Newspapers, an Independent, Family Use the Library Outside School Hours

Total Page:16

File Type:pdf, Size:1020Kb

Newspapers, an Independent, Family Use the Library Outside School Hours '•.? ACLE CLARK, N.J., VOL. 12 NO. 52 THURSDAY, OCTOBER 3, 2002 myclark.com TWO SECT10I* Library amends policy allowing school visits By Dayid Learn books often going missing or being and the youth services librarian well Managing Editor retained damaged and fines going in advance of the visit," the policy If Featherbed Lane Day School unpaid for extended periods. states. administrators want their students to Other reported problems have Another change in the policy is the visit Clark Public Library during the included limited library resources new requirement that school visits new school year, they'll have to do it being strained to deal with the influx include one chaperone for every four following new rules. of rowdy crowds of students during students in kindergarten through fifth The Clark Public Library Board of visits. grade. Trustees on Sept. 26 amended its poli- "It was not based on the Featherbed In addition, children may borrow cy on school visits to require that all visits," board President Charlene books at the times of such visits only class visits be scheduled in advance Falkowski said of the policy decision if they already have a library card. around the library's schedule and when reached at home Tuesday night. Angel Albanese, Township Coun- have a pre-set chaperone-to-student "We have now become aware that cil president and liaison to the library ratio. other libraries like Cranford have a board, said she appreciated the trus- Other policy decisions involved policy. Our policy was not as clear as tees' effort and thought, but was dis- allowing cardholders to reserve it could be." appointed in some of the policy's pro- recorded materials like DVDs and Thomas and Barbara Faria, direc- visions, particularly the cap on the compact discs, and establishing sum- tors of Featherbed Lane School, could number of visits. mer Saturday hours for next year. not be reached for comment. "I told them basically I was hoping Featherbed Lane School until this The policy limits visits by any they could come up with something, a school year had an arrangement with single school class to four times a year trial program or something," said Clark Public Library that allowed the — about once every two months dur- Albanese. "They cams np with a for- school to use the library facility as a ing a school year. Visits also have to ma] policy regarding school visits." Photos By Jeff Granit school library. be prearranged with the Horary to The board did not alter its already- The private school took its students make sure they fit into the library's existing policies governing who qual- to the library twice a week to check schedule. ifies for library cards. Cards are avail- out books. "If there are special academic or able for free to anyone who lives. Library officials contend the rela- curriculum needs, those matters works 01 attends school in Ciark, pro- tionship has been unsatisfactory, with should be discussed by the teacher See NEW: Pase 2 Clark's 1st school • H « a. DAY IN THE SUN — Mark Twain is said to have observed once that golf is a waste of a perfectly good goes on the auction block walk. Dan Williams of Clark By David Leam and it was built in the last half of the 19 th century. In Clark, Managing Editor seems to have overcome what are you talking about the last 50 years?" he said. "M The first-ever all-Clark school building will be going up that particular problem my opinion it's not an historic site. Right now the need at for sale later this month in a sealed-bid auction. Saturday by using the driv- the district is to sell the building and generate some Located at 10 Schindler Road, the former Abraham ing range at the Hyatt Hills surplus." Golf Complex to practice Clark School will be sold in a sealed-bid auction Oct 21. his putting skills without The minimum accepted bid is $400,000. The board has the Opened in 1913 as a two-room sdioolhouse, die Abra- moving an inch. Left, Richie right to reject any bid it receives. ham Clark School received its first addition k 1917, when Mullin, 10, is getting the The board approved the sale of the building by a unani- educators added another two rooms. Later additions cam*; waik in, but he doesn't mous vote on June 25. in 1928 ana 1963, ultimately .making iialo-touiu iaciiiiy. seem to be enjoying it Bids must be received by noon Oct. 21 to be considered. The school is named for Abraham Clack, a Railway area much as his ball misses the No potential buyers had been identified by presstime. man who signed the Declaration of Independence and hole in a round of miniature Bids must include a refundable deposit of 20 percent