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Yuuna and the Haunted Hot Springs Premiering on Crunchyroll This July!
FOR IMMEDIATE RELEASE June 20, 2018 Yuuna and the Haunted Hot Springs Premiering on Crunchyroll This July! ©TADAHIRO MIURA/SHUEISHA, YURAGISONOYUNASAN COMMITTEE A slightly sexy hot springs and ghost love comedy! SANTA MONICA, CA (June 20, 2018) – On the Aniplex Live! show on Facebook, Aniplex of America announced that the hilarious and sexy love comedy, Yuuