Leaders and Heroes: Modern Day Archetypes Sophon Shadraconis Claremont Graduate University, [email protected]
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
The Beneficence of Gayface Tim Macausland Western Washington University, [email protected]
Occam's Razor Volume 6 (2016) Article 2 2016 The Beneficence of Gayface Tim MacAusland Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation MacAusland, Tim (2016) "The Beneficence of Gayface," Occam's Razor: Vol. 6 , Article 2. Available at: https://cedar.wwu.edu/orwwu/vol6/iss1/2 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. MacAusland: The Beneficence of Gayface THE BENEFICENCE OF GAYFACE BY TIM MACAUSLAND In 2009, veteran funny man Jim Carrey, best known to the mainstream within the previous decade with for his zany and nearly cartoonish live-action lms like American Beauty and Rent. It was, rather, performances—perhaps none more literally than in that the actors themselves were not gay. However, the 1994 lm e Mask (Russell, 1994)—stretched they never let it show or undermine the believability his comedic boundaries with his portrayal of real- of the roles they played. As expected, the stars life con artist Steven Jay Russell in the lm I Love received much of the acclaim, but the lm does You Phillip Morris (Requa, Ficarra, 2009). Despite represent a peculiar quandary in the ethical value of earning critical success and some of Carrey’s highest straight actors in gay roles. -
Archetypes in Literature
Archetypes in Literature Situational, Character and Symbolic What is an archetype? • An archetype is a term used to describe universal symbols that evoke deep and sometimes unconscious responses in a reader • In literature, characters, images, and themes that symbolically embody universal meanings and basic human experiences, regardless of when or where they live, are considered archetypes. Situational Archetype • Situations that occur over and over in different versions of the story. • For example, in versions of Cinderella, a young girl seeks freedom from her current situation. She undergoes some kind of transformation and is better off at the end of the story. Situational- The Quest • Describes the search for someone or something, which when found and brought back will restore balance to the society. Situational- The Task • The task is the superhuman feat must be accomplished in order to fulfill the ultimate goal. Situational- The Journey • The hero is sent in search for some truth of information necessary to restore life, justice, and/or harmony to the kingdom. • The journey includes a series of trials the hero will face along the way. Situational- The Initiation • The initiation refers to the moment, usually psychological, in which the hero comes into maturity. • The hero gains a new awareness into the nature of problems and understands his/ her responsibility for trying to solve the issue. Situational- The Fall • This archetype describes a descent in action from a higher to a lower position in life. • This fall is often accompanied by expulsion from a kind of paradise as a penalty for breaking the rules. Situational- Death and Rebirth • This is the most common of situational archetypes. -
Black Heroes in the United States: the Representation of African Americans in Contemporary American Culture
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea Black Heroes in the United States: the Representation of African Americans in Contemporary American Culture Relatore Laureando Prof.ssa Anna Scacchi Enrico Pizzolato n° matr.1102543 / LMLCC Anno Accademico 2016 / 2017 - 1 - - 2 - Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea The Representation of Black Heroism in American Culture Relatore Laureando Prof.ssa Anna Scacchi Enrico Pizzolato n° matr.1102543 / LMLCC Anno Accademico 2016 / 2017 - 4 - Table of Contents: Preface Chapter One: The Western Victimization of African Americans during and after Slavery 1.1 – Visual Culture in Propaganda 1.2 - African Americans as Victims of the System of Slavery 1.3 - The Gift of Freedom 1.4 - The Influence of White Stereotypes on the Perception of Blacks 1.5 - Racial Discrimination in Criminal Justice 1.6 - Conclusion Chapter Two: Black Heroism in Modern American Cinema 2.1 – Representing Racial Agency Through Passive Characters 2.2 - Django Unchained: The Frontier Hero in Black Cinema 2.3 - Character Development in Django Unchained 2.4 - The White Savior Narrative in Hollywood's Cinema 2.5 - The Depiction of Black Agency in Hollywood's Cinema 2.6 - Conclusion Chapter Three: The Different Interpretations -
2017 Heroes of the Storm® Heroes Global Championship Mid-Season Brawl Specific Competition Rules, Terms and Conditions
2017 HEROES OF THE STORM® HEROES GLOBAL CHAMPIONSHIP MID-SEASON BRAWL SPECIFIC COMPETITION RULES, TERMS AND CONDITIONS 1 TABLE OF CONTENT 1. INTRODUCTION ................................................................................................................................... 2 2. MID-SEASON BRAWL TOURNAMENT ............................................................................................. 3 2.1. Acceptance of the Specific Rules. ......................................................................... 3 2.2. Applicability of the Specific Rules. ....................................................................... 4 3. PLAYER ELIGIBILITY REQUIREMENTS .......................................................................................... 4 3.1. Regional Eligibility. ............................................................................................... 5 3.2. Residency Requirements. ....................................................................................... 6 3.3. Minimum Age Requirements. ................................................................................ 7 3.4. Ineligible Players. .................................................................................................. 8 4. TOURNAMENT STRUCTURE ............................................................................................................. 8 4.1. Tournament Date and Location. ............................................................................ 8 4.2. Qualification. ........................................................................................................ -
