An Archaeological Perspective on Race and Self-Presentation in 18Th-Century Virginia

Total Page:16

File Type:pdf, Size:1020Kb

An Archaeological Perspective on Race and Self-Presentation in 18Th-Century Virginia University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2017 Adorned Identities: An Archaeological Perspective on Race and Self-Presentation in 18th-Century Virginia Johanna Hope Smith University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Archaeological Anthropology Commons Recommended Citation Smith, Johanna Hope, "Adorned Identities: An Archaeological Perspective on Race and Self-Presentation in 18th-Century Virginia. " PhD diss., University of Tennessee, 2017. https://trace.tennessee.edu/utk_graddiss/4653 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Johanna Hope Smith entitled "Adorned Identities: An Archaeological Perspective on Race and Self-Presentation in 18th-Century Virginia." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Anthropology. Barbara J. Heath, Major Professor We have read this dissertation and recommend its acceptance: Gerald F. Schroedl, Bertin M. Louis Jr., Derek Alderman, Matthew Reeves Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Adorned Identities: An Archaeological Perspective on Race and Self-Presentation in 18th-Century Virginia A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Johanna Hope Smith August 2017 Copyright © 2017 by J. Hope Smith All rights reserved. ii ACKNOWLEDGEMENTS This project would not have been possible without the input and encouragement of so many people. First I must thank my advisor, Barbara Heath for her dedication to helping me craft the best work possible. From the very first readings course I took from her up to the dissertation itself, her thoughtful critiques and keen eye for inconsistencies helped me grow into a better researcher and writer. The amount of time and effort she put into helping me think through this project is greatly appreciated. Second, Matt Reeves deserves thanks for encouraging me to pursue a PhD in historical archaeology. Without those three years working for him at Montpelier, I almost certainly would not be here today. The opportunities he provided for professional development, as well as the input and encouragement in graduate school applications, not to mention allowing me to use Mount Pleasant as my primary research collection, have all contributed mightily to this dissertation. The rest of my committee also deserve many thanks. Gerald Schroedl not only introduced me to archaeological theory, he provided me with some helpful resources for thinking about my project and encouraged me to keep pushing forward to the finish line. Bertin Louis provided valuable feedback on my dissertation project and encouraged me to think more broadly about the African Diaspora. And Derek Alderman introduced me to some new perspectives from cultural geography and allowed me to participate in one of the most rewarding courses I took during my graduate career. I am deeply indebted to Fraser Neiman, Jillian Galle, and all of the members of the DAACS Research Consortium for inviting me to participate in the DRC project. My iii dissertation would not have been written without the opportunity they provided to catalog a portion of the Mount Pleasant assemblage into DAACS, as well as the many sites that I used from the DAACS catalog. Fraser and Jillian also provided welcome input on my data and my project. I also must thank Tom Heffernan, Amy Elias, Joan Murray, and all the members and staff at the University of Tennessee Humanities Center. They provided me with a physical and intellectual “home” for my last year of writing. I will always be grateful for the time and space provided by the Humanities Center fellowship, and for the opportunity to engage with other scholars working on a diverse array of questions about the human experience. Many thanks also to Melanie and Julian Reese for providing me with a spiritual “home” during my time at the University of Tennessee. Their prayers and emotional support have helped me see this work through to the end. In the same way, my friends back in Virginia have provided friendship and emotional support through this whole process. Special thanks go out to Karen Adam, who offered sympathy based in first-hand experience of academia. I would not be here without my family. My parents literally taught me how to read and write, and the way they encouraged me to think broadly and creatively and to pursue projects pertaining to my own interests directly impacted my choice of career and my decision to pursue graduate studies. I am so grateful for their support, in every sense of the word, through these past six years. iv Lastly, I am so grateful to my husband, Jared. Graduate school brought us together, and he has stood by my side ever since that first semester. Even when I felt unsure of myself, he has never doubted my ability to finish this project. And even though he cannot read this, my faithful dog Hector deserves a mention for cheering me up with his cuddles and antics during this last year. .. v ABSTRACT Institutionalized slavery helped to create the concept of race in the American mind and forced people into new social categories based on superficial bodily characteristics. These new social categories resulted in the formation of identities that were continuously negotiated, reinforced or challenged through daily bodily practices of self-presentation that included ways of dress, adornment, and physical action. Because slavery was defined on the body, an embodiment approach to plantation archaeology can shed new light on the construction of racial identities. This historical archaeology project combines an archaeological analysis of personal adornment artifacts with a close reading of travel sketches, mass-produced satirical illustrations, and runaway advertisements Through these textual, visual and material sources this project traces the daily practices of presentation of self in 18th-century rural Virginia, revealing how plantation members of both races negotiated multiple identities within the confines of this system. vi TABLE OF CONTENTS Chapter One Introduction ................................................................................................... 