Faculty Artist Series

Total Page:16

File Type:pdf, Size:1020Kb

Faculty Artist Series FACULTY ARTIST SERIES 1999-2000 twelfth season RICHARD WAGNER: DIE WALKORE ACT I, (abridged) JOHN HINES, tenor, as Siegmund with guests SHARON SEARLES, soprano, as Sieglinde CATHERINE BRINGERUD, piano pre-concert lecture by Mary Hagopian Sharon Beckendorf Searles, educated at the University of Tennessee, Indiana University School of Music and the Curtis Institute of Music, enjoys a balanced professional life as professor of voice at Butler University and widely-heralded recitalist and concert singer through the United States, Great Britain, Europe and Asia. At Curtis and Indiana University she was a student of Margaret Harshaw. Equally at home in the demanding Wagnerian repertoire as well as the rarefied contemporary vocal literature, some of which has been written for her voice and artistry, she has premiered several compositions including the first opera of Butler's Composer-in-Residence, Michael Schell, The Great Soap Opera, as well as his song cycle, Swanwhite (1981). She also performed the mono-opera, Diary of Anne Frank, by Grigori Frid, a renowned Russian composer who traveled to America for the first time to hear this performance. Catherine Bringerud, who completed piano performance degrees at Indiana University, supervises the staff/student accompanying program at Butler University. A collaborative pianist in high demand both on and off the university campus, she performs an average of 50 recitals a year with students, faculty and Indianapolis area musicians. Equally at home with singers and instrumentalists, she particularly enjoys the intimate art song and chamber music setting. She has appeared with Indianapolis Scott Chamber Players, Linden String Quartet, Ronen Ensemble, and recently joined "Fourte," a clarinet, violin, cello and piano ti group. In 1994 she was appointed Artistic Ambassador of the United States and performed with Butler colleagues throughout Bahrain, Pakistan and India. In February, 1998, she appeared at the Kennedy Center for the Performing Arts with Mrs. Searles and her two daughters in a concert celebrating the arts in Indiana. This past summer the four of them had the opportunity to perform with cellist Yo Yo Ma. She has recorded for Lorenz and Hal Leonard Publishing Co., and is featured pianist on the "15 American Songs" collections of Hal Leonard. She recently completed her first C.D. with Indianapolis bassist David Murray. John Hines, Heldentenor, is an active performer of opera, oratorio and,song recitals, • ti and was one of eight intemational finalists chosen to perform at New York's Lincoln Center in the 1996 Lauritz Melchior Heldentenor Competition. Performances in the United States Z) and abroad have included principal operatic roles in Madama Butterfly, Die Meistersinger, ;, Falstaff, La Taviata, Gianni Schicchi, Carmen, I Pagliacci, The Rakes Progress and Wozzeck. ti He holds degrees from Kent State University and Heidelberg College, and has studied at Indiana University and the American Institute of Musical Studies-Graz, Austria. He was a featured tenor in the Muncie Symphony Orchestra's 3-Tenor's Valentine's Day gala concert, \..._ and will return this season for a millennium celebration in Beethoven's Ninth Symphony. He will later make his debut, with the same work, with the North Bay Philharmonic Orchestra, Napa Valley, California, and is scheduled to perform the roles of Siegmund and Siegfried in a Ring Cycle highlights concert with North Bay Philharmonic in October, 2000. An assistant professor of voice on the Ball State University faculty, he maintains an active performing schedule, and is an adjunct instructor of voice and opera at Taylor University. PRUIS HALL Series LIV Sunday, September 19, 1999 Number 9 3:00 p.m. In keeping with copyright and artist agreements, use of recording and photographic devices is not permitted by other than approved university personnel. We request your cooperation. For performance information, call the School of Music Concert HotLine: (765) 285-5878. .
