Volume 5, Number 2 1985

Total Page:16

File Type:pdf, Size:1020Kb

Volume 5, Number 2 1985 Volume 5, Number 2 1985 Published by Susan Searing, Women's Studies Librarian-at-Large, University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263-5754 Volume 5, Number 2 1985 Periodical 1 i terature is the cutting edge of women's scholarship, feminist theory, and' much of women's culture. Feminist Periodicals: A Current Listinq of Contents is pub1 ished by the Office of the Women's Studies Librarian-at-Large on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist 1 iterature; to increase readers ' familiarity with a wide spectrum of feminist periodicals; and to pro- vide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or' through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of a11 journals we have selected. As publ ication schedules vary enormously, not every periodical wi 11 have table of contents pages reproduced in each issue.of E. The annotated 1 isting provides the following information on each journal : 1. Year of first publication. 2. Frequency of publ ication. 3. U.S. subscription price(s). 4. Subscription address. 5. Current editor. 6. Editorial address (if different from subscription address). 7. International Standard Serials Number (ISSN). 8. Library of Congress (LC) catalog card number. 9. OCLC, Inc. Control Number. 10. Locations where the journal is held in the UW system. 11. Publications in which the journal is indexed. 12. Subject focus/statement of purpose of the journal. Please note that in the actual text, only the numbers 1 to 12 are used to identify the different categories of information. ii. Our goal is to have represented in FP all English-language feminist periodical s with a substantial nationaT or regional readership, with an emphasis on scholarly journals and small press offering. We do not in- clude publ ications which, though feminist in philosophy, do not focus solely on women's issues. Nor, with the exception of --Ms., do we incl ud e newsstand magazines. We are aiso forced to omit periodicals which 1ack a complete table of contents. We encourage feminist serials to build a full table of contents into their regular format to facilitate the indexing feminist Titerature sorely needs. ~nterestedreaders will find more compl ete information on feminist periodicals in Guide to Women's Publishing by Polly Joan and Andrea Chesman (Paradise, CA: Dustbooks, 1978) ; The Annotated Guide to Women ' s Periodical s in the U.S. edited bi-annually by Terry Mehlman (5173 Turner Rd., Richmond, IN 47374); The Index/Directory of Women's Media publ ished annually by the Women's Institute for Freedom of the Press (3306 Ross Place, NW, Washington, DC 20008); and in Women's Periodicals and Newspapers: A Union List of the Holdings of Madison Area Libraries, edited by James P. Danky, compiled by Maureen E. Hady, Barry Christopher Noona, and Neil E. Strache (Boston: G.K. Hall, 1982). Suggestions for improvement of Feminist ,Periodicals are gratefully received. We would particularly appreciate assistance from readers in the UW-System with our efforts to keep the h6l ding information compl ete and up-to-date. Please let us know about new subscriptions, subscriptions we have overlooked, cancel 1ations , or other pertinent information. Alternative Cataloging in Publication Data Feminist pericfdicals: a current listing cf contents. Madison. HI: Mamen's Studies Librarian-at-Large, Unf versi ty of Wisconsin System. quarterly. "Table of contents pages from current issues of major feminist journals are reproduced.. ., preceded,,by a comprehensive annotated listing of all journals. .. Frequently cf ted as FP. 1. Feminist periodicals--Directories. 