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Definition of Pantomime: A Theatrical Entertainment, Mainly for Children
Definition of Pantomime: A theatrical entertainment, mainly for children, which involves music, topical jokes, and slapstick comedy and is based on a fairy tale or nursery story, usually produced around Christmas. A typical Pantomime storyline: Normally, a pantomime is an adapted fairytale so it is usually a magical love story which involves something going wrong (usually the fault of an evil baddy) but the ending (often after a fight between good and evil) is always happy and results in true love. Key characters in Pantomime: The female love interest, e.g Snow White, Cinderella etc The Handsome Prince e.g Prince Charming The evil character e.g the evil Queen in Snow White The faithful sidekick - e.g Buttons in Cinderella The Pantomime Dame - provides most of the comedy - an exaggerated female, always played by a man for laughs How to act in a pantomime style: 1. Your character is an over-the-top type’, not a real person, so exaggerate as much as you can, in gesture, voice and movement 2. Speak to the audience - if you are a ‘Goody’, your character must be likeable or funny. If you are a ‘Baddy’, insult your audience, make them dislike you from the start. 3. There is always a narrator - make sure she knows speaks confidently and knows the story well. 4. Encourage the audience to be involved by asking for the audience’s help, e.g “If you see that naughty boy will you tell me?” 5. If you are playing that ‘naughty boy’, make eye contact with the audience and creep on stage. -
COPYRIGHTED MATERIAL NOT for DISTRIBUTION Introduction
Contents Acknowledgments vii Introduction 3 Biographies Alice (McCarthy) Lannon (1927– 2013) 21 Philip Pius Power (1912–1993) 24 Anita Best 30 Martin Lovelace 32 Pauline Greenhill 35 Graham Blair 36 THE TALES Johnson and the Fellow Traveler (Power) 39 Comments 60 Open! Open! Green House (Lannon) 65 Comments 70 The Gifts of the Little People (Lannon) 75 Comments 76 The Big Black Bull of Hollow Tree (Lannon) 79 CommentsCOPYRIGHTED 85 MATERIAL Jack and the CatNOT (Lannon) FOR 91 DISTRIBUTION Jack Ships to the Cat (Power) 93 Comments 101 Peg Bearskin (Power) 105 The Clever Girls (Lannon) 115 Comments 117 The Maid in the Thick of the Well (Power) 123 Comments 133 Jack Shipped to the Devil at Blackhead (Power) 139 Comments 154 v vi Contents The White King of Europe (Power) Friends version 159 Goldstein version 177 Comments 194 The Suit the Color of the Clouds (Power) 199 Comments 223 The Ship That Sailed over Land and Water (Lannon) 229 Comments 241 Pretty Raven/The Copper Castle of the Lowlands (Power) 247 Comments 285 Afterword 289 Appendix 1. Ethnopoetic System 293 Appendix 2. Newfoundland Map 297 Appendix 3. Tale Types 299 Appendix 4. Motifs 301 References 307 Index 313 COPYRIGHTED MATERIAL NOT FOR DISTRIBUTION Introduction FAIRY TALES ARE AMONG THE OLDEST ORAL STORIES whose history can be traced; in the West this documentation stretches back to classical antiquity. Their themes inspire writers, visual artists, and filmmakers; in the twenty- first centuryfew media creators fail to find in them something relevant (see Greenhill et al. 2018). Yet we don’t know their original makers. -
Education Resource Stephen Sondheim & James Lapine
Stephen Sondheim & James Lapine INTO THE WOODS Education Resource Music INTO THE WOODS - MUSIC RESOURCE INTRODUCTION From the creators of Sunday in the Park with George comes Into the Woods, a darkly enchanting story about life after the ‘happily ever after’. Stephen Sondheim and James Lapine reimagine the magical world of fairy tales as the classic stories of Jack and the Beanstalk, Cinderella, Little Red Ridinghood and Rapunzel collide with the lives of a childless baker and his wife. A brand new production of an unforgettable Tony award-winning musical. Into the Woods | Stephen Sondheim & James Lapine. 