T,Elrr Chorus of 100 Yoices

Total Page:16

File Type:pdf, Size:1020Kb

T,Elrr Chorus of 100 Yoices 106 The Children Sang t07 STEPrIEN.!J $tephens' 0rand 0pem Company frnil{il 0PERA C0 4\r'ttt.tzArOIItttut.rrontT!_ \Yrlt p.rtotu rhc frrEdrc EDf,rrall , f . -, lDcr:. }{ILT'|AIiY O I).IJIf,.A, TII IOIII|IAil IIAI ! T[f ilAU0HT[R of the nil0tilfiNT tot,"oiJiinetrnn _ t\ Tttc_ 8trLT LAKE THEATBE Saturdry lfternJJ & Chapter 6 Evcoias, .tUNE irrtr. 0n Saturday aud tondat, ililt(,ll ifu tt,il,lill, l. And londay f,veoing =-- JUNE rtttr. lrcosTurts itw AXD tLtcArT.lE *tftr ttrt: r-Ottoq-IXC C.rrt: Caa._a A-b.l-, {Golrt!.r .,1 | t-o'-' G r.rrrr<l Fia.trrr.rkry )|I rr,t t".,illll?'"--,,0"n f,lili I irrr.c__1| Ug, Ir.nr. ttonsr?r'. TLrtn irt.L rjr 8cr Ollicc rsonr", -,l"'€,u"#t"o I Op.r Frld.r, ,O a. a. The Tabernacle Choir D.rlt.hoot.,"0,.r.,,no,,ri:l;,*"ttt' I ni:n:,i ;:"?;f :?i*;"i;"T:tl I r:::::,11,1n f '.*f, is*$i I I rFTFIrr{_.}t,Elrr Chorus of 100 Yoices. I __,t. In 1850 Brigham Young requested Welsh convert John Parry Thealre 0rchestra tnlargec tl |.:_ I aF UsO,rL tttEATRt n.\Tl:g. I to organize a small choir to sing at the April General Conference h,"c. tnr- ttruocclG, .rc. .nrrtc torn*-ad.cau.so .rrr, I I his tc, ETrcPRErs. I in the old Bowery in Salt Lake City. Parry enlisted some of l crc!3a jq6 Cor<tuctor. l. : Welsh friends as a nucleus of the group and unofficially, from that quiet beginning, the Tabernacle Choir evolved over the years, TUESDAY, OCTOBER 8, singing first in the Old Tabernacle and then in the new, larger WgDNESpAY,_OCTOBER 9. buitding which is used today. Since that time the choir has served SEC0ffi SilTS Etnlt 0I l0fDty, :,".f.l*li'lil$*,1;.i*.i1 the church well, and contributed much to missionary efforts worldwide through radio and television broadcasts and many concert tours, including the Soviet Union in 1991. Advertisement for three operas Many nalnes should be mentioned as conductors of the choir: produced by George Careless from 1865 to 1880; Ebenezer Beesley 1865 to Stephens Opera Conrpany: 1890; Evan Stephens 1890 to 1916; A.C. Lund 1916 to 1935; J. Bohemian Girl, June 1888. Spencer Comwall 1935 to l95l ;Richard P. Condi e 1951 to 197 4: Daughter of the Regiment, March Jay Welch 1914; Jerold Ottley 1974 to the present writing. A and April 1889. number of assistant conductors have also served including C.J. Martha, June and October 1889. Thomas, Robert Sands, John J. McClellan, Horace EnsignJr., and Left: many others. Adverti sement for sensational Ebenezer Beesley directed the Salt Lake Tabernacle Choir Gilntore Concerts in during one of the most difficult periods of its history-the bitter Salt Lake Tabernacle, crusade of the Federal Government against the Mormons in- October and November 1889. volved in polygamy. As Beesley completed his telrn in the fall of 108 The Children Sang Chapter 6 109 1890: "The older members of the choir were moving away, and a As he said in 1895: lot of the male members were in jail. Quartets from the choir used to go to the penitentiary to cheer them up. Those who weren't Musically, my chief delight would be in incarcerated were either in hiding or on missions. Many of the composition did my many duties give me leisure to ladies, having to raise families, were unable to continue their follow it. Were it not for my great love and singing careers. I admiration for musical works, in the rendition of The decline in choir membership contributed to what the First which I take delight, conducting and chorus Presidency rec ognized as a deteri oration in qu ality of performance, training, and teaching generally would be unbear- and prompted a change of conductors. able to me. I believe I have no love for public work, and quite often has personal attachment to my Ebenezer Beesley was keenly aware of the singers been the only means of tiding over a spell insufficiencies of the Tabernacle Choir, and in this of strong desire to withdraw frompublic labor, and connection experienced the customary delicate devote myself to my own musical thoughts.4 dilemma of the leader of nearly every Church choral group: How to harness and blend those very Despite his personal reservations, Stephens accepted the call willing, but less than artistically professionals, from the First Presidency and assumed charge of the Salt Lake without hurting their feelings? To those less dis- Tabernacle Choir 1 November of that year. As Eben ezet Beesley's cerning, and notmusically sophisticated, the choir, Successor, he became a magnet for the younger generation, many as a whole, was splendid; but to the true music of whom had been in his classes and who were not involved in the critic, it was