2. Feminism- Bfbl iography--Periodical s. 3. Feminist periodicals-- Current awareness services. I. University of Wisconsin Library System. Women's Studies Librarian-at-Large. I (courtesy of Sanford Berman ) Feminist Periodicals (ISSN 0742-7433) is published by Susan E. Searinq, Women's Studies Librarian-at-Larqe for the University of isc cons in System, ll2A Memorial ~ibrary; 728 State Street, - Madison, WI 53706. Phone: (608) 263-5754. Compilers: Linda Shult, Brenda J. Marston. Graphics: Catharina Schimert. Pub- lications of the Office of the Women's Studies Librarian-at-Large are available free of charge to Wisconsin residents. The sub- scription rate outside Wisconsin is $12.00/year for individuals and women ' s programs, $24.00/year for institutions. This fee covers all publications of the O+fice, including Feminist Col- lections, Feminist Periodicals, New Books on Women & Feminism, and bibliographies, directories and occasional publications produced throughout the year. iii. ATLANTI S BROOMSTICK 1. 1976. 1978. 2. 2/year. Bimonthly. 3. $10 (indiv.) . $16 (inst.). $10 (Indiv.), $20 (Inst.). Slngle copies: 4. Mount Saint Vincent Unlversity, 166 Bedford $2.50. Highway, Hal ifax, Nova Scotla, B3H 256, Canada. 3543 18th St., hn Francisco, CA 94110. 5. Drs. Susan C lark, Margaret Conrad, Donna E. Mickey Spencer and Pol ly Taylor. Smyth. State Historical Soci ety. 7. ISSN 0702-7818. A1 ternative Press Index. 8. LC cn77-32338. nBroomstick is a femlnist political journal 9. OCLC 3409640. publishing material by, for and about women 10. State Historical Society. over forty. Our priorities are: to portray 11. Historical Abstracts; Iharica: History and clear, positive images of older Mmen; to take Life; The Alternative Press Index; Resources a stand against the denlgration of older women; for Feminist Research. to offer positlve alternatives in our lives. 12. 'Atlantis is an interdisciplinary journal Our goal is to forn a support network amng devoted to critical and creative uriting in older wonan.' English or French on the toplc of mn. Contains scholarly articles. ?view essays, CALYX book reviw. art and poetry. 1. 1976. 2. 3/year. AURORA 3. $10 (indiv.), $15 (lib. 6 inst.). Single 1. 1975. coples: $4. 2. 3/~ear. 4. P.O. Box B, Corvallis, OR 97339. 3. $6: 5. Hargarita Oonnelly. 4. P.O. Box 1624, bbdlson, UI 53701-1624. 7. Issn 0147-1627. 5. Edited by conmlttee; current cmtttm chair, 8. LC 77-649570. Jeanne Ganall. 9. OCLC 3114927. 7. ISSN 0197-775X. 10. Madlson. 8. LC sn80-11853. 11. herican Hunanitles Index. 9. OCLC 6113633. 12. 'Cal x publishes poetry, prose, art. reviews, 12. Science flction and fantasy wfth a feminist t&Tatlons, and photo rapny, and Is colttted orlentation. to praidlng a beautiful M creatlve Journal fomat In whlch to showcase rnrnan anists and BLACK MARIA wrltars .' 1. 1971. 2. Annual. CAnExA OBSCURA 3. $14 (indiv.). $16 (inst.). Single copies: $4. 1. 1976. 4. P.O. Box 25187. Qlicaso. IL 606254181. 2. 3/year. 5, Black mria coilect~ve: 3. $10.50 (Indiv.). $21 (inst.). Single copies: 7. ISSN 0045-222%. $4. Double Issues: $7 (Issue 3/4). $11 (issue 8. LC ~~77-1275. 8/9/10]. 9. OCLC 2786249. 4. P.O. Box 25899. Los Angeles. CA 90625. LO. Madlson. 5. braObscura ~ollective:Janet Bsgtron, 12. '81 act Marl a pub1ishes rark by crnsqing rrc#rn t l izabeth Lyon . Constance Pen1ey . urlterr that presents mrncn as the canplex, 7. ISSN 0270-5346. post tlve kings they are.' 8. LC ~~79-4979. 9. OCLC 4818143. 10. Hadison; Mlwaukee. 11. International Index to Film Pertodlcals; The 2. lO/year. Film Literature Index; The Arts and Hlnaniticn 3. $39 (alrnall), 131 (surface mil). Citatlon Index; Currant Contems/Arts md 4. P.O. Box 5799, Wallesly Street. Puckland. b Hunanitles. Zeal and. 12. Film theory and history; ffmlnl~ttheory; 5. The Broaasheet Col lecti ve. psychoanalytic theory; krxlst theory; 7. ISSN 01104603. photography; vldeo and petrfornance. 