19 – 26 July 2014 | Arts Centre Melbourne, Playhouse Music and lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine By arrangement with Hal Leonard Australia Pty Ltd Exclusive agent for Music Theatre International (NY) 2 hours and 50 minutes including one interval. Victorian Opera 2014 – Into the Woods Music Resource 1 BACKGROUND Broadway Musical Music and Lyrics by Stephen Sondheim Book and Direction by James Lapine Orchestration: Jonathan Tunick Opened in San Diego on the 4th of December 1986 and premiered in Broadway on the 5th of November, 1987 Won 3 Tony Awards in 1988 Drama Desk for Best Musical Laurence Olivier Award for Best Revival Figure 1: Stephen Sondheim Performances Into the Woods has been produced several times including revivals, outdoor performances in parks, a junior version, and has been adapted for a Walt Disney film which will be released at the end of 2014. Stephen Sondheim (1930) Stephen Joshua Sondheim is one of the greatest composers and lyricists in American Theatre. -
Fairy Tale Reader's Theater: Cinderella
Fairy Tale Reader’s Theater: Cinderella Reader Roles: Narrator, Cinderella, Stepsister 1, Stepsister 2, Fairy godmother, Guest 1, Guest 2, Prince Scene 1 (at Cinderella’s home) Narrator: The night of the ball arrived. Narrator: Once upon a time there was a beautiful young girl named Stepsister 1: (laughing) Ha, ha! We are going to have a great time at the Cinderella. She had two ugly stepsisters who were very cruel to her. ball. Stepsister 1: Did you clean the kitchen? Stepsister 2: (laughing) Have a great night working, Cinderella. Cinderella: Yes, I did. Narrator: After the evil stepsisters had left, suddenly, a fairy appeared. Stepsister 2: Did you polish my shoes? Cinderella: Oh my! Who are you? Cinderella: Yes, I did. Fairy godmother: I’m your fairy godmother, beautiful Cinderella. I am here to help you go to the ball tonight. Stepsister 1: Did you iron my clothes? Narrator: The fairy godmother waved her magic wand. Cinderella’s rags Cinderella: Yes, I did. turned into a beautiful dress. On her feet were sparkling glass slippers. Stepsister 2: And...did you make breakfast? Cinderella: Oh, I feel so beautiful! Cinderella: Yes, breakfast is ready. Narrator: The fairy godmother turned a pumpkin into an amazing coach Narrator: The evil stepsisters made Cinderella do all the hard work. and some mice into horses. Cinderella: (calling out) Stepsisters! A letter from the royal palace has Cinderella: What a lovely coach and handsome horses. arrived for you. Fairy godmother: You are ready now, my dear. Have fun tonight, but be Stepsister 1: (fighting) Give it to me! I want to open it. -
Education Pack 2019.Cdr
BUXTON OPERA HOUSE & PAVILION ARTS CENTRE EDUCATION PACK HISINTRTORODUCY OFTION PANTOMIME Welcome to Buxton Opera House's Pantomime Educaon Pack for our 2019 producon of Cinderella! The Christmas Pantomime is a huge highlight in the Opera House programme, and one which we look forward to sharing with you every year. A visit to the Pantomime may be a child's very first experience of theatre or live performance, and if it is capvang enough, it will leave an inspiring lasng impression. At Buxton Opera House, we are commied to capturing the hearts and minds of children across the Peak District, so we have designed this Educaon Pack to ensure your students get as much out of their trip to the theatre as they possibly can. Offering both entertainment and educaon, this pack contains reference informaon, resources, fun acvies and creave tasks that will help to further your students' understanding and enjoyment of our producon of Cinderella. Please feel free to use it as you wish! We hope you enjoy exploring this much-loved tale as much as we have, and we look forward to welcoming you to the Opera House soon! HISTORY OF PANTOMIME Pantomime is a type of theatre producon intended for family entertainment which includes music, dance and comedy. Pantomime found its heart, and developed in the United Kingdom, where it is performed typically during the Christmas and New Year season. These days, Pantomime is oen seen as a quintessenally Brish tradion, but the origins of this form of theatre actually stem from much warmer parts of Europe! One of the first recorded references to Pantomime was in Ancient Greece; the Greek words “pan” meaning “all”, and “mimos” which translates as “imitator” described a group who “imitate all” – the performances would feature songs, music and comedy. -
