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A Conversation with Petra Haden by Frank Goodman (Puremusic.Com, 1/2009)
A Conversation with Petra Haden by Frank Goodman (Puremusic.com, 1/2009) A short while back, we interviewed a fascinating accordionist, music-oriented photographer, and image and scene maker in Portland named Alicia J. Rose, aka Miss Murgatroid. She'd taken very compelling photos of several bands we'd covered (Sophe Lux and Boy Eats Drum Machine come to mind), and then we stumbled on to her signature accordion work, which often involved multiple effects pedals. Her best known CD was one she'd woven with her friend and musical partner Petra Haden. Although you might know Petra as a member of the Decemberists, or as one of Charlie Haden's daughters (the legendary jazz bassist), or the guest soloist in any of many bands (including the recent Foo Fighters tour), she is still and deservedly best known for her a capella version of the entire Sell Out record by The Who. (She later cut a record with Bill Frisell that happens to be rather divine, called simply Petra Haden and Bill Frisell.) But the Petra project that ignited our conversation was Hearts and Daggers, the long awaited and satisfying reunion with Miss Murgatroid. Some sounds are best heard before described, and you'll find the customary links to those audio clips along the way. We're sure you'll find Petra's words interesting, as we certainly did. And thanks to Miss Murgatroid, aka Alicia J. Rose, who led us here. Puremusic: Let's talk first about this recent release with Miss Murgatroid, Hearts and Daggers. We like that a lot. -
The BG News April 15, 1999
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-15-1999 The BG News April 15, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 15, 1999" (1999). BG News (Student Newspaper). 6484. https://scholarworks.bgsu.edu/bg-news/6484 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ■" * he BG News Women rally to 'take back the night' sexual assault. istration vivors, they will be able to relate her family. By WENDY SUTO Celesta Haras/ti, a resident of buildings, rain to parts of her story, Kissinger "The more I tell my story, the The BG News BG and a W4W member, said the or shine. The said. less shame and guilt I feel," Kissinger said. "For my situa- Women (and some men) will rally is about issues that are con- keynote "When I decided to disclose tion, I'm glad I didn't tell my take to the streets tonight, pro- sidered taboo by society, such as speaker, my sexual abuse to my family, I parents right away because I claiming a public statement in an rape and incest. She has attended Kendel came out of the closet complete- think it would have been a worse attempt to "Take Back the Night" several TBTN marches at the Kissinger, a ly," Kissinger said. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
FOR IMMEDIATE RELEASE Contact Truly Render, 734-647-4020 [email protected]
FOR IMMEDIATE RELEASE Contact Truly Render, 734-647-4020 [email protected] www.ums.org/news UNIVERSITY MUSICAL SOCIETY ANNOUNCES MARCH 2015 EVENTS ANN ARBOR, MI (January 19, 2015) –The University Musical Society (UMS) heads into spring of its 2014-2015 season with an eclectic March line-up. The month of performances begins with jazz guitarist Bill Frisell performing a rare and intimate solo-guitar concert (Thursday, March 12), followed by a performance by Bill Frisell and his band When You Wish Upon a Star, featuring Petra Haden, Eyvind Kang, Thomas Morgan, and Rudy Royston (Friday, March 13). Also that week, 2013 MacArthur Fellow Kyle Abraham and his dance company Abraham.In.Motion perform two companion pieces that explore race, identity, and the global aspiration for freedom: The Watershed (Friday, March 13) and When the Wolves Came In (Saturday, March 14). The following week, UMS and the Michigan Theater present a Live HD Screening of the Royal Shakespeare Company’s production of Love’s Labour’s Lost, set in the period leading up to World War I (Sunday, March 15). The month continues with the Chicago Symphony Winds, whose program features two beloved Mozart serenades in Rackham Auditorium (Sunday, March 22). Later in the week, the Academy of St. Martin in the Fields and pianist Jeremy Denk perform works by J.S. Bach and Igor Stravinsky in historic Hill Auditorium (Wednesday, March 25), bringing an exciting month with UMS to a close. Tickets to All Events on Sale Now How to Order: www.ums.org 734-764-2538 In person: Michigan League (911 North University Avenue) At the performance venue: beginning 90 minutes before performance start time Hours: Monday-Friday 9 a.m. -
Andrew WK Lets Absurdism Flow at Largo | Pop & Hiss