9. OCLC 6578660. 12. News; analysis; in-depth articles; fiction; CANADIAN WOMAN SNDIES/LES CAHIERS OE LA FEMME poetry ; mviens. "Broadsheet is a radtcal 1. 1978. feminist nagazi ne rrhlch consclousl y strives to 2. Quarterly. be anti-raclst and to incorporate the views of 3. Sl5 (indiv.), $25 (Canadian inst.), 528 (inst. indtgenous women. The main focus is on Nen outside Canada). Single copies: $4. Zealand mmn and events, wfth some coverage of 4. 204. Founders College. York University, 4700 Paciflc concerns and issues facing women and Keele St., Downsview, Ontario M3J 1P3, Canada. fmin1,sts everywhere.' 5. Shelagh Wllkinson. 7. ISSN 0713-3235. 9. OCLC 8558872. 10. State Historical Society. 12. 'CUS/cf is a bilingual , interdisciplinary, mt journal that brings exciting scholarship about women to non-scholars, broadcasts our dlverse experiences and bridges the gap between Canada's languages and cultures. ' iv. COMMON LIVESILESBIAN LIVES members), $18 (indiv.), $36 (inst.). Single 1. 1981. copies: $8 (indiv.), $16 (inst.). 2. Quarterly. Managing Editor, FS. Feminist Studies, c/o 3. $12 (indiv.), $20 (inst.). Single copies: $4. Women's Studies Program, University of 4. P.O. Box 1553, Iowa City, IA 52244. Maryland, College Park, MD 20742. 5. Edited collectively. Claire 6. Moses. 9. OCLC 8234014. ISSN 0046-3663. 10. Madison. LC 78-645276; ~C76-192. 12. History; biography; correspondence; journal OCLC 1632609. entries; fiction; poetry; visual art. Common Eau Cla1 re; Madison; Milwaukee; Pl attevi 1le; LivesILesbian Lives seeks to document tmes Stevens Point. of ordinary lesbians, and to reflect the Alternative Press Index; herica: History and diversity of the lesbian comnuni ty--lesbians of Life; her1can Hi storical Association Recent1y color, of age and of youth, fat lesbians, Published Articles; Bulletin Signaletique- disabled lesbians. poor and working-class sociologie; Historical Abstracts; Modern lesbians.
Recommended publications
  • This Bridge Called My Back Writings by Radical Women of Color Editors: Cherrie Moraga Gloria Anzaldua Foreword: Toni Cade Bambara
    Winner0fThe 1986 BEFORECOLTJMBUS FOTJNDATION AMERICANBOOK THIS BRIDGE CALLED MY BACK WRITINGS BY RADICAL WOMEN OF COLOR EDITORS: _ CHERRIE MORAGA GLORIA ANZALDUA FOREWORD: TONI CADE BAMBARA KITCHEN TABLE: Women of Color Press a New York Copyright © 198 L 1983 by Cherrie Moraga and Gloria Anzaldua. All rights reserved. No part of this book may be reproduced without permission in writing from the publisher. Published in the United States by Kitchen Table: Women of Color Press, Post Office Box 908, Latham, New York 12110-0908. Originally published by Peresphone Press, Inc. Watertown, Massachusetts, 1981. Also by Cherrie Moraga Cuentos: Stories by Latinas, ed. with Alma Gomez and Mariana Romo-Carmona. Kitchen Table: Women of Color Press, 1983. Loving in the War Years: Lo Que Nunca Paso Por Sus Labios. South End Press, 1983. Cover and text illustrations by Johnetta Tinker. Cover design by Maria von Brincken. Text design by Pat McGloin. Typeset in Garth Graphic by Serif & Sans, Inc., Boston, Mass. Second Edition Typeset by Susan L. Yung Second Edition, Sixth Printing. ISBN 0-913175-03-X, paper. ISBN 0-913175-18-8, cloth. This bridge called my back : writings by radical women of color / editors, Cherrie Moraga, Gloria Anzaldua ; foreword, Toni Cade Bambara. — 1st ed. — Watertown, Mass. : Persephone Press, cl981.[*] xxvi, 261 p. : ill. ; 22 cm. Bibliography: p. 251-261. ISBN 0-930436-10-5 (pbk.) : S9.95 1. Feminism—Literary collections. 2. Radicalism—Literary collections. 3. Minority women—United States—Literary collections. 4. American literature —Women authors. 5. American literature—Minority authors. 6. American literature—20th century. I. Moraga, Cherrie II.