“Once Upon a Time: the Gospel and Cinderella”
“Once Upon a Time: The Gospel and Cinderella” Text: Genesis 37:1-28 a sermon by Kevin Fleming June 16, 2013 FIRST PRESBYTERIAN CHURCH - EVANSVILLE, INDIANA The story of Cinderella holds an enduring place in the hearts of children of every age. The story, as we know it, is based on Charles Perrault’s late seventeenth century version, complete with stepmother, fairy godmother, mice, pumpkin, glass slipper, and rescuing prince. There are other tellings of the story that reach back a thousand years and appear as indigenous stories in Africa, China, and among Native Americans. It was Perrault’s story that received the Disney treatment in 1950. It was the twelfth of Disney’s full-length cartoon movies and came as the last of the classic movies of the 1930s and 40s. The creativity of the Disney studio was on full display, and the film earned three Academy Awards, including “Best Song” for “Bippity-Boppity-Boo.” There is much in the story that is familiar to us. Even if we have never heard the story, or watched the movie, we sort of know the basic outline of this story. Oppressed girl finds a new life and is lifted from her condition by a handsome prince. It’s archetypal. We’ve heard this one before. As Ann and Barry Ulanov write in their book, Cinderella and Her Sisters: Why should this story attract so many tellers, capture so many readers and listeners? What is there about it that cuts through the major differences of time, place, and culture? There are other attractive heroines. -
CINDERELLA by JACK NORTHCOTT Extract a SMITH SCRIPT
CINDERELLA BY JACK NORTHCOTT Extract A SMITH SCRIPT This script is protected by copyright laws. No performance of this script -IN ANY MEDIA – may be undertaken without payment of the appropriate fee and obtaining a licence. For further information, please contact SMITH SCRIPTS at [email protected] Cinderella Pantomime Script Cinderella The magical family pantomime © Jack Northcott 2018 !1 Cinderella Pantomime Script CHARACTERS Cinderella Poor stepdaughter of Pri Madonna Buttons In love with Cinders Pri Madonna Married Cinders’ father Annabella Ugly and vile Belladona Ugly and vicious Prince Charming Handsome, principal boy Dandini Prince’s aid and confidant Fairy Godmother A magical fairy who looks after Cinderella SUPPORTING CAST Pinky A tiny mouse Perky A tiny mouse Porky tiny mouse Flutter sparrow Splutter sparrow with a speech impediment Hoppit rabbit Droppit rabbit Servant staff member in the household Chorus of villagers, ball goers and forest dwellers, As always in Pantomime, genders are ambiguous and this is no exception. Particularly Buttons, Pri Madonna, Dandini, Prince Charming and Fairy Godmother could be played by either a male or female but the gender of their character must remain the same. With the exception of the Fairy Godmother who could easily be ambiguous in gender. © Jack Northcott 2018 !2 Cinderella Pantomime Script SCENES ACT I Scene 1 Village Near the Palace Scene 2 Elsewhere in the Village Scene 3 Hardup Manner Scene 4 Elsewhere in the Village Scene 5 The Uglies’ Boudoir Scene 6 Cinderella’s Pumpkin Patch Scene 7 Hardup Manner ACT II Scene 8 The Palace Ballroom Scene 9 A Corridor in the Palace Scene 10 Into the Woods Scene 11 Path in the Woods Scene 12 Village Near the Palace Scene 13 Song Sheet Scene 14 The Royal Palace © Jack Northcott 2018 !3 Cinderella Pantomime Script MUSICAL NUMBERS (Feel free to add or remove musical numbers as you wish. -
Wee Bit of Irish Fun Tuesday, March 12