of whom the township itself is named after. golf. Maybe whitewashing the bid. After a bid is accepted, the intended buyer has 10 The building has housed the district's administrative Aunt Polly's fence isn't days to provide another 10 percent of the bid before clos- offices since the 1980s. such a bad idea after all. ing the deal 30 days later with the remaining 70 percent. Paul Ortenzio, superintendent of schools, and other If a buyer's bid is accepted but the buyer is unable to administrators expect to move into their new offices in provide the amount within the alloted time, the 10 percent Arthur L. Johnson High School sometime this month. deposit would be forfeited and the contract would be con- The Board of Education and township administratioji sidered void. remain in discussion over the final disposition of the Char- "It's necessary to sell the building because we want to les H. Brewer School, on Westfield Avenue across the generate a surplus for the budget," said board President street from the high school. Joseph Papetti. The board decided on June 25 to give the school to the That's a situation that has raised some flags of concern township outright. The township has been using the school from those interested in preserving the building as a piece as a Municipal Building for the 18 years. of Clark's history. The building was the first school Negotiations stalled this summer over a legal stipulation office alerts town erected by Clark itself for its own use. that the building revert to the Board of Education if the Papetti dismissed the building's historic value as township eyer were to decide to sell the property. exaggerated. No information is available on what progress has been of lead poisoning "In some communities you talk about a historic building made since then, if any. By David Learn "You could find it on your (inter- to come out and do an environmental Managing Editor ior) walls, but again, primarily on the study," said Ogonowski. "But if Johnny is tired and irritable all the exterior," said Ogonowski. you're just buying a new house, we Ready, set, swing! time, and he has a hard time with With old houses that have siding or can't do it." activities that require physical a stucco facade, and where the win- Lead poisoning also can have its coordination. dows have been replaced, the chances roots in tap supply, if the water travels If Johnny also lives in a house in of getting lead contamination are through lead pipes. Clark that was built before 1970, there greatly reduced. Elizabethtown Water Co., which is an increased chance he is suffering If there is any doubt about the type provides drinking water throughout from lead poisoning. of paint used in a house, Ogonowski Clark and much of the region, has no That's because houses built before recommends having an inspector records of lead pipes in its 1970 could have been painted with determine if any remediation is infrastructure. lead-based paint. As that paint deter- necessary. "We're not aware of any," said iorates, it can produces chips and dust "If they intend on doing any major company spokeswoman Erinn ReiUy. that Johnny can ingest without know- renovation and they have small child- "We're not aware on the customer's ing it, slowly increasing the amount of ren, they should have their homes side, but we've passed all our lead lead in his blood to toxic levels. tested," said Ogonowski. "They can tests." The risk of that happening is higher contact the (state) Department of Lead pipes within a residence are in urban communities like Rahway Community Affairs and request a list no cause for alarm, said Ogonowski. and Elizabeth, but it still exists in sub- of state-certified lead risk inspectors." "Usually the lead from the water is urbs like Clark. Most homeowners in Tests can cost from $1,000 to from lateral water pipes that are in the Clark have nothing to fear from lead $2,000. street," she said. "No one's going to poisoning, but not all. Actual incidents of lead poisoning dig up die street, but what residents Although she was reluctant to name in Clark are rare. There have been can do before eating, drinking, cook- a specific figure, township Health none in the five years Ogonowski has ing or brushing their teeth is letting Officer Nancy Ogonowski allowed been the municipal health officer. the cold water run." that there are a number of houses that Although anyone can breathe air- She recommended letting the tap could pose a lead-related health risk. borne lead dust cast up by the cleanup run for three minutes to flush impuri- "The difference here as opposed to process, lead poisoning usually ties from the line.
Recommended publications
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Bright Moments!
    Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough .
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • Advancing Black Arts in Pittsburgh Announces $388,000 in Grants
    Advancing Black Arts in Pittsburgh announces $388,000 in grants Grants to individual artists and residencies totaling $241,325 were awarded to: • Wali Jamal ($15,000): To produce an audio book and video series based on “The Condition, Elevation, Emigration and Destiny of the Colored People of the United States, Politically Considered,” a book originally published in 1852 by Martin Delaney, Pittsburgh's first known African American doctor. • Artists Image Resource ($20,000): To support an artist residency with visual artist Bekezela Mguni for the creation of new work and community engagement projects to build on her 2016 “Activist Print” series. The residency will provide the artist with access to print and imaging capacities to produce new work and to gather a crew of artists and educators to help present the work and the ideas to the community. • Asia Bey ($14,150): To complete, publish and distribute her original graphic novel, “EXA,” which explores the artist’s lived experience of growing into a Black woman and internal struggles involving maternity, domesticity, change and spirituality. • Chatham University ($20,000): To support Pittsburgh nonfiction storyteller Njaimeh Njie as the scholar and artist in residence with the university’s Immersive Media program and Women's Institute. Njie will create an immersive art installation, building on her current work in photography, film and multimedia. • Yvonne McBride ($15,000): To support her research and writing for a novel celebrating the history and musical legacy of the Hill District. The book will explore the impact that the Civil Rights and Black Power movements, and the 1968 riot following the assassination of the Rev.
    [Show full text]
  • Airwaves (1984-02 And
    AIRWAVES A S.rvlc• of Continuing Education & Ext8nslon Unlv.rslty of Minnesota Duluth VolulM 5 NumlMr 1 F.bruary-March .1984 Eddie Williams stars in Northland Hoedown Concert, · Tuesday, March 27, 8 p.m., Orpheum Cafe kumd 103.3 fm Station Manager • Tom Livingston Program Director • John Ziegler Public Affairs Directot • Paul Schmitz Producer/ Outreach • Jean Johnson Engineer • Kirk Kersten Re orf to the Listener Volunteer Staff Bill Agnew, Kath Anderson, Mark Anderson, Bob Andresen, Leo Babeu, By Tom Livingston, Station Manager Chris Baker, Kent Barnard, Jim Boeder, Dave Brygger, Jan Cohen, Christopher WXPR Qualitied for Funding by CPB able to add two more channels, when we their impressions of the event at press Devaney, Bruce Eckland, Pat Eller, Phil installed our own dish. This increased time. Enke, Doug Fifield, Susanna Frenkel, Congratulations to Pete Nordgren and the number of programs available to us (rewritten from "Don Ness Blows His . Matt Fust, Bev Garberg, Stan Goltz, the crew at the WXPR for their (Jazz Alive and NPR Playhouse), but Cool," a chapter of the upcoming Doug Greenwood, Jim Gruba, Bill qualification by CPB. Nordgren, a still left us unable to use channels which blockbuster "The Memories of Don Hansen, Paul Hanson, Gordon Harris, former student at UWS and stat.ion carry independent product.ions, which Ness" on Ness records and tapes) Dean Hauge, Gerry Henkel, Lew manager of KBSB in Bemidji, has been have included live jazz, blues, bluegrass Hudson, Tim Jenkins, Dave Johnson, working for some three years to establish and folk music concerts, ·radio dramas, Comings and Goings Bob King, Andy Livingston, Dean the station, which went on the air last and public affairs programs.