Recommended publications
  • The Performer As Classical Voice Teacher
    THE PERFORMER AS CLASSICAL VOICE TEACHER: EVALUATING THE ROLE OF THE PERFORMER-TEACHER AND ITS IMPACT ON THE STUDENT LEARNING EXPERIENCE MARGARET SCHINDLER S368294 QUEENSLAND CONSERVATORIUM GRIFFITH UNIVERSITY in fulfilment of the requirement of the degree of Doctor of Musical Arts TABLE OF CONTENTS Table of Contents ..................................................................................................................................... i ABSTRACT ....................................................................................................................................... iii ACKNOWLEDGEMENTS .................................................................................................................. iv BOOK CHAPTERS AND PRESENTATIONS ......................................................................................... v STATEMENT OF AUTHENTICITY ...................................................................................................... vi Chapter One: Setting the Scene ................................................................................................ 1 1.1 Introduction .............................................................................................................................. 1 1.2 An auto-ethnography ................................................................................................................ 3 1.3 Rationale for this thesis .......................................................................................................... 10 Chapter Two:
    [Show full text]
  • Spring 2015 CUES Internet at the Speed of Whoa
    OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message.
    [Show full text]
  • Frances Greer COLLECTION: 4700.0902
    T. Harry Williams Center for Oral History Collection ABSTRACT INTERVIEWEE NAME: Frances Greer COLLECTION: 4700.0902 IDENTIFICATION: Lyric soprano with Metropolitan Opera, graduate of LSU School of Music INTERVIEWER: Ronald Ross, Jane Ross SERIES: University History – Women at LSU INTERVIEW DATES: August 3, 1997 FOCUS DATES: 1921 - 1990s ABSTRACT: Tape 1286 Greer's first public performance at age four; born and raised in Arkansas; entry in President Clinton's Amazing Arkansas; shows musical ability as an infant; comes to LSU as music major in 1934; auditions for Professor H. W. Stopher; Greer wins scholarship; works singing for Rotary Club while at LSU; LSU Opera; keyboard skills; reading music; Helen Gunderson; Pearl Willis, theory teacher; Pasquale Amato, voice teacher; Louis Hasslemans, conductor; foreign langauages for singers; Greer's roles with LSU Opera; LSU School of Music Ensemble; Metropolitan Opera broadcasts; Greer sings in English with Philadelphia Opera Company; Curtis Institute; Lily Pons; Willford Pelletier invites Greer to audition for Metropolitan Opera; Greer and Margaret Harshaw win competition in the early 40s; Greer's first role in La Boheme at the Met; voice type lyric soprano; Jenny Cervini, dresser; Greer honored as an "Arkansas Traveler"; Thomas J. Watson, CEO of IBM and fellow Arkansan, visits Greer; Watson has Greer and Mary Tibbit sing several times at United Nations functions at the Waldorf Astoria; baritone Jussi Bjoerling; tenor Jan Pierce; lyric coloratura Eleanor Steber; Greer always learning; Leonard
    [Show full text]
  • Solomon Epstein ▪ Autobiographical Notes ▪ Ed
    Solomon Epstein ▪ Autobiographical Notes ▪ Ed. by Aloma Bardi ▪ © ICAMus - The S. Epstein Collection 2019. SOLOMON EPSTEIN (1939-2018) AUTOBIOGRAPHICAL NOTES EDITED BY ALOMA BARDI ICAMus 2019 1 Solomon Epstein ▪ Autobiographical Notes ▪ Ed. by Aloma Bardi ▪ © ICAMus - The S. Epstein Collection 2019. At my invitation, Solomon Epstein wrote a concise autobiography in April-May 2014, and completed its compilation on May 3rd, 2014. These Autobiographical Notes were meant as future publication by ICAMus, for archival purposes, and as a meaningful addition to the composer’s collection of music manuscripts held by the Center. In the opening pages of this written account of his life, Dr. Epstein deploys a narrative technique of ‘self-interview’, telling his own story in the third person, with large portions of direct speech, as if in response to questions. As the narrative progresses, after the story of his childhood years, direct speech (introduced by quotation marks at the beginning of each paragraph) becomes predominant and eventually exclusive. The composer narrates the origin of his family, his childhood and discovery of music (a revelation that would grow into everlasting devotion), his studies, his professional experiences as synagogue cantor and music director, and most importantly his compositional work. Of special interest are the recollections and thoughts on opera and singing, since Dr. Epstein was mainly an opera composer. Every paragraph of these memories features Solomon Epstein’s characteristic insights, generosity, humor. From these Notes, he stands out as a learned composer, whose admiration and love for opera, and for the presence of music in a Jewish congregation and in the wider human community always guided his works and his daily experience.