The Current March 1, 2019 ISSUE #3 Subscription Price: FREE A Physician led 501 (c)(3) federal income tax exempt public charitable organization with a mission to improve the health of our A Monthly Publication of the Oshkosh Seniors Center supported by The Friends of the Oshkosh Seniors Center, Inc. local community. See if you have “the luck ‘o the Irish” at the casino-style games at our Wee bit of Irish Fun Tuesday, March 12 5-7 pm See details on Page 23 To see the newsletter on-line go to: www.ci.oshkosh.wi.us/Senior_Services/ 920-232-5300 VOLUNTEER Newsletter Folding (S) SPOTLIGHT Wednesday, March 20, 1 pm Please join us in folding our newsletters. MEET JEFF BECKER Choice Bank provides refreshments. Lead Woodshop Volunteer The newsletter will be ready for delivery on Thursday, March 21. If you are unable to deliver your route, please call Sara at 920-232-5310. Thank you volunteers Jeffrey Becker for your commitment to newsletter folding and has been the delivery! Not registered as a volunteer? Woodshop Lead Please see a staff member. Volunteer for the past two years. “Woodworking is among my passions!” His passion OSC Weather Policy has helped transform the woodshop. The shop has never been cleaner and more organized. The If the weather outside is frightful… priority has been safety and Jeff knows a clean It is the policy of the Oshkosh Seniors and uncluttered environment is a safer Center to follow the Oshkosh Area School environment. District’s lead on closures due to weather. The self-taught wood worker loves showing and Therefore, if the school district has helping others on their wood projects. -
Chinese Cinderella: the True Story of an Unwanted Daughter
After a while I said, “When did my mama die?” “Your mama came down with a high fever three days after you were born. She died when you were two weeks old. …” Though I was only four years old, I understood I should not ask Aunt Baba too many questions about my dead mama. Big Sister once told me, “Aunt Baba and Mama used to be best friends. A long time ago, they worked together in a bank in Shanghai owned by our grandaunt, the youngest sister of Grandfather Ye Ye. But then Mama died giving birth to you. If you had not been born, Mama would still be alive. She died because of you. You are bad luck.” ALSO AVAILABLE IN LAUREL-LEAF BOOKS: THE HERMIT THRUSH SINGS, Susan Butler BURNING UP, Caroline B. Cooney ONE THOUSAND PAPER CRANES, Takayuki Ishii WHO ARE YOU?, Joan Lowery Nixon HALINKA, Mirjam Pressler TIME ENOUGH FOR DRUMS, Ann Rinaldi CHECKERS, John Marsden NOBODY ELSE HAS TO KNOW, In- grid Tomey TIES THAT BIND, TIES THAT BREAK, Lensey Namioka CONDITIONS OF LOVE, Ruth Pennebaker I have always cherished this dream of creating something unique and imper- ishable, so that the past should not fade away forever. I know one day I shall die and vanish into the void, but hope to preserve my memories through my writing. Perhaps others who were also unwanted children may see them a hundred years from now, and be encouraged. I imagine them opening the pages of my book and meeting me (as a ten-year-old) in Shanghai, without actually having left 6/424 their own homes in Sydney, Tokyo, London, Hong Kong or Los Angeles. -
Noises Off | Full Playbill
PLAYBILL 2021 SEASON COMMUNITY CIRCLE THEATRE, INC. | FUN HOME | JULY 12-28 1 GENERAL INFORMATION BOX OFFICE HOURS MONDAY - FRIDAY | 12PM - 5PM MONDAY - FRIDAY PERFORMANCE DAYS | 12PM - CURTAIN SATURDAY | 2PM - CURTAIN SUNDAY | 12PM - CURTAIN LATE ARRIVALS Patrons arriving late will be seated at the House Manager’s discretion. NO STANDING No standing is permitted in the back of the theatre. If you become uncomfortable and/or have to move out of your seat for any reason, you may stretch your legs in the upper or lower lobby. ELECTRONIC DEVICES Please turn off all electronic devices that light up or make noise. Please, no texting. The taking of pictures and/or recordings (audio or video) is prohibited; the device may be taken from you and held until after the show. EMERGENCY CALLS If you anticipate the need to be reached in the event