Speaker Bios September 21, 2015
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Route 66 in Oklahoma: a Historic Context Review
Route 66 in Oklahoma: A Historic Context Review A Perspective on Topics and Sources for Archives Collections and Oral History Studies This document suggests topics and ideas for additional research along Oklahoma’s portion of Route 66. Primarily, the review is intended to assist researchers collecting information about Route 66 by collecting oral histories and organizing research projects. This outline may also be used to encourage the preservation of archival materials and artifacts. The topical headings are random in order. I. Waterways crossing or near Route 66 A. The waterways that crossed or came very near the roadway including bridges, ferries, low water crossing, and other roadway features that are related to waterways. Waterways were the most important landmark for early native travelers and for early explorers. The same waterways continue to be important for the obstacles for the original and later roadways. 1. Neosho/Grand River 2. Grand River 3. Verdigris River 4. Arkansas River 5. Deep Fork River (Canadian River) 6. North Canadian River (Now the Oklahoma River as of 2006) 7. South Canadian River (Sometimes just called the Canadian River) 8. Red River 9. Deep Fork Creek in Oklahoma City 10. Cat and Dog Creeks in Claremore Waterways may be researched at the Oklahoma Department of Transportation or the Corps of Engineers office. The Works Progress Administration Federal Writers Project papers are available at the Oklahoma Historical Society and may offer additional insight into the changes in Oklahoma waterways. II. American Indian Lands or Reserves crossed by Route 66 or near Route 66 A. Quapaw B. Miami C. -
Partial List of Institutional Clients
Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience -
Girl Scouts of Central Texas Explore Austin Patch Program
Girl Scouts of Central Texas Explore Austin Patch Program Created by the Cadette and Senior Girl Scout attendees of Zilker Day Camp 2003, Session 4. This patch program is a great program to be completed in conjunction with the new Capital Metro Patch Program available at gsctx.org/badges. PATCHES ARE AVAILABLE FOR PURCHASE IN GSCTX SHOPS. Program Grade Level Requirements: • Daisy - Ambassador: explore a minimum of eight (8) places. Email [email protected] if you find any hidden gems that should be on this list and share your adventures here: gsctx.org/share EXPLORE 1. Austin Nature and Science Center, 2389 Stratford Dr., (512) 974-3888 2. *The Contemporary Austin – Laguna Gloria, 700 Congress Ave. (512) 453-5312 3. Austin City Limits – KLRU at 26th and Guadalupe 4. *Barton Springs Pool (512) 867-3080 5. BATS – Under Congress Street Bridge, at dusk from March through October. 6. *Bob Bullock Texas State History Museum, 1800 Congress Ave. (512) 936-8746 7. Texas State Cemetery, 909 Navasota St. (512) 463-0605 8. *Deep Eddy Pool, 401 Deep Eddy. (512) 472-8546 9. Dinosaur Tracks at Zilker Botanical Gardens, 2220 Barton Springs Dr. (512) 477-8672 10. Elisabet Ney Museum, 304 E. 44th St. (512) 974-1625 11. *French Legation Museum, 802 San Marcos St. (512) 472-8180 12. Governor’s Mansion, 1010 Colorado St. (512) 463-5518 13. *Lady Bird Johnson Wildflower Center, 4801 La Crosse Ave. (512) 232-0100 14. LBJ Library 15. UT Campus 16. Mayfield Park, 3505 W. 35th St. (512) 974-6797 17. Moonlight Tower, W. 9th St. -
Free Land Attracted Many Colonists to Texas in 1840S 3-29-92 “No Quitting Sense” We Claim Is Typically Texas
“Between the Creeks” Gwen Pettit This is a compilation of weekly newspaper columns on local history written by Gwen Pettit during 1986-1992 for the Allen Leader and the Allen American in Allen, Texas. Most of these articles were initially written and published, then run again later with changes and additions made. I compiled these articles from the Allen American on microfilm at the Allen Public Library and from the Allen Leader newspapers provided by Mike Williams. Then, I typed them into the computer and indexed them in 2006-07. Lois Curtis and then Rick Mann, Managing Editor of the Allen American gave permission for them to be reprinted on April 30, 2007, [email protected]. Please, contact me to obtain a free copy on a CD. I have given a copy of this to