Guerlain - Lheure Bleue Extract

Total Page：16

File Type：pdf, Size：1020Kb

Guerlain - L'Heure Bleue Extract https://find-a-fragrance.com//api/perfume?perfume_id=7410 Family: Floriental Concentration: Parfum/extrait Top notes: aniseed, bergamot Heart notes: carnation, neroli Base notes: iris, violet, gourmand notes, vanilla, benzoin, tonka bean Guerlain says: L’Heure Bleue diffuses its atmosphere at the very moment when the sun disappears beneath the horizon and the sky is painted with night’s velvet. Jacques Guerlain celebrates this fleeting moment with an armful of suave and delicate flowers enveloped in a breath of powder taking wing toward oriental notes. His Perfumers / Noses fragrance, L'Heure Bleue, is an exquisite ode to the enjoyment of life and romanticism. It superbly expresses the moment when Jacques Guerlain 'the night has not yet found its star'. The top notes of the fragrance intoxicate you with the audacity of an aniseed note and the freshness of bergamot. The heart's carnation and neroli accord express delicate sensuality. The powdery, oriental dry- endearing down troubles us with its powdery notes of iris and violet and its floral Oriental gourmand notes of vanilla, benzoin and tonka bean. Designed bergamot by Georges Chevalier, its bottle is underscored with graceful carnation scrolls typical of Art Nouveau. Its avant-garde stopper, in the neroli form of a hollowed heart, evokes the delicate romanticism of captivating this perfumery masterpiece and represented a real technical iris feat at the time. violet ORIENTAL powdery Read more aboutFLORIENTAL Guerlain here gourmand notes romantic FOUGERE WOODY vanilla FLORAL CHYPRE Try it at: FRESH John Lewis GOURMAND Powered by TCPDF (www.tcpdf.org).

Copy Link

Recommended publications

Le Chypre, Un Parfum Au Cours Des Ages, Cahier Des Alpes –Maritimes N°8 1910’S
Saturday April, 7th - h. 12.30 pm « » With Bruno Hervé OSMOTHEQUE Perfumer and Osmocurator L’Osmothèque - A few figures 4000 PERFUMES IN THE COLLECTION 800 DiSCONTINUED PERFUMES 200 PERFUMES RE-CREATED BASED ON ORIGINAL FORMULAS 27 YEARS OLD INSTITUTION 100 000 VISITORS SINCE IT’S CREATION 5 000 VISITORS EACH YEAR 1500 RARE OR DISCONTUNUED RAW MATERIALS 12 OSMOCURATORS – PERFUMERS INVOLVED 2 SUBSIDIARIES: AU MIP GRASSE / NEW YORK The origin of Chypre Iconic Fragance XVII th – Early XVIII th centuries « La poudre de Chypre » The word “Chypre” or “Cypre” designates an oak tree in Old French. Chypre powder, which has given its name to the Chypre family in perfumery, is made mostly from the moss that lives as a parasite on oak trees. Oak moss is always mixed with bits of bark torn off when moss is harvested, so its smell mingles with the scent of the tannin, a fragrant green component of the oak wood. Long ago fashionable people used Chypre powder to powder their skin or their wig. It was also used in making potpourri, “sachets” and baskets of fragrances. The chypre family The Chypre Family The differents notes: - Bergamot Chypre - Rose - Jasmin Fruity Chypre - Cistus – Labdanum - Oak’s Moss Floral Aldehydic - Patchouli Chypre Leather Chypre Aromatic Chypre Green Chypre Floral Chypre The first Chypres (before 1917) Eau de Chypre Cyprisine Chypre de Paris Guerlain Guerlain Guerlain 1850 1894 1909 Chypre de Tentation Chypre Roger & Gallet Lubin 1893 1898 • Eau de Chypre (Guerlain, near 1850) • Poudre de Riz Chypre (Florida, near 1900) • Chypre
[Show full text]
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE GEOGRAPHIES OF KNOWLEDGE IN THE INTERNATIONAL FRAGRANCE INDUSTRY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By BODO KUBARTZ Norman, Oklahoma 2009 GEOGRAPHIES OF KNOWLEDGE IN THE INTERNATIONAL FRAGRANCE INDUSTRY A DISSERTATION APPROVED FOR THE DEPARTMENT OF GEOGRAPHY BY ___________________________ Dr. Fred Shelley, Co-Chair ___________________________ Dr. Bret Wallach, Co-Chair ___________________________ Dr. Robert Cox ___________________________ Dr. Karl Offen ___________________________ Dr. Darren Purcell ___________________________ Dr. Laurel Smith ___________________________ Dr. Andrew Wood © Copyright by BODO KUBARTZ 2009 All Rights Reserved. ACKNOWLEDGEMENTS The ‘discovery of the world’ has been a stereotypical focus of human geography. However, the research helped me to discover a new world for myself. The fragrance industry delineates a rich landscape of sensorial stimulations. I appreciated not only the experience of smelling perfumes in different environments and the ‘look behind the scenes’ but the diversity of approaches to perfumery in this artistic industry. Therefore, my first ‘thank you’ goes to the industry experts that spend their precious time with me and opened their doors for me in France, Germany, and the United States. Thank you very much for introducing me to a world that you experience, develop, and change every day. Second, a dissertation is a long journey. This one has seen different companions until it came into being. It developed quite a bit over time. My friends in the United States and in Germany contributed through their critique, mental support, active interest, questions, guidance, and feedback. Thus, the second ‘thank you’ goes to all companions.
[Show full text]
50 Vainstoc.Pdf (1.768Mb)
UNIVERSIDAD DE BELGRANO Las tesinas de Belgrano Facultad de Arquitectura y Urbanismo Carrera de Licenciatura en Diseño Gráfico El diseño de envases de perfumes desde la retórica de lo visual Nº 50 María Victoria Vainstoc Tutor: Jorge Bardelas Departamento de Investigación Octubre 2003 Tesinas El diseño de envases de perfumes desde la retórica de lo visual 2 Tesinas El diseño de envases de perfumes desde la retórica de lo visual Indice 1. DISEÑO DE LA INVESTIGACIÓN ......................................................................................... 5 1.1 Tema ............................................................................................................................ 5 1.2 Motivación y objetivos ..................................................................................................... 5 1.3 Método de la propuesta .................................................................................................. 5 2. INTRODUCCÍÓN .................................................................................................................. 6 3. ¿QUÉ ES EL PERFUME? ................................................................................................... 7 4. LA RÉTORICA VISUAL ........................................................................................................ 8 4.1 Orígenes y principios de la retórica visual ......................................................................... 8 4.2 Introducción a la retórica moderna ..................................................................................
[Show full text]
Letter NATURALS + BEST of the BLOGGERS + LATEST LAUNCHES
THE www.perfumesociety.org NO. 32 - HIGH SUMMER 2018 scentedTHE NEW letter NATURALS + BEST OF THE BLOGGERS + LATEST LAUNCHES Flower power! editor’s LEttER It has been the greatest summer for flowers and gardens that I can ever remember. I’ll be hanging onto the precious memories of rambling roses, scrambling jasmine and aromatic lavender, as autumn arrives. And since fragrance offers us a way of wallowing in the beauty of flowers, 365 days a year, we thought we’d devote this entire issue to flowers – and their infinite power to delight us. A key trend we’re seeing at The Perfume Society is the revival in floral fragrances for men. And why not? Put jasmine or rose or violet on a man’s skin, and we find it’s expressed in a quite different way to a woman’s. Of course, once upon a time, florals were widely-worn among men – back in the days before marketing came into play and fragrances acquired ‘gender’. It probably isn’t coincidence that as that becomes blurred again in the wider world (and about time, too), men’s florals are being worn loudly and proudly. So we asked Darren Scott to hand-pick the best men’s florals – and on p.22, he shares a positive bouquet of them. One perfumery house known for capturing the magic of flowers is LMR Naturals. Who?, I hear you chorus. Well, you may not know LMR’s name – but you’ll no doubt be familiar with dozens of fragrances which include the petalicious notes they extract (via various clever techniques) from nature’s floral bounty.