of an emergency, you may leave your name and seat number with the House Manager. A House Manager will also be available in the House during the run of the show. Our emergency contact number is 616 632 2996. In the event that someone is not available at this number, Aquinas College Campus Safety’s number is 616 632 2462; a dispatcher is available 24/7. YOUNG AUDIENCE Most Main Stage productions are geared toward mature audiences and may not be appropriate for younger audiences. Our Magic Circle productions provide wonderful family entertainment and an introduction to the live theatre experience. Please call the box office at 616 456 6656 for information on age appropriateness of any of our shows. -
Dissertation Complete 1.25 Margins
UNIVERSITY OF CALIFORNIA Santa Barbara The Musicalization of Romantic Childhood: Genre, Power, and Paradox A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Matthew Joseph Roy Committee in charge: Professor Stefanie Tcharos Professor Derek Katz Professor Sara Pankenier Weld December 2018 i The dissertation of Matthew Joseph Roy is approved. ______________________________________________________ Derek Katz ______________________________________________________ Sara Pankenier Weld ______________________________________________________ Stefanie Tcharos, Committee Chair December 2018 ii DEDICATION For my tenacious children, Penelope and Felix, who brought out the father in me. iii ACKNOWLEDGEMENTS Over the past six years I have received support and encouragement from a great number of individuals. I would like to thank my dissertation committee for their support from my initial exploration of the topic to the completion of the current study: Drs. Stefanie Tcharos, Sara Pankenier Weld, and Derek Katz have been mentors whose guidance and positivity have made this a rewarding journey. Additionally, Drs. Jon Cruz, Catherine Nesci, and William Davies King provided fruitful insights into the interdisciplinary intersections of my project. Dr. Marcus Flathman spent many patient hours offering growthful and trenchant perspectives on the dissertating process. Luke Hannington has been a true colleague and friend whose insightful questions and enthusiasm brought joy to this journey. Finally, -
Cinderella Script Summary
Cinderela The magical family pantomime SCRIPT SUMMARY STORY Cinderella, a sweet and talented girl is mistreated and abused by her ugly stepsisters Annabella and Belladonna (or names of your choice!) and her evil stepmother Pri Madonna. Buttons, her best friend and confidant enlists the help of a Fairy Godmother to make all of Cinderella's dreams come true and she dances with the Prince at the royal palace. As the clock strikes twelve Cinderella flees from the ball into the forest. Can Buttons and the Fairy Godmother find her in time? This fast-paced traditional family pantomime is sure to be a hit with people of all ages. KEY INFORMATION • A traditional pantomime script in a modern fast-paced form • Plenty of opportunity for panto cross dressing • Lots of comedy between the ugly sisters and wicked stepmother • Great character roles in the Fairy Godmother and Buttons • Lots of chorus include a big ballroom scene CHARACTERS Cinderella Poor stepdaughter of Pri Madonna Buttons In love with Cinders Pri Madonna Married Cinders’ father Annabella Ugly and vile Belladona Ugly and vicious Prince Charming Handsome, principal boy Dandini Prince’s aid and confidant Fairy Godmother A magical fairy who looks after Cinderella SUPPORTING CAST Pinky A tiny mouse Perky A tiny mouse Porky A tiny mouse Flutter A sparrow Splutter A sparrow with a speech impediment Hoppit A rabbit Droppit A rabbit Servant A staff member in the household Chorus of villagers, ball goers and forest dwellers, As always in Pantomime, genders are ambiguous and this is no exception. Particularly Buttons, Pri Madonna, Dandini, Prince Charming and Fairy Godmother could be played by either a male or female but the gender of their character must remain the same.