the Allen Public Library, the Harrington Library in Plano, the McKinney Library, the Allen Independent School District and the Lovejoy School District. Tom Keener of the Allen Heritage Guild has better copies of all these photographs and is currently working on an Allen history book. Keener offices at the Allen Public Library. Gwen was a longtime Allen resident with an avid interest in this area’s history. Some of her sources were: Pioneering in North Texas by Capt. Roy and Helen Hall, The History of Collin County by Stambaugh & Stambaugh, The Brown Papers by George Pearis Brown, The Peters Colony of Texas by Seymour V. Conner, Collin County census & tax records and verbal history from local long-time residents of the county. She does not document all of her sources. -
Texas Reciprocal Memberships
Texas Reciprocal Memberships Amarillo Museum of Art The Contemporary Austin Jones Center Art Museum of South Texas The Contemporary Austin Laguna Gloria Art Museum of Southeast Texas McNay Art Museum Blanton Museum of Art The Museum of Fine Arts, Houston Briscoe Western Art Museum Nasher Sculpture Center The Chinati Foundation San Antonio Museum of Art Participating Institutions Program Guidelines and Policies Amarillo Museum of Art The Contemporary Austin Members contributing $250 or above 2200 South Van Buren Jones Center annually in membership dues are eligible Amarillo, Texas 79109 700 Congress Avenue to participate in the Texas Reciprocal 806-371-5050, 806-371-5392 (weekends) Austin, Texas 78701 Membership program in accordance with www.amarilloart.org 512- 453-5312 the policy stated by each institution. www.thecontemporaryaustin.org Art Museum of South Texas Upon presentation of proof of participation 1902 North Shoreline Boulevard The Contemporary Austin in the Texas Reciprocal Membership Corpus Christi, Texas 78401 Laguna Gloria program, you will be entitled to the following 361-825-3500 3809 West 35th Street privileges while visiting the other museums: www.artmuseumofsouthtexas.org Austin, Texas 78703 512-458-8191 Free admission during museum hours. Art Museum of Southeast Texas www.thecontemporaryaustin.org 500 Main Street Each museum determines whether Beaumont, Texas 77701 Mcnay Art Museum reciprocal members receive free admission 409-832-3432 6000 North New Braunfels Avenue to a special exhibition. Reciprocal members www.amset.org P.O. Box 6069 are always allowed to purchase tickets San Antonio, Texas 78209-0069 for special exhibitions at the institution’s Blanton Museum of Art 210-824-5368 Members’ Box Office, giving them easy The University of Texas at Austin www.mcnayart.org access to exhibitions. -
804 Congress Ave. | Austin, Texas 78701
804 CONGRESS AVE. | AUSTIN, TEXAS 78701 FOR MORE JASON STEINBERG, SIOR MATT LEVIN, SIOR INFORMATION 512.505.0004 512.505.0001 PLEASE CONTACT j [email protected] [email protected] 812 SAN ANTONIO | SUITE 105 | AUSTIN, TEXAS 78701 | 512.505.0000 | WWW.ECRTX.COM 804 CONGRESS NEW STREETSCAPE THE BOSCHE-HOGG BUILDING 804 CONGRESS AVENUE | AUSTIN, TEXAS 78701 FOR LEASE OFFICE | FOR MORE JASON STEINBERG, SIOR MATT LEVIN, SIOR INFORMATION 512.505.0004 512.505.0001 PLEASE CONTACT j [email protected] [email protected] 812 SAN ANTONIO | SUITE 105 | AUSTIN, TEXAS 78701 | 512.505.0000 | WWW.ECRTX.COM 804 CONGRESS PROPERTY INFORMATION THE BOSCHE-HOGG BUILDING 804 CONGRESS AVENUE | AUSTIN, TEXAS 78701 AVAILABILITY FOR LEASE Suite 300 - 6,770 RSF Available 7/1/17 OFFICE | PROPERTY DESCRIPTION 804 Congress, also known as The Bosche-Hogg Building, is a historic office building located in the heart of Downtown Austin. Only three blocks from the State of Texas Capitol building, it is in close proximity to both the Court House and the University of Texas. The building was built in 1897 and has had significant recent renovations, including a new Café Medici coffee bar within the updated lobby as well as a offering a rare outdoor park. It is within walking distance to dozens of restaurants and attractions, making it ideal for professional and creative users. Creative office suites, premier signage, several parking options, and State of Texas Capitol views makes this an attractive office lease opportunity. FEATURES BUILDING LOCATION SUITES • Six-story office -
At the Oklahoma History Center Oklahoma Century Chest Exhibit To