not peerless. struggle over polYgamY. As Stephens approached his new assignment, he was quick to After the April 1884 Annual conference, Beesley wrote some realizethat his first task was to increase the number and quality of of his feelings about the choir's perforrnance. He called it an singers. He felt the needs of the church and community would be ordeal because the choir was required to furnish too many selec- met only through the organ izati onof " great c hoirs, mas s iv e choral tions with insufficientrehearsal time. He felt the singers kept well societies, male choruses, ladies' choirs, children's choruses in tune, due in part to changes made in the Tabernacle Organ. numbering thousands, musical festivals, musical contests, schools Their deficiency in execution he felt was due to the incapability of of music, music taught systematically in the State and public some members who had been recommended by other members schools, great congregational singing of Latter-day Saint music but were not of adequate proficiency. He determined to henceforth and songs, not only by the people at home, but eventually by the test the voice and capability of each new applicant. 2 world at large." According to John James, a writer for the Deseret News, in He visuahzed "all the world streaming through the land of 1890 he and Heber Goddard had praised the skill and enthusiasm Zionto enjoy and admire, as foreseen by the older prophets: 'The of Evan Stephens to Apostle Moses Thatcher of the church music Songs of Zion'to become something more than a name." In 1890 committee and suggested that he should be named choir director. he could scarcely dream of having his singers travel from coast to Stephens was unhappy that the two men had recommended him coast giving concerts and attracting favorable comments for his because he wanted his work, alone, to represent him, rather than church.5 someone's "boasting" about him. 3 Beezley's problems with membership persisted through Evan 110 The Children Sang Chapter 6 11 1 Stephens's years with the choir, but as a strong disciplinarian he organ; "The Wife to The Husband," soprano solo; and motet, made tremendous strides in solving them. Within six months after "God of Israel," for three soloists, choir, quartet and organ. The assuming control of the choir, he had almost doubled the number balance of the program included two operatic arias, instrumental of singers to 300. numbers by the Salt Lake Mandolin and Guitar Club, a string Thomas Griggs wrote in his journal of 27 October 1890 that quartet and violinist W.E. Weihe. s he had been to choir practice and that Evan Stephens was "in full As the Choir grew in size, Stephens determined that the west conffol and vigorous." Apparently the Professor had started to end of the Tabernacle would need to be remodeled to accomodate conduct even before his official date of the first of November. He more singers. The First Presidency was supportive of the project, continued with his teaching of children's classes and conducted and under direction of Joseph D. Young, the church architect, the Choral Society along with some participation in commercial additional seats were installed, financed jointly by the church and business over the next few years. Remuneration for directing the from funds raised by the choir through concerts. The acoustics of choirwas not sufficientforalivelihood, andhad to be suplemented. the building were improved in the process so that the hanging Ebenezer Beesley, Stephens's predecessor, after his parting acoustical decorations could be removed. A side organ was still from the choir "could not but help feel a little blue about his used on occasion to keep the choir in tune with the large organ release " He had devoted his life to music, but found that which the singers could not hear well. Ebenezer Beesley used a maintaining an income was difficult without his conductor's small orchestra for this purpose. salary. Teaching was his only alternative. The same problems Musical growth in Utah in the nine years since Evan Stephens faced Evan Stephens in 1916 upon his release.6 had moved to SaltLake City was enumerated in an article clipped Continuing his feverish pace of activity, in January 1891 from the Brooklyn, N.Y. Eagle and reprinted in the Deseret News- Stephens published two anthems, thefirst avigorous choirnumber, Of course one man did not achieve this by himself. There were "Let the Mountains Shout for Joy," which he had composed for many prominent musicians working toward the same goals, but the Logan choir, and which makes use of a quartet in the second Stephens was the catalyst and major influence with church au- part.