    [Show full text]
  • The Black Arts Enterprise and the Production of African American Poetry
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett.
    [Show full text]
  • Notes for the Downloaders
    NOTES FOR THE DOWNLOADERS: This book is made of different sources. First, we got the scanned pages from fuckyeahradicalliterature.tumblr.com. Second, we cleaned them up and scanned the missing chapters (Entering the Lives of Others and El Mundo Zurdo). Also, we replaced the images for new better ones. Unfortunately, our copy of the book has La Prieta, from El Mundo Zurdo, in a bad quality, so we got it from scribd.com. Be aware it’s the same text but from another edition of the book, so it has other pagination. Enjoy and share it everywhere! Winner0fThe 1986 BEFORECOLTJMBUS FOTJNDATION AMERICANBOOK THIS BRIDGE CALLED MY BACK WRITINGS BY RADICAL WOMEN OF COLOR EDITORS: _ CHERRIE MORAGA GLORIA ANZALDUA FOREWORD: TONI CADE BAMBARA KITCHEN TABLE: Women of Color Press a New York Copyright © 198 L 1983 by Cherrie Moraga and Gloria Anzaldua. All rights reserved. No part of this book may be reproduced without permission in writing from the publisher. Published in the United States by Kitchen Table: Women of Color Press, Post Office Box 908, Latham, New York 12110-0908. Originally published by Peresphone Press, Inc. Watertown, Massachusetts, 1981. Also by Cherrie Moraga Cuentos: Stories by Latinas, ed. with Alma Gomez and Mariana Romo-Carmona. Kitchen Table: Women of Color Press, 1983. Loving in the War Years: Lo Que Nunca Paso Por Sus Labios. South End Press, 1983. Cover and text illustrations by Johnetta Tinker. Cover design by Maria von Brincken. Text design by Pat McGloin. Typeset in Garth Graphic by Serif & Sans, Inc., Boston, Mass. Second Edition Typeset by Susan L.
    [Show full text]
  • Beyond Inclusion: an In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich
    Yale College Education Studies Program Senior Capstone Projects Student Research Spring 2020 Beyond Inclusion: An In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich Sarah Mele Yale College, New Haven Connecticut Abstract: This capstone will analyze interventions into university pedagogy based on the teaching practices of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich. It begins with a historical introduction to the role of these four women in university activism in the late 1960s and early 1970s inside and outside the classroom. Analysis of the development of Black Studies and university pedagogy since this time reveals gaps in the fulfillment of the student-driven movement’s goal that are still extremely relevant to questions of institutional power and access today. Next, this paper provides concrete pedagogical and methodological strategies for present day university teaching grounded in the work of these four revolutionary women. This portion will pull from archival research of teaching materials, notes, and correspondence as well as subsequent scholarship on pedagogy. Suggested Citation: Mele, S. (2020). Beyond Inclusion: An In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich (Unpublished Education Studies capstone). Yale University, New Haven, CT. This capstone is a work of Yale student research. The arguments and research in the project are those of the individual student. They are not endorsed by Yale, nor are they official university positions or statements. Beyond Inclusion: An In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich Sarah Mele 4/18/20 EDST 400 1 Abstract This capstone will analyze interventions into university pedagogy based on the teaching practices of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich.