Live review: Andrew W.K. lets absurdism flow at Largo | Pop ... http://latimesblogs.latimes.com/music_blog/2009/10/live-revie... Like 72K Subscribe/Manage Account Place Ad LAT Store Jobs Cars Real Estate Rentals Classifieds Custom Publishing ENTERTAINMENT LOCAL U.S. WORLD BUSINESS SPORTS ENTERTAINMENT HEALTH LIVING TRAVEL OPINION DEALS Weekly Ad MOVIES TELEVISION MUSIC CELEBRITY ARTS & CULTURE COMPANY TOWN CALENDAR THE ENVELOPE FINDLOCAL IN THE NEWS: JUSTIN BIEBER 'CELEBRITY APPRENTICE' DAVID SCHWIMMER 'GAME OF THRONES' PRINCESS BEATRICE Search Pop & Hiss L.A. Times on Facebook Like 72K THE L.A. TIMES MUSIC BLOG Supreme Court orders California to release tens of thousands of prison inmates « Previous Post | Pop & Hiss Home | Next Post » 16,402 people shared this. In Joplin, there was no time to Live review: Andrew W.K. lets absurdism flow at Largo prepare 459 people shared this. October 9, 2009 | 3:28 pm (0) (2) Comments (0) Senate votes to extend Patriot Act 313 people shared this. advertisement Stay connected: About the Bloggers The musician lets his avant-garde tendencies soar with the Calder Quartet. Chris Barton Andrew W.K. had just finished a piano-and-string-quartet version of his pop-metal hit "Party Hard" August Brown on Thursday night when a young man from the audience bum-rushed the stage at Largo at the Gerrick Kennedy Coronet. There he stood, seemingly waiting for another of W.K.'s jubilant rockers like "Party Til You Randy Lewis Puke" or "It's Time to Party." Todd Martens Ann Powers Instead, W.K. (whose given last name is Wilkes-Krier) and the renowned chamber group the Calder Randall Roberts Quartet opted to play two versions of John Cage's entirely silent composition "4:33." Margaret Wappler It made for a bit of a transcendently awkward moment for the enthusiastic fan, who rifled in his pockets and looked genuinely confused at this turn of events. -
ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon. -
Archives OCT 10 1974
INVESTMENT AND TITHING IN THAI VILLAGES: A BEHAVIORAL STUDY OF RURAL MODERNIZATION by CHARLES ALAN MURRAY A.B., Harvard University 1965 Submitted in partial fulfillment of the requirements for the degree of Doctor of Political Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY May, 1974 Signature of Author .. ..... Depart'ment o Political Science May 10, 1974 Certified by ........ Thesis Supervisor Accepted by ......... Chairman, Departmental Committee on Graduate Students Archives OCT 10 1974 ABSTRACT INVESTMENT AND TITHING IN THAI VILLAGES: A BEHAVIORAL STUDY OF RURAL MODERNIZATION Charles Alan Murray Submitted to the Department of Political Science on 10 May 1974 in partial fulfillment of the requirements for the degree of Doctor of Political Science This study analyzes the responses of forty-one Thai villages to moderniza- tion. The village is the unit of analysis. Behaviors or the physical outcomes of behaviors are used as the indicators of response. The objective is to explain why Thai villages vary so widely in the content and quality of daily life. The two major constructs of the study are how much the people in a village have modernized, and how well the village is coping with modernization in terms of maintaining basic governmental functions. The first of these constructs is operationally defined as "investment" -- evidence that villagers in a given community are making efforts to improve their lives by voluntarily risking what they already possess. This is argued to be a behavioral reflection of two psychological hallmarks of personal modernity in peasants: an expanding standard of what is attainable, and acculturation to change as a manageable and generally benificient phenomenon. -
Omer Avital Ed Palermo René Urtreger Michael Brecker
JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”. -
December 2002
PORTABLE • BILL STEWART • CONSUMERS POLL RESULTS DENNISDENNIS CHAMBERS,CHAMBERS, KARLKARL PERAZZO,PERAZZO, RAULRAUL REKOWREKOW SSANTANAANTANA’’SS FFINESTINEST RRHYTHMHYTHM TTEAMEAM?? WWEEZEREEZER’’SS PPATAT WWILSONILSON TTHROUGHHROUGH TTHEHE YYEARSEARS WWITHITH TTERRYERRY BBOZZIOOZZIO NNEWEW FFOUNDOUND GGLORYLORY’’SS CCYRUSYRUS BBOLOOKIOLOOKI TTRADINGRADING FFOURSOURS WWITHITH PPHILLYHILLY JJOEOE $4.99US $6.99CAN 12 PPLUSLUS CCARLOSARLOS SSANTANAANTANA TTALKSALKS DDRUMMERSRUMMERS!! 0 74808 01203 9 ContentsContents Volume 27, Number 12 Cover photo by Paul La Raia SANTANA’S DENNIS CHAMBERS, RAUL REKOW, AND KARL PERAZZO The heaviest rhythm section in rock has just gotten heavier. Even Carlos Santana himself is in awe of his new Dennis Chambers–led ensemble. a a by Robin Tolleson i i a a R R a a L L l l u u a a 56 P P UPDATE 24 Portable’s Brian Levy WEEZER’S Wayward Shamans’ Barrett Martin AT ILSON 80 P W Fugazi’s Brendan Canty From Neil Peart obsessive to Muppet hostage, Pat Wilson has Mickey Hart been through a lot in ten years with Daryl Stuermer’s John Calarco pop gods Weezer. Oh, he plays the heck out of the drums, too. by Adam Budofsky MD CONSUMERS POLL RESULTS 50 The best in today’s gear—according to you. A DIFFERENT VIEW 74 a a i i a a NEW FOUND R R CARLOS SANTANA a a L L Just a sample of his drum cohorts over the l l GLORY’S u u a a years: Michael Shrieve, Jack DeJohnette, Horacio P P CYRUS BOLOOKI Hernandez, Tony Williams, Carter Beauford, 150 Chester Thompson, and now, Dennis Chambers. Even a disastrous fall from a Take your seats, class is about to begin. -