Recommended publications
  • The Life of George Brooks Artist in Stone by Juanita Brooks 1965
    The Life of George Brooks Artist in Stone by Juanita Brooks 1965 Chapter 1 BACKGROUND AND EARLY LIFE For ages the rocky promitory on the north extremity of Wales has jutted out into the sea, to be known by the early inhabitants of the area as “The Point of Ayr.” Surrounded on three sides by water, with a low, gravelly beach at low tide, it became inundated up to several feet at high tide, and a boiling, foaming torrent in storms. It was such a hazard to seafaring men that by 1700 it was marked with a small lighthouse, erected for and supported by the merchants of Chester, far down at the end of the bay, As the city of Liverpool grew in importance, this danger spot became their concern also, for their commerce was constantly threatened by the submerged rocks. During the summer of 1963, the author, her husband, William Brooks, and her daughter, Mrs. Thales A. Derrick, visited the lighthouse here at the point of Ayr and became acquainted with a man who gave them the address of the present owner of the property, Mr. H. F. Lewis. In a letter dated August 27, 1963, he said: “. The Elder Brethren of Trinity House, who did not like privately owned lighthouses, heard of the defaulting of the Port of Chester Authority & petitioned the King in 1815 to have the jurisdiction of the L. H. Placed under their auspices. This was granted by King George III. I have this document as the first of the L. H. Deeds . “Originally the keeper lived ashore at the house still known as the Lighthouse cottage.
    [Show full text]
  • Summer 2018 ACDA Western Region Summer: Rest, Reboot, Re-Energize
    ADVERTISERS LEADERSHIP The Rest of the Story… Travis Rogers President In the middle of the craziness that was a part of the planning for the western region ACDA conference, I spent twelve days in Delhi, India, assisting my wife, Sharon, with rehearsals for her final show (the junior version of Shrek with her 6-8 grade theater students) before her retirement from the American Embassy School at the end of this school year. Sitting at Sharon’s apartment kitchen table very early on an early February Monday morning working on the conference, literally at the very same time that the Super Bowl was being played in the states (Delhi is 13½ hours ahead of Pacific Standard Time), I received a very interesting unsolicited email from somebody I had never heard of before. Leeav Sofer, the email’s author, had sent a long presenting the unique mission of this choir? Frankly, message telling me about the Urban Voices Project, a was this going to bomb? homeless choir, with a request that, though our The Thursday morning of the conference, I was quite conference at that point was only 6½ weeks away from nervous after we heard two fantastic choirs that opened happening, would there be any way that the group could the concert session and then saw the Urban Voices be involved as part of our ACDA Project Choir start to set up their conference in Pasadena? equipment on the church platform. The The email was very well written. I moment of truth was quickly was intrigued, to say the least.