1 Project Overview ............................................................................................................ 1 Historical and Theoretical Context ................................................................................. 3 Questions, Materials and Methods .................................................................................. 9 Primary Sources ........................................................................................................ 14 Archaeological Data.................................................................................................. 18 Methodological and Comparative Concerns ............................................................. 23 Organization of Dissertation ......................................................................................... 23 Chapter Two Identity in Archaeology .............................................................................. 25 Definitions and History ................................................................................................. 25 Embodiment .................................................................................................................. 37 Identity in Plantation Archaeology and the Archaeology of Race ............................... 43 Where does my work fit in? .......................................................................................... 47 Chapter Three Historical Context ..................................................................................... 49 Introduction ................................................................................................................... 49 Tobacco ......................................................................................................................... 49 From Indentured Servitude to Chattel Slavery ............................................................. 56 Changes in Household Structure ................................................................................... 66 Slavery and the Origins of Racism ............................................................................... 74 “Scientific” Racism ....................................................................................................... 77 Conclusion .................................................................................................................... 82 Chapter Four The 18th-century Body ................................................................................ 84 Bodily Difference: Gender and Race ............................................................................ 84 Structuring the Body ....................................................................................................
Recommended publications
  • Coloring Their World: Americans and Decorative Color in the Nineteenth Century
    Coloring Their World: Americans and Decorative Color in the Nineteenth Century A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History of the College of Arts and Sciences by Kelly F. Wright B.A. College of William and Mary 1985 M.A. University of Cincinnati 2001 Committee Chair: Wayne K. Durrill, Ph.D. i ABSTRACT Certain events in recent history have called into question some long-held assumptions about the colors of our material history. The controversy over the cleaning of the Sistine Chapel posited questions about color to an international audience, and in the United States the restoration of original decorative colors at the homes of many historically significant figures and religious groups has elicited a visceral reaction suggesting the new colors challenge Americans’ entrenched notions of what constituted respectable taste, if not comportment, in their forebears. Recent studies have even demonstrated that something as seemingly objective as photography has greatly misled us about the appearance of our past. We tend to see the nineteenth century as a faded, sepia-toned monochrome. But nothing could be further from the truth. Coloring Their World: Americans and Decorative Color in the Nineteenth Century, argues that in that century we can witness one of the only true democratizations in American history—the diffusion of color throughout every level of society. In the eighteenth century American aristocrats brandished color like a weapon, carefully crafting the material world around them as a critical part of their political and social identities, cognizant of the power afforded them by color’s correct use, and the consequences of failure.
    [Show full text]
  • Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
    Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time.