    [Show full text]
  • Carmengeorges BIZET
    Carmen GEORGES BIZET THEATER 15/16 Five Hundred Twenty-Second Program of the 2015-16 Season _______________________ Indiana University Opera Theater presents as its 447th production Carmen Opéra Comique in Four Acts Music by Georges Bizet Libretto by Henri Meilhac and Lucovic Halévy Based on the novel by Prosper Mérimée David Effron, Conductor Jeffrey Buchman, Stage Director Robert O’Hearn, Set and Costume Designer Dana Tzvetkov, Costumer Patrick Mero, Lighting Designer Walter Huff, Chorus Master Brent Gault, Children’s Chorus Master Rosa Mercedes, Dance Choreographer Matt Herndon, Fight Choreographer Gary Arvin, Diction Coach Daniela Siena, Supertitles Author _________________ Musical Arts Center Friday Evening, February Twenty-Sixth Saturday Evening, February Twenty-Seventh Friday Evening, March Fourth Saturday Evening, March Fifth Seven-Thirty O’Clock music.indiana.edu Cast of Characters Friday, February 26 Saturday, February 27 Saturday, March 5 Friday, March 4 Don José . Trey Smagur Justin Stolz Carmen . Courtney Bray Patricia Illera Micaëla . Yuji Bae Claire Lopatka Escamillo . Ross Coughanour Jianan Huang Zuniga . Andrew Richardson Jeremy Gussin Moralès . Mark Billy Teofil Munteanu Frasquita . Emma Donahue Madeline Ley Mercédès . Marianthi Hatzis Chelsea DeLorenz Le Dancaïre . Benjamin Seiwert Andres Acosta Le Remendado . Max Zander Darian Clonts Supernumeraries . Zach Decker, Kara Dual-Fowler, Norm Holy Antonio Houck, Moses Mayabilo, Ben Monticue Jim Nelson, Andrew Nine, Tod Wicks Opera Chorus Walter Huff, Chorus Master Women Women
    [Show full text]
  • No Cameras, Flash Equipment, Or Tape Recorders Are Allowed in the Auditorium of the Musical Arts Center
    Cast (in order of appearance) September 28, 2007 September 29, 2007 !e Duke of Mantua . Brian Arreola John Rodger Borsa, a courtier . Carmund White Christopher Nelson Countess Ceprano . Johanna Moffitt Sara Radke Rigoletto, court jester . James Ivey Jonathan Green Marullo, a courtier . Aubrey Allicock Sean McCarther Count Ceprano . Nathan Brown Steven Eddy Count Monterone . Adam Cioffari Jesse Malgieri Sparafucile, a professional assassin . Steven Hrycelak Max Wier Gilda, Rigoletto’s daughter . Megan Radder Marie Masters Giovanna, Gilda’s companion . Robin Smith Julia Snowden !e Court Page . Lindsay Kerrigan Rainelle Bumbaugh Maddalena . Lindsay Ammann Nicole Birkland TO OUR PATRONS: Curtain time for IU Opera !eater is promptly at 8 p.m., by which time all opera goers should be in their seats. Latecomers will be seated only on the third terrace, or at the discretion of the management. !ank you for your cooperation. Rigoletto will conclude at approximately 10:45 p.m. No Cameras, Flash Equipment, or Tape Recorders are allowed in the auditorium of the Musical Arts Center. Indiana University Opera !eater presents, as its 393rd production Rigoletto An Opera in !ree Acts Music by Giuseppe Verdi Libretto by Francesco Maria Piave Stephen Lord, Conductor Vincent Liotta, Director Michael Vernon, Choreographer Max Röthlisberger and C. David Higgins, Designers Mike Schwandt, Lighting Designer Christian Capocaccia, Italian Diction Coach Sung in Italian, with English Supertitles Adapted from Victor Hugo’s play Le roi s’amuse Used by arrangement with G.
    [Show full text]
  • 16 NI 7964 an N Y Sc H Le M M T H O M a S H E M S Le Y B E N N O K
    Thomas Hemsley Thomas Anny Schlemm Anny Benno Kusche Benno Harshaw Margaret 16 NI 7964 NI 7964 1 Don Giovanni Ossia Il dissoluto Punito Opera in due Atti Poesia di Lorenzo Da Ponte Musica di W. A. Mozart Leporello Servant to Don Giovanni Benno Kusche Donna Anna, Daughter of the Commendatore and betrothed to Don Ottavio Margaret Harshaw ames Pease ames Hervey Alan Hervey Don Giovanni a Young and Licentious Nobleman James Pease J The Commendatore Hervey Alan Don Ottavio Léopold Simoneau Donna Elvira a Lady from Burgos, abandoned by Don Giovanni Sena Jurinac Zerlina a Peasant Girl Anny Schlemm Masetto a Peasant, betrothed to Zerlina Thomas Hemsley Conductor Georg Solti The Royal Philharmonic Orchestra Continuo played by the Conductor The Glyndebourne Festival Chorus éopold Simoneau éopold L Jurinac Sena 2 NI 7964 NI 7964 15 Aldeburgh, Hemsley created the role of Demetrius in Britten's A Midsummer Night's Dream. His Solti conducted Don Giovanni in nine performances during the 1954 Covent Garden debut in 1970 was as Mangus in Tippett's The Knot Garden. Glyndebourne season : on July 7, 9, 11, 14, 17, 21, 23, 25, 27. The BBC In the latter part of his career, Hemsley taught at the Guildhall School of Music and Drama, televised it, compressing the opera into 90 minutes and cutting three London and also ran the opera programme at the Dartington International Summer School. He of the most popular arias - ‘Batti, batti’, ‘Deh vieni alla fenestra’ and was awarded the CBE in the 2000 Queen's Millennium Honors List for his services to Music.
    [Show full text]
  • Cendrillon Music by Jules Massenet Text by Henri Cain (After Perrault) Supertitle Translation by Caren France and Chuck Hudson
    Five Hundred Fifty-Fifth Program of the 2008-09 Season ____________________ Indiana University Opera Theater presents as its 403rd production Cendrillon Music by Jules Massenet Text by Henri Cain (after Perrault) Supertitle translation by Caren France and Chuck Hudson Ronald Zollman, Conductor Chuck Hudson, Stage Director C. David Higgins, Set and Costume Designer Michael Schwandt, Lighting Designer Michael Vernon, Choreographer Brent Gault, Children’s Choir Director Sondra Nottingham, Wig & Make-Up Designer Daniela Candillari, French Diction Coach Flying by Foy Some costume pieces supplied by Malabar Limited, Toronto. Special thanks to Aidas and Marion Gimbutas of Main Light Inc. in Wilmington, Del., for their assistance with fiber optic curtains. Special thanks to Nancy Crome for embroidery work on the stepsisters’ dresses. _______________ Musical Arts Center Friday Evening, February Sixth Saturday Evening, February Seventh Friday Evening, February Thirteenth Saturday Evening, February Fourteenth Eight O’Clock music.indiana.edu Cast Cendrillon (Lucette) Carolina Castells, Amanda Russo Prince Charming Laura Wilde, Heng Xia Madame de la Haltière, Cendrillon’s stepmother Charis Peden Madame de la Haltière cover Eileen Jennings Pandolfe, her husband, Cendrillon’s father Alan Dunbar, Carl DuPont Fairy Godmother Megan Radder, Yungee Rhie Pandolfe’s stepdaughters: Noémie Caryn Kerstetter, Marie Masters Dorothée Laura Boone, Julia Snowden The King Joseph Beutel, Justin Merrick Herald Curtis Crafton, Marcelo Ferreira The Dean of the Faculty
    [Show full text]
  • Die Meistersinger, New York City, and the Metropolitan Opera: the Intersection of Art and Politics During Two World Wars