Vol. 44, No. 8 Published monthly by the Oklahoma Historical Society, serving since 1893 August 2013 “History through Music” at the Oklahoma History Center On Thursday, August 29, the Oklahoma History Center will host Dr. Harold Al- dridge and Dorothy Ellis, aka “Miss Blues,” for an educational and entertaining performance on the development of Blues music. This edition of the Oklahoma Historical Society’s “History through Music” program will examine the develop- ment and appreciation of the Blues music genre from its roots in nineteenth century slavery to its popularity in the twentieth century. Doors will open at 6 p.m. and the program will start at 7 p.m. Oklahoma Historical Society members can RSVP and receive free seats. Nonmembers interested in attending must pur- chase an OHS family membership at half price, $25, or any of our other membership levels at regular price, and then will be able to RSVP for up to two seats. Dr. Aldridge and Miss Blues will lecture and perform on the roots of different Blues styles. During the program scholars also will discuss how the unique settlement of the Sooner state mixed different cultures and music, creating its own distinctive sounds and musicians. During the presentation both musicians will explain the roles that secular and gospel music had in these communities. Born and raised in the all-black town of Taft, Oklahoma, Dr. Harold Aldridge learned to play the guitar from the town’s older musi- cians. He will perform and give the history of the differing styles of Blues, including how regional sounds emerged. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Jimmie Durham — Save the Robots the Robots — Save Durham — Jimmie Third Issue Fall/Winter 2013 Fall/Winter North Is Going South North €10 ISSN 2241-3901
South as a State of Mind, Arts and Culture publication — fall/winter 2013 — fall/winter publication Arts and Culture of Mind, South as a State Slavs & Tatars — north is going south — Jimmie Durham — Save the Robots fall/winter 2013 ISSN 2241-3901 third issue €10 MAi SON MAR tiN MARgi E l A WE SUPPORT THE ARTS IN THE SOUTH Corporate Governance THE BREEDER ATHENS Blind Adam Specialists 8 September – 26 October 2013 LONDON | PARIS | MILAN THE BREEDER MONACO Stelios Faitakis 24 September - 29 November 2013 WWW.NESTORADVISORS.COM 10 years [email protected] in the service of T: +44 (0)20 7628 3497 Expo Chicago F: +44 (0)20 7256 6454 better governance 19-22 September 2013 ER ll E t EN Frieze London g ER 17-20 October 2013 ju BY H p Abu Dhabi Art RA g 20-23 November 2013 O t BARNEYS.COM N E w Y ORk B E v ERl Y Hill S B OSt ON C H i CAg O lAS vEg AS S AN F RANCi SCO S COttS d A l E S EAttlE IBEX HOUSE | 42-47 MINORIES | LONDON EC3N 1DY | UNITED KINGDOM HO p FOR i NSidER FASH i ON ACCESS: t HEwiN d O w.BARNEYS. COM www.thebreedersystem.com FW13_SouthasaStateofMind_Sept13_cs6.indd 1 9/16/13 4:58 PM contents 48 110—SHOUT / POLITICS / H A Institute for Human Activities Euro(s) Go South Renzo Martens Georgios Papadopoulos 50 SOUTH AS A STATE OF MIND, Arts and Culture publication 112—TRICKSTER A project by Kunsthalle Athena, www.kunsthalleathena.org A Trip to the North Alexander Tarakhovsky Slavs and Tatars 54 The Children of Marx and Kumis Publisher The Erasers Yoel Regev & Masha Shtutman Sofia Soupari & Co E.E., PUBLICATIONS – Epomenos Stathmos -
Annual Meeting of the National Council on Public History
THE MIDDLE: WHERE DID WE COME FROM? WHERE ARE WE GOING? April 19-22, 2017 // Indianapolis, Indiana Annual Meeting of the National Council on Public History Aerial View of a Parade on Monument Circle, Bretzman Collection, Indiana Historical Society, P0338. IUPUI Graduate Program in Public History Established in 1984, the Graduate Program in Public History at Indiana University – Purdue University Indianapolis (IUPUI) trains historians in the research, analytical, and communications skills needed to apply their work in the public arena. Students benefit from a combination of classroom instruction and practical experiences that prepare them for a wide range of public history occupations. Campus adjacent to downtown Indianapolis, which serves as a learning laboratory for public history students. Program highlights include: • A nationally-recognized public history degree program, with opportunities for students to pursue additional qualifications and certifications in Library Science, Museum Studies, and Documentary Editing • Two academic years of half-time paid internships in local institutions provide significant practical training (interns also receive a substantial tuition remission and health insurance) • Situated near several long-time partner institutions and research repositories (including the Indiana Historical Society, Indiana State Library and Historical Bureau, and Eiteljorg Museum of American Indians and Western Art) Graduate public history courses include: Digital Humanities, Historical Administration, Historic Preservation, -