    [Show full text]
  • Philadelphia and the Southern Elite: Class, Kinship, and Culture in Antebellum America
    PHILADELPHIA AND THE SOUTHERN ELITE: CLASS, KINSHIP, AND CULTURE IN ANTEBELLUM AMERICA BY DANIEL KILBRIDE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1997 ACKNOWLEDGMENTS In seeing this dissertation to completion I have accumulated a host of debts and obligation it is now my privilege to acknowledge. In Philadelphia I must thank the staff of the American Philosophical Society library for patiently walking out box after box of Society archives and miscellaneous manuscripts. In particular I must thank Beth Carroll- Horrocks and Rita Dockery in the manuscript room. Roy Goodman in the Library’s reference room provided invaluable assistance in tracking down secondary material and biographical information. Roy is also a matchless authority on college football nicknames. From the Society’s historian, Whitfield Bell, Jr., I received encouragement, suggestions, and great leads. At the Library Company of Philadelphia, Jim Green and Phil Lapansky deserve special thanks for the suggestions and support. Most of the research for this study took place in southern archives where the region’s traditions of hospitality still live on. The staff of the Mississippi Department of Archives and History provided cheerful assistance in my first stages of manuscript research. The staffs of the Filson Club Historical Library in Louisville and the Special Collections room at the Medical College of Virginia in Richmond were also accommodating. Special thanks go out to the men and women at the three repositories at which the bulk of my research was conducted: the Special Collections Library at Duke University, the Southern Historical Collection of the University of North Carolina, Chapel Hill, and the Virginia Historical Society.
    [Show full text]
  • British and Colonial Naturalists Respond to an Enlightenment Creed, 1727–1777
    “So Many Things for His Profit and for His Pleasure”: British and Colonial Naturalists Respond to an Enlightenment Creed, 1727–1777 N MAY OF 1773 the Pennsylvania farmer and naturalist John Bartram (1699–1777) wrote to the son of his old colleague Peter Collinson I(1694–1768), the London-based merchant, botanist, and seed trader who had passed away nearly five years earlier, to communicate his worry over the “extirpation of the native inhabitants” living within American forests.1 Michael Collinson returned Bartram’s letter in July of that same year and was stirred by the “striking and curious” observations made by his deceased father’s friend and trusted natural historian from across the Atlantic. The relative threat to humanity posed by the extinction of species generally remained an unresolved issue in the minds of most eighteenth-century naturalists, but the younger Collinson was evidently troubled by the force of Bartram’s remarks. Your comments “carry Conviction along with them,” he wrote, “and indeed I cannot help thinking but that in the period you mention notwithstanding the amazing Recesses your prodigious Continent affords many of the present Species will become extinct.” Both Bartram and Collinson were anxious about certain changes to the environment engendered by more than a century of vigorous Atlantic trade in the colonies’ indigenous flora and fauna. Collinson 1 The terms botanist and naturalist carry different connotations, but are generally used interchange- ably here. Botanists were essentially those men that used Linnaeus’s classification to characterize plant life. They were part of the growing cadre of professional scientists in the eighteenth century who endeavored to efface irrational forms of natural knowledge, i.e., those grounded in folk traditions rather than empirical data.
    [Show full text]
  • Tobias Okamoto Alm
    THE TOOL BELT A Masculine Jewellery Practice Tobias Okamoto Alm Konstfack University College of Arts, Crafts and Design Jewellery + Corpus Master, Essay Spring 2014 Tutor: Christina Zetterlund ABSTRACT This essay is built upon the argument that the tool belt is a piece of jewellery and it investigates where and how the tool belt affects social dynamics in society. It explores the intersections between equipment, accessory, and adornment; where practical and social functionality coexist in a symbiosis. The text adopts a critical gender perspective on jewellery and masculinity; it examines the strategies employed in masculine environments in order to be able to wear jewellery without the risk of feminization. It describes a process of myth creation, surrounding an idealised masculinity built upon rationality and resourcefulness, glorifying the professional construction worker. Acknowledging the tool belt as a piece of jewellery diversifies and enriches the jewellery field. It also expands the perspective on jewellery and masculinity, while opening up for further investigation of the relationship between adornment and gender dynamics. 1 TABLE OF CONTENTS ABSTRACT ............................................................................................................................................................................................................ 1 JEWELLERY IN SOCIETY .................................................................................................................................................................................