    [Show full text]
  • New Jazz Label Discography
    New Jazz Label Discography 10 Inch 100 Series: NJ 101 - Lennie Tristano and Lee Konitz - Lennie Tristano and Lee Konitz [1950] This album was reissued as Prestige 101. Side One Lee Konitz Marshmallow/Sound-Lee/Fishin’ Around/Tautology//Side Two Lennie Tristano Subconscious-Lee/Judy/Retrospection/Progression 10 Inch 1100 Series: NJLP 1101 - Jimmy Raney Quartet - Jimmy Raney Quartet [1954] Reissued as Prestige 201. Double Image/On the Square/Minor/Some Other Spring NJLP 1102 - Zoot Sims Quintet - Zoot Sims Quintet [1954] Reissued as Prestige 202. Howdy Podner/Toot, No. 2/Indian Summer/What's New? NJLP 1103 - Jimmy Raney Quintet - Jimmy Raney Quintet [1954] Reissued as Prestige 203. Stella by Starlight/Jo- Anne/Back and Blow/Five NJLP 1104 - Phil Woods Quintet - Phil Woods Quintet [1954] Reissued as Prestige 204. Pot Pie/Open Door/Robin's Bobbin'/Mad About the Girl NJLP 1105 - Jon Eardley Quartet - Jon Eardley Quartet [1955] Reissued as Prestige 205. Lute Leader/Indian Spring/Black/Cross NJLP 1106 - Teddy Charles Quartet - Teddy Charles Quartet [1955] Reissued as Prestige 206. Violetta/Relaxo Abstracto/Speak Low/Jay Walkin'/The Night We Called It a Day/I Can't Get Started 12 Inch 8200 Series: NJLP 8201 - Mal 3/Sounds - Mal Waldron [1/58] Tensions/Ollie's Caravan/The Cattin' Toddler/Portrait of a Young Mother/For Every Man There's a Woman NJLP 8202 - Roots – Prestige All Stars [1959] Roots/Sometimes I Feel Like a Motherless Child/Down by the Riverside NJLP 8203 - Farmer's Market - Art Farmer [1959] Reminiscing/By Myself/Wailing with Hank/With
    [Show full text]
  • John Jenkins
    1 The ALTOSAX of JOHN JENKINS Solographer: Jan Evensmo Last update: May 4, 2020 2 Born: Chicago, Jan. 3, 1931 Died: July 12, 1993 Introduction: I have to admit I had never heard of John Jenkins until into my mature years, but then I found his personal style very interesting and he certainly deserves his solography and recognition. Through a brief period of seven months in 1957, he participated in several recording sessions with the cream of his contemporaries, and he was obviously considered a great talent. Why he quit in the middle of success is not known. History: Jenkins initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949-1956. He played with Art Farmer in 1955 and led his own group at the Bee Hive in Chicago in December that year. In 1957 he played with Charlie Mingus and recorded two albums as a leader. He played as a sideman with Johnny Griffin, Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab and Wilbur Ware in 1957 (not the late 1950s and early 1960s as stated), but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman. After leaving the jazz world he worked as a messenger in New York and dabbled in jewelry; he sold brass objects at street fairs in the 1970s. After 1983 he began practicing again and playing live on street corners; shortly before his death he played with Clifford Jordan (Wikipedia).
    [Show full text]
  • OSPAC2011 Press Release
    Contact: Kate Baker 917-885-0084 [email protected] The 10th Anniversary of the OSPAC Jazz Festival Presents One Day of Quintessential Jazz Saturday, September 22 raindate Sept 23 Sunday OUTDOOR EVENT - bring a chair, blanket and a bottle of wine West Orange New Jersey – sponsored by, Arts Global, Millennium Homes, WBGO-FM 88.3 and PNC Bank The Oskar Schindler Performing Arts Center (OSPAC) announces the 10 Year Anniversary Annual Jazz Festival will take place Saturday, September 22th from 12:30pm to 9pm at the spectacular OSPAC Amphitheater at Crystal Lake, 4 Boland Drive, West Orange. This event is $10 for adults and $5 for seniors. Children are free. Admission is taken at the entrance. Rain date is Sunday September 23. For the 10th consecutive year, the Oskar Schindler Performing Arts Center will present a weekend of world-class jazz entertainment emceed by WBGO’s Gary Walker , in an open-air setting, complete with international food vendors, artisans and crafts, health spa center, and entertainment and activities for children. Saturday will also include “Paint the Music” led by Nitza Horner, teaching artist and freelance educator affiliated with the Metropolitan Museum of Art, where patrons will paint what they hear. This year the West Orange Arts Council joins us with an Art as In and Art Show where vendors can show and sell their work. "The OSPAC Jazz Festival has grown in the past 10 years to be the most talked-about jazz event in the area,” said internationally renowned jazz singer and OSPAC Producer, Kate Baker. “And this year’s event we decided because of the Anniversary to bring back all the world renown musicians that are part of our OSPAC family and whom have made it so special” It will be more spectacular than ever.