    [Show full text]
  • Global Feminism, Comparatism, and the Master's Tools
    15 Compared to What? Global Feminism, Comparatism, and the Master's Tools SUSAN SNIADER LANSER And rain is the very thing that you, just now, do not want, for you are thinking of the hard and cold and dark and long days you spent working in North America (or, worse, Europe), earning some money so that you could stay in this place (Antigua) where the sun always shines and where the climate is deliciously hot and dry ...and since you are on your holiday, since you are a tourist, the thought of what it might be like for someone who had to live day in, day out in a place that suffers constantly from drought ...must never cross your mind. And you leave, and from afar you watch as we do to ourselves the very things you used to do to us. And you might feel that there was more to you than that, you might feel that you had understood the meaning of the Age of Enlightenment (though, as far as I can see, it has done you very little good); you loved knowl­ edge, and wherever you went you made sure to build a school, a library (yes, and in both of these places you distorted or erased my history and glorified your own). As for what we were like before we met you, I no longer care. No periods of time over which my ancestors held sway, no doc­ umentation of complex civilisations, is any comfort to me. Even if I really came from people who were living like monkeys in trees, it was better to be that than what happened to me, what I became after I met you.
    [Show full text]
  • A Current Listing of Contents
    WOMEN'S SruDIES LIBRARIAN The University ofWisconsin System EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS VOLUME 17, NUMBER 4 WINTER 1998 Published by Phyllis Holman Weisbard Women's Studies Librarian University of Wisconsin System 430 Memorial Library / 728 State Street Madison, Wisconsin 53706 (608) 263-5754 EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS Volume 17, Number 4 Winter 1998 Periodical literature is the cutting edge ofwomen's scholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing ofContents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminisf Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from currentissues ofmajorfeministjournalsare reproduced in each issue ofFeminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of publication. 3. U.S. SUbscription price(s).
    [Show full text]
  • A Current Listing of Contents
    WOMEN'S STUDIES LIBRARIAN EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS VOLUME 16, NUMBER 2 SUMMER 1996 Published by Phyllis Holman Weisbard Women's Studies Librarian University of Wisconsin System 430 Memorial Library / 728 State Street Madison, Wisconsin 53706 (608) 263-5754 EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS Volume 16, Number 2 Summer 1996 Periodical literature is the culling edge ofwomen's scholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from current issues ofmajor feministjournals are reproduced in each issue ofFeminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of publication. 3. U.S. subscription price(s).
    [Show full text]
  • Your Silence Will Not Protect You a Tribute to Audre Lorde Barbara Christiant
    Your Silence Will Not Protect You A Tribute to Audre Lorde Barbara Christiant The phone rings. It is Lisa, one of the graduate students with whom I work. "Barbara, I have bad news." Silence. "Audre Lorde just died in St. Croix." I am stunned, unprepared, though I should not be. Audre has had breast cancer for many years. I know she now lives in St. Croix, my ancestral home, where the sun and the sea is invigorating her. The islands, her mother's islands, would save her body, I had hoped. Lisa repeats again: "Audre died in St. Croix." Silence. Then I say, "I will never see her again." I will always hear her though. For Audre left for us her work- words that many of us had been too afraid to speak. We had been taught that silence was golden, that it could protect you. Yet, as our daily lives and statistics proclaimed, we were steadily being attacked from within our homes, as well as from without. Audre Lorde refused to be silenced, refused to be limited to any one category, insisted on being all that she was: poet, black, mother, lesbian, feminist, warrior, activist, woman. As I grieve her passing on, I cannot help but think of the irony that we split her into her separate parts: So many white feminist/lesbians respond only to her lesbianism; blacks to her race activism; literary critics to her poetic craft; mother goddess followers to her African goddesses. Ah-Audre-if there is any tribute we can give you, it is to acknowledge all those parts of yourself without which you would not be you.