    [Show full text]
  • Aire Currents
    Aire Currents Newsletter for the Canton of Aire Faucon City, NC 28016 http://aire.atlantia.sca.org/airenoframe.htm Volume VII, Issues I- VI January- June A.S. XXXVIII Janet Thompson 515 E. Ohio Avenue Bessemer Come visit us on the web… being 2004 Gregorian Canton Regnum for Aire Faucon Seneschal & Chronicler: Deputy Seneschale: Lady Maeve Griffinsward Lady Brianna O’Duinn (Janet Thompson) (Sherra Dunn) [email protected] [email protected] Chatelaine: OPEN MoAS & Deputy Chronicler: Lady Katerina Sina Samovicha Kathryn Evans [email protected] Exchequer: Herald: Lord Otto von Schwyz OPEN (Tim White) [email protected] HAPPY BIRTHDAY TO: Webminister: Knight’s Marshal: Lord Cyriac Grymsdale Baroness Fiona MacLeod Jessica August 7 (Kevin C Towery) (Andrea Davis) [email protected] [email protected] Johan August 24 Fiona (Megan) August 28 MEETING MINUTES January 13, 2004 New Business: Ymir – remember to get reservations in. Inn on the Road - $352 total expense for feast - $90 people cooking (360) - $20-$25 children – Caterine St. Loe will do children’s’ activities. $? Prizes for tourneys Donated. Making decorations, bring banners, count on 90 people, and encourage reservations, charity to be the battered women’s shelter. Novice Tourney- Challenge of Phoenix: Gaelan to use Robear’s field kitchen. Working on a bid for IAPE for January at Daniel Stowe Gardens Seneschal: 4th quarter reports for seneschal, chronicler, MoM & Waivers are in. Rapier charity tourney @ Ymir – will get name of charity for checks – collect practice, university & Feb meetings @ Friday night of Ymir – New web minister – Kevin (Cyriac) Exchequer: getting married, will do report ASAP. $1243.94 in acct.
    [Show full text]
  • Object Name Description Accession # Location
    Object Name Description Accession # Location Floss holder “finger” style metal 2010.12.1 31.2.6 Floss holder “finger” style wood 2010.12.1 31.2.6 Scaler set 5 scalers with ebony handles in case 2002.99.5327 31.1.5 Scaler set 6 instruments with common handle, early 19th no # on display Scaler set 6 scalers with ivory handles in case 2002.99.5328 31.1.5 Scaler set 7 tips with 1 ivory handle in case 2002.99.5331 31.1.5 Scaler set 9 scalers with one ivory handle in case 2002.99.5358 31.1.6 Scaler set 9 tips with 1 ivory handle no # on counter above 31.1 drawer set Toothpicks all are wood with same design 2002.99.5315 31.2.4 Polisher, tooth all writing in Asian 2003.27.96 16-1-5 Toothpick Holder American Indian Hunter on Stage 2002.99.2933 11.3.4 Toothpick as a sword 2002.99.5136 31.2.4 Floss B&B early tin (patented 1906) 12.2.250.1.1-2 31.1.6 Tongue scraper Bakelite handle c. 1920 no # on display Bart Simpson Toothbrush Bart Simpson toothbrush set 2003.8.132.1 18-1-2 Chatelaine bone 2002.99.5152 31.2.4 Toothpick bone & wooden (varies) 2002.99.5205.1 31.2.5 Toothpick bone & wooden (varies) 2002.99.5205.2 31.2.5 Toothpick bone & wooden (varies) 2002.99.5205.3 31.2.5 Toothpick bone & wooden (varies) 2002.99.5205.4 31.2.5 Toothpick bone & wooden (varies) 2002.99.5205.5 31.2.5 Toothpick bone & wooden (varies) 2002.99.5205.6 31.2.5 Toothpick bone & wooden (varies) 2002.99.5205.7 31.2.5 Toothpick holder Bone or Ivory porcupine 2002.99.2913 11.3.4 Toothpick case bone with Dutch girl, small hinged lid 2005.10.215 31.2.3 Toothpick case bone with toothpicks
    [Show full text]
  • The Expression of Gentility in Colonial America
    The Expression of Gentility in Colonial America by Stephanie Zwinggi The seventeenth and eighteenth centuries in American history are filled with discovery and rapid evolvement as well as a constant feeling or theme of instability and a heavy influence from multiple countries and other sources. This is comparable to the outlook of a modern teenager trying to make sense of their surroundings and take control of their future. The creation of the United States of America could be, and usually is, considered a successful project, but it can be difficult to understand our simple and fragile beginnings when there is little to no written documentation of the many cultures and circumstances in the vastly different but also strikingly similar economies and environments where the United States, as a unified nation, first began. Because of this, one must look to the physical evidence and the most abundant and important source of documentation left behind by these early Americans, their household inventories, in order to attempt to grasp their lives and cultures in an everyday sense. Gentility was an extremely influential factor in early American culture and continued to play an even more influential role as the years unfolded, but for the middle to lower classes, it did not seem to affect spending habits near as much as one might think. Shown by purchasing habits and associated items listed in ten comparable inventories of middle-class Americans from York County, Virginia to different locations in Massachusetts, there is less of a struggle to appear wealthy and more of a focus on every day survival and basic needs for the majority of early American citizens.