    [Show full text]
  • Vol. 20 Num. 1 the FARMS Review
    Review of Books on the Book of Mormon 1989–2011 Volume 20 Number 1 Article 19 2008 Vol. 20 Num. 1 The FARMS Review FARMS Review Follow this and additional works at: https://scholarsarchive.byu.edu/msr BYU ScholarsArchive Citation Review, FARMS (2008) "Vol. 20 Num. 1 The FARMS Review," Review of Books on the Book of Mormon 1989–2011: Vol. 20 : No. 1 , Article 19. Available at: https://scholarsarchive.byu.edu/msr/vol20/iss1/19 This Full Issue is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Review of Books on the Book of Mormon 1989–2011 by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The FARMS Review The FARMS Review Editor Daniel C. Peterson Associate Editors Louis C. Midgley George L. Mitton Production Editors Don L. Brugger Larry E. Morris Cover Design Andrew D. Livingston Layout Alison Coutts Jacob D. Rawlins The Neal A. Maxwell Institute for Religious Scholarship Executive Director M. Gerald Bradford Director, FARMS Paul Y. Hoskisson Director, METI Daniel C. Peterson Director, CPART Kristian Heal Director, Publications Alison Coutts The FARMS Review Volume 20 • Number 1 • 2008 ! The Neal A. Maxwell Institute for Religious Scholarship Brigham Young University © 2008 Neal A. Maxwell Institute for Religious Scholarship Brigham Young University All rights reserved Printed in the United States of America ISSN 1550-3194 To Our Readers The Neal A. Maxwell Institute for Religious Scholar ship encour- ages and supports re search on the Book of Mormon, the Book of Abraham, the Bible, other ancient scripture, and related subjects.
    [Show full text]
  • The Patterns of Missionary Work and Emigration in Early Victorian Buckinghamshire, England, 1849–1878
    BYU Studies Quarterly Volume 48 Issue 1 Article 6 1-1-2009 The Patterns of Missionary Work and Emigration in Early Victorian Buckinghamshire, England, 1849–1878 Ronald E. Bartholomew Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Bartholomew, Ronald E. (2009) "The Patterns of Missionary Work and Emigration in Early Victorian Buckinghamshire, England, 1849–1878," BYU Studies Quarterly: Vol. 48 : Iss. 1 , Article 6. Available at: https://scholarsarchive.byu.edu/byusq/vol48/iss1/6 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Bartholomew: The Patterns of Missionary Work and Emigration in Early Victorian The Patterns of Missionary Work and Emigration in Early Victorian Buckinghamshire, England, 1849–1878 Ronald E. Bartholomew atter-day Saint missionaries from America began proselyting in L Buckinghamshire, England, in the 1840s and established the first branches of the Church there in 1849, but they did not experience the same dramatic successes their colleagues encountered in other regions of the British Isles. Indeed, most of the baptisms in this more rural county came as a result of missionary work by local converts. Several factors help explain the Buckinghamshire experience, and in many ways missionary work in this region may actually be more representative of Church growth in other parts of the world than the phenomenal conversion rates experi- enced in certain more industrial areas of England in the middle to latter years of the nineteenth century.
    [Show full text]
  • 85Th Anniversary of Music and Spoken Word
    For Immediate Release August 07, 2013 Emeritus Conductors Return to Celebrate 85th Anniversary of Music and the Spoken Word Salt Lake City — On Sunday, August 11, the Mormon Tabernacle Choir will commemorate the 85th anniversary of its Music and the Spoken Word broadcast. Music director Mack Wilberg has invited two former conductors of the Choir, Jerold Ottley and Craig Jessop, to join him and associate conductor Ryan Murphy in conducting this week’s broadcast. “Music and the Spoken Word has endured as the world’s longest continuously running network broadcast,” says Choir president Ron Jarrett. “In the beginning, listeners strained to hear the program through the static of their crystal radio sets; now fans tune in through YouTube. Music and the Spoken Word has been a constant during a century of dramatic change.” Ottley conducted the Choir from 1974 to 1999 and Jessop from 1999 to 2008. Ottley, Jessop and Wilberg are the only surviving Mormon Tabernacle Choir conductors. The three conductors have collectively served for 34 years — comprising nearly half of the broadcast’s 85 years! During his tenure as Choir conductor, Jerold Ottley traveled internationally with the Choir on more than 20 tours, to places like Australia, Austria, Brazil, Canada, Czechoslovakia, Denmark, England, Finland, France, Germany, Hungary, Israel, Japan, Korea, New Zealand, Norway, Poland, Russia, Sweden, Switzerland, and the Netherlands. Under his direction, the Choir also performed at the United States presidential inaugurations of Ronald Reagan and George Bush. Under the direction of Craig Jessop, the Choir received the Special Recognition Award from the International Radio and Television Society Foundation and the National Medal of Arts from Mormon Tabernacle Choir Announces Summer Concerts – Page 2 President George W.
