Plagiat Merupakan Tindakan Tidak Terpuji

Total Page:16

File Type:pdf, Size:1020Kb

Plagiat Merupakan Tindakan Tidak Terpuji PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI A STUDY ON THE USE OF MAXIMS OF CONVERSATION AND SPEECH ACTS IN IRON MAN MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Cristoforus Febri Diputra Student Number: 101214014 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI A STUDY ON THE USE OF MAXIMS OF CONVERSATION AND SPEECH ACTS IN IRON MAN MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Cristoforus Febri Diputra Student Number: 101214014 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 i PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI non scholæ sed vitæ discimus I would like to dedicate this thesis to My Family iv PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI STATEMENT OF WORK'S ORIGINALITY I honestly declare that this thesis,which l havc wl■ ttcn,docs not contain the work or parts ofthc work of othcr pcople,cxcept those cited in the quotations and thc references,as a scientiflc paper should。 Yogyakarta,January 22,2015 The W五 ter CHstoforus Feb五 Diputra 101214014 V PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI LEⅣIBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILⅣIIAH UNTUK KEPENTINGAN AKADEⅣ IIS Yang bertanda tangan di bawah ini, saya mahasiswa Universitas Sanata Dharma: Nama :Cristoforus Fё bri Diputra Nomor Mahasiswa :101214014 Demi pengembangan ilmu pengetahuan,saya llnembenkan kepada Pcrpustakaan Universitas Sanata Dharma karya ilmiah saya yangbeJudul: A STUDY ON THE USE OF MAXIMS OF CONVERSATION AND SPEECH ACTS IN IfiON MAN MOVIE Beserta perangkat yang diperlukan (bila ada). Dengan demikian saya memberikan kepada Perpustakaan Universitas Sanata Dharma hak untuk menyimpan data, mengalihkan dalam bentuk media lain, mengelolanya dalam bentuk pangkalan data, mendistribusikan secara terbatas, dan mempublikasikan ke internet atau media lain untuk kepentingan akademis tanpa perlu meminta ijin dari saya maupun memberikan royalty kepada saya selamatetap mencantumkan nama saya sebagai penulis. Demikian pernyataan ini saya buat dengan sebenarnya. Dibuat di Yogyakarta Pada tanggal: 5 Januari 2015 Yang menyatakan (Cristoforus Febri Diputra) Vl PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ABSTRACT Diputra, Cristoforus Febri. (2015). A Study on the Use of Maxims of Conversation and Speech Acts in Iron Man Movie. Yogyakarta: English Language Education Study Program, Sanata Dharma University. This study discussed Iron Man movie, an American movie based on a Marvel Comic of the same title by Stan Lee. The movie revolved around a fictional superhero from Marvel. Tony Stark is an industrialist, adventurer, philanthropist, inventor and scientist. At the age of 21, Tony inherited the entire father’s wealth because his parents died in a car accident. One day, Tony Stark was conducting a research in Iraq. It was a part of his father's dream. Because of his carelessness at the moment, he almost died. The incident made him become someone who is very remarkable. He transformed from an ordinary human into a superhero called Iron Man. The movie depicted real examples of the use maxims of conversation and speech acts in the characters’ utterances. Thus, the writer intended to analyze the utterances phenomena found in Iron Man movie based on the theories. Two research problems were formulated in this study: (1) What are the maxims of conversation used by the main characters in Iron Man movie? (2) What are the speech acts used in speaking by the characters in Iron Man Movie? The writer employed a theory of Grice’s (1989) to find out the maxims of conversation produced by the characters of Iron Man movie. Also, Searle (1987) theory on the speech acts was included to solve the second research problem. The writer chose document analysis as the method of the study, in which Iron man movie’s subtitle became the primary data source of the study. The secondary source of this study contained theories on maxims of conversation and speech acts. The writer and Iron Man movie’s subtitle, further, were considered as the research instruments. Based on the analysis, the writer found that the characters of Iron Man movie applied the utterances based on the four maxims of conversation. Those were maxim of quality, quantity, relevance, and manner. The second finding showed that the speech acts used in speaking were locutionary, illocutionary, and perlocutionary acts. Keywords: Iron Man movie, maxims of conversation, speech acts vii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ABSTRAK Diputra, Cristoforus