[Show full text]
Olfactory Workshops by Osmothèque
Olfactory Workshops By Osmothèque Designed for fragrance industry professionals Fougère Royale (1884) HOUBIGANT, Le Fruit Défendu (1914) ROSINE, Chypre (1917) COTY, Crêpe de Chine (1925) MILLOT, Iris Gris (1947) FATH,… Osmothèque: the beginnings From the Greek osme - odor and thêkê - place, the Osmothèque was inaugurated over 20 years ago, in 1990. It has since become the one-of-a- kind olfactory archives that to this day remains unique in the world. The idea of a “Maison des Parfums” (Home of Perfumes) was under evaluation by the technical commission of the Société Française des Parfumeurs for years. The aim was to create a place where professionals and fragrance lovers could rediscover the perfumes they had once known and loved. In addition, the institution was to devote itself to scents long forgotten, to become the only place where lost or discontinued fragrances could be reproduced, classified and archived. In order to realize such an ambitious project, several passionate perfumers, members of the commission, had to show a great deal of commitment and determination. Together they set to revive lost perfumes, creating their records and thus protecting the heritage of the fragrance industry. Those pioneers collected some 400 fragrances, of which 70 were already at the time discontinued. Two institutions have been enthusiastically and determinedly supporting the project: the Comité Français du Parfum (CFP) and the Chambre de Commerce et d’Industrie de Versailles Val d’Oise-Yvelines (CCIV). Thanks to their financial support, the Osmothèque has grown over the years... Jean Kerléo, Osmothèque’s Funder Osmothèque Our nowadays most popular The only place in the world where you can scent lost fragrances WORKSHOPS that once embodied an era.
[Show full text]
Chemistry Perfumes Your Daily Life
Chemistry for Everyone edited by Products of Chemistry George B. Kauffman California State University Fresno, CA 93740 Chemistry Perfumes Your Daily Life Anne-Dominique Fortineau Quest International, Ashford, Kent TN24 0LT, United Kingdom; anne-dominique.fortineau@questintl.com One has to rely on chemists to find new aroma chemicals menced. In the following years, major achievements in the creating new, original notes. In perfumery the future lies synthesis of fragrant compounds, as well as the discovery of primarily in the hands of the chemists. new odorants, catalyzed the creation of many landmark per- Ernest Beaux, perfumer who created Chanel No 5 fumes. Vanillin, blended resins, animalic notes, and a floral accord with citrusy elements were the basis of Shalimar, created Until the middle of the 19th century, perfumes were re- by Jacques Guerlain in 1925, and considered the prime ex- served for the wealthiest strata of society. In contrast, the pic- ample of an oriental fragrance. In 1917 in Chypre, François ture we see today is very different. We have come to accept Coty already used the newly available quinolines,2 especially and expect fragrances to be used not only in haute couture iso-butyl and iso-propyl quinoline, though leathery Chypre fra- perfumes but in a wide range of consumer products from grances like Bandit (Piguet, 1944) became fashionable only soaps and detergents to household cleaners, including much later. Angel (Thierry Mugler) has been very successful bleaches. This dramatic change in the use of perfumes has since its 1992 launch. The blue, star-shaped bottle contains a come about with the development of synthetic organic chem- fresh, sparkling oriental fragrance based on a powerful blend istry.
[Show full text]
Dossier De Presse
Juin – Octobre 2012 Dossier de presse E X P O S I T I O N P O L Y S E N S O R I E L L E « Parfum, miroir de la société » du 3 juin au 14 octobre Domaine départemental de la Roche Jagu © J. -Y. Guillaume © voir Propriété du Conseil général des Côtes d'Armor, le domaine départemental de la Roche Jagu possède un patrimoine culturel, végétal et paysager de qualité qu'il s'attache à valoriser tout au long de l'année à l'occasion d'expositions, de manifestations et d'animations grand public. Acteur et partenaire de l’opération départementale « Cinq sites, Cinq sens », il proposera cette année, dans le cadre d’une saison culturelle rythmée par des « notes de fond », « de cœur » et « de tête », une exposition consacrée au parfum. Présentée au château de la Roche Jagu du 3 juin au 14 octobre, l’exposition « Parfum, miroir de la société » est une invitation au voyage à travers le monde des sens, de l’imaginaire et de la poésie… INFORMATIONS PRATIQUES CONTACT PRESSE Domaine départemental de la Roche Jagu – 22 260 Ploëzal Nolwenn Herry-Thouenon Tél. 02 96 95 62 35 – Fax. 02 96 95 19 68 Chargée des expositions courriel : chateaudelarochejagu@cg22.fr 02 96 95 62 35 web : www.larochejagu.fr HERRYNolwenn@cg22.fr 1 Sommaire _____________________________________________________________ 1 – Communiqué de presse p. 3 2 – Le domaine de la Roche Jagu p. 4 3 – Note d’intention de la commissaire de l’exposition p. 5 4 – Parcours d’une exposition polysensorielle p.