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2016 Die Meistersinger, New York City, and the Metropolitan Opera: The Intersection of Art and Politics During Two World Wars Gwen L. D'Amico Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1221 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DIE MEISTERSINGER, NEW YORK CITY, AND THE METROPOLITAN OPERA: THE INTERSECTION OF ART AND POLITICS DURING TWO WORLD WARS by GWEN D’AMICO A dissertation submitted to the Graduate Faculty in Musicology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 ii © 2016 Gwen D’Amico All Rights Reserved iii Die Meistersinger, New York City, and The Metropolitan Opera: The Intersection of Art and Politics During Two World Wars By Gwen D’Amico This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________"""""""""""""""""""""""""""""""""""""""""""__________________________________" Date Norman Carey " " " " " " " Chair of Examining Committee ______________________"""""""""" " " _____________________________________" Date Norman Carey " " " " " " " Executive Officer Supervisory Committee Allan Atlas, Advisor Bruce MacIntyre, First Reader Nicholas Vazsonyi THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Die Meistersinger, New York City, and The Metropolitan Opera: The Intersection of Art and Politics During Two World Wars By Gwen D’Amico Advisor: Professor Allan Atlas In 1945, after a five-year hiatus, the Metropolitan Opera returned Richard Wagner’s Die Meistersinger von Nürnberg to its stage.
    [Show full text]
  • ARSC Journal, Fall 1989 209 Sound Recording Reviews
    Sound Recording Reviews Underground Reiner Richard Strauss: Salome. Ljuba Welitsch, Kerstin Thorborg, Herbert Janssen, Frederick Jagel, Brian Sullivan, Fritz Reiner conducting. (Metropolitan Opera, March 12, 1949). Mozart: Don Giovanni, "Ah, del padre in periglio," "Fuggi, crudele, fuggi!" "Don Ottavio, son morta," "Or sai chi l'onore," "Calmatevi, idol mio," "Non mi dir, bell' idol mio." Ljuba Welitsch, Eugene Conley, Fritz Reiner conducting. (Metropolitan Opera, January 6, 1951). Verdi:Ai"da, "Dessa!. .. Ei si turba," "Alta cagion v' aduna," "Su! dal Nilo," "Ritorna vincitor," "La fatal pietra," "O terra addio." Ljuba Welitsch, Margaret Harshaw, Ramon Vinay, Norman Cordon, Emil Cooper conducting. (Metropolitan Opera, March 11, 1950). Melodram 27042, 2 CDs. Richard Strauss: Der Rosenkavalier. Astrid Varnay, Rise Stevens, Nadine Conner, Endre Koreh, Fritz Reiner conducting. (Metropolitan Opera, February 28, 1953). Wagner: Der fiiegende Hollander, Act II, "Jo-Ho-Hoe! Tritt ihr das Schiff." Astrid Varnay, Set Svanholm, Fritz Reiner, conducting. (Metropolitan Opera, December 30?, 1950). Melodram 41, 4 long-playing discs. Verdi: Messa da Requiem. Leonie Rysanek, Regina Resnik, David Lloyd, Giorgio Tozzi, Chicago Symphony Chorus (Margaret Hillis, director), Chicago Symphony Orchestra (NOT Chicago Lyric Opera). Fritz Reiner conducting. (April 14, 1958). Melodram 38, 2 long-playing records. Wagner: Tristan und Isolde, Act II. Kirsten Flagstad, Katherine Meisle, Lauritz Melchior, Herbert Janssen, Emmanuel List, Fritz Reiner conducting. (San Francisco Opera?? 1937) Legato Classics LCD 145, one CD. Wagner: Die Walkilre, Act II. Kirsten Flagstad, Lotte Lehmann, Katherine Meisle, Lauritz Melchior, Friedrich School, Fritz Reiner conducting. (San Francisco Opera, November 13, 1936) Legato LCD 133, one CD. Bart6k (arr. Weiner): Two Rumanian Dances; Debussy (arr.