    [Show full text]
  • Vintage Jewellery & Accessories
    Vintage Jewellery & Accessories Monday 18th July 2016 VintageVintage Jewellery Jewellery & & Accessories Accessories MondayMonday 18th25th JulyJanuary 2016 2016at 10am at 10am With over a thousand lots in this auction we should be able to satisfy the needs of all our buyers. EnamelFor our fijewellery rst Vintage is Jewelleryalways popular & Accessories and there auction are some of 2016 beautiful we have early 20thbrooch century and pieces, ear clips including by Nanna lot Ditzel 102, foran Georgenamel Jensen and marcasite are bound to Bernardsome great Instone items floral for you. necklace, Whether if you you are are looking a fan forof hisValentine’s work we gifts also or have bean a eyehit withcatching buyers. Bernard The most Instone striking ring, piece lot 103.I feel is lot 571, an 18ct just something to add to your own collection, we can cover it. gold lapis lazuli and diamond ring by Lapponia, although it’s an abstract We have a great selection of coral jewellery again in this auction. Lot 259 designis bound it’s to very prove elegant. very popular, a mid 19th century figa pendant, thisThere design are some is always beautiful sort pieces after. of Scottish jewellery, for example lot 181, a late Victorian gold Scottish agate set brooch. There are also Antique jewellery cases have been selling very well in the last two There is a wide selection of amber jewellery, with the ever popular Baltic amber bead necklaces and also a great selection of Burmese banded agate bead necklaces, these always prove popular so should auctions and we have lots more in this auction, from lot 742.
    [Show full text]
  • Tiara Pair of Earrings in Chinoiserie Style
    1 1. Italy or France Tiara Gold and coral, about 1817 Purchased with funds given by Rita Barbour Kern, 1996.27 French Neoclassicism revived the fashion for wearing a tiara, a head ornament based on an ancient Greek diadem. Tiaras of varying degrees of intrinsic value were worn by every woman from the middle classes to royalty. Coral, which was believed to posses protective powers, was often used in jewelry for children and young adults. A portrait painted by Luigi Bernero in 1817 of Maria Teresa of Savoy (1803– 1879) shows the 14-year-old Italian princess wearing a hair ornament almost exactly like this tiara. Most coral in Europe came from the sea around Naples and nearby Torre del Greco. In the 19th century coral jewelry became a fashionable souvenir. This was partly because people could travel more once the Napoleonic wars had ended in 1815, but also due to the growing popularity of Luigi Bernero (Italy, 1775–1848), Maria Teresa di Savoia. Oil on canvas, naturalistic jewelry in the 1850s. about 1817. Palazzo Reale, Turin, Italy 2. and pagoda-shaped elements of these earrings reflect the England period’s romantic taste for the Far East, known as chinoiserie Pair of Earrings in (sheen-WAH-zer-ee). Chinoiserie Style Pierced earrings were a sign of maturity. The first pair of earrings was usually given to a young girl in England at Silver, gold, diamonds, pearls and rubies, age 16, when simple ‘top-and-drop’ pearl earrings were considered to be more appropriate for a young, unmarried about 1820 girl.
