8.570012 Booklet.Indd

Total Page：16

File Type：pdf, Size：1020Kb

CD 1 CD 2 Swan Lake Pyotr Tchaikovsky (1840 – 1893) The Nutcracker Pyotr Tchaikovsky (1840 – 1893) 1 Scene . 2:36 1 Overture. 3:23 2 Waltz . 5:48 2 March . 2:23 2 CDs 3 Dance of the Swans: Allegro. 1:29 3 Dance of the Fairy . 1:47 4 Dance of the Swans: Andante. 6:42 4 Russian Dance . 1:11 5 Dance of the Swans: Tempo de Valse . 1:31 5 Arabian Dance . 2:55 The 6 Couples Dance. 3:57 6 Chinese Dance . :13 7 Hungarian Dance (Czardas. 3:04 7 Dance of the Mirlitons. 2:23 8 Spanish Dance . :10 8 Waltz of the Flowers. 6:51 Ultimate 9 Neopolitan Dance . 2:11 Slovak Philharmonic Orchestra, Michael Halász (conductor) 10 Finale . 5:14 Sylvia Leo Delibes (1836 – 1891) Ballet Album Slovak Philharmonic Orchestra, Michael Halász (conductor) 9 Prelude: The Huntress . 5:02 Spartacus Amram Khachaturian (1903 – 1978) 10 Intermezzo and Slow Waltz . 3:39 The most beautiful music 11 Adagio of Spartacus and Phrygia . 8:36 11 Pizzicato. 1:45 St Petersburg State Symphony Orchestra, Andre Anichanov (conductor) 12 Cortège of Bachus . 5:57 from the world’s greatest ballets Coppélia Leo Delibes (1836 – 1891) Slovak Radio Symphony Orchestra, Ondrej Lenárd (conductor) 12 Prelude. 4:26 13 Prelude to the Afternoon of a Faun Claude Debussy (1862 – 1918). 10:31 Swan Lake, Coppélia, 13 Waltz . 2:23 BRT Philharmonic Orchestra, Alexander Rahbari (conductor) Giselle, The Nutcracker 14 Mazurka. 4:13 Giselle Adolphe Adam (1803 – 1856) 15 Ballad. :40 14 Marcato . 1:45 & Sylvia 16 Theme and Variations . 7:11 15 Allegro . 1:29 17 Hungarian Dance (Czardas) . 3:46 16 Gallop . 1:03 Slovak Philharmonic Orchestra, Andrew Mogrelia (conductor) 17 Waltz . 2:06 Masquerade Amram Khachaturian (1903 – 1978) 18 Alla Loure . 1:15 18 Waltz . 4:16 19 Andante . 1:18 St Petersburg State Symphony Orchestra, Andre Anichanov (conductor) 20 Andantino non troppo . 1:30 21 Allegro non troppo. 1:11 22 Intermezzo . 3:00 23 (Transition) . 0:17 24 Andante . 2:05 CSR Symphony Orchestra, Ondrej Lenárd (conductor) CD 1 CD 2 Swan Lake Pyotr Tchaikovsky (1840 – 1893) The Nutcracker Pyotr Tchaikovsky (1840 – 1893) 1 Scene . 2:36 1 Overture. 3:23 2 Waltz . 5:48 2 March . ..

Copy Link

Recommended publications

Download This Composer Profile Here
Composer Profile: Pyotr Ilyich Tchaikovsky Tchaikovsky's 1812 Overture was Pyotr Ilyich Tchaikovsky composed to commemorate the Battle was born on May 7, of Borodino, fought in September 1812, F Tchaikovsky called his own work “very 1840, in Vyatka, Russia. loud and noisy and completely without THE A 4 1 artistic merit, obviously written without Tchaikovsky died in St. CTS warmth or love”. Petersburg on First performed in 1877, Swan Lake November 6, 1893. was Tchaikovsky’s first ballet score. 2 Considering its success today, it's Tchaikovsky is most celebrated hard to believe that it wasn’t an for his ballets, specifically Swan immediate hit – but the story of Lake, The Sleeping Beauty and Odette, a princess turned into a The Nutcracker. 5 swan by an evil sorcerer's curse, was 3 an initial box office failure. Notable pieces: To support his early musical 1812 Overture career, Tchaikovsky took work as a music critic. Among the The Nutcracker Ballet targets of his critical ire were Swan Lake Schumann, who he thought Piano Concerto No. 1 was a poor orchestrator, and Symphony No. 5 Brahms. “Inspiration is a guest that does not willingly visit the lazy.” –Tchaikovsky Tchaikovsky was a composer I'mPy oOtrne! during the Romantic period Tchaikovsky Tchaikovsky trained for, and became a civil servant in Russia. At Because of the unique time the time, a musical profession period in which he didn’t convey the sort of social composed, and his unique status that was acceptable to his ability to merge Western family’s respected position. Music music concepts with instructors and chamber musicians traditional Russian ones, it were looked down upon, so in 1859 was difficult for him to he embarked on his public service Throughout his career he receive unanimous praise.