    [Show full text]
  • The First Mormons of Western Maine 1830--1890
    University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Winter 2010 Western Maine saints: The first Mormons of western Maine 1830--1890 Carole A. York University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation York, Carole A., "Western Maine saints: The first Mormons of western Maine 1830--1890" (2010). Master's Theses and Capstones. 140. https://scholars.unh.edu/thesis/140 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 44 This reproduction is the best copy available. UMI WESTERN MAINE SAINTS: THE FIRST MORMONS OF WESTERN MAINE 1830-1890 By CAROLE A. YORK BA, University of Redlands, 1963 MSSW, Columbia University, 1966 THESIS Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History December, 2010 UMI Number: 1489969 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Journal of Mormon History Vol. 22, No. 1, 1996
    Journal of Mormon History Volume 22 Issue 1 Article 1 1996 Journal of Mormon History Vol. 22, No. 1, 1996 Follow this and additional works at: https://digitalcommons.usu.edu/mormonhistory Part of the Religion Commons Recommended Citation (1996) "Journal of Mormon History Vol. 22, No. 1, 1996," Journal of Mormon History: Vol. 22 : Iss. 1 , Article 1. Available at: https://digitalcommons.usu.edu/mormonhistory/vol22/iss1/1 This Full Issue is brought to you for free and open access by the Journals at DigitalCommons@USU. It has been accepted for inclusion in Journal of Mormon History by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Journal of Mormon History Vol. 22, No. 1, 1996 Table of Contents CONTENTS ARTICLES PRESIDENTIAL ADDRESS • --The Emergence of Mormon Power since 1945 Mario S. De Pillis, 1 TANNER LECTURE • --The Mormon Nation and the American Empire D. W. Meinig, 33 • --Labor and the Construction of the Logan Temple, 1877-84 Noel A. Carmack, 52 • --From Men to Boys: LDS Aaronic Priesthood Offices, 1829-1996 William G. Hartley, 80 • --Ernest L. Wilkinson and the Office of Church Commissioner of Education Gary James Bergera, 137 • --Fanny Alger Smith Custer: Mormonism's First Plural Wife? Todd Compton, 174 REVIEWS --James B. Allen, Jessie L. Embry, Kahlile B. Mehr. Hearts Turned to the Fathers: A History of the Genealogical Society of Utah, 1894-1994 Raymonds. Wright, 208 --S. Kent Brown, Donald Q. Cannon, Richard H.Jackson, eds. Historical Atlas of Mormonism Lowell C. "Ben"Bennion, 212 --Spencer J. Palmer and Shirley H.