Spring 2019 H Volume 23 No
SAVING THE GOOD STUFF Spring 2019 h Volume 23 No. 2 J oin us for “The Art of the Craftsman Style,” our 27th Annual 20th century. Creative updates show their seamless adaptation to Homes Tour! This year’s event celebrates seven stunning modern life today. Craftsman style homes citywide in coordination with the Harry Ransom Center exhibition The Rise of Everyday Design: The Arts This is Preservation Austin’s biggest event of the year, as well as our and Crafts Movement in Britain and America, on view now. most important fundraiser. Our members receive special pricing on tour During the late 19th century Britain’s Arts and Crafts Movement tickets and some membership levels include free tickets as well. We emphasized handmade domestic goods and honest design to hope you’ll join us, and bring along some friends, to spend a beautiful combat the more dehumanizing effects of the Industrial Revolution. Austin day celebrating these incredible homes, their homeowners, and Here in America, magazines and pattern books diffused the all the good work our nonprofit does year-round! h movement’s principles into the wildly-popular Craftsman style, embracing its picturesque aesthetic and democratic spirit to produce quality housing (albeit with machine-made components) Saturday, April 27 nationwide. 10am to 4pm Our tour explores the Arts and Crafts Movement’s impact here Home Base: Preservation Austin in Austin. Featured homes show a wide range of Craftsman style 500 Chicon, Texas Society of Architects Building influences, from pattern-book houses built by middle-and working- $30 for Preservation Austin Members class families to those designed by architects for families of more $40 for Non-Members means. -
Cultural Summit II Work Book TABLE of CONTENTS
Cultural Summit II Work Book TABLE OF CONTENTS Programming/Training/Services Workgroup Discussion, Page 1 Collaborative Disaster Planning/Response Workgroup Discussion, Page 5 Collections Care Workgroup Discussion, Page 8 Programming/Training/Services Workgroup Discussion Funding, Advocacy, and Marketing Workgroup Discussion, Page 13 2009 Oklahoma Collections Care Needs Survey Participant, Page 24 2009 Cultural Summit Meetings – Roster of Attendees, Page 27 2010 Cultural Heritage Action Plan Respondents, Page 30 Programming/Training/Services Workgroup Discussion Background: All Oklahoma cultural heritage organizations, regardless of size or scope, share the responsibility of preserving the state’s heritage. Unfortunately, preservation programs are out of the reach of many institutions because of funding, training, and resource issues. Over the past decade, the Oklahoma Department of Libraries, the Oklahoma Historical Records Advisory Board, and the Oklahoma Museums Association have worked together to develop programs and services that help organizations address preservation planning, environmental control and proper storage, care and handling of materials, disaster planning, conservation reformatting, and security. In addition to preservation issues, the organizations have also provided programs on building organizational capacity, strengthening boards, and connecting with the community. Evaluation reports on these activities indicate a high level of satisfaction with the programs and services; however, there continues to be an unmet need for “one-on-one” interaction and expanded delivery methods, i.e., distance learning. Key Recommendations for Further Consideration: Below is a summary of key recommendations related to training and programming. The Work Group should review each recommendation, respond to the questions, contribute additional information, and identify action steps to move the recommendation forward.