The Latin Side of Hot House
181183_HH_May_0 4/24/17 10:35 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 May 2017 www.hothousejazz.com Jazz Standard Page 17 Village Vanguard Page 4 Anat Cohen Gerald Clayton Christian Sands T.K. Blue The Side Door Page 4 Dino’s Page 21 Where To Go & Who To See Since 1982 181183_HH_May_0 4/24/17 10:37 AM Page 2 2 181183_HH_May_0 4/24/17 10:35 AM Page 3 3 181183_HH_May_0 4/24/17 10:35 AM Page 4 Sponsored by Dot Time Records WINNING SPINS By George Kanzler MBITIOUS ALBUMS FROM A PAIR depths of his piano's range on his own exot- of talented young pianists, Christian ic, expressionistic "Sign of the Rainbow ASands and Gerald Clayton, comprise this People," and closes the album with a lush month's Winning Spins. Both have had the evocation of romanticism on the Oscar-win- benefit of working in the bands of two of ning song, "Somewhere Out There," from today's best bassists: Christian as a mem- the animated movie An American Tail. ber of Christian McBride's trio, Gerald in Adding percussionist Cristian Rivera, the bands of his father, John Clayton. the quartet dances through an Afro-Cuban Christian, who turns 28 this year, cele- groove on the leader's "Oyeme!" his com- brates his debut with a CD spotlighting mand of scintillating montuno rhythms the full range of his pianistic and compos- reflecting his time in Bobby Sanabria's ing talents, while Gerald, 32, expands his band. -
Mehldau-Frisell Notes.Indd
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Sunday, January 22, 2006, 7 pm Mehldau’s second solo piano recording, Live Zellerbach Hall in Tokyo, was released in 2004. Day Is Done, the fi rst recording featuring his new trio, was re- leased by Nonesuch in September 2005. It in- cludes interpretations of songs by Lennon and McCartney, Burt Bacharach, Paul Simon and Nick Drake, among others, as well as two original com- positions by Mehldau. Bassist Larry Grenadier received a B.A. in (l–r: Jeff Ballard, Brad Mehldau, Larry Grenadier) English literature from Stanford University. After relocating to Boston, he toured the United States Like many of his contemporaries, pianist Brad and Europe as a member of Gary Burton’s band. Mehldau began his career with intense classical He then moved to New York, where he has per- training long before he was exposed to jazz. He formed with Joe Henderson, Betty Carter, Pat began experimenting with the piano at age four Metheny and John Scofi eld, among others. When and began formal training at six, which continued not working with Brad Mehldau, he tours and re- until he was 14. cords with the Pat Metheny Trio. Brad Mehldau Trio Since arriving in New York in 1988, Mehldau Drummer Jeff Ballard grew up in Santa Cruz, Brad Mehldau, piano has collaborated with many of his musical peers, California. He toured with Ray Charles from 1988 including guitarists Peter Bernstein and Kurt Larry Grenadier, bass until 1990, when he settled in New York. Since Rosenwinkel and tenor saxophonist Mark Turner. Jeff Ballard, drums then, Ballard has performed and recorded with In 1995, he formed his fi rst trio with bassist Larry Lou Donaldson, Danilo Perez, Chick Corea and Grenadier and drummer Jorge Rossy, which toured Joshua Redman, among others. -
Petra Haden in the Age of Mechanical Reproduction
Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i2.7en Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction Marianne Tatom Letts Independent scholar [email protected] Abstract In 2005, Petra Haden released her version of The Who Sell Out, notable for the meticulousness and creativity with which she mimicked the various instruments on the album, and for the fact that she produced the project with an eight-track recorder and only her own voice. This article examines the ways in which Haden’s interpretation of the classic album elevates it into the realm of “high art” while retaining its status as a commodity within the realm of popular music. Although the Who’s original recording (1967) was one of the first concept albums, its unification comes not through a storyline or characters, as with other albums of that era, but through the foregrounding of its existence as a commodity. Radio jingles for both real and fake products are interspersed among the genuine commodities of pop songs, and the cover art features the Who in fake advertisements. Haden includes the jingles and even the cover artwork in her interpretation, but the changes she makes through generating every sound with her voice provide a level of unification that the original album does not possess. Haden’s live reinterpretation (with her band the Sellouts) casts doubt on what constitutes the “authentic” version of the album, since the current lineup of the Who (two surviving members and various supporting musicians) no longer performs the material.