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Cultural Anthropology Through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-Based Sentiment
Cultural Anthropology through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-based Sentiment Peter A. Gloor, Joao Marcos, Patrick M. de Boer, Hauke Fuehres, Wei Lo, Keiichi Nemoto [email protected] MIT Center for Collective Intelligence Abstract In this paper we study the differences in historical World View between Western and Eastern cultures, represented through the English, the Chinese, Japanese, and German Wikipedia. In particular, we analyze the historical networks of the World’s leaders since the beginning of written history, comparing them in the different Wikipedias and assessing cultural chauvinism. We also identify the most influential female leaders of all times in the English, German, Spanish, and Portuguese Wikipedia. As an additional lens into the soul of a culture we compare top terms, sentiment, emotionality, and complexity of the English, Portuguese, Spanish, and German Wikinews. 1 Introduction Over the last ten years the Web has become a mirror of the real world (Gloor et al. 2009). More recently, the Web has also begun to influence the real world: Societal events such as the Arab spring and the Chilean student unrest have drawn a large part of their impetus from the Internet and online social networks. In the meantime, Wikipedia has become one of the top ten Web sites1, occasionally beating daily newspapers in the actuality of most recent news. Be it the resignation of German national soccer team captain Philipp Lahm, or the downing of Malaysian Airlines flight 17 in the Ukraine by a guided missile, the corresponding Wikipedia page is updated as soon as the actual event happened (Becker 2012. -
600 Graphic Link Words for Remembering Names and Faces
600 Graphic Link Words for Female and Male First Names and Faces by Ron White and Lew Toulmin These are names and images to be used to remember names and faces. Focus on the person whose first name you are trying to remember, select a feature (“the file”) on his/her face that is distinctive, then place the image below onto the file, “seeing” it clearly in your mind’s eye. These images are drawn from my (Lew Toulmin’s) background and interest in history, aviation and foreign travel; you may wish to develop images of your own that link to the name of the person. Many of these images come from or were modified from Ron White’s excellent “Black Belt Memory” course, which is recommended. The most popular names are marked on the right with a number sign (#) and the relevant ranking. WOMEN’S NAMES LINK WORDS (~272) Abby – A bee Abigail – A bee in a gale Adell – A Dell computer Alice – a lice Alexis – A Lexus sports car Allison – Allison radial engine Amanda – A Man – Duh! Not! Amy – Aiming Angie – Angie Dickenson, Policewoman Ann – Ant Anita – A knitter Annette – A net Annie – Little Orphan Annie April – A pill that is red Ashley – Ashes Audrey -- Audrey Hepburn’s cigarette holder in “Breakfast at Tiffany’s” Barbara – barbed wire #4 Beatrice – beat rice – this brings joy Becky – bucky horse Belinda – Bee that is beautiful (“linda” ) Bernadette – burn a debt (your mortgage) Bernice or Berenice -- burning ice Beth – bath Betty – Betty Crocker cakemix Beverly – Beverly hillbillies Billie – billy can Bobbie or Bobby – -
Angus Mackay Diaries Volume XVIII (2002 - 2004)
Angus Mackay Diaries Volume XVIII (2002 - 2004) ANGUS MACKAY DIARY NO. 177 Friday February 1 2002 - May 10 2002. Friday February 1 2002 Saturday February 2 2002 To Chiswick this a.m. to shop for K and give him a choice. Got back at twelve, but no sign. Arrived at something after one, animated newsy talk, and an omelette with the blewits and chanterellesI got at the lovely greengrocers - £29.50 a kilo. About two four inch blews and four or five chant. about £3, not bad for such deliciousness. Now it’s Saturday night, and K’s gone, after two wonderful days.I have done nothing except stand up and sit down, and prepare four meals, and I’m exhausted. I fear K might have felt I was lazy or feeble. Well, he started out – ‘Can’t stop here talking, or the light will go’, on the buddleia, ‘which job do you want done first?’ He sawed it right down, and I do see that it’s partly destabilised some bricks. A great relief. I hope that silly fussy man won’t find something else to shout to me about. I was becoming quite reluctant to go into the garden. Horrible to cut anything down, but on balance welcomed it. Comically, the wind was the strongest I’ve heard since I’ve been here. Quite expected a letter of complaint from the next door just as we were cutting down the dangerous bush. They have a ‘patio’ (sic) garden and are clearly nervous of a jungle takeover, or indeed anything they can’t control. -
James Ivory in France
James Ivory in France James Ivory is seated next to the large desk of the late Ismail Merchant in their Manhattan office overlooking 57th Street and the Hearst building. On the wall hangs a large poster of Merchant’s book Paris: Filming and Feasting in France. It is a reminder of the seven films Merchant-Ivory Productions made in France, a source of inspiration for over 50 years. ....................................................Greta Scacchi and Nick Nolte in Jefferson in Paris © Seth Rubin When did you go to Paris for the first time? Jhabvala was reading. I had always been interested in Paris in James Ivory: It was in 1950, and I was 22. I the 1920’s, and I liked the story very much. Not only was it my had taken the boat train from Victoria Station first French film, but it was also my first feature in which I in London, and then we went to Cherbourg, thought there was a true overall harmony and an artistic then on the train again. We arrived at Gare du balance within the film itself of the acting, writing, Nord. There were very tall, late 19th-century photography, décor, and music. apartment buildings which I remember to this day, lining the track, which say to every And it brought you an award? traveler: Here is Paris! JI: It was Isabelle Adjani’s first English role, and she received for this film –and the movie Possession– the Best Actress You were following some college classmates Award at the Cannes Film Festival the following year. traveling to France? JI: I did not want to be left behind. -
