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The Life Ad Afterlife of the Mahatma
Indi@logs Vol 1 2014, pp. 103-122, ISSN: 2339-8523 ------------------------------------------------------------------------------------------------ GADHI ISM VS . G ADHI GIRI : THE LIFE AD AFTERLIFE OF THE MAHATMA 1 MAKARAND R. P ARANJAPE Jawaharlal Nehru University [email protected] Received: 11-05-2013 Accepted: 01-10-2013 ABSTRACT This paper, which contrasts Rajkumar Hirani’s Lage Raho Munna Bhai (2006) with Richard Attenborough’s Gandhi (1982), is as much a celebration of Bollywood as of Gandhi. It is to the former that the credit for most effectively resurrecting the Mahatma should go, certainly much more so than to Gandhians or academics. For Bollywood literally revives the spirit of Gandhi by showing how irresistibly he continues to haunt India today. Not just in giving us Gandhigiri—a totally new way of doing Gandhi in the world—but in its perceptive representation of the threat that modernity poses to Gandhian thought is Lage Raho Munna Bhai remarkable. What is more, it also draws out the distinction between Gandhi as hallucination and the real afterlife of the Mahatma. The film’s enormous popularity at the box office—it grossed close to a billion rupees—is not just an index of its commercial success, but also proof of the responsive chord it struck in Indian audiences. But it is not just the genius and inventiveness of Bollywood cinema that is demonstrated in the film as much as the persistence and potency of Gandhi’s own ideas, which have the capacity to adapt themselves to unusual circumstances and times. Both Richard Attenborough’s Oscar-winning epic, and Rajkumar Hirani’s Lage Raho Munna Bhai show that Gandhi remains as media-savvy after his death as he was during his life. -
Chapter I Introduction
CHAPTER I INTRODUCTION Nonviolence is the pillar of Gandhi‘s life and work. His concept of nonviolence was based on cultivating a particular philosophical outlook and was integrally associated with truth. For him, nonviolence not just meant refraining from physical violence interpersonally and nationally but refraining from the inner violence of the heart as well. It meant the practice of active love towards one‘s oppressor and enemies in the pursuit of justice, truth and peace; ―Nonviolence cannot be preached‖ he insisted, ―It has to be practiced.‖ (Dear John, 2004). Non Violence is mightier than violence. Gandhi had studied very well the basic nature of man. To him, "Man as animal is violent, but in spirit he is non-violent.‖ The moment he awakes to the spirit within, he cannot remain violent". Thus, violence is artificial to him whereas non-violence has always an edge over violence. (Gandhi, M.K., 1935). Mahatma Gandhi‘s nonviolent struggle which helped in attaining independence is the biggest example. Ahimsa (nonviolence) has been part of Indian religious tradition for centuries. According to Mahatma Gandhi the concept of nonviolence has two dimensions i.e. nonviolence in action and nonviolence in thought. It is not a negative virtue rather it is positive state of love. The underlying principle of non- violence is "hate the sin, but not the sinner." Gandhi believes that man is a part of God, and the same divine spark resides in all men. Since the same spirit resides in all men, the possibility of reforming the meanest of men cannot be ruled out. -
Title a Revival of Gandhism in India? : Lage Raho Munna Bhai and Anna
A Revival of Gandhism in India? : Lage Raho Munna Bhai and Title Anna Hazare Author(s) ISHIZAKA, Shinya Citation INDAS Working Papers (2013), 12: 1-13 Issue Date 2013-09 URL http://hdl.handle.net/2433/178768 Right Type Research Paper Textversion author Kyoto University INDAS Working Papers No. 12 September 2013 A Revival of Gandhism in India? Lage Raho Munna Bhai and Anna Hazare Shinya ISHIZAKA 人間文化研究機構地域研究推進事業「現代インド地域研究」 NIHU Program Contemporary India Area Studies (INDAS) A Revival of Gandhism in India? Lage Raho Munna Bhai and Anna Hazare Shinya Ishizaka∗ A 2006 record hit Bollywood comedy film, Lage Raho Munna Bhai, where a member of the Mumbai mafia began to engage in Gandhigiri (a term meaning the tenets of Gandhian thinking, popularised by this film) by quitting dadagiri (the life of a gangster) in order to win the love of a lady, was sensationalised as the latest fashion in the revival of Gandhism. Anna Hazare (1937-), who has used fasting as an effective negotiation tactic in the anti-corruption movement in 2011, has been more recently acclaimed as a second Gandhi. Indian society has undergone a total sea change since the Indian freedom fighter M. K. Gandhi (1869-1948) passed away. So why Gandhi? And why now? Has the recent phenomena of the success of Munna Bhai and the rise of Anna’s movement shown that people in India today still recall Gandhi’s message? This paper examines the significance of these recent phenomena in the historical context of Gandhian activism in India after Gandhi. It further analyses how contemporary Gandhian activists perceive Anna Hazare and his movement, based upon interviews conducted with them during fieldwork in India in the period August-September 2011. -