    [Show full text]
  • Oklahoma! Music by Richard Rodgers Book and Lyrics by Oscar Hammerstein Ii
    OKLAHOMA! MUSIC BY RICHARD RODGERS BOOK AND LYRICS BY OSCAR HAMMERSTEIN II THEATER 15/16 Seven Hundred Sixty-Fifth Program of the 2015-16 Season _______________________ Indiana University Opera Theater presents as its 448th production OKLAHOMA! Music by Richard Rodgers Book and Lyrics by Oscar Hammerstein II Based on the play Green Grow the Lilacs by Lynn Riggs Choreography based on original dances by Agnes de Mille Constantine Kitsopoulos, Conductor Gabriel Barre, Stage Director Jennifer Paulson Lee, Dance Choreographer Steven Kemp, Set Designer Linda Pisano, Costume Designer Patrick Mero, Lighting Designer Bryan Delaney, Sound Designer Walter Huff, Chorus Master Matt Herndon, Fight Choreographer Daniela Siena, Supertitle Author OKLAHOMA! is presented through special arrangement with R & H Theatricals: www.rnh.com. _________________ Musical Arts Center Friday Evening, April Eighth, Seven-Thirty O’Clock Saturday Evening, April Ninth, Seven-Thirty O’Clock Sunday Afternoon, April Tenth, Two O’Clock Friday Evening, April Fifteenth, Seven-Thirty O’Clock Saturday Evening, April Sixteenth, Seven-Thirty O’Clock music.indiana.edu Cast of Characters Friday, April 8 Saturday, April 9 Sunday, April 10 Friday, April 15 Saturday, April 16 Curly McLain ................Mitchell Jones Robert Gerold Laurey Williams ..............Emily Dyer Olivia Yokers Will Parker ..................Kole Howie Chad Singer Jud Fry .....................Christopher Seefeldt Connor Lidell Ado Annie ..................Rebekah Howell Emily Kelly Aunt Eller ...................Olivia
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 74, 1954
    R 4 L. BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 7 .Q \® Will ,\* X iiium/ — H tf « SEVENTY-FOURTH SEASON J 954- l 955 Gymnasium, Rutgers University, the State University of New Jersey, New Brunswick, N. J. Under the Auspices of the Department of Music, Rutgers University H, D. McKinney, Director Boston Symphony Orchestra (Seventy-fourth Season, 1954-1955) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster George Zazofsky Albert Bernard Rolland Tapley George Humphrey Contra-Bassoon Norbert Lauga Jerome Lipson Richard Plaster Vladimir Resnikoff Robert Karol Harry Dickson Louis Artieres Horns Gottfried Wilfinger Reuben Green James Stagliano Einar Hansen Bernard Kadinoff Charles Yancich Joseph Leibovici Vincent Mauricci Harry Shapiro Emil Kornsand John Fiasca Harold Meek Roger Shermont Paul Keaney Paul Fedorovsky Violoncellos Osbourne McConathy Carlos P infield Samuel Mayes Walter Macdonald Minot Beale Alfred Zighera Herman Silberman Jacobus Langendoen Trumpets Stanley Benson Mischa Nieland Roger Voisin Leo Panasevich Karl Zeise Marcel Lafosse Armando Sheldon Rotenberg Josef Zimbler Ghitalla Gerard Goguen Fredy Ostrovsky Bernard Parronchi Leon Marjollet Clarence Knudson Martin Hoherman Trombones Pierre Mayer Louis Berger Jacob Raichman Manuel Zung William Moyer Samuel Diamond Flutes Kauko Kahila Victor Manusevitch Doriot Anthony Dwyer Josef
    [Show full text]