[Show full text]
Miranda Weese Joins Boston Ballet As New Children's Ballet Master And
MEDIA CONTACTS: Jill Goddard, 617.456.6236, [email protected] Sarah Gledhill, 617.456.6264, [email protected] MIRANDA WEESE JOINS BOSTON BALLET AS NEW CHILDREN’S BALLET MASTER AND BOSTON BALLET SCHOOL FACULTY MEMBER FORMER PRINCIPAL DANCER WITH NEW YORK CITY BALLET AND PACIFIC NORTHWEST BALLET BRINGS WEALTH OF EXPERIENCE September 21, 2017 (BOSTON, MA) – Boston Ballet welcomes Miranda Weese, former principal dancer with New York City Ballet and Pacific Northwest Ballet, as the new Children’s Ballet Master. “I was always a big fan of Miranda Weese as a dancer and truly enjoyed her work onstage,” said Artistic Director Mikko Nissinen. “She is dedicated to teaching future generations of dancers and I am pleased to welcome her to the Boston Ballet family.” Weese will work with Boston Ballet School’s students for Company productions including this season’s Mikko Nissinen’s The Nutcracker (auditions for Boston Ballet School students begin Sep 23), Romeo & Juliet, The Sleeping Beauty, and La Sylphide. As a faculty member with Boston Ballet School, she will teach intermediate levels in the Classical Ballet Program and the female levels of the Pre-Professional Program. “Boston Ballet School students will learn and grow so much under Miranda’s tutelage,” said Margaret Tracey, Director of Boston Ballet School. “I am thrilled that she is joining our dedicated and hard-working team.” From San Bernardino, California, Weese trained at Laguna Dance Theatre and School of American Ballet. She danced with New York City Ballet from 1991 through 2007, as an apprentice, corps, soloist, and principal dancer. Her repertoire includes leading roles in George Balanchine’s Apollo, Concerto Barocco, Divertimento No.
[Show full text]
SWAN LAKE Dear Educators in the Winter Show of Oregon Ballet Theatre’S Student Performance Series (SPS) Students Will Be Treated to an Excerpt from Swan Lake
STUDENT PERFORMANCE SERIES STUDY GUIDE / Feburary 21, 2013 / Keller Auditorium / Noon - 1:00 pm, doors open at 11:30am SWAN LAKE Dear Educators In the winter show of Oregon Ballet Theatre’s Student Performance Series (SPS) students will be treated to an excerpt from Swan Lake. It is a quintessential ballet based on a heart-wrenching fable of true love heroically won and tragically Photo by Joni Kabana by Photo squandered. With virtuoso solos and an achingly beautiful score, it is emblematic of the opulent grandeur of the greatest of all 19th-Century story ballets. This study guide is designed to help teachers prepare students for their trip to the theatre where they will see Swan Lake Act III. In this Study Guide we will: • Provide the entire synopsis for Christopher Stowell’sSwan Lake, consider some of the stories that inspired the ballet, Principal Dancer Yuka Iino and Guest Artist Ruben Martin in Christopher and touch on its history Stowell’s Swan Lake. Photo by Blaine Truitt Covert. • Look closely at Act III • Learn some facts about the music for Swan Lake • Consider the way great dances are passed on to future generations and compare that to how students come to know other great works of art or literature • Describe some ballet vocabulary, steps and choreographic elements seen in Swan Lake • Include internet links to articles and video that will enhance learning At the theatre: • While seating takes place, the audience will enjoy a “behind the scenes” look at the scenic transformation of the stage • Oregon Ballet Theatre will perform Act III from Christopher Stowell’s Swan Lake where Odile’s evil double tricks the Prince into breaking his vow of love for the Swan Queen.
[Show full text]
Chicago Symphony Orchestra Riccardo Muti Zell Music Director
PROGRAM ONE HUNDRED TWENTY-FOURTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, October 2, 2014, at 8:00 Friday, October 3, 2014, at 1:30 Saturday, October 4, 2014, at 8:30 Riccardo Muti Conductor Christopher Martin Trumpet Panufnik Concerto in modo antico (In one movement) CHRISTOPHER MARTIN First Chicago Symphony Orchestra performances Performed in honor of the centennial of Panufnik’s birth Stravinsky Suite from The Firebird Introduction and Dance of the Firebird Dance of the Princesses Infernal Dance of King Kashchei Berceuse— Finale INTERMISSION Tchaikovsky Symphony No. 3 in D Major, Op. 29 (Polish) Introduction and Allegro—Moderato assai (Tempo marcia funebre) Alla tedesca: Allegro moderato e semplice Andante elegiaco Scherzo: Allegro vivo Finale: Allegro con fuoco (Tempo di polacca) The performance of Panufnik’s Concerto in modo antico is generously supported by the Adam Mickiewicz Institute as part of the Polska Music program. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Andrzej Panufnik Born September 24, 1914, Warsaw, Poland. Died October 27, 1991, London, England. Concerto in modo antico This music grew out of opus 1.” After graduation from the conserva- Andrzej Panufnik’s tory in 1936, Panufnik continued his studies in response to the rebirth of Vienna—he was eager to hear the works of the Warsaw, his birthplace, Second Viennese School there, but found to his which had been devas- dismay that not one work by Schoenberg, Berg, tated during the uprising or Webern was played during his first year in at the end of the Second the city—and then in Paris and London.
[Show full text]
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 Pm the SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 Pm Media Sponsor
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 pm Media Sponsor THE SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 pm A Columbia Artists Production Direct from Moscow, Russia RUSSIAN NATIONAL BALLET COMPANY OF 50 Artistic Director: Elena Radchenko Company Biography The Russian National Ballet Theatre was founded in Moscow during the transitional period of Perestroika in the late 1980s, when many of the great dancers and choreographers of the Soviet Union’s ballet institutions were exercising their new- found creative freedom by starting new, vibrant companies dedicated not only to the timeless tradition of classical Russian Ballet but to invigorate this tradition as the Russians began to accept new developments in the dance from around the world. The company, then titled the Soviet National Ballet, was founded by and incorporated graduates from the great Russian choreographic schools of Moscow, St. Petersburg and Perm. The principal dancers SWAN LAKE Photo: Alexander Daev of the company came from the upper ranks of the great ballet companies and academies of Russia, and the companies of Riga, Kiev and even Warsaw. Today, the Russian National Ballet Theatre SWAN LAKE is its own institution, with over 50 dancers of singular instruction and vast experience, many of whom have been with the company Full-length Ballet in Four Acts since its inception. Music by Pyotr Ilyich Tchaikovsky Choreography by Marius Petipa, Lev Ivanov and Yuri Grigorovich In 1994, the legendary Bolshoi principal dancer Elena Radchenko Restaging by Elena Radchenko, assistant Alexander Daev was selected by Presidential decree to assume the first permanent Synopsis by Vladimir Begichev and Vasily Geltser artistic directorship of the company.
[Show full text]
Classical Repertoire List for Junior Division
CLASSICAL REPERTOIRE LIST FOR JUNIOR DIVISION 12-14 years of age Must be 12 by January 1, 2019 Dancers must perform a variation from the approved senior category list below. Variation must be performed on pointe. We strongly advise our participants to choose the variation that is appropriate to their age and skill level. Classical solos may not be longer than 2:30. Ballet (Choreographer) • Coppelia (A. St. Leon) Pas de Deux and all Variations • Diana & Acteon (A. Vaganova) Pas de Deux and Variations • Don Quixote (M. Petipa) Pas de Deux and all Variations • Fairy Doll (S. Legat) • Flower Festival at Genzano (A. Bournonville) Pas de Deux and all Variations • Giselle (J. Perrot, J. Coralli) Variation of Giselle, Act I Peasant Pas de Deux and Variations, Pas de Deux Variations from Act II • Harlequinade (M. Petipa) Pas De Deux and Variations • La Bayadere (M. Petipa) Three Shade Variations, Act III; Gamzatti Variation, Pas de Deux and Variations, Bronze Idol, Nikia Variation (Nikia Variation is not accepted for competition, unless under 2:30 minutes.) Please note: Gamzatti Temple Variation (Choreography - N. Makarova) - is NOT accepted (or judges can lower your score). • La Esmeralda (M. Petipa) Pas de Deux and all Variations • La Fille Mal Gardee (B. Nijinska, D. Romanoff) Pas de Deux and all Variations • La Sylphide (A. Bournonville) Pas de Deux and all Variations • Laurencia (V. Chabukiani) • Le Corsaire (M. Petipa) Pas d'Esclave and Variations, Odalisque Variations, Jardin Anime, Act III Pas de Deux and Variations • Les Sylphides/Chopiniana (M. Fokine) Male and Female Mazurkas, Waltz # 7 and Waltz # 11, Prelude • Napoli (A.
[Show full text]
Swan Lake Audience Guide
February 16 - 25, 2018 Benedum Center for the Performing Arts, Pittsburgh Choreography: Marius Petipa and Lev Ivanov Staging: Terrence S. Orr Music: Peter Ilyich Tchaikovsky Swan Lake Sponsors: The Benter Foundation, The Pittsburgh Foundation, Eden Hall Foundation, Anonymous Donor February 16 - 25, 2018 Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker Cover Photo: Duane Rieder Artist: Amanda Cochrane 1 3 The Setting and Characters 3 The Synopsis 5 About Swan Lake 6 The Origins of the Swan Lake Story 6 Swan Lake Timeline 7 The Music 8 The Choreography 9 The Dual Role of Odette + Odile 9 Acts 1 & 3 10 Spotlight on the Black Swan Pas de Deux 10 The Grand Pas Explained 11 What’s a fouette? 11 Acts 2 & 4 12 Dance of the Little Swans 13 The White Act 13 Costumes and Scenic Design 13 Costumes By the Numbers 14 The Tutus 14 A Few Costume Tidbits! 15 Did You Know? Before She was the Black Swan 16 Programs at the Theater 17 Accessibility 2 The Setting The ballet takes place in and near the European castle of Prince Siegfried, long ago.
[Show full text]
Award Syllabus
South Island Ballet Award and PW Dance & Sportswear Junior South Island Ballet Award Friday 20th May to Sunday 22nd May 2016 | CHRISTCHURCH [Date and Time] [Street Address] Award Syllabus Table of Contents Page Award Overview 3 Conditions of Entry 4 Entry Form 5 Junior Criteria 6 Senior Criteria 7-8 Adjudicators 9-11 Sponsorship 12-13 Hotel Flyer 14 SOUTH ISLAND BALLET AWARD 2016 The Christchurch Ballet Society is proud to present the South Island Ballet Award for 2016. This major event will be the highlight of the South Island competition dance calendar. The Christchurch Ballet Society is offering a significant cash incentive to talented and dedicated dancers whose tuition is or has been provided by a ballet tutor located within the South Island. It is intended that by offering a cash scholarship this will assist the recipients of the award in furthering their training and studies in classical ballet. th nd Friday 20 May to Sunday 22 May 2016 | CHRISTCHURCH Senior Award Junior Award First Place $5000 Tuition Scholarship First Place $3000 Tuition Scholarship Silver Challenge Cup and Sash Silver Challenge Cup and Sash Second Place $2000 Tuition Scholarship Second Place $1000 Tuition Scholarship and Sash and Sash Third Place $1000 Tuition Scholarship Third Place $500 Tuition Scholarship and Sash and Sash **Finalists may also receive a cash incentive** Senior Age Group Junior Age Group 15 to 19 years as at 20th May 2016 12 to 14 years as 20th May 2016 ENTRY FEE and CLOSING DATE An entry fee of $150 (Non-refundable) will be required upon receipt of entry form.
