE SD / HD2K / 2K / 4K Standard Telecine Manu RewalDefinition From DVcam to (Director / Producer) 35 mm Digital Betacam

4 P HD 3 P High Digital 2 P TeleScan Definition Projection

65 mm Sony EX-3 SDSD // HDHD 2 K 2K Scan Arri ALEXA

Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 2 Cinema SHOOT POST-PRODUCTION EXHIBITION

THE BUTLER POLAND Olga Bieniek (Producer) EXHIBITION THE BUTLER - POLAND Participant proposition Olga Bieniek (Producer) 35 mm / 70 mm Destination: Theater

Delivery: 4K DCP

Budget: 2'140'000 Subject: 120’ - Fiction, Period film Film Projection Shooting time: 7 weeks Poland D.I. 4K D.I. SD / HD / 2K / 4K Camera: ARRI Alexa Raw recording and SxS, RED MX ?, RED Epic – Several cameras 4K ? Post: VFX - 5-6months.

Ref: Black thursday Digital Check: On set - Set manager Projection REMARQS Post prod & Prod: Budget to be checked for a period movie with a 4K SDSD // HDHD workflow – Ref ‘’Black Thursday’’ doesn’t fit necessarily witk 4K D.I Advice

Questions

TV Broadcast - DVD Mobile Blu-Ray Internet 3 EXHIBITION THE BUTLER - POLAND DPC 2012 Recommendation Olga Bieniek (Producer) 35 mm / 70 mm Destination: Theater Delivery: 2K DCP Budget: 2'140'000 Subject: 120’ - Fiction, Period film Shooting time: 7/9 weeks Poland Film D.I. 2K D.I. or 3K D.I. for several sequences Projection Camera: ARRI Alexa SxS, (Raw recording for selected sequences if necessary) Aspect ratio: 2.35 SD / HD2K / 2K / 4K Post: 20% of VFX - 5-6 months.

Ref: Black thursday

Check: On set - Set manager REMARQS Digital Advice: If using Red MX with Red Epic & Arri Alexa together there will be some Projection difficulties to match. Need of serious tests for texture & sharpness harmonization if matching different cameras Better to shoot S35 for anamorphic release (shooting anamorphic is more expensive SDSD // HDHD and there’s no good anamorphic zooms Alexa recording SxS with LogC and for selected sequences in RAW (see Post). Use of ARC in post if an improvment of sharpness is needed for Alexa shots Choice of lens definitivly important If use of Red Epic camera check with post the adaptative compressions 6:1 to 3:1 Be aware of difficulties of matching different levels of compressions of Red files TV Broadcast - DVD Questions Mobile Blu-Ray Internet 3 SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

Super 8 Digital still

Participantcamera proposition Film THE BUTLER DIGITAL Projection Super 16 Standard POLAND Definition Olga BieniekSD SD / HD / 2K / 4K Standard Telecine (Producer) Definition From DVcam to 4K ? 35 mm Digital Betacam

4 P HD Red EPIC, 3 P High Digital 2 P Red MX?? TeleScan Definition Projection 65 mm Codex Raw recording SDSD // HDHD 2 K ? 2K Scan Arri ALEXA Imax TV Broadcast - DVD Digital 4K4 K 4K Scan Mobile Blu-Ray Internet Cinema ? 3 SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

SuperDPC 8 2012Digital still

Recommendationcamera

Film THE BUTLER DIGITAL Projection Super 16 Standard POLAND Definition Olga BieniekSD SD / HD2K / 2K / 4K Standard Telecine (Producer) Definition From DVcam to 35 mm Digital Betacam

4 P HD Red EPIC 3 P High Digital 2 P TeleScan Definition Projection 65 mm or SDSD // HDHD 2 K Arri ALEXA 2K Scan SxS recording Imax TV Broadcast - DVD Digital 4K4 K 4K Scan Mobile Blu-Ray Internet 3 Cinema SHOOT POST-PRODUCTION EXHIBITION

BUNCH OF LINGONBERRIES SWEDEN Peter Krupenin (Producer) BUNCH OF LINGONBERRIES - SWEDEN Participant EXHIBITION Peter Krupenin (Producer) proposition approved by DPC Destination: Theatre 35 mm / 70 mm