    [Show full text]
  • LEARNING from the 60S by AUDRE LORDE Malcom X Is A
    LEARNING FROM THE 60S BY AUDRE LORDE DELIVERED FEBRUARY 1982 Malcom X is a distinct shape in a very pivotal period of my life. I stand here now – Black, Lesbian, Feminist – an inheritor of Malcolm and in his tradition, doing my work, and the ghost of his voice through my mouth asks each one of you here tonight: Are you doing yours? There are no new ideas, just new ways of giving those ideas we cherish breath and power in our own living. I’m not going to pretend that the moment I first saw or heard Malcolm X he became my shining prince, because it wouldn’t be true. In February 1965 I was raising two children and a husband in a three-room flat on 149th Street in Harlem. I had read about Malcolm X and the Black Muslims. I became more interested in Malcolm X after he left the Nation of Islam, when he was silenced by Elijah Muhammad for his comment, after Kennedy’s assassination, to the effect that the chickens had come home to roost. Before this I had not given much thought to the Nation of Islam because of their attitude toward women as well as because of their non-activist stance. I’d read Malcolm’s autobiography, and I liked his style, and I thought he looked a lot like my father’s people, but I was one of the ones who didn’t really hear Malcolm’s voice until it was amplified by death. I had been guilty of what many of us are still guilty of – letting the media, and I don’t mean only the white media – define the bearers of those messages most important to our lives.
    [Show full text]
  • Preface Introduction
    Notes Preface 1. Luisa Pretolani's video, Things I Take, which deals with Indian women im­ migrants, speaks to the experience of emigration in ways that transcend the specific experience of a single ethnic group. The issues the women who appear in this video address relate to the significance of and repercussions on one's sense of self of the separation from one's homeland. 2. See Gilbert and Gubar's feminist classic The Madwoman in the Attic (1979), in which they ofTer adefinition of anxiety of authorship, which they jux­ tapose to the more masculine "anxiety of influence" (50), the title subject of Harold Bloom's study. 3. I began to study Italian American literature and minority literatures not in graduate school, but in the years following my graduation, in the early 1990s. 4. My first actual encounter with Italian American literature actually oc­ curred in 1983, at a conference on Italian American Studies of the AISNA (ItalianAssociation ofNorthAmerican Studies).The conference was orga­ nized by my then professor of American Literature at the University of Catania, Maria Vittoria D'Amico. I was one of a handful of undergraduate students involved in the organization of the conference. There, I met sev­ eral American professors, includingJohn Paul Russo, who would later ofTer me a teaching assistantship at the University of Miami. 5. Giunta, "The Quest forTrue Love: Nancy Savoca's Domestic Film Comedy." 6. In 1987, DeSalvo had also published-in England-Casting Off, an outra­ geous novel about Italian American women and adultery. 7. Oddly enough, much like other women and minority writers who, once they started looking, found literary sisters and ancestors, I, too, would later discover two other writers in my family, Giuseppe Minasola and Laura Emanuelita Minasola.
    [Show full text]
  • American Book Awards 2004
    BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
    [Show full text]
  • Jwarthmore Intercollegiate Athletics 1972 a Different Hall Game?
    Jwarthmore Intercollegiate Athletics 1972 A different hall game? Swarthmore Intercollegiate Athletics'72 A//) 'f<3 "fa //9 ^ Is it winning or how you play the game that counts? “The Cultural Revolution has penetrated the last stronghold of the American myth— the locker room. Young athletes, having scaled new levels of consciousness, now challenge a long-standing article of faith— the belief that competition has intrinsic value. They enter sports in search of particular esthetic experience, essentially personal in nature. They no longer accept the authoritarian structure of sports, nor do they accept the supreme emphasis on winning.” —Bruce C. Ogilvie and Thomas A. Tutko, Psychology Today, October, 1971 No one uses the word “ revolution” to describe intercollegiate athletics at Swarthmore today. But everybody— coaches, athletes, interested faculty and administrators— agrees they are different. “Our locker room became revolutionary a long time ago,” says Professor Thomas Blackburn, familiar with Swarthmore athletics for some ten years. “What is most different 1 Swarthmore Intercollegiate Athletics ’72 today,” he says, “ is that you find few people who are 4 Today's Athletes Tell Why willing to sit out a couple of years on the second team. They Play the Game People who don’t play tend to quit.” 13 The Coaches Speak Out The change may not be sudden, radical, or complete— 17 Women's Liberation in the Locker Room adjectives Webster allies with revolution—but it is 21 Women’s Coaches Say Philosophies Differ noticeable and at times uncomfortable for all involved. 24 The College It is most evident in the team sports, where the popular 28 Class Notes do-your-own-thing philosophy clashes with the necessity for cooperation and discipline.
    [Show full text]