2017 River Heroes
2017 RIVER HEROES July 2017 Issue A RIVER NETWORK PUBLICATION CLICK ON THE LINKS TO WATCH EACH HERO’S ACCEPTANCE SPEECH. THE RIVER HEROES ISSUERiver Network River Voices 2017 1 IN THIS ISSUE Everyone loves a hero. We love being inspired by their passion, spirit, and resolve. We love celebrating their success, being moved to tears, and infected by laughter. When I attended my first River Rally, I was deeply moved by caliber of work taking place across the United States, by the positive and inclusive nature of the conference, and by the deeply moving and inspirational stories of people HEADQUARTERS making extraordinary contributions to a brighter future for our rivers and our P.O. Box 21387 communities. I was instantly smitten with the concept of River Heroes and Boulder, CO 80308 the power of the human spirit to overcome adversity. 303.736.2724 [email protected] We have wanted to make the content of River Rally more accessible for some time. We believe that a more inclusive movement for our rivers requires www.rivernetwork.org more voices at the table, including at River Rally. Towards that end, we have expanded our scholarships with the help of funders and found other ways to engage with the communities where River Rally is held. This year for the first time we are also very happy to share some of the magic of River Rally with anyone who has a computer, including the transformative stories of this year’s River Heroes, free of charge. This issue of River Voices features each of our River Heroes—Angie Rosser, TABLE OF CONTENTS Denny Caneff, David Deen, David Sligh, and Margaret Frisbie—through personal profiles and videos of their acceptance speeches. -
Knowing God 'Other-Wise': the Wise Old Woman
Knowing God “Other-wise”: The Wise Old Woman Archetype in George MacDonald’s The Princess and the Goblin, The Princess and Curdie and “The Golden Key” Katharine Bubel “Old fables are not all a lie/That tell of wondrous birth, Of Titan children, father Sky,/And mighty mother Earth . To thee thy mother Earth is sweet,/Her face to thee is fair, But thou, a goddess incomplete,/Must climb the starry stair. Be then thy sacred womanhood/A sign upon thee set, A second baptism—understood--/For what thou must be yet.” —George MacDonald, To My Sister A consistent occurrence within the narrative archetypal pattern of The Journey is the appearance of the Wise Old Woman, a seer, encourager and advisor to those who have responded to the Call to Adventure. Such a figure is featured prominently in several of George MacDonald’s writings, though the focus of this paper is on his children’s fairy tales, The Princess and the Goblin, The Princess and Curdie, and“The Golden Key.” Since the Journey is a psychological one toward spiritual wholeness, for MacDonald, I borrow from Jungian theory to denote the Wise Old Woman as a form of anima, or female imago, who helps to develop the personality of the protagonist. But to leave things there would not encompass the sacramental particularity and universal intent of MacDonald’s fantasy: for the quest is ultimately a sacred journey that every person can make towards God. As Richard Reis writes, “If in one sense [MacDonald’s] muse was mythic- archetypal-symbolic, it was, in another way, deliberately didactic and thus ‘allegorical’ in purpose if not in achievement” (124). -
Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2016 Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A. Amato Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Amato, Sara A., "Female Anti-Heroes in Contemporary Literature, Film, and Television" (2016). Masters Theses. 2481. https://thekeep.eiu.edu/theses/2481 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� f.AsTE�ILLINOIS UNIVERSITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, andDistribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
The Damsel in Distress
THE DAMSEL IN DISTRESS: RESCUING WOMEN FROM AMERICAN MYTHOLOGY By MICHAEL A. SOLIS A capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Liberal Studies Writing under the direction of Dr. Lantzas And approved by _____________________________ Dr. Lantzas Camden, New Jersey December 2016 CAPSTONE ABSTRACT The Damsel in Distress: Rescuing Women from American Mythology By MICHAEL A. SOLIS Capstone Director: Dr. Lantzas Mythology is arguably the most powerful source of influencing and shaping society’s gender roles and beliefs; additionally, mythology provides an accurate reflection of society’s gender roles, general attitudes, fears, and preoccupations. Young boys and girls learn how to negotiate a complex world of possibilities, as well as manage gender expectations through observing gods, superheroes, and other notable characters found in mythological stories. American mythology, to include comic books, the superheroes upon which the literature is based, and the associated cartoons, motion pictures, merchandize, and fashion, contributes to an historical foundation of misogynistic entertainment and serves as didactic material for children and adults. The misogynistic nuances of the comic book storyline are not overt attempts at relegating women; instead, the influence is much more subtle and older than American mythology; rather, this debilitating feature is embedded in our psyche. Although the first comic book was printed in ii 1938, American mythology is largely influenced by Greek mythology, a major influence on western civilization. Overt and subtle misogynistic nuances have always existed in the patriarchal narrative of mythology, American, Greek, and beyond. -