    [Show full text]
  • The Church of Jesus Christ of Latter-Day Saints/Mormon Children’S Music: Its History, Transmission, and Place in Children’S Cognitive Development
    ABSTRACT Title of Dissertation: THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS/MORMON CHILDREN’S MUSIC: ITS HISTORY, TRANSMISSION, AND PLACE IN CHILDREN’S COGNITIVE DEVELOPMENT Colleen Jillian Karnas-Haines, Doctor of Philosophy, 2005. Dissertation Directed by: Professor Robert C. Provine Division of Musicology and Ethnomusicology School of Music The Church of Jesus Christ of Latter-day Saints has a children’s auxiliary program for ages three to eleven that meets weekly before or after their Sunday worship service. This auxiliary, called Primary, devotes much of its time to singing. Music is not a childish diversion, but an essential activity in the children’s religious education. This study examines the history of the songbooks published for Primary use, revealing the many religious and cultural factors that influence the compilations. The study then looks at the modern methods of transmission as the author observes the music education aspects of Primary. Lastly, the study investigates the children’s use of and beliefs about Primary music through the lens of cognitive development. The study reveals that Primary music is an ever-evolving reflection of the theology, cultural trends, and practical needs of The Church of Jesus Christ of Latter-day Saints. Unaware of such implications, the children use Primary music to express their religious musicality at cognitive developmentally appropriate levels. THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS/MORMON CHILDREN’S MUSIC: ITS HISTORY, TRANSMISSION, AND PLACE IN CHILDREN’S COGNITIVE DEVELOPMENT By Colleen Jillian Karnas-Haines Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2005 Advisory Committee: Professor Robert C.
    [Show full text]
  • William Claude Clive His Life and Contribution to Music in Utah
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 1963-7 William Claude Clive His Life and Contribution to Music in Utah David C. Andersen Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Mormon Studies Commons, and the Music Commons BYU ScholarsArchive Citation Andersen, David C., "William Claude Clive His Life and Contribution to Music in Utah" (1963). Theses and Dissertations. 5894. https://scholarsarchive.byu.edu/etd/5894 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. SS-ACZJ: WILLIAM CLAUDE CLI¥S HIS LIFE AID CONTRIBUTION TO MUSIC IS UTAH A Thesis Presented to the Department of Music Brigham Young University In Partial Fulfillment of the Requirements for the Degree Master of Science By David C, Andersen July, 1963 TABLE OF CONTENTS Chapter' Page I. INTRODUCTION. ...................... 1 Problem* ..u. ........ .*•»...•.. 1 Derivation of Material . .... c ........ 2 Definition of Terms 2 Organization of the Remainder of the Study , , , , . 3 II. REVIEW OF COMPANION STUDIES • . 4 Musicians. «««......«...>....•*. *i Organizations , . 9 Schools, Critics, Hymnology ........ 11 i-Li.. PERFORMER ....•••...•*......•«*... 1-3 i-V. CAMPOSER ...••..•••.••«••...*.*.. AO V. INSTRUCTOR OF MUSIC . • 32 Music Preparation of the dive Children ...... 34 Methods of Teaching 39 Violin Maker , ...... 41 Summary 42 VI. SUMMARY, CONCLUSIONS AND RECOMMENDATIONS. ........ 44 Conclusions 46 Recommendations 50 iSliaL xUGRAPnY ••••..•••..•••...•••... • . • * . OL A. Let ter s • • . • , . , , . « .» * • ... JQ B. Biographical and Auto-biographical Sketches ..... 59 G.
    [Show full text]
  • Arrangements Free Accompaniments
    A Resource List for Organists AArrrraannggeemmeennttss && FFrreeee AAccccoommppaanniimmeennttss of Hymns in the LDS Hymnal Compiled by DeeAnn D. Stone © 1999-2010 Latest revision February 2009 Contents Page 3 Sources of Information Page 4 Arrangements and Free Accompaniments of Hymns in the LDS Hymnal Alphabetical List Page 94 Numerical Listing of LDS Hymns by Key Page 98 Collections Containing Arrangements or Free Accompaniments of Hymns in the LDS Hymnal Page 257 Music Publishers Information List Page 268 Arrangements for Organ and Piano of Songs in the LDS Children’s Songbook 2 Sources of Information • Rulon Christiansen: list from 1993 Workshop on Church Music • Lella Pomeroy: list prepared for Utah Valley Chapter of the American Guild of Organists • James Welch: list for 1996 Workshop on Church Music and other handouts • Antone Godding: Index to Free Hymn Accompaniments, April 1980 issue of The American Organist, p. 31-32 • Carol Dean: personal collections • Claire Rogers: personal collections • Keith Jorgensen’s Music Center publications inventory • My own personal collections of organ books containing hymn arrangements and free accompaniments, music publishers’ catalogs, and issues of The American Organist. A special thanks to Claire Rogers for the large amount information she has compiled and shared with me. To supply additional information, suggestions, or corrections, please contact: DeeAnn D. Stone [email protected] “Resources for LDS Organists” www.LDSorganists.info 02/2009 3 Arrangements & Free Accompaniments of Hymns in the LDS Hymnal Alphabetical List of Hymns as found in the “First Lines and Titles Index” in the LDS Hymnal 4 Note: Some of the arrangements/free accompaniments may be out of print but are included as a reference for organists who may already own the books.