Press Kit Falling Angels
Falling Angels A film by Scott Smith Based on the novel by Barbara Gowdy With Miranda Richardson Callum Keith Rennie Katherine Isabelle RT : 101 minutes 1 Short Synopsis It is 1969 and seventeen year old Lou Field and her sisters are ready for change. Tired of enduring kiddie games to humour a Dad desperate for the occasional shred of family normalcy, the Field house is a place where their Mom’s semi-catatonic state is the result of a tragic event years before they were born. But as the autumn unfolds, life is about to take a turn. This is the year that Lou and her sisters are torn between the lure of the world outside and the claustrophobic world of the Field house that can no longer contain the girls’ restless adolescence. A story of a calamitous family trying to function, Falling Angels is a story populated by beautiful youthful rebels and ill-equipped parents coping with the draw of a world in turmoil beyond the boundaries of home and a manicured lawn. 2 Long Synopsis Treading the fine line between adolescence and adulthood, the Field sisters have all but declared war on their domineering father. Though Jim Field (Genie and Gemini winner Callum Keith Rennie ) runs the family house like a military camp, it’s the three teenaged daughters who really run the show and baby-sit their fragile mother Mary, (Two-time Oscar ® nominee Miranda Richardson) as she quietly sits on the couch and quells her anxiety with whiskey. It’s 1969 and beneath suburbia’s veneer of manicured lawns and rows of bungalows, the world faces explosive social change. -
Mongrel Media
Mongrel Media Presents I’VE LOVED YOU SO LONG (Il y a longtemps que je t’aime) A Film By Philippe Claudel Starring Kristin Scott Thomas Elsa Zylberstein Official Selection: 2008 Berlin Film Festival Official Selection: 2008 Telluride Film Festival Official Selection: 2008 Toronto International Film Festival (117 mins, France/Germany, 2008) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html "I'VE LOVED YOU SO LONG" is a film about the strength of women, their capacity to shine forth, reconstruct themselves and be reborn. A story about our secrets, about confinement, about the isolation we all share…." - Philippe Claudel SYNOPSIS Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again. Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. -
Being a Non-Entity with Soon-Yi Previn
Ellipsis Volume 41 Article 27 2014 Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Follow this and additional works at: https://scholarworks.uno.edu/ellipsis Part of the Nonfiction Commons Recommended Citation Hugmeyer, Carl (2014) "Being a Non-Entity with Soon-Yi Previn," Ellipsis: Vol. 41 , Article 27. DOI: https://doi.org/10.46428/ejail.41.27 Available at: https://scholarworks.uno.edu/ellipsis/vol41/iss1/27 This Creative Nonfiction is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in Ellipsis by an authorized editor of ScholarWorks@UNO. For more information, please contact [email protected]. Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Sometimes I realize that I’m not really putting myself out there. Being pleasant and considerate towards those around you is important, but part of me still thinks there should be something else going on. I find it hard to track down my contributions, my expressions, my statements. Partially read New Yorkers pile up and Netflix still recommends more documentaries than sitcoms. There is kale in the refrigerator, yes, and a $23 bottle of wine. Great. But is this supposed to be a model of beautiful living, to show to those who scream at their children, slapping them and then tugging at their arms as they wait for the tank to fill up at the gas station? To those who throw their Burger King wrappers out of the car window? It is dust accumulating, nothing, a mouse in the walls of the world that no one really sees or cares about except when it gets audibly worked up or so thoroughly stuck that a smell begins to emanate. -
Ludacris – Red Light District Brothers in Arms the Pacifier
Pickwick's Video/DVD Rentals – New Arrivals 19. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ __________________________________________________________________ Ludacris – Red Light District Genre: Music Synopsis: Live concert from Amsterdam plus three music videos. Brothers In Arms Genre: Action Actors: David Carradine, Kenya Moore, Gabriel Casseus, Antwon Tanner, Raymond Cruz Director: Jean-Claude La Marre Synopsis: A crew of outlaws set out to rob the town boss who murdered one of their kinsmen. Driscoll is warned so his thugs surround the outlaws and soon there is a shootout. Set in the American West. The Pacifier Genre: Comedy Actors: Vin Diesel, Lauren Graham, Faith Ford, Brittany Snow, Max Theriot, Carol Kane, Brad Gardett Director: Adam Shankman Synopsis: The story of an undercover agent who, after failing to protect an important government scientist, learns the man's family is in danger. In an effort to redeem himself, he agrees to take care of the man's children only to discover that child care is his toughest mission yet. Pickwick's Video/DVD Rentals – New Arrivals 19. Sept. 2005 Marc Aurel Str. 10-12, 1010 Vienna Tel. 01-533 0182 – open daily – http://www.pickwicks.at/ __________________________________________________________________ The Killer Language: Japanese Genre: Action Actors: Chow Yun Fat Director: John Woo Synopsis: The story of an assassin, Jeffrey Chow (aka Mickey Mouse) who takes one last job so he can retire and care for his girlfriend Jenny. When his employers betray him, he reluctantly joins forces with Inspector Lee (aka Dumbo), the cop who is pursuing him. -