[Show full text]
Scent Design and Creation Smell Design - Create - Innovate
MASTER OF SCIENCE MSc Scent Design and Creation Smell design - Create - Innovate IN PARTNERSHIP WITH A 3-YEAR POSTGRADUATE PROGRAM IFF - International A unique 3-year program that immerses students in the foundations and pioneering Flavors and Fragrances advances of the world of Fragrance, and prepares students for rewarding careers in the leading positions in this exciting profession. A full-time program with global internship Inc. - , a worldwide opportunities. leading company in fragrances CAREER OPPORTUNITIES ⋅ Perfumer ⋅ Evaluator IFF has partnered with the world’s premier fragrance ⋅ Scent Design Manager school to offer the first and ⋅ Flavor Technologist only accredited program of its kind. ⋅ Fragrance Quality Control Supervisor or Technologist This partnership combines over 125 years of IFF’s creative ⋅ Marketing Manager or Analyst Fine Fragrance for a worldwide fragrance maker legacy with the proven academic excellence that has ADMISSION REQUIREMENTS forged ISIPCA. ⋅ Bachelor or minimum 2-3 year degree in Science, Chemistry, Chemical Engineering, This highly selective Master’s Engineering, Biochemistry or Mathematics program immerses students in ⋅ Fluent in English (TOEFL iBT 85) the foundations and pioneering advances of the profession, at a state-of-the-art campus in ADMISSION STEPS France, the historic heart of ⋅ Application form perfumery culture. ⋅ Application Review/Phone/Video Screening with select candidates Students who complete the ⋅ Olfactive Intelligence Test®, Creative Presentation, Interview with Selection Panel program receive a Master of Science diploma from ISIPCA. ⋅ Student Selection and Notification Partner Program DURATION Learning Goals 3 years The program is built upon the fundamentals of Fine Fragrance creation, and includes comprehensive study and exposure to the world of Consumer Fragrance.
[Show full text]
2020-136 - © Photos
MSc in Scent Design & Creation FORMULATION & APPLICATIONS RNCP n°26 943 titre Manager en Process de Développement et de Création des produits Parfum, Cosmétique et Arômes alimentaires – Certifi cation professionnelle code NSF 222n. Titre enregistré, de niveaux I (Fr) et 7 (EU), au Répertoire National des Certifi cations Professionnelles A postgraduate program taught in English IN PARTNERSHIP WITH Reach your full potential at ISIPCA ISIPCA is the world leading Graduate School of the Greater Paris Chamber of Commerce and Industry dedicated to Fragrances, Cosmetics and Flavors, located in Versailles and Grasse. It was created in 1970 by Jean-Jacques Guerlain, a descendant of the founder of the iconic Guerlain House. The quality of the ISIPCA undergraduate, graduate and postgraduate programs is highly recognized by academics, professional bodies and companies. The MSc in Scent Design & Creation was created in partnership with IFF to offer the fi rst and only accredited program of its kind. This partnership combines IFF’s 130- year creative legacy with the proven academic excellence that has forged ISIPCA. ISIPCA is very proud of having trained so many of the world’s most successful and infl uential perfumers, including many at IFF. There is a beautiful symmetry to bringing IFF’s talent onto our campus and offering their unique and practical expertise in this new program. Their fresh perspective and proven success will be a valued addition to our offerings IFF Divisional CEO Scent, Nicolas Mirzayantz adds that “This partnership with ISIPCA is a wonderful opportunity to participate in the training of future perfumers and scent designers. This partnership breaks new ground in our industry, building on IFF’s legacy of pioneering fi rsts.
