The Evolution of Simplicity Principles of Commercial Extraction Could Be Inscribed and Taught
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This Alien Legacy RIGHTS the Origins of “Sodomy” Laws in British Colonialism WATCH
HUMAN This Alien Legacy RIGHTS The Origins of “Sodomy” Laws in British Colonialism WATCH This Alien Legacy The Origins of “Sodomy” Laws in British Colonialism Copyright © 2008 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 1-56432-419-2 Cover design by Rafael Jimenez Human Rights Watch 350 Fifth Avenue, 34th floor New York, NY 10118-3299 USA Tel: +1 212 290 4700, Fax: +1 212 736 1300 [email protected] Poststraße 4-5 10178 Berlin, Germany Tel: +49 30 2593 06-10, Fax: +49 30 2593 0629 [email protected] Avenue des Gaulois, 7 1040 Brussels, Belgium Tel: + 32 (2) 732 2009, Fax: + 32 (2) 732 0471 [email protected] 64-66 Rue de Lausanne 1202 Geneva, Switzerland Tel: +41 22 738 0481, Fax: +41 22 738 1791 [email protected] 2-12 Pentonville Road, 2nd Floor London N1 9HF, UK Tel: +44 20 7713 1995, Fax: +44 20 7713 1800 [email protected] 27 Rue de Lisbonne 75008 Paris, France Tel: +33 (1)43 59 55 35, Fax: +33 (1) 43 59 55 22 [email protected] 1630 Connecticut Avenue, N.W., Suite 500 Washington, DC 20009 USA Tel: +1 202 612 4321, Fax: +1 202 612 4333 [email protected] Web Site Address: http://www.hrw.org December 2008 1-56432-419-2 This Alien Legacy The Origins of “Sodomy” Laws in British Colonialism I. Introduction ......................................................................................................... 1 Three Trials ......................................................................................................... 1 Colonial Laws and Contemporary Defenders ........................................................ 4 II. “Sodomy,” Colonialism, and Codification ........................................................... 13 III. Colonial Power on the Street and over the Body .............................................. -
Summary of the Yogyakarta Principles Working Group Meeting
Yogyakarta Principles Working Group Meeting Summary The Williams Institute, UCLA School of Law Global Arc of Justice Conference Los Angeles, California March 11-12, 2009 In March 2009, 33 experts and advocates from around the globe meet for two days to discuss the implementation of the Yogyakarta Principles, a set of principles on the application of international human rights law to sexual orientation and gender identity. The working group meeting was part of the Williams Institute’s four day international Global Arc of Justice conference and funded by an anonymous donor. The meeting was convened by Brad Sears, Julie Dorf, David Cruz, Andrew Park, and Boris Dittrich. The participants came from over twenty countries representing Africa, Asia, South Asia, the Caribbean, Eastern Europe, Latin America, North America, and Western Europe. (See Appendix 1). The working group session focused on addressing the following topics: The history and background of the Yogyakarta Principles Recent examples of their use to illustrate how they can be implemented Critiques of the Principles and recommendations for revising them, and Recommendations for implementing the Principles for academics, lawyers, NGOS, and advocates. The work of the working group included the following: A core group of organizers planned the meeting and invited the participants; Background research on the Principles was gathered, organized, and sent to participants (See Appendix 2); A number of the participants were contacted in advance o to help frame the agenda, gather further research, and provide preliminary input; The roundtable met for a day and a half at the Williams Institute at UCLA Law; and This report was drafted, circulated for feedback, and finalized. -
Colombian Nationalism: Four Musical Perspectives for Violin and Piano
COLOMBIAN NATIONALISM: FOUR MUSICAL PERSPECTIVES FOR VIOLIN AND PIANO by Ana Maria Trujillo A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Major: Music The University of Memphis December 2011 ABSTRACT Trujillo, Ana Maria. DMA. The University of Memphis. December/2011. Colombian Nationalism: Four Musical Perspectives for Violin and Piano. Dr. Kenneth Kreitner, Ph.D. This paper explores the Colombian nationalistic musical movement, which was born as a search for identity that various composers undertook in order to discover the roots of Colombian musical folklore. These roots, while distinct, have all played a significant part in the formation of the culture that gave birth to a unified national identity. It is this identity that acts as a recurring motif throughout the works of the four composers mentioned in this study, each representing a different stage of the nationalistic movement according to their respective generations, backgrounds, and ideological postures. The idea of universalism and the integration of a national identity into the sphere of the Western musical tradition is a dilemma that has caused internal struggle and strife among generations of musicians and artists in general. This paper strives to open a new path in the research of nationalistic music for violin and piano through the analyses of four works written for this type of chamber ensemble: the third movement of the Sonata Op. 7 No.1 for Violin and Piano by Guillermo Uribe Holguín; Lopeziana, piece for Violin and Piano by Adolfo Mejía; Sonata for Violin and Piano No.3 by Luís Antonio Escobar; and Dúo rapsódico con aires de currulao for Violin and Piano by Andrés Posada. -
2018 AIA Fellowship
This cover section is produced by the AIA Archives to show information from the online submission form. It is not part of the pdf submission upload. 2018 AIA Fellowship Nominee Pamela Jerome Organization Architectural Preservation Studio, DPC Location New York, NY Chapter AIA New York State; AIA New York Chapter Category of Nomination Category One - Preservation Summary Statement Pamela Jerome is an innovative leader in application of theory and doctrine on the preservation of significant structures in the US and worldwide. Her award-winning projects, volunteer work , publications, and training have international impact. Education M Sc Historic Preservation, Columbia University, New York, NY, 1989-1991 ; B Arch, Architectural Engineering, National Technical University, Athens, Greece, 1974-1979 Licensed in: New York, New Jersey, Connecticut, Rhode Island, Massachusetts, Greece Employment Architectural Preservation Studio, DPC, 2015-present (2.5 years); Wank Adams Slavin Associate LLP (WASA), 1986-2015 (29 years); Consulting for Architect, 1984-1986 (2 years); Stinchomb and Monroe, 1982-1984 (2 years); WYS Design, 1981-1982 (1 year) October 5, 2017 Karen Nichols, FAIA, Chair, 2018 Jury of Fellows The American Institute of Architects, 1735 New York Avenue, NW Washington, DC 20006-5292 Re: Pamela Jerome, AIA – Sponsorship for Elevation to Fellowship Dear Ms. Nichols: As a preservation and sustainability architect, the Past President of the Association for Preservation Technology International (APT) and the President of the Buffalo Architecture Center, it is my privilege to sponsor Pamela Jerome, the President of Architectural Preservation Studio, for nomination as a Fellow in the American Institute of Architects. Pamela and I are both graduates of the Master of Science in Historic Preservation program at Columbia University. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
SIMON J. BRONNER, Ph.D
SIMON J. BRONNER, Ph.D. Contact Information: 1432 Round Hill Road Harrisburg, PA 17110 717-236-6305 (phone and fax), 717-497-3364 (cell), [email protected] (e-mail) http://sites.psu.edu/bronner (website) CONTENTS Teaching ...3 Administration...3 Degrees...4 Certificates and Continuing Education...5 Publications...5 Books...5 Special Issues and Monographs...8 Book Chapters...9 Forewords and Introductions to Books and Monographs...13 Encyclopedic and Bibliographic Essays...15 Journal Articles...20 Memorial Essays...27 Magazine Essays...28 National Newspaper and Newsletter Essays...29 Translations...30 Reviews...30 American Material Culture and Folklife Series...35 Pennsylvania German History and Culture Series...37 Material Worlds Series...38 Editorial Positions...38 Books...38 Encyclopedias and Atlases...39 Journals...39 Newsletters and Magazines...41 1 Simon J. Bronner CV Moderated Lists...41 Recordings...41 Awards...42 Scholarship...42 Teaching and Service...44 Fellowships, Grants, and Scholarships...45 Invited Addresses...47 Conferences Organized...53 Conference Panels Chaired...56 Positions Held in Scholarly Societies...58 Exhibitions and Museum Positions...58 Consultation and Scholarly Service...60 Reports for Scholarly Presses...65 Reports for Scholarly Journals...66 Evaluation Reports for Universities...67 University Service...69 Task Forces and Special Committees...69 Search Committees...72 Tenure, Promotion, and Administrative Review Committees...73 Student Organization Advising...74 Community Service...74 Public Festival Management and Planning...75 Ph.D. Dissertations and Committees...76 Graduate Theses...78 Supervisor...78 Reader...84 Biographical Listings...87 Contracted Publications...88 2 Simon J. Bronner CV TEACHING Distinguished Professor of American Studies and Folklore, The Pennsylvania State University at Harrisburg. 1991-2017. -
The Stata Journal Volume 17 Number 4 2017
The Stata Journal Volume 17 Number 4 2017 ® ® A Stata Press publication StataCorp LLC College Station, Texas The Stata Journal Editors H. Joseph Newton Nicholas J. Cox Department of Statistics Department of Geography Texas A&M University Durham University College Station, Texas Durham, UK [email protected] [email protected] Associate Editors Christopher F. Baum, Boston College Ulrich Kohler, University of Potsdam, Germany Nathaniel Beck, New York University Frauke Kreuter, Univ. of Maryland–College Park Rino Bellocco, Karolinska Institutet, Sweden, and Peter A. Lachenbruch, Oregon State University University of Milano-Bicocca, Italy Jens Lauritsen, Odense University Hospital Maarten L. Buis, University of Konstanz, Germany Stanley Lemeshow, Ohio State University A. Colin Cameron, University of California–Davis J. Scott Long, Indiana University Mario A. Cleves, University of Arkansas for Roger Newson, Imperial College, London Medical Sciences Austin Nichols, Abt Associates, Washington, DC William D. Dupont , Vanderbilt University Marcello Pagano, Harvard School of Public Health Philip Ender , University of California–Los Angeles Sophia Rabe-Hesketh, Univ. of California–Berkeley David Epstein , Gerson Lehrman Group J. Patrick Royston, MRC CTU at UCL, London, UK Allan Gregory , Queen’s University Mark E. Schaffer, Heriot-Watt Univ., Edinburgh James Hardin , University of South Carolina Jeroen Weesie, Utrecht University Ben Jann , University of Bern, Switzerland Ian White, MRC CTU at UCL, London, UK Stephen Jenkins , London School of Economics and Nicholas J. G. Winter,UniversityofVirginia Political Science Jeffrey Wooldridge, Michigan State University Stata Press Editorial Manager Stata Press Copy Editors Lisa Gilmore Adam Crawley, David Culwell,andDeirdre Skaggs The Stata Journal publishes reviewed papers together with shorter notes or comments, regular columns, book reviews, and other material of interest to Stata users. -
Msm Women's Chorus
MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion PROGRAM STEPHEN PAULUS The Earth Sings (1949–2014) I. Day Break II. Sea and Sky III. Wind and Sun Alejandro Zuleta, Conductor Vanessa May-lok Lee, piano Elliot Roman and Alexandros Darna, percussion GUSTAV HOLST Choral Hymns from the Rig Veda, Group 3, H. 99, (1874–1934) Op. 26 Hymn to the Dawn Hymn to the Waters Hymn to Vena (Sun rising through the mist) Hymn of the Travellers Hannah Nacheman, Conductor Minyoung Kwon, harp VINCENT Winter Cantata, Op. 97 PERSICHETTI I. A Copper Pheasant (1915–1987) II. Winter’s First Drizzle III. Winter Seclusion I V. The Woodcutter V. Gentlest Fall of Snow VI. One Umbrella VII. Of Crimson Ice VIII. The Branch Is Black IX. Fallen Leaves X. So Deep XI. The Wind’s Whetstone XII. Epilogue Ronnie Oliver, Jr., Conductor Francesca Leo, flute Tamika Gorski (MM ’17), marimba JOHANNES BRAHMS Vier Gesänge (Four Songs), Op. -
DIGNITY DEBASED Forced Anal Examinations in Homosexuality Prosecutions WATCH
HUMAN RIGHTS DIGNITY DEBASED Forced Anal Examinations in Homosexuality Prosecutions WATCH Dignity Debased Forced Anal Examinations in Homosexuality Prosecutions Copyright © 2016 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 978-1-6231-33719 Cover design by Rafael Jimenez Human Rights Watch defends the rights of people worldwide. We scrupulously investigate abuses, expose the facts widely, and pressure those with power to respect rights and secure justice. Human Rights Watch is an independent, international organization that works as part of a vibrant movement to uphold human dignity and advance the cause of human rights for all. Human Rights Watch is an international organization with staff in more than 40 countries, and offices in Amsterdam, Beirut, Berlin, Brussels, Chicago, Geneva, Goma, Johannesburg, London, Los Angeles, Moscow, Nairobi, New York, Paris, San Francisco, Sydney, Tokyo, Toronto, Tunis, Washington DC, and Zurich. For more information, please visit our website: http://www.hrw.org JULY 2016 ISBN: 978-1-6231-33719 Dignity Debased Forced Anal Examinations in Homosexuality Prosecutions Map .................................................................................................................................... I Summary ........................................................................................................................... 1 Key Recommendations ....................................................................................................... 6 Methodology -
Academic Accomplishments 2018 Edition
Arkansas Tech University Academic Accomplishments 2018 Table of Contents A Letter From The President ...............................................................................3 Leadership Tech....................................................................................................4 Russellville Campus 2018 Promotion & Tenure Recipients..................................................................6 Faculty Award of Excellence for Teaching..........................................................9 Erin Clair Faculty Award of Excellence for Scholarship & Creative Activity...................10 Neal Harrington Arts & Humanities................................................................................................11 Business ..............................................................................................................29 Education..............................................................................................................32 Engineering & Applied Sciences........................................................................42 eTech.....................................................................................................................49 Natural & Health Sciences...................................................................................50 Library ..................................................................................................................59 Russellville Staff...................................................................................................60 -
US Immigration
BUSHELL (DO NOT DELETE) 5/29/2013 2:45 PM “Give Me Your Tired, Your Poor, Your Huddled Masses”—Just as Long as They Fit the Heteronormative Ideal: U.S. Immigration Law’s Exclusionary & Inequitable Treatment of Lesbian, Gay, Bisexual, Transgendered, and Queer Migrants Logan Bushell* TABLE OF CONTENTS I. INTRODUCTION .................................................................................... 674 II. IMMIGRATION & SEXUALITY: AN HISTORICAL ANALYSIS OF REGULATING SEXUALITY AT THE BORDER .......................................... 677 A. 1875-1917: Establishing a Foundational Blueprint for Exclusion of LGBTQ Migrants .................................................... 678 B. 1917-1990: Adherence to the Blueprint for Exclusion of LGBTQ Migrants ......................................................................... 680 III. REFUGE IN THE COURTHOUSE? THE JUDICIARY’S APPROACH TO EXCLUSIONARY IMMIGRATION LAWS & POLICIES .............................. 683 A. Boutilier v. INS: Not Welcome—The Judiciary’s Sanctioning of Exclusionary Immigration Laws & Policies ............................ 683 B. Hill v. INS: An Inclusionary Olive Branch from the Judiciary ... 685 IV. TWO STEPS FORWARD, TWO STEPS BACK: PROGRESSIVE MEASURES PROVE MERELY PRETEXTUAL ........................................... 687 A. No Longer Categorically Excluded, but Certainly Not Included: Dismissing LGBTQ Persons from Family Unification ................................................................................... 687 B. Defense of Marriage Act: Deciding Exactly Who -
LCGFT for Music Library of Congress Genre/Form Terms for Music
LCGFT for Music Library of Congress Genre/Form Terms for Music Nancy Lorimer, Stanford University ACIG meeting, ALA Annual, 2015 Examples Score of The Four Seasons Recording of The Four Seasons Book about The Four Seasons Music g/f terms in LCSH “Older headings” Form/genre term Subject heading Operas Opera Sacred music Church music Suites Suite (Music) “Newer headings” Genre/form term Subject heading Rock music Rock music $x History and criticism Folk songs Folk songs $x History and criticism Music g/f terms in LCSH Form/genre term Children’s songs Combined with demographic term Buddhist chants Combined with religion term Ramadan hymns Combined with event term Form/genre term $v Scores and parts $a is a genre/form or a medium of performance $v Hymns $a is a religious group $v Methods (Bluegrass) $a is an instrument; $v combines 2 g/f terms Genre/form + medium of performance in LCSH Bass clarinet music (Jazz) Concertos (Bassoon) Concertos (Bassoon, clarinet, flute, horn, oboe with band) Overtures Overtures (Flute, guitar, violin) What’s wrong with this? Variations in practice (old vs new) Genre/form in different parts of the string ($a or $v or as a qualifier) Demographic terms combined with genre/form terms Medium of performance combined with genre/form terms Endless combinations available All combinations are not provided with authority records in LCSH The Solution: LCGFT + LCMPT Collaboration between the Library of Congress and the Music Library Association, Bibliographic Control Committee (now Cataloging and Metadata Committee) Genre/Form Task Force Began in 2009 LCMPT published February, 2014 LCGFT terms published February 15, 2015 567 published in initial phase Structure Thesaurus structure Top term is “Music” All terms have at least one BT, except top term May have more than one BT (Polyhierarchy) The relationship between a term and multiple BTs is “and” not “or” (e.g., you cannot have a term whose BTs are “Cat” and “Dog”) Avoid terms that simply combine two BTs (e.g.