Delivery: 2K DCP 24 fps , Blu- Ray/DVD, Broadcast Master 25

Budget: 2'000'000 €

Subject: Fiction 100’ Film Projection Shooting time: 7 weeks - Hudiksvakk, Stockholm (Sweden) and New-York (US) SD / HD / 2K / 4K D.I. 2K D.I. 2K Camera: Shooting 25 fps - ARRI Alexa, S xS recording - Red, helicopter in NY Several cameras - Aspect ratio 1,85

Post: 13 Weeks - VFX Digital Ref: Projection Check: DIT - LUT Application post-production manager REMARQS SDSD // HDHD Post prod:

Advice: Alexa recording SxS with LogC Questions TV Broadcast - DVD Mobile Blu-Ray Internet 4 SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

SuperDPC 8 2012Digital still

Recommendationcamera

Film BUNCH OF DIGITALLINGONBERRIES Projection Standard Super 16 SWEDEN Definition SD SD / HD2K / 2K / 4K Peter KrupeninStandard Telecine (Producer)Definition From DVcam to 35 mm Digital Betacam

4 P HD Aerial 3 P High Digital 2 P RED EPIC, TeleScan Definition Projection 65 mm SDSD // HDHD 2 K ARRI ALEXA 2K Scan SxS recording Imax TV Broadcast - DVD Digital 4K4 K 4K Scan Mobile Blu-Ray Internet 4 Cinema SHOOT POST-PRODUCTION EXHIBITION

A LITTLE DUST CROATIA Gold Zdenka (Producer) EXHIBITION A LITTLE DUST - CROATIA Participant Gold Zdenka (Producer) proposition Destination: Theatre, TV, Festivals 35 mm / 70 mm

Delivery: 2K DCP, Broascast Master Budget: 1.600.000,00

Subject: Cross media, fiction/documentary/animation, drama - 90 min Film one part is pure fiction, second part is fiction with documentary approach and third part is fiction with animated Projection parts Shooting time: 4-5 WeeksCroatia, with the possibility to shoot interiors at SD / HD2K / 2K / 4K Co- producer’s country | Poland and France D.I. 2K D.I.

Camera: Arri Alexa with Raw recording?? - Aspect ratio 1,66??

Digital Post: 6-8 months. Projection Ref: Check: DIT - The production. In postproductioneditor assistant SDSD // HDHD REMARQS Post prod:

Advice: Questions 1. - storage, archive TV Broadcast - DVD 2. - security, anti-piracy Mobile Blu-Ray Internet 5 3. - VPF EXHIBITION A LITTLE DUST - CROATIA DPC 2012 Gold Zdenka (Producer) Recommendation Destination: Theatre, TV, Festivals 35 mm / 70 mm

Delivery: 2K DCP, Broascast Master Budget: 1.600.000,00

Camera: Arri Alexa with SxS recording - Aspect ratio Flat 1,85

Digital Post: 6-8 months. Projection Ref: Check: DIT - The production. In postproductioneditor assistant SDSD // HDHD REMARQS Post prod:

Advice: Alexa recording SxS with LogC Questions 1. - storage, archive TV Broadcast - DVD 2. - security, anti-piracy Mobile Blu-Ray Internet 5 3. - VPF SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm Participant Super 8 Digital still

propositioncamera

Film A LITTLEDIGITAL DUST Projection Super 16 Standard CROATIA Definition Gold ZdenkaSD SD / HD2K / 2K / 4K (Producer)Standard Telecine Definition From DVcam to 35 mm Digital Betacam

4 P HD 3 P High Digital 2 P TeleScan Codex Raw ? Definition Projection recording 65 mm SDSD // HDHD 2 K 2K Scan ALEXA

Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 5 Cinema SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

SuperDPC 8 2012Digital still

Recommendationcamera

Film A LITTLEDIGITAL DUST Projection Super 16 Standard CROATIA Definition Gold ZdenkaSD SD / HD2K / 2K / 4K (Producer)Standard Telecine Definition From DVcam to 35 mm Digital Betacam