[Show full text]
Universite Claude Bernard - Lyon 1 Faculte De Pharmacie Institut Des Sciences Pharmaceutiques Et Biologiques
UNIVERSITE CLAUDE BERNARD - LYON 1 FACULTE DE PHARMACIE INSTITUT DES SCIENCES PHARMACEUTIQUES ET BIOLOGIQUES 2013 THESE n°135 T H E S E pour le DIPLOME D'ETAT DE DOCTEUR EN PHARMACIE présentée et soutenue publiquement le 12 novembre 2013 par Mlle DUVILLARD Elodie Née le 13 septembre 1987 A Lyon 3e ***** LES PARFUMS : UTILISATIONS THERAPEUTIQUES ET REFORMULATION ***** JURY Mme FALSON Françoise, Professeur de pharmacie galénique et cosmétologie Mme DIJOUX Marie-Geneviève, Professeur de botanique et pharmacognosie M. VENDANGE Jean-Louis, Docteur en Pharmacie UNIVERSITE CLAUDE BERNARD - LYON 1 FACULTE DE PHARMACIE INSTITUT DES SCIENCES PHARMACEUTIQUES ET BIOLOGIQUES 2013 THESE n°135 T H E S E pour le DIPLOME D'ETAT DE DOCTEUR EN PHARMACIE présentée et soutenue publiquement le 12 novembre 2013 par Mlle DUVILLARD Elodie Née le 13 septembre 1987 A Lyon 3e ***** LES PARFUMS : UTILISATIONS THERAPEUTIQUES ET REFORMULATION ***** JURY Mme FALSON Françoise, Professeur de pharmacie galénique et cosmétologie Mme DIJOUX Marie-Geneviève, Professeur de botanique et pharmacognosie M. VENDANGE Jean-Louis, Docteur en Pharmacie Remerciements A Madame FALSON Françoise, Qui m’a fait l’honneur d’accepter de présider mon jury de thèse. Je vous adresse mes sincères remerciements. Je suis ravie de l’enthousiasme que vous avez porté à ce sujet. Merci également de m’avoir donné l’opportunité de partir deux fois à l’étranger. Soyez assuré de ma profonde reconnaissance. A Madame DIJOUX Marie-Geneviève, Qui m’a fait l’honneur d’accepter de faire partie de ce jury. Je vous remercie sincèrement de l’intérêt que vous avez porté à ce travail ainsi que pour vos précieux conseils.
[Show full text]
Of Natural Raw Materials of Plant Origin
Natural raw materials Introduction English Classifications of natural raw materials of plant origin Clove tree Fennel Coriander Parsley Sandalwood Nutmeg Lemon tree Perfume manufacturers classify natural raw materials of plant origin according to their own specific system. The International Perfume Museum has chosen the classification system used by perfume designer Jean-Claude Ellena, creative director at Hermès perfumes. But there are others. Used as working tool by the perfumer and perfume technicians for designing a new composition, each system is based on a choice of raw materials that reflects different eras and graphic fashions. Classification of smells from a botanical viewpoint by families Certain authors have attempted to classify smells by botanical families, but this is a utopian undertaking. If we examine the cruciferae family, which is by far the most homogeneous because of its typical sulphured essential oils, we nevertheless find exceptions. Clove tree flowers, for example, have a pleasant rose-caryophyllene aroma that is nothing like the sulphurous aroma of the other cruciferae. Furthermore, simple botanical varieties, such as lilum, nymphea, citrus and cinnamorum, can have scents that are totally different. It would thus seem more logical to indicate only the customary botanical order and the families that supply aromatic plants, as Engler, Gildemeister and F. Hoffmann (1) have done. In Engler’s classification, which is not reproduced here, each aromatic plant is defined by: Branch Celery Rockrose Class Order Family Type Species. Natural raw materials Introduction English Practical classification of smells Another Classification by Smell by tonality or near tonality In spite of the widespread use of perfumes among the ancient I.
[Show full text]
Three Samples from DECANTS 106
Czerwiec: Three Samples from DECANTS 106 ‘48’s Fracas “for the femmes,” a buzz up the nose of Three Samples from buttery tuberose – but Germaine means “loud” and DECANTS it’s not a room—clearer for naught. And Jolie Madame, Heidi Czerwiec a leather so green it hurts the head to contemplate even as you swoon. Green her germ, her cell, her scented vernacular. COGNOSCENTI: Germaine Cellier She was famous, while composing her fragrances, for Verde que te quiero verde. chainsmoking Gauloises and consuming quantities of garlic, breakfasting on sardines. Germaine, loud and —Federico García Lorca outspoken, swore fuently and wore fuid Cossack pants, though ne’er a brassiere. Germaine Cellier, foremost female “nose,” a woman working in perfumery when all perfumers were Eventually so much incendiary scent, chemicals, and Master, not mistress, despite women’s more sensi- inhaled smoke germinated in the cells of her lungs, tive sense of scent. Germaine—meaning “German,” a infamed them, burning off what remained of green- Frankish people—was born in Bordeaux to a would- ness. What’s green smokes most. What’s germane are be Bohemian artist and a melancholy herbalist. the perfumes that remain, encellared, precious. The smell, indelible, pervades everything. Alchemical, she discovered a natural ability with formulas and structures, how chemistry + narrative = *** perfume, how a story grabs you with its top notes but engages you with its heart, all the while the base notes THE LOVE FOR THREE ORANGES provide a satisfying backdrop of setting and scene. In 1918, Prokofev wrote The Love for Three Oranges, She debuted producing basenotes for DuPont in the a surrealist opera-ballet featuring fgures from Com- cellier, the storeroom.
[Show full text]