Fiction, Film, Painting, and Comparative Literature
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 15 (2013) Issue 6 Article 7 Fiction, Film, Painting, and Comparative Literature Ramona L. Ceciu Jadavpur University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), -
Remembering Gandhi: Political Philosopher and Social Theorist
REMEMBERING GANDHI: POLITICAL PHILOSOPHER AND SOCIAL THEORIST Published by Salesian College Publication Sonada - Darjeeling - 734 209 Don Bosco Road, Siliguri Phone: (+91) 89189 85019 734 001 / Post Box No. 73 www.salesiancollege.ac.in [email protected] www.publications.salesiancollege.net [email protected] ii “My belief is that whenever you go into somebody’s head - anyone’s head - it’s all insecurity.... I live with that fear that in a minute everything could go away.” Andre Acimann, in the interniew on his books - Call me by Your name and Find Me, in Rich Juzwiak, “The Story Continues, after all” Times, November, 4, 2019, 91. Salesian Journal of Humanities and Social Sciences, X(2019) 2 REMEMBERING GANDHI: POLITICAL PHILOSOPHER AND SOCIAL THEORIST ISSN 0976-1861 December 2019 Vol. X, No.2 CONTENTS Editorial Remembering Mahatma as Gandhi: Gandhi as Political Philosopher and Social Theorist v Pius V Thomas Original Articles Gandhi and the Development Discourse Siby K. George 1 A Conciliatory Gaze: SNG on MK Gandhi and BR Ambedkar 23 George Thadathil Gandhi’s Legacy: Vandana Shiva as Gandhi’s Heir 51 Pius V Thomas and Violina Patowary Gandhi in the Tropics: Climate, Disease and Medicine 73 Bikash Sarma The Violence of Non-violence: Reading Nirad C Chaudhuri Rereading Gandhi 85 Jaydeep Chakrabarty Freedom, Authority and Care as Moral Postulates: Reexamining Gandhi’s Proposal for Ethical Reconstruction 95 Subhra Nag Decoding Gandhigiri: A Genealogy of a ‘popular’ Gandhi 111 Abhijit Ray iv General Commentaries Labour for Love or Love for Labour? 135 Shruti Sharma Production of a ‘degenerate’ form 149 Vasudeva K. -
Sunday Indian, Alan Clements Discusses Suu
GA N D H I IN TH E 21 S T C E NT U R Y GANDHI – THE IDEA… …WHOSE TIME HAS COME...OR GONE? istorians of the did not take up’ says his nephew, Abhey future, I believe, Singh Sandhu (See the story on page on will look upon Bhagat Singh) – parted ways. this century not Dr. Douglas Allen, Professor of Phi- as the atomic losophy at the University of Maine who age but as the is writing a book on the Mahatma pro- age of Gandhi." - Eknath Easwaran. vides an intriguing perspective, ‘Espe- ‘EveryH Indian city has a Mahatma Gan- cially relevant and significant today is a ‘dhi Road. Almost. But how many actu- greatly misunderstood position from ally walk down the road that the Ma- the non-violent Gandhi. Rather insist- hatma illuminated through his ing on some utopian, absolutist posi- thoughts and credo? Over generalised tion, Gandhi grants a surprising and simplified, Gandhi has been re- number of cases in which there are no duced to a synonym for non-violence good non-violent alternatives and vio- without any attempt at understanding lence is necessary. But we should never the brushstrokes of thoughts that glorify such violence. The fact that we panned the Gandhian canvas and may need to resort to violence is tragic, their nuanced hues that today, more should sadden us, and is an indication than ever, need to be revisited under of human failure.’ new light. Today, Gandhi’s philosophy perme- Gandhi’s firm backing of his basic ates pop culture in a relatively superfi- principles – that of ahimsa and satyag- cial manner like Raj Kumar Hirani’s raha – were evident in his calling off the "Lage Raho Munnabhai" or tongue-in- non-cooperation movement after an cheek Gandhigiri cards. -
Gandhi, the Making of the Mahatma, and Gandhi, My Father
The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father C.S.H.N. MURTHY, [email protected] OinamBedajit Meitei, Dapkupar TARIANG Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu Abstract For over half a century Gandhi has been one of the favored characters of a number of films – Nine hours to Rama (1963) to Gandhi, My Father (2007). Gandhian ethos, life and teachings are frequently represented in varied ways in different films. The portrayal of Gandhi in different films can be grouped into two broad categories: i. revolving around his life, percept and practice as one category and ii. involving his ideas, ideals and views either explicitly or implicitly. Using Bingham’s (2010) discursive analysis on biopic films, the study seeks to show how Gandhi is perceived and depicted through the lenses of these three eminent directors vis-à-vis others from the point of intertextuality both ideologically and politically. Further the study would elaborate how different personal and social events in Gandhi’s life are weaved together by these directors to bring out the character of Bapu or Mahatma from Gandhi. For all the above critique, Gandhi’s autobiography-The Story of My Experiments with Truth-has been taken as a base referent. Keywords: Comparative analysis, Inter-textuality, Gandhian Ethos, Portrayal, crisscross critiquing, Mahatma, etc. CINEJ Cinema Journal : The Tale of Gandhi through the lens New articles in this journal are licensed under a Creative Commons Attribution 3.0 United Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu 4 States License. -
Mohandas Karamchand Gandhi from Wikipedia, the Free Encyclopedia (Redirected from Gandhiji) Jump To: Navigation, Search "Gandhi" Redirects Here
Mohandas Karamchand Gandhi From Wikipedia, the free encyclopedia (Redirected from Gandhiji) Jump to: navigation, search "Gandhi" redirects here. For other uses, see Gandhi (disambiguation). Mohandas Karamchand Gandhi Mohandas Karamchand Gandhi, pictured in the 1930s 2 October 1869 Born Porbandar, Kathiawar Agency, British India 30 January 1948 (aged 78) Died New Delhi, Union of India Cause of death Assassination Nationality Indian Other names Mahatma Gandhi Education University College London Known for Indian Independence Movement Political party Indian National Congress Religious beliefs Hinduism Spouse(s) Kasturba Gandhi Harilal Manilal Children Ramdas Devdas Signature Mohandas Karamchand Gandhi listen (help·info) (Gujarati: મોહનદાસ કરમચદં ગાધં ી, IPA: [ moɦən̪d̪äs kəɾəmʧən̪d ̪ gän̪d̪ʱi ] ) (2 October 1869 – 30 January 1948) was a major political and spiritual leader of India and the Indian independence movement. He was the pioneer of satyagraha—resistance to tyranny through mass civil disobedience, firmly founded upon ahimsa or total non-violence—which led India to independence and inspired movements for civil rights and freedom across the world. He is commonly known around the world as Mahatma Gandhi (Sanskrit: महातमा mahātmā or "Great Soul", an honorific first applied to him by Rabindranath Tagore ) and in India also as Bapu (Gujarati: બાપુ bāpu or "Father"). He is officially honoured in India as the Father of the Nation; his birthday, 2 October, is commemorated there as Gandhi Jayanti , a national holiday, and worldwide as the International Day of Non-Violence. Gandhi first employed non-violent civil disobedience as an expatriate lawyer in South Africa, in the resident Indian community's struggle for civil rights. -
Sahitya Manthan
Sahitya Manthan A Peer-Reviewed, Open Access e-journal ISSN: Website: http://www.sahityamanthan.in Year-1, Issue-2, Continuous Issue-2, July-August 2020 __________________________________________________________________ CINEMATIC REPRESENTATION OF GANDHIAN THOUGHTS: GANDHIGIRI IN THE MOVIE LAGE RAHO MUNNA BHAI AND ITS IMPLICATIONS TODAY PRATAP BHARMAL RATAD KSKV KACHCHH UNIVERSITY BHUJ KACHCHH MO. 9773288387 EMAIL: [email protected] Abstract: Indian cinema is nowadays rapidly growing and developing industry by producing more and more movies each year in a number of languages all over India and other countries as well. Movies in this rapidly changing era play an important role in betterment of society to live in. It reflects good thoughts in the lives of people. In this way, the present research paper is about representation of Gandhian thoughts in Indian cinema as whole and Lage Raho Munna Bhai as particular. Gandhiji is known as Mahatma and Bapu. He led India to independence by non-violence and Satyagraha. He taught new ways of living life by using principles of good life to get Swaraja by Ahimsa. Many movies are made on Gandhi so far by tracing the history of independence India. The purpose of the study is to find out Gandhian thoughts in Indian cinema which are still relevant in this fast moving era of science and technology. This paper is an attempt to evaluate the movie in the light of the concept of Gandhigiri which is reflected in the movie Lage Raho Munna Bhai and the implications after the release of the movie also will be take into consideration. To achieve the goal of the study, the research paper will go through the movie Lage Raho Munna Bhai which was released in 2006, produced by Vidhu Vinod Chopra. -
Gandhigiri in Sikkim
COMMENTARY GANDHIGIRI IN SIKKIM VIBHA ARORA The indigenous Lepchas of Sikkim are using Gandhian methods of protest to prevent construction of hydel projects that will destroy their land and the environment. At a time when politics has been reduced to a numbers game, they know that their minority status is against them. But they are determined to continue the struggle. In the remote Himalayan state of Sikkim Gandhigiri is being practised as a method of popular democratic protest. The heroic duo, Dawa Lepcha and Tenzing Lepcha broke their indefinite 1 satyagraha on June 13, 2008 after fasting for 96 days at Gangtok in Sikkim. These two youth activists broke their fast after a written assurance from the government of Sikkim that it was shelving the four hydel projects in the Dzongu area of north Sikkim. This took place just six days short of the first anniversary of the formal protests launched by the Concerned Lepchas of Sikkim, the Affected Citizens of Teesta (ACT), and the Sangha of Dzongu against 26 hydel projects at 2 Bhutia-Lepcha house in Gangtok on June 20, 2007. This was not the first time these two brave youth had decided to adopt nonviolent Gandhian methods not only to force the government to listen to their demands and alter its development policies, but also to ensure that democratic ethos get firmly rooted in contemporary Sikkim. Dawa and Tenzing's first round of indefinite fast lasted 63 days and was called off after they were assured by the government that it would reconsider these projects by forming an independent review committee - a promise that the present democratically elected government of Sikkim did not keep. -
Unit 16 World Order
UNIT 16 WORLD ORDER Structure 16.1 Introduction Aims and Objectives 16.2 Requisites for a Peaceful World Order 16.2.1 Justice and Duty 16.2.2 Rule of Law 16.2.3 Pluralism and Toleration 16.2.4 Democratic World Order 16.3 A Peaceful Social Order and Human Rights 16.4 War: The Unsolved Problem of International Relations 16.4.1 Causes of War 16.4.2 Disarmament and the World 16.4.3 Industrial Colonial Technological Military Authoritarian Complex 16.5 Non- violence: Pre-requisite for the Total Development 16.5.1 Use of Arms for Justice 16.5.2 No Place for Imperialism 16.5.3 Cruelties of Colonialism 16.5.4 Economic Inequalities and Trusteeship 16.5.5 Globalisation from Below 16.6 Role of Satyagraha in Nuclear Age 16.6.1 Say No to Atom Bombs 16.6.2 World must take Lessons from Indian Culture of Democracy 16.7 Restructuring Knowledge 16.7.1 Protection of Natural Environment 16.7.2 Environment Friendly Industrialisation 16.7.3 Solidarity and Stability 16.8 Summary 16.9 Terminal Questions Suggested Readings 16.1 INTRODUCTION The approach of Gandhi to peaceful world order represents the flexible adjustment of his idealism to the demands of nationalism. Gandhi said that the world should be organised to maintain a just peace. The better mind of the world desires today not absolutely independent states. Gandhi believed in a federation of friendly inter-dependent states. Gandhi said that ‘the consummation of that event may be far off. I want to make no grand claim for our country. -
Contribution of the Holy Bible in the Making of the Mahatma
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 6, Ver. II (Jun. 2014), PP 05-12 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Contribution of the Holy Bible in the making of the Mahatma V. RamyaRajasri Kumar IInd Year, B.A.LL.B (Hons.), National Academy of Legal Studies and Research, University of Law(NALSAR),Hyderabad, India. Abstract: Mahatma Gandhi and Gandhian principles have been followed with great sense of reverence ever since he fought for India‟s Independence from the British colonial rule. Gandhi is known for using techniques of non-violence to help India achieve independence. However what hasn‟t been discussed enough is the source of inspiration for most of the principles propounded by Mahatma Gandhi. The researcher through this paper aims to bring to light the lesser known fact about the kind of influence the Holy Bible and Jesus Christ, in particular, have had on Gandhi and Gandhian Principles with the help of sufficient supporting evidence to understand the same. Keywords: Mahatma Gandhi, Gandhian Principles, Source of Inspiration, Holy Bible, Jesus Christ. I. Introduction 1. Mahatma Gandhi Mohandas Karamchand Gandhi popularly known as Mahatma Gandhi or Bapu was born on 2nd October 1869 in Porbandar which was part of the then Bombay Presidency under the British rule. His father Karamchand Gandhi served as the diwan of Rajkot State.1 In May 1883, 13 years old Gandhi married Kasturba, who was 14 years old. In 1885 Gandhi‟s father passed away and subsequently in the year 1887 he cleared the matriculation examination set by the University of Bombay and thereafter joined the Samaldas College in Bhavnagar.