    [Show full text]
  • Chatelaine Handbook
    EAST KINGDOM Office of the Chatelaine Chatelaine H a n d b o o k EAST KINGDOM Chatelaine Handbook This is the East Kingdom Chatelaine Handbook, a publication of the Chatelaine’s office of the East Kingdom, Society for Creative Anachronism, Inc. Additional copies are available from the East Kingdom Chatelaine. This is not a corporate publication of the Society for Creative Anachronism, Inc., and does not delineate SCA policy. Material in this handbook is intended for use by Chatelaines within the East Kingdom in the performance of their jobs, by their deputies, and by Seneschals for groups that have no Chatelaine. This handbook is not intended for newcomers. Information for newcomers about the Society for Creative Anachronism can be found at www.sca.org/newcomers.html, in the appendices, and at other sources mentioned in the section on Information Sources for Newcomers. _______________________ Articles in this handbook were contributed from the following sources: The Chatelaine Handbook, Kingdom of An Tir The Chatelaine Handbook, Kingdom of Atlantia The Chatelaine Handbook, Kingdom of Glenn Abhenn The Chatelaine Handbook, Kingdom of Meridies The Chatelaine Handbook, Kingdom of the Mid The Chatelaine Handbook, Kingdom of Northshield The Known World Handbook Organizational Handbook of the Society for Creative Anachronism Seneschal’s Handbook Society Seneschal’s Policy East Kingdom Law East Kingdom Chatelaine’s Policy How to Reach Newcomers by Lady Alison Wodehalle, East Kingdom As well as additional material found at www.sca.org Version 1.01 May 1, 2014 Table of Contents Introduction .............................................................................. 1 What is a Chatelaine? .............................................................. 1 Job Descriptions & Responsibilities .......................................... 2 Local Chatelaine ............................................................
    [Show full text]
  • Please Download PDF of Portfolio Here
    HANNAH OATMAN Artist Portfolio Please see page 11 for captions 11 22 34 49 510 611 715 820 919 1017 HANNAH OATMAN [email protected] Portfolio Image List 1. Title: Collect Me! 01: Dreamboat 7. Title: Out of Touch (“unboxing”, pre-assembly) Materials: Powder-coated brass, polyurethane Materials: Brooch: Laser cut acrylic, cast brass. foam Box: Paper, cardboard (created in InDesign, Date: 2018 printed, cut, and hand assembled). Dimensions: 2.5 x 3.5 x 0.5 ” Date: 2019 Dimensions: Brooch 3.5 x 3 x 0.5, 8. Title: Collage 04 (brooch) Box 4 x 6 x 2 ” Materials: Steel, sterling silver, vitreous enamel, 18K gold 2. Title: Collect Me! 09: Unicorn Date: 2017 Materials: Laser cut acrylic, 18K gold-plated Dimensions: 4 x 6 x .075” sterling silver. Date: 2019 Dimensions: 3.5 x 3 x 0.5 ” 9. Title: Stack 03 (brooch) Materials: Sterling silver, steel, vitreous 3. Title: Collect Me! 01: Dreamboat enamel, 18K gold Materials: Brooch: Laser cut acrylic, cast brass. Date: 2018 Box: Paper, cardboard. Dimensions: 2.75 x 2.75 x 0.5 ” Date: 2019 Dimensions: Brooch 3.5 x 3 x 0.5 ” 10. Title: Collage 05 (necklace) Materials: Steel, copper, sterling silver, vitreous 4. Title: Art Over Time brooch bases with charms enamel, 18K gold from month 1, 2, 3, and 4 of subscription Date: 2017 Materials: acrylic, cast sterling silver, plastic Dimensions: 13.5 x 8.5 x 0.75 ” mini side-release buckles, nylon ribbon, wood. Date: 2020 Dimensions: Brooch base: 3.75 x 1.75 x 0.75 ” With charms attached: 3.75 x 3.75 x 0.75 ” 5.
    [Show full text]