[Show full text]
Study Guide Table of Contents Pre-Performance Activities and Information
For Grades K - 12 STUDY GUIDE TABLE OF CONTENTS PRE-PERFORMANCE ACTIVITIES AND INFORMATION TEKS Addressed 3 Attending a ballet performance 5 The story of The Nutcracker 6 The Science Behind The Snow 13 The Artists Who Created Nutcracker: Choreographers 16 The Artists Who Created Nutcracker: Composer 17 The Artists Who Created Nutcracker: Designer 18 Animals Around The World 19 Dancers From Around The World 21 Look Ma, No Words 22 Why Do They Wear That? 24 Ballet Basics: Fantastic Feet 25 Ballet Basics: All About Arms 26 Houston Ballet: 1955 To Today 27 Appendix A: Mood Cards 28 Appendix B: Set Design 29 Appendix C: Costume Design 30 Appendix D: Glossary 31 Program Evaluation 33 2 LEARNING OUTCOMES Students who attend the performance and utilize the study guide will be able to: • Identify different countries from around the world; • Describe the science behind the snow used in The Nutcracker; • Describe at least one dance from The Nutcracker in words or pictures; • Demonstrate appropriate audience behavior. TEKS ADDRESSED §112.11. SCIENCE, KINDERGARTEN (6) Force, motion, and energy. The student knows that energy, force, and motion are related and are a part of their everyday life §117.112. MUSIC, GRADE 3 (1) Foundations: music literacy. The student describes and analyzes musical sound. §117.109. MUSIC, GRADE 2 (1) Foundations: music literacy. The student describes and analyzes musical sound. (6) Critical evaluation and response. The student listens to, responds to, and evaluates music and musical performances. §117.106. MUSIC, ELEMENTARY (5) Historical and cultural relevance. The student examines music in relation to history and cultures.
[Show full text]
Gainesville Ballet Contact
Gainesville Ballet Contact: Elysabeth Muscat 7528 Old Linton Hall Road [email protected] Gainesville, VA 20155 703-753-5005 www.gainesvilleballetcompany.org FOR IMMEDIATE RELEASE October 1, 2015 ABT BALLET STARS BOYLSTON AND WHITESIDE IN GAINESVILLE BALLET NUTCRACKER GAINESVILLE, Va. – Gainesville Ballet is excited to announce two performances of The Nutcracker on Friday, November 27, 2015 at 2 PM and 7 PM. The full-length ballet features ballet superstars, international guest dancers, the professional dancers of Gainesville Ballet Company, and the students of Gainesville Ballet School. What better way to continue the celebration of the Thanksgiving holiday weekend, than to see a beautiful, professional performance of The Nutcracker at the elegant opera house of the 1,123-seat Merchant Hall at the Hylton Performing Arts Center! Audiences who reside in Northern Virginia and beyond will have the rare opportunity to see two of American Ballet Theatre’s most exciting Principal Dancers, Isabella Boylston and James Whiteside. James Whiteside and Isabella Boylston in Giselle. Isabella Boylston was promoted to Principal Dancer at American Ballet Photo by MIRA. Theatre in 2014. She originally joined ABT as part of the Studio Company in 2005, joined the main company as an apprentice in 2006, and became a member of the corps de ballet in 2007. She was promoted to Soloist in 2011, before recently becoming Principal. Boylston began dancing at the age of three at The Boulder Ballet. At age 12, she joined the Academy of Colorado Ballet in Denver, Colorado, where she commuted two hours on a public bus to study there each day.
[Show full text]
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes.
[Show full text]
The Nutcracker Study Guide
I NL AN D P AC IF I C BA LL E T The Nutcracker A STUDY GUIDE FOR TEACHERS OF GRADES K – 12 Aligned with California State Content Standards Prepared by: Inland Pacific Ballet Montclair, CA October 2009 Table of Contents Welcome, About Inland Pacific Ballet ................................................................... 3 Young Person's Guide to Ballet Program Summary.............................................. 4 Program Objectives ............................................................................................. 5 Correlation to California Visual and Performing Arts: Dance Content Standards ........................................................................ 6 Ballet as an Art Form What is Dance?........................................................................................ 7 Ballet: Basic Ballet Steps.......................................................................... 8 Ballet & Dance Vocabulary....................................................................... 9 Pre-Activities The Story of “The Nutcracker” .................................................................11 The Composer: Peter Ilyich Tchaikovsky .................................................12 Theatre Etiquette.....................................................................................13 Post-Activities Overview Language Arts.........................................................................................14 Social Studies .........................................................................................16
[Show full text]