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 Min | MGM | Rated PG-13
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 min | MGM | Rated PG-13 November 1, 2 p.m., 6th floor A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Farrow) regularly meets with her sisters Holly (Wiest) and Lee (Hershey) to discuss the week’s events. It’s what they don’t always tell each other that forms the film’s various subplots. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Dianne Wiest, Barbara Hershey, Michael Caine, Max von Sydow, and Carrie Fisher Broadway Danny Rose DVD | Black & White | 1984 | 86 min | MGM | Rated PG November 8, 2 p.m., 6th floor Danny Rose (Allen) is a fourth rate talent agent whose client list is filled with some of the oddest acts in show business. A good-hearted loser, Danny is willing to go to extremes to keep his acts happy and get them jobs. It’s this dedication that gets him in trouble when he becomes involved with his top client’s mistress and some unfriendly gangsters who mistake Danny as her lover. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Nick Apollo Forte, Paul Greco, and Frank Renzulli Film schedule continues on opposite page Elevators access the 6th floor after 1:30 p.m. All programs are free and subject to last minute change or cancellation SATURDAY MOVIES Grumpy Old Men DVD | Color | 1993 | 104 min | Warner Bros. | Rated PG-13 November 15, 2 p.m., 6th floor John and Max are elderly men living next door to each other. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
Creative New York by Michael Kane, Robin Keegan, Neil Kleiman, and Beth Siegel
creative new york By Michael Kane, Robin Keegan, Neil Kleiman, and Beth Siegel also an economic powerhouse comparable to the city’s biggest industries. While the combined strength of the city’s creative sector may not trump the impact of the financial services sector, it isn’t far off. The city’s creative economy consists of 12,066 businesses and non- profits (5.8 percent of all employers in the five bor- oughs) and provides employment to 309,142 peo- ple (8.1 percent of all city workers). In recent years, the sector has added jobs at a considerably faster rate than the overall city economy: between 1998 and 2002, employment in New York’s creative core grew by 13.1 percent (adding 32,000 jobs) while the city’s overall job totals increased by 6.5 percent during this period. Among the city’s nearly unparalleled concentra- tion of creative core enterprises, New York has more than 2,000 arts and cultural non-profits and over 500 art galleries, roughly 2,300 design services businesses, more than 1,100 advertising-related firms, nearly 700 book and magazine publishers, and 145 film production studios and stages. Robin Keegan is a fel- No other place in the U.S. even comes close to low and Neil Kleiman The theaters on and off Broadway are perhaps New York City’s matching the city’s creative assets. In fact, 8.3 percent is former director of most recognized cluster of a creative workforce. of all creative sector workers in the U.S. are based in the Center for an New York. -
British Actor Julian Sands Is Frequently Seen World- Wide in Films, on Stage, and on Television
British actor Julian Sands is frequently seen world- wide in films, on stage, and on television. He trained in London at The Central School of Speech and Drama and has appeared in over 100 films including; The Killing Fields, A Room With A View, Impromptu, Leaving Las Vegas, Arachnophobia, Oceans 13, and The Girl With the Dragon Tattoo. On television, he is best known for his role on 24 but has also been seen on Dexter, Smallville, Ghost Whisperer and Banshee. In 2005, Julian Sands was approached by the Nobel Prize winning playwright and poet Harold Pinter, to prepare a selection of his poems for a special presentation in London. Pinter “apprenticed” Mr. Sands, spending hours sharing his feelings on how his work should be delivered. Every pause, every nuance in tone, had, and has meaning. A bond was established between these two artists- one that gives a distinctive and very personal voice to Pinter’s words. This extraordinary collaboration became the foundation for a wonderfully rich, humorous, and fascinating solo show directed by John Malkovich- A Celebration of Harold Pinter. Performances at the Edinburgh Festival in 2011 and in New York at The Irish Repertory Theatre were followed by engagements at Steppenwolf in Chicago, Herbst Theatre in San Francisco as well as in Los Angeles, Mexico City, Budapest, London, and Paris. This is an evening of Homeric theater with an extraordinary actor, great words, and an audience. Devoid of pretension or glittery trappings, A Celebration of Harold Pinter gets to the soul of the man- poet, playwright, husband, political activist, Nobel winner, mortal.