Hero, Shadow and Trickster; Three Archetypes in the Kingkiller Chronicle
Hero, Shadow and Trickster; Three Archetypes in The Kingkiller Chronicle Tapio Tikkanen Master’s Thesis English Philology Faculty of Humanities University of Oulu Autumn 2018 Table of contents 1 Introduction.............................................................................................................................1 2 The History of Archetypes.........................................................................................................2 2.1 Carl Jung and the Collective Unconscious...........................................................................2 2.2 James Frazer’s Anthropological Examinations....................................................................4 2.3 Maud Bodkin’s Application of Jungian Archetypes to Poetry..............................................6 2.4 Northrop Frye and the Archetypes of Literature.................................................................9 3 Outlining the Archetypes........................................................................................................11 3.1 The Hero.........................................................................................................................11 3.2 The Shadow....................................................................................................................14 3.3 The Trickster...................................................................................................................15 4 Archetypes and Fantasy...…………….........................................................................................17 -
Ordinary Heroes: Depictions of Masculinity in World War II Film a Thesis Submitted to the Miami University Honors Program in Pa
Ordinary Heroes: Depictions of Masculinity in World War II Film A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Robert M. Dunlap May 2007 Oxford, Ohio Abstract Much work has been done investigating the historical accuracy of World War II film, but no work has been done using these films to explore social values. From a mixed film studies and historical perspective, this essay investigates movie images of American soldiers in the European Theater of Operations to analyze changing perceptions of masculinity. An examination of ten films chronologically shows a distinct change from the post-war period to the present in the depiction of American soldiers. Masculinity undergoes a marked change from the film Battleground (1949) to Band of Brothers (2001). These changes coincide with monumental shifts in American culture. Events such as the loss of the Vietnam War dramatically changed perceptions of the Second World War and the men who fought during that time period. The United States had to deal with a loss of masculinity that came with their defeat in Vietnam and that shift is reflected in these films. The soldiers depicted become more skeptical of their leadership and become more uncertain of themselves while simultaneously appearing more emotional. Over time, realistic images became acceptable and, in fact, celebrated as truthful while no less masculine. In more recent years, there is a return to the heroism of the World War II generation, with an added emotionality and dimensionality. Films reveal not only the popular opinions of the men who fought and reflect on the validity of the war, but also show contemporary views of masculinity and warfare. -
Literature and Life Through the Lens of the Archetypes by Omdrea
Literature and Life Through the Lens of the Archetypes by Omdrea Walker Bachelor of Education, University of Victoria, 1997 A Project Submitted in Partial Fulfillment Of the Requirements for the Degree of MASTER OF EDUCATION in the area of Curriculum Studies: Curriculum Leadership in BC Department of Curriculum and Instruction ©Omdrea Walker 2019 University of Victoria All rights reserved. This project may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Abstract The purpose of this project is to illustrate the benefits of using the archetypes to help educators enrich their use of BC’s New Curriculum and to provide resources and methods for teachers to use the archetypes in the English Language Arts classroom. In chapter 1, I introduce my inspiration for the creation of the archetypes study as well my rationale which describes the effects on improved student engagement and literacy skills. Chapter 2, the literature review, includes an examination of studies which support the idea that fostering personal connections during literature study positively affects student motivation and improves reading comprehension. The literature related to personal intelligence, social intelligence and the study of myth suggests that archetypal analysis promotes student ability to make text-to-self connections. According to the literature reviewed, making personal connections results in an augmentation of metacognitive skills which promotes deeper thinking when reading. This helps readers further develop literacy skills, a sense of citizenship and improved overall mental wellbeing. Chapter 3 contains a teacher resource package with detailed lesson plans and suggested methods of instruction supported by connections to curricular content and competencies from BC’s New Curriculum.