4 P HD 3 P High Digital 2 P TeleScan Definition Projection High Arri ALEXA 65 mm Definition SxS SDSD // HDHD recording 2 K 2K Scan

Imax Digital 4K4 K TV Broadcast - DVD Cinema 4K Scan Mobile Blu-Ray Internet 5 SHOOT POST-PRODUCTION EXHIBITION

PALACE FOR PEOPLE BULGARIA Missirkov Boris (Producer) Participant EXHIBITION PALACE FOR PEOPLE - BULGARIA proposition Missirkov Boris (Producer) 35 mm / 70 mm Destination: Theatre, TV, Internet, Mobile devices

Delivery: 2K DCP, Blu- Ray/DVD, Broadcast Master

Budget: 486'595 €

Subject: TV Series 7 x 52mn, Documentary Film Shooting time: 21 weeks Bulgaria, Germany, Russia, Latvia, Serbia, Projection Poland, Romania D.I. HD D.I. SD / HD2K / 2K / 4K Camera: SONY PMW-EX3/EX1, RED Epic, DSLR Canon 1D C-1D-5D-7D, PHANTOM Flex, hybrid - film/digital. Go Pro Hero 3 - Several cameras - Aspect ratio: 1,66?? Post: À- 12 months of post - Hybrid system, HD D.I. VFX Which Kind of archives Digital Ref: Projection Check: The production company - DOP and executive producer REMARQS SDSD // HDHD

Advice: TOO MUCH CAMERAS TOO DEAL WITH !! Questions 1. - Calibration & Colour management system (CMS), LUT (Look Up Table) TV Broadcast - DVD 2. - DCI - Digital Cinema Initiatives, DCI-SMPTE DC28, DCP / Digital Mobile Blu-Ray Internet Cinema Package 6 3. - Archiving EXHIBITION PALACE FOR PEOPLE - BULGARIA DPC 2012 Missirkov Boris (Producer) Recommendation 35 mm / 70 mm Destination: Theatre, TV, Internet, Mobile devices

Delivery: 2K DCP, Blu- Ray/DVD, Broadcast Master

Budget: 486'595 €

Subject: TV Series 7 x 52mn, Documentary Film Shooting time: 21 weeks Bulgaria, Germany, Russia, Latvia, Serbia, Projection Poland, Romania D.I. HD D.I. SD / HD2K / 2K / 4K Camera: Option 1: EX-3 & Alexa SxS recording for greenscreen Option 2: Sony F5 with different codec Post: Alchemist or Digital Vision, Nucoda depending of archive quality Ref: Digital Projection Check: The production company - DOP and executive producer REMARQS SDSD // HDHD Advice for DP & Post: Shooting Alexa with LogC Use of the EX-3: shooting full range Gamma - 108%, ingest full range and for: BROADCAST DELIVERIES: during grading remapping in legal range 100%

Questions 1. - Calibration & Colour management system (CMS), LUT (Look Up Table) TV Broadcast - DVD 2. - DCI - Digital Cinema Initiatives, DCI-SMPTE DC28, DCP / Digital Mobile Blu-Ray Internet Cinema Package 6 3. - Archiving ParticipantSHOOT POST-PRODUCTION EXHIBITION proposition FILM SENSORS CHEMICAL 35 mm / 70 mm

Super 8 Digital still

camera

? Film PALACE FOR PEOPLE DIGITAL Projection Super 16 Standard BULGARIA Definition Missirkov Boris SD SD / HD2K / 2K / 4K Standard Telecine (Producer) Definition From DVcam to 35 mm Digital Betacam

4 P HD 3 P High High Digital 2 P TeleScan Definition Definition Projection 65 mm ? ? SD / HD From EX-3 to 2 K EPIC 2K Scan

Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 6 Cinema SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

SuperDPC 8 2012Digital still

Recommendationcamera

Film PALACE FOR PEOPLE DIGITAL Projection Super 16 Standard BULGARIA Definition Missirkov Boris SD SD / HD2K / 2K / 4K Standard Telecine (Producer) Definition OPTION 2 OPTION 1 From DVcam to 1 camera Digital2 cameras Betacam HD High Digital 35Sony mm F5 TeleScan Projection Definition Use of 4 P 3 P different Sony EX-3 2 P & codec SDSD // HDHD Arri Alexa 2 K 65 mm 2K Scan SxS recording Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 6 Cinema SHOOT POST-PRODUCTION EXHIBITION

N.O.F A NETWORK OF FRIENDS GERMANY Georgi Alexandra (Production manager) N.O.F A NETWORK OF FRIENDS - GERMANY Participant EXHIBITION Georgi Alexandra proposition (Production manager) 35 mm35 mm/ 70 mm Destination: Theatre, TV, Internet, Mobile devices

Delivery: 4K DCP, 35mm, Blu-Ray/DVD, Broadcast Master

Budget: 359'645

Subject: Documentary - Europe Film Projection Shooting time: 4 Weeks,

D.I. Hybrid system, Analog? SD / HD / 2K / 4K Camera: Canon C300 - 1,85 Several camera – 4K ? Post: VFX - With 8-bit 4:2:2 ? Post with a hybrid system? Ref: Digital Projection Check: REMARQS SD / HD Post/ Matching U-Matic & 2K + S16 mm look, go to 2K or HD D.I.?

Advice:

Questions 1 - pre-production 2. - archiving TV Broadcast - DVD 3. - Virtual Print Fee (VPF) Mobile Blu-Ray Internet 7 N.O.F A NETWORK OF FRIENDS - GERMANY DPC 2012 EXHIBITION Georgi Alexandra Recommendation (Production manager) 35 mm35 mm/ 70 mm Destination: Theatre, TV, Internet, Mobile devices Delivery: 2K DCP, 35mm, Blu-Ray/DVD, Broadcast Master Budget: 359'645 Subject: Documentary - Europe Shooting time: 4 Weeks, Film Projection D.I. Hybrid system, Analog? Camera: For better quality and for better efficiency on VFX / post: BETTER TO USE: SD / HD2K / 2K / 4K C500 with external recording 1920x1080 10-bit output or C300 with external recording 1920x1080 8-bit uncompressed Aspect ratio: 1,85

Post: Put the money on Men / Women in post

Ref: Digital Check: Projection REMARQS ADVICES: Find geek to restore U-MATIC & to match U-Matic & HD with S16 mm look. SD / HD Start calculating post archives restoration expenses In case of lack of means for the transfer to film, there’s possibility of using a Cinevator for 35mm Copy – But pay attention: Cinevator is only giving positive copy!! Questions 1 - pre-production TV Broadcast - DVD 2. - archiving Mobile Blu-Ray Internet 7 3. - Virtual Print Fee (VPF) SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm35 mm/ 70 mm Participant Super 8 Digital still proposition camera

Film DIGITAL Projection Super 16 Standard N.O.F A NETWORK OF FRIENDS Definition Germany SD SD / HD4K / ?2K / 4K Georgi AlexandraStandard Telecine (Production manager)Definition From DVcam to 35 mm Digital Betacam

4 P HD 3 P High High Digital 2 P TeleScan Definition Definition Projection 65 mm ? SD / HD 2 K 2K Scan Canon C 300

Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet Cinema ? 7 SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm35 mm/ 70 mm

SuperDPC 8 2012Digital still

Recommendationcamera

Film DIGITAL Projection Super 16 Standard N.O.F A NETWORK OF FRIENDS Definition Germany SD SD / HD2K / 2K / 4K Georgi AlexandraStandard Telecine (Production manager)Definition From DVcam to 35 mm Digital Betacam

4 P HD Example of external 3 P High recording devices2 P: High Digital TeleScan Aja Definition Definition Projection

KI65 PRO mm MINI Canon C 300 + External recording SD / HD 2 K 2K Scan CONVERGENT Canon C 500 DESIGN + external GeminiImax recording 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 7 SHOOT POST-PRODUCTION EXHIBITION

THE HEART OF BEASTS ITALY Matteo Bussoli (Production manager) THE HEART OF BEASTS - ITALY Participant EXHIBITION Matteo Bussoli (Production manager) proposition Destination: Theater 35 mm / 70 mm Delivery: 2K DCP Blu-ray/DVD Budget: 355 300 € - Weak budget with so less weeks & high speed

Subject: 90’ Fiction, horror/thriller The film is at a very initial stage of development. We'd like to the as most advantage as possible from the participation to the workshop in Film terms od technical/budgeting choice and networking. Projection Shooting time: 4 Weeks - North & Italy, Switzerland, France SD / HD2K / 2K / 4K D.I. HD D.I. For quality reasons 2K D.I. would be better but the budget is very low Camera: RED Epic, Phantom Flex – Aspect ratio 1.78 The choice is not definitive, this is one of the points we want to focus on and define during DPC Digital Ref: Secuestrados, by Miguel Angel Vivas; Cherry Tree Lane by Paul Andrew Williams Projection Post: ‘’Lab in kind’’ - NO VFX only SFX Control: On set but No decision - Editor/postprod manager. SDSD // HDHD REMARQS

Advice: Questions 1. - Digital Distribution TV Broadcast - DVD 2. - Production Mobile Blu-Ray Internet 8 3. - General SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm DCP 2012 Suggeson Super 8 Digital still

Film script & concept camera to be reconsidered Film DIGITAL Projection Super 16 Standard Definition THE HEART OF BEASTSSD - ITALY SD / HD2K / 2K / 4K Matteo BussoliStandard Telecine (Production manager)Definition From DVcam to 35 mm Digital Betacam

4 P HD 3 P High High Digital 2 P TeleScan Definition Definition ? Projection Phantom Flex 65 mm

SDSD // HDHD 2 K 2K Scan EPIC ? ?

Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 8 Cinema SHOOT POST-PRODUCTION EXHIBITION

ECO REPORTER POLAND Dominika Zurawaska (Production & post production manager) ECO REPORTER - POLAND Participant EXHIBITION Dominika Zurawaska proposition (Production & post production manager) 35 mm / 70 mm Destination: HD TV Internet National Frequency Delivery: HD Broadcast Master

Budget: 127 050 EUR

Subject: TV Show on ecology 20 episodes x 15’ Film Projection D.I. HD D.I.

Shooting time: 50 days SD / HD / 2K / 4K

Camera: Sony EX-3: No external recording - Go Pro Hero– Anamorphic 2.35?? 35 Mb/s Weak Bitrate

Ref: Discovery Digital Check: OK Projection REMARQS

Post prod: 2 weeks of postproduction? SD / HD

Advice

Questions 1 HD High definition 2. - CODEC / Decompression - Compression 3. - Editing flow TV Broadcast - DVD Mobile Blu-Ray Internet 9 ECO REPORTER - POLAND DPC 2012 EXHIBITION Dominika Zurawaska Recommendation (Production & post production manager) 35 mm / 70 mm Destination: HD TV Internet National Frequency English version Delivery: HD Broadcast Master

Budget: 127 050 EUR

Subject: TV Show on ecology 20 episodes x 15’ Film D.I. HD D.I. Projection Shooting time: 50 days Camera: Sony EX-3 / EX-1: with external recording SD / HD / 2K / 4K EX-3 has an interchangeable lens system + With using adaptor and B4 mount lenses you can get really better results Go Pro Hero 3 25 fps – 1,78 Ref: Discovery Digital Check: OK Projection REMARQS

Post prod: 2 weeks of postproduction? Seems too short SDSD // HDHD

Use of the EX-3: shooting full range Gamma - 108%, ingest full range and for: BROADCAST DELIVERIES: during grading remapping (gamma curve and LUT) in legal range 100% Questions 1 HD High definition TV Broadcast - DVD 2. - CODEC / Decompression - Compression Mobile Blu-Ray Internet 9 3. - Editing flow SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm Participant Super 8 Digital still

propositioncamera

Film DIGITAL Projection Super 16 Standard Definition ECO REPORTER - SDPOLAND SD / HD / 2K / 4K Dominika ZurawaskaStandard Telecine (Production & post productionDefinition manager) From DVcam to 35 mm Digital Betacam

4 P HD 3 P High High Digital 2 P TeleScan Definition Definition Projection 65 mm SD / HD 2 K 35 Mb/s 2K Scan Sony Imax EX-1 EX-3 TV Broadcast - DVD GoPro Hero 4K4 K 4K Scan Mobile Blu-Ray Internet 9 SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

SuperDPC 8 2012Digital still

Recommendationcamera

4 P HD Example of external 3 P recording devices: High High Digital 2 P TeleScan Aja Definition Definition Projection KI PRO MINI 65 mm 50 Mb/s Sony EX-1/ SD / HD 2 K EX-3 + External 2K Scan Recorder CONVERGENT DESIGN GoPro Hero Gemini Imax 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 9 SHOOT POST-PRODUCTION EXHIBITION

TRIO: MONTY PYTHON MADE IN ITALY

ITALY Margherita Solenghi (Production & post production manager) TRIO: MONTY PYTHON MADE IN ITALY Participant EXHIBITION Margherita Solenghi (Production manager) proposition Destination: TV serial & Theater 90’ 35 mm / 70 mm

Delivery: 2K - DCP, Blu-Ray/DVD Budget: 104 773 EUR Subject: 90’ Documentary on comedians D.I. 2K or HD D.I. Depends on number of theaters? Film Projection Shooting time: 3 weeks Camera: DSLR CANON 1D C - 1D - 5D - 7D 2.35 Too much SD / HD2K / 2K / 4K cameras?? Multi cameras Aspect ratio 2,35 Ref: Discovery Check: OK

Post: VFX With DSLR ? Digital Sound Multi DSLR cameras with sound ? Projection

REMARQS SDSD // HDHD Infos Only 1D allows an uncompressed output in 8-bit 4:2:2. for external recording – All these Canon provide different number of pixels, this lead to issue when matching them.

Question 1 - Digital Cinema s 2. - Theatre Playback Systems TV Broadcast - DVD 3. - Digital Distribution Mobile Blu-Ray Internet 10 SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

Super 8 Digital still

camera

? Film DIGITAL Projection Super 16 Standard Definition TRIO: MONTY PYTHON MADE IN ITALY SD SD / HD2K / 2K / 4K Margherita SolenghiStandard Telecine (Production & post productionDefinition manager) From DVcam to 35 mm Digital Betacam

4 P HD Participant3 P High High Digital 2 P TeleScan propositionDefinition Definition Projection 65 mm From EX-3 to ? SDSD // HDHD EPIC, ALEXA, F65 2 K 2K Scan

Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 10 Cinema SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

Super 8 Digital still

camera

Film DIGITAL Projection Super 16 Standard Definition TRIO: MONTY PYTHON MADE IN ITALY SD SD / HD2K / 2K / 4K Margherita SolenghiStandard Telecine (Production & post productionDefinition manager) From DVcam to 35 mm Digital Betacam

4 P HD 3 P High High Digital 2 DCP 2012 Suggeson P TeleScan Definition Definition Projection Film script, concept & 65 mm budget to From EX-3be to reconsidered ? SDSD // HDHD EPIC, ALEXA, F65 2 K 2K Scan

Imax Digital 4K4 K TV Broadcast - DVD 4K Scan Mobile Blu-Ray Internet 10 Cinema SHOOT POST-PRODUCTION EXHIBITION

FILM SENSORS CHEMICAL 35 mm / 70 mm

Super 8 Digital still

camera

TEMPLATE TEMPLATE Film DIGITAL Projection Super 16 Standard Definition SD SD / HD / 2K / 4K Standard Telecine Definition From DVcam to 35 mm Digital Betacam

4 P HD 3 P High High Digital 2 P TeleScan Definition Definition Projection

65 mm From EX-3 to SDSD // HDHD EPIC, ALEXA, F65 2 K 2K Scan

Imax TV Broadcast - DVD Digital 44K K Cinema 4K Scan Mobile Blu-Ray Internet

Decision tree designed by: Franck Montagne www.Imagemagie.com & Philippe Ros www.philipperos.com