    [Show full text]
  • UNIVERSITY of CALIFORNIA, SAN DIEGO the New and Everlasting
    UNIVERSITY OF CALIFORNIA, SAN DIEGO The New and Everlasting Order of Marriage: The Introduction and Implementation of Mormon Polygamy: 1830-1856 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Merina Smith Committee in charge: Professor Rebecca Plant, Chair Professor Claudia Bushman Professor John Evans Professor Mark Hanna Professor Christine Hunefeldt Professor Rachel Klein 2011 The Dissertation of Merina Smith is approved, and is acceptable in quality and form for publication on microfilm and electronically: _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ Chair University of San Diego 2011 iii TABLE OF CONTENTS Signature Page……………………………………………………………………… iii Table of Contents………………………………………………………………….. iv Vita………………………………………………………………………………… v Abstract……………………………………………………………………………. vi Introduction ..……………………………………………………………………… 1 Chapter One: ………………………………………………………………………. 28 Mormon Millenarian Expectations: 1830-1841 The Restoration of All Things and the Resacralization of Marriage Chapter Two: ………………………………………………………………………. 84 Nauvoo Secrets and the Rise of a Mormon Salvation Narrative, 1841-42 Chapter Three: ……………………………………………………………………... 148 Scandal and Resistance, 1842 Chapter Four:
    [Show full text]
  • Journal of Mormon History Vol. 31, No. 3, 2005
    Journal of Mormon History Volume 31 Issue 3 Article 1 2005 Journal of Mormon History Vol. 31, No. 3, 2005 Follow this and additional works at: https://digitalcommons.usu.edu/mormonhistory Part of the Religion Commons Recommended Citation (2005) "Journal of Mormon History Vol. 31, No. 3, 2005," Journal of Mormon History: Vol. 31 : Iss. 3 , Article 1. Available at: https://digitalcommons.usu.edu/mormonhistory/vol31/iss3/1 This Full Issue is brought to you for free and open access by the Journals at DigitalCommons@USU. It has been accepted for inclusion in Journal of Mormon History by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Journal of Mormon History Vol. 31, No. 3, 2005 Table of Contents CONTENTS ARTICLES • --The Case for Sidney Rigdon as Author of the Lectures on Faith Noel B. Reynolds, 1 • --Reconstructing the Y-Chromosome of Joseph Smith: Genealogical Applications Ugo A. Perego, Natalie M. Myres, and Scott R. Woodward, 42 • --Lucy's Image: A Recently Discovered Photograph of Lucy Mack Smith Ronald E. Romig and Lachlan Mackay, 61 • --Eyes on "the Whole European World": Mormon Observers of the 1848 Revolutions Craig Livingston, 78 • --Missouri's Failed Compromise: The Creation of Caldwell County for the Mormons Stephen C. LeSueur, 113 • --Artois Hamilton: A Good Man in Carthage? Susan Easton Black, 145 • --One Masterpiece, Four Masters: Reconsidering the Authorship of the Salt Lake Tabernacle Nathan D. Grow, 170 • --The Salt Lake Tabernacle in the Nineteenth Century: A Glimpse of Early Mormonism Ronald W. Walker, 198 • --Kerstina Nilsdotter: A Story of the Swedish Saints Leslie Albrecht Huber, 241 REVIEWS --John Sillito, ed., History's Apprentice: The Diaries of B.
    [Show full text]