    [Show full text]
  • March April 2006
    march/april 2006 issue 280 free jazz now in our 32nd year &blues report www.jazz-blues.com Jason Moran and The Bandwagon Randy Weston Yellowjackets Diane Schuur PLUS...Regina Carter, Bela Fleck & the Flecktones, Manhattan Transfer, Mulgrew Miller, Rebirth Brass Band...Jazz Meets Hip-Hop, Jazz Brunch & more... Get The Scoop...INSIDE! Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, JazzFest Time is Here Chris Hovan, Nancy Ann Lee, Festival is Expanding to Year-Round Live Jazz Peanuts, Mark Smith, Duane Verh and Ron Weinstock. For close to three decades now, mance by the Manhattan Transfer Jazz & Blues Report has featured will be held at the Ohio Theatre on Check out our new, updated web the Tri-C JazzFest in our issue at page. Now you can search for CD Saturday, April 22. Tri-C JazzFest Reviews by artists, Titles, Record this time every year. Once again, we Cleveland officially kicks off on Labels or JBR Writers. Twelve years are happy to announce yet another Wednesday April 26 at 5 p.m. with a of reviews are up and we’ll be going edition of this premier jazz festival, New Orleans-style “second line” pa- all the way back to 1974! and their expansion to year-round rade, complete with fans, admirers jazz. and festival revelers. Leading the Tri- Now in its 27th year, Tri-C Address all Correspondence to.... C JazzFest Second Line is the Re- Jazz & Blues Report JazzFest Cleveland has been a dy- birth Brass Band, who will end the 19885 Detroit Road # 320 namic force in cultivating the next procession at the House of Blues for Rocky River, Ohio 44116 generation of jazz music lovers a swinging party with The Tri-C Jazz Main Office .....
    [Show full text]
  • Acdsee Proprint
    + BULK RATE U.S. POSTAGE PAID Permit N9.2419 K.C., Mo. lPE lPITC1HI FREE VOL. II NO. II YOU'LL NEVER GET RICH READING THE PITCH MARCH 1981 * Cage in LaWTenco * Musso eomix * Le Roi's Short/ Reviews ." FBIllA:r-lIIfa.rch 27,1981 12:00 - 1:45 PM - White Recital Hall - Performing Arts Center START THE MONTH AT PENNYLANE~ WH~RE JAZZ ~~ including rare vintage films featuring famous Recital Ha11 Performing Af"(s Center· U.I1.I<'C. - ~~ for IS ON SALE. FINISH IT OFF AJ THE WOMEN'S instruction and encouragement provided by women's jazz quartet co-led leader of the los Anqeles-based women's jazz band. MAIDEN VOYAGE. member of CALICO. FREE. JAZZ FESTIVAL~ WHERE JAZZ IS FREE! PM - Si9nboard lounge - Crown Center Hotel - CROWN CENTER HOTEl presents an~' fronted by tne John lyman Qua"rtet. ~ • . SCHEDULE OF EVENTS Hotel-.!!!!.(.!£E.~~}~ vocalist Deborah Brown; Salamander (from Fourth Annual Women's Jazz Festival Greetings from the Fourth Annual Women's Jazz Festival. We hope you can attend all o! the events we have scheduled f-or you from March 25th through March 29t~. Twelve of ~he fifteen SMUllDAY-lIIfa.rch 28, 1981 ~;~~!~s a:yF=!E~t:~n!~ ~~i~e~;~~!~ ~ ~!!~~~d~~~~~!~>: ~c:~~e;~~e~~. u:n~/t;:~. c::e~~321. 10:00 AM 4;00 PM - Sttite 301 - Crown Center Shops - Clinic.s !!!!!. Workshops: JAZZ GUITAR moderated and deronstrated by Brandy Anthony; RHYTHM SECTION moderated and demonstrated by ~:~~::~i :;~h M~~;O~~:!!3i lS;i~~e!~t7:~s a~:~db~e~~~~~:5:~n!~~~! 1~~ ~:!~t!8~:~ ~:~~~n a~~~).
    [Show full text]
  • Harold MABERN: Teo MACERO
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE
    [Show full text]
  • Piano Bass (Upright And/Or Electric)
    January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]