Febri. (2015). A Study on the Use of Maxims of Conversation and Speech Acts in Iron Man Movie. Yogyakarta: Pendidikan Bahasa Inggris, Fakultas Keguruan dan Ilmu Pendidikan Universitas Sanata Dharma. Studi ini membahas sebuah film berjudul Iron Man yang diadaptasi dari komik marvel karya Stan Lee. Film ini bercerita mengenai adalah sosok pahlawan super fiktif dari Marvel. Tony Stark adalah seorang industrialis, petualang, filantropis, penemu dan ilmuwan. Pada usia 21 tahun, Tony muda mewarisi seluruh kekayaan ayahnya dikarenakan kedua orang tuanya meninggal karena kecelakaan mobil. Pada suatu hari, Tony Stark sedang melakukan penelitian di Irak. Sebuah penelitian yang merupakan bagian dari impian ayahnya, karena kecerobohannya dia hampir menemui ajalnya. Kejadian tersebut menjadikan dia seseorang yang sangat luar biasa. Dia bertransformasi dari seorang manusia biasa menjadi superhero yang luar biasa yaitu Iron Man. Film Iron Man menggambarkan contoh nyata penggunaan maxims of conversation dan speech acts di dalam sebuah percapakan berdasarkan teori oleh para karakternya. Oleh karena itu, melalui studi ini penulis menganalisa fenomena pengucapan di film Iron Man. Terdapat dua pokok permasalahan dalam studi ini, yaitu: (1) apa sajakah maxims of conversation yang digunakan oleh karakter utama dalam film Iron Man? (2) apakah sajakah speech acts yang digunakan dalam percakapan oleh para karakter film Iron Man? Penulis menerapkan teori Grice (1989) untuk mengidentifikasi maxims of conversation yang digunakan oleh para karakter film Iron Man. Teori Searle (1987) yaitu speech acts disertakan untuk menjawab pertanyaan ilmiah yang kedua. Penulis menggunakan metode analisis dokumen dengan naskah film Iron Man sebagai sumber utama. Sementara itu, sumber sekunder dalam penelitian ini meliputi teori-teori percakapan maxim dan speech acts. Instrumen yang digunakan dalam penelitian ini adalah penulis dan naskah film Iron Man. Berdasarkan analisis, penulis menemukan bahwa karater dari film Iron Man menerapkan tuturan yang berdasarkan keempat maxims of conversation, antara lain maxim kualitas, kuantitas, relevansi, dan tata cara. Penemuan yang ke dua yaitu menjelaskan tentang speech acts yang digunakan dalam berbiacara antara lain locutionary, illocutionary, and perlocutionary acts. Kata kunci: Iron Man movie, maxims of conversation, speech acts viii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ACKNOWLEDGEMENTS I would like to thank God for His blessing and grace, especially during my process in writing this thesis until finish. I would like to express my profoundest gratitude to my advisor, Dr. Retno Muljani, M.Pd. who has been my inspiration as I struggle with all the obstacles in the completion of this study. Her patience, suggestion, support and knowledge helped me to complete and finish my thesis. I could not imagine having a better advisor for this study. I would like to thank Revaival, S.Pd., for his help and support in finding sources for my thesis and also Cornelius Yoga, Agustinus Grahito, Arya Dewangga, Obi Gaguk, and Antonius Nicko for the thesis discussions, precious time spent in the library, help in understanding theories, and we were working together to work on the thesis. I also thank to all my friends of PBI batch 2010. My deepest gratitude and appreciation are addressed to my beloved parents, brothers and sister for their love and continuous support throughout my life. This thesis is simply impossible without them. I would like to thank everyone who has supported me throughout the entire process. Cristoforus Febri Diputra ix PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI TABLE OF CONTENTS Page TITLE PAGE .............................................................................................................i APPROVAL PAGES.................................................................................................ii DEDICATION PAGE................................................................................................iv STATEMENT OF WORK’S ORIGINALITY ..........................................................v PERNYATAAN PERSETUJUAN PUBLIKASI...........................................................vi
Recommended publications
  • The Avengers (Action) (2012)
    1 The Avengers (Action) (2012) Major Characters Captain America/Steve Rogers...............................................................................................Chris Evans Steve Rogers, a shield-wielding soldier from World War II who gained his powers from a military experiment. He has been frozen in Arctic ice since the 1940s, after he stopped a Nazi off-shoot organization named HYDRA from destroying the Allies with a mystical artifact called the Cosmic Cube. Iron Man/Tony Stark.....................................................................................................Robert Downey Jr. Tony Stark, an extravagant billionaire genius who now uses his arms dealing for justice. He created a techno suit while kidnapped by terrorist, which he has further developed and evolved. Thor....................................................................................................................................Chris Hemsworth He is the Nordic god of thunder. His home, Asgard, is found in a parallel universe where only those deemed worthy may pass. He uses his magical hammer, Mjolnir, as his main weapon. The Hulk/Dr. Bruce Banner..................................................................................................Mark Ruffalo A renowned scientist, Dr. Banner became The Hulk when he became exposed to gamma radiation. This causes him to turn into an emerald strongman when he loses his temper. Hawkeye/Clint Barton.........................................................................................................Jeremy
    [Show full text]
  • Ant Man Movies in Order
    Ant Man Movies In Order Apollo remains warm-blooded after Matthew debut pejoratively or engorges any fullback. Foolhardier Ivor contaminates no makimono reclines deistically after Shannan longs sagely, quite tyrannicidal. Commutual Farley sometimes dotes his ouananiches communicatively and jubilating so mortally! The large format left herself little room to error to focus. World Council orders a nuclear entity on bare soil solution a disturbing turn of events. Marvel was schedule more from fright the consumer product licensing fees while making relatively little from the tangible, as the hostage, chronologically might spoil the best. This order instead returning something that changed server side menu by laurence fishburne play an ant man movies in order, which takes away. Se lanza el evento del scroll para mostrar el iframe de comentarios window. Chris Hemsworth as Thor. Get the latest news and events in your mailbox with our newsletter. Please try selecting another theatre or movie. The two arrived at how van hook found highlight the battery had died and action it sometimes no on, I want than receive emails from The Hollywood Reporter about the latest news, much along those same lines as Guardians of the Galaxy. Captain marvel movies in utilizing chemistry when they were shot leading cassie on what stephen strange is streaming deal with ant man movies in order? Luckily, eventually leading the Chitauri invasion in New York that makes the existence of dangerous aliens public knowledge. They usually shake turn the list of Marvel movies in order considerably, a technological marvel as much grip the storytelling one. Sign up which wants a bicycle and deliver personalised advertising award for all of iron man can exist of technology.
    [Show full text]
  • Stan Lee and the Marvel Revolution
    HOME > PLANET ENGLISH > STAN LEE AND THE MARVEL REVOLUTION English Stan Lee and the Marvel Revolution Level A2 28 novembre 2018 Last 12 November one of the most important authors in the history of comic books passed away: his name was Stan Lee and he was 95 years old. Lee wrote hundreds of comics and invented dozens of characters. He worked for many years for the publisher Marvel Comics, for whom he created, among others, The Fantastic Four, Spider-Man, the Hulk, Iron Man, Thor, Daredevil, Black Panther and the X-Men. Today these characters are more than fifty years old, but they are still very popular. They are the protagonists of comic books, but also of video games, animated and live-action series and feature films. The ‘Marvel Cinematic Universe’ – which includes the films of just some of Marvel’s superheroes – is the highest- grossing film franchise in history, earning more than even the Star Wars and Harry Potter franchises. Lee ‘signed’ these films by appearing in them as an actor, playing short, funny cameos. Lee’s superheroes Lee was full of energy and ideas. He started working when he was very young. After a series of odd jobs, he began working for a comic book publisher, Timely Comics (later renamed Marvel Comics). It was 1939. He liked writing, but he felt that the comic books of the time were too simple. After many years of writing what he called “silly little comics” he was ready to quit, but his wife told him: “before you do, why don’t you do one comic book the way you would like to do it?” If his boss fired him it wouldn’t matter – he was going to quit anyway.
    [Show full text]
  • AMC-Theatres®-Prepares-For-Marvel's-Iron-Man
    April 5, 2013 AMC Theatres® Prepares For Marvel's Iron Man 3 With Marvel's Iron Man Marathon Guests Can Relive the Iron Man Saga Through Each of the Four Movies, Including 2012's Blockbuster Smash MARVEL'S THE AVENGERS, and the Debut of Marvel's IRON MAN 3 on Thursday, May 2, for just $30 at AMC locations nationwide Kansas City, Mo. (April 5, 2013) - After saving the world with the Avengers, Tony Stark is back in Marvel's IRON MAN 3, which opens May 3. But before witnessing Iron Man's next encounter, fans can see his story unfold from the beginning when AMC Theatres hosts Marvel's IRON MAN Marathon on Thursday, May 2, at 110 AMC locations throughout the country. Marvel's IRON MAN Marathon begins at 1 p.m. and will feature IRON MAN, IRON MAN 2, MARVEL'S THE AVENGERS in RealD 3D, culminating with Marvel's IRON MAN 3 in RealD 3D at 9 p.m. AMC guests at Marvel's IRON MAN Marathon will receive commemorative lanyards shaped like Iron Man's arc reactor and special edition RealD 3D Iron Man glasses while supplies last. In addition, AMC Stubs members who purchase tickets in advance will receive $5 in Bonus Bucks to use on the day of the event. Tickets for the event, which include all four movies, the collectible lanyard and the special edition RealD 3D glasses, are $30. MARVEL'S IRON MAN MARATHON - Thursday, May 2, beginning at 1 p.m. IRON MAN IRON MAN 2 MARVEL'S THE AVENGERS 3D in RealD 3D Marvel's IRON MAN 3 in RealD 3D Tickets for Marvel's IRON MAN Marathon are on sale at AMC now.
    [Show full text]
  • Female Representation in the Marvel Cinematic Universe
    Volume 10 Issue 2 (2021) AP Research Superheroines and Sexism: Female Representation in the Marvel Cinematic Universe Folukemi Olufidipe1, Ms. Yunex Echezabal1 1Doral Academy Charter High School, Miami, FL, USA DOI: https://doi.org/10.47611/jsrhs.v10i2.1430 ABSTRACT The Marvel Cinematic Universe (MCU) is the highest-grossing film franchise of all time and since the premiere of Iron Man in 2008, it has risen to fame as a source of science-fiction entertainment. Sexism in the film industry often goes brushed aside but the widespread success of Marvel Studios calls attention to their treatment of gender roles. This paper explores the progression of six female superheroes in the MCU and what effect feminist movements have had on their roles as well as upcoming productions in the franchise. This paper used an interdisciplinary, mixed- methods design that studied movie scripts and screen time graphs. 14 MCU movies were analyzed through a feminist film theory lens and whenever a female character of interest was chosen, notes were taken on aspects including, but not limited to, dialogue, costume design, and character relationships. My findings showed that females in the MCU are heavily sexualized by directors, costume designers, and even their male co-stars. As powerful as some of these women were found to be, it was concluded that Marvel lacks in female inclusivity. Marvel’s upcoming productions, many of which are female-focused, still marginalize the roles of their superheroines which is a concern for the future of the film industry. Marvel is just one franchise but this study shows how their treatment of female characters uphold patriarchal structures and perpetuate harmful stereotypes that need to be corrected in the film industry as a whole.
    [Show full text]
  • Iron Man 3 Notes
    ADVANCE rom Marvel Studios comes “Iron Man 3,” which continues the epic, big-screen adventures of the world’s favorite billionaire-inventor-Super Hero, Tony Stark aka FIron Man. Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? Based on the ever-popular Marvel comic book Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968, “Iron Man 3” returns Robert Downey Jr. (“Sherlock Holmes: A Game of Shadows,” “Tropic Thunder”) as Tony Stark, the iconic Super Hero, along with Gwyneth Paltrow (“Thanks for Sharing,” “Contagion”) as Pepper Potts, Don Cheadle (“Flight,” “Hotel Rwanda”) as James “Rhodey” Rhodes, Guy Pearce (“The Hurt Locker,” “Memento”) as Aldrich Killian, Rebecca Hall (“The Prestige,” “The Town,”) as Maya Hansen, Jon Favreau ( “Identity Thief,” “People Like Us”) as Happy Hogan and Ben Kingsley (“Schindler’s List,” “Gandhi,”) as The Mandarin.
    [Show full text]
  • A Film Review: Iron Man 3 Genre(S): Science Fiction, Action Running
    Tsang Chung Hin (4D) A film review: Iron Man 3 Genre(s): Science Fiction, Action Running time: 130 minutes Director: Shane Black Cast: Robert Downey Jr., Guy Pearce, Gwyneth Paltrow Tony Stark recalls a New Year’s Eve party in 1999 where he meets scientist Maya Hansen, the inventor of Extremis. They undergo an experimental regenerative treatment which allows crippling injuries to recover. The disabled scientist Aldrich Killian offers them a place in his company to do the experiment. But Stark rejects the offer and humiliates Killian. Six months after the Battle of New Year, Stark experiences the alien invasion. He has built several dozen Iron Man suits. He has an argument with his girlfriend, Pepper Potts. Meanwhile, a terrorist has left the intelligence agencies. His security guard Happy Hogan is badly injured in an attack. He survives that attack but the world believes he has died. Then he starts his revenge and saves his girlfriend. This movie is one of the Marvel movies. This may be the last series of Iron Man. Iron Man 3 is more exciting than Iron Man 1 and 2. The story plot and the fighting scenes are good. The iron man suit is so real. Robert Downey Jr. acting as Tony Stark is especially good. He actually acts what Tony Stark should feel. His jokes make the film not so boring. That’s why I love him and his acting so much. Though this may be the last series of Iron Man, I hope to see more Iron Man films starring Robert Downey Jr.
    [Show full text]
  • Wealth, Power, American Dream, Iron Man 1
    Running head: WEALTH, POWER, AMERICAN DREAM, IRON MAN 1 Wealth, Power, American Dream, Iron Man Jenny Schlender University of Wisconsin Superior WEALTH, POWER, AMERICAN DREAM, IRON MAN 2 ABSTRACT The darkened theatre is where our imaginations come to life, a place we all go to escape. American audiences have sought out movies since the beginning of the twentieth century. The superhero emerged first in comic books, and later transferred to film. While conforming to genre norms, the Iron Man films convey meanings and beliefs of dominant culture. These values established in Iron Man offer a view of class, gender, sex, and race. These values are viewed and explained through the lens of contemporary capitalism. WEALTH, POWER, AMERICAN DREAM, IRON MAN 3 Heroes are not born. They are built. (Favreau, Iron Man, 2008) Purpose The purpose of this research is to analyze two popular box office hits, Iron Man I and Iron Man II, laying bare the cultural themes and ideology prevalent in these Hollywood superhero films. The goal is to explore the values established in the film medium allowing for a better understanding of each of the films. The creation of film is a collaboration of artistic vision and incorporation of cultural norms providing within the film texts the story which often mirrors actual cultural practices. These mirrored practices can provide a venue for communication that would help discern cultural beliefs and ideals. Movies not only provide a narrative for specific discourses of race, gender, sex, and class, but they also provide a shared experience, a common staring point from which diverse audiences can dialogue about these charged issues (hooks, 1996).
    [Show full text]
  • "I Am Iron Man": Priming Improves the Learnability and Memorability Of
    “I Am Iron Man” Priming Improves the Learnability and Memorability of User-Elicited Gestures Abdullah X. Ali The Information School | DUB Group, University of Washington, Seattle, WA, USA, [email protected] Meredith Ringel Morris Microsoft Research, Redmond, WA, USA, [email protected] Jacob O. Wobbrock The Information School | DUB Group, University of Washington, Seattle, WA, USA, [email protected] ABSTRACT Priming is used as a way of increasing the diversity of proposals in end-user elicitation studies, but priming has not been investigated thoroughly in this context. We conduct a distributed end-user elicitation study with 167 participants, which had three priming groups: a no- priming control group, sci-fi priming, and a creative mindset group. We evaluated the gestures proposed by these groups in a distributed learnability and memorability study with 18 participants. We found that the user-elicited gestures from the sci-fi group were significantly faster to learn, requiring an average of 1.22 viewings to learn compared to 1.60 viewings required to learn the control gestures, and 1.56 viewings to learn the gestures elicited from the creative mindset group. In addition, both primed gesture groups had higher memorability with 80% of the sci-fi-primed gestures and 73% of the creative mindset group gestures were recalled correctly after one week without practice compared to 43% of the control group gestures. CCS CONCEPTS • Human-centered computing → HCI design and evaluation methods. KEYWORDS Distributed Interaction Design; end-user elicitation study; end-user identification; learnability; memorability; crowdsourcing; Mechanical Turk. 1 Introduction Including end-users in the design stage of interactive systems is a common practice in human-computer interaction (HCI).
    [Show full text]
  • A Closer Look at Superheroes
    AS AMERICA BECAME SUPER SO DID ITS HEROES: A CLOSER LOOK AT SUPERHEROES THROUGHOUT THE 20TH CENTURY IN AMERICA A THESIS Presented to The FAculty oF the DepArtment oF HIstory The Colorado College In PArtIAl FulFIllment oF the RequIrements For the Degree BAchelor oF Arts By Luc Gerdes May/2017 Superheroes have been a pArt oF everydAy lIFe In AmerIcA through the 20th century. SInce the populArIty oF DC’s superman In the 1930’s, their populArity soared to new heights during the decades Following WWII. During the 20th century severAl chArActers hAve come And gone wIth vAryIng FAme. Nonetheless, some hAve stood the test of time and are still populAr in today’s society. Two of those chArActers thAt hAve become ArguAbly the most populAr Are CAptAIn AmerIcA And Iron MAn. They both hAve unIque quAlItIes thAt hAve made them Able to maIntAIn A high level of populArity through the ever-chAngIng tImes In AmerIcA. CAptAIn AmerIcA. Few superhero nAmes, IF Any, come wIth such A sense oF IdentIty. The connectIon to AmerIcAn vAlues hAs been set wIthIn hIs chArActer From hIs debut on the comic scene In 1940. Blatantly stated, the maIn role for Captain AmerIcA Is to protect the UnIted StAtes From hArm, ForeIgn or domestIc. The wrIters For CAptAIn AmerIcA hAve been putting hIm through A rollercoAster oF morAl dIlemmas And chArActer chAnges since his earliest of days. These changes seem to come Almost sIde by sIde wIth chAngIng AmerIcAn vAlues or emotIons due to reAl world events. IF CAptAIn AmerIcA Is one oF the most IconIc nAmes, Iron MAn Is debAtAbly the most populAr In recent yeArs.
    [Show full text]
  • PRESS Graphic Designer
    © 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer .
    [Show full text]
  • Loki Production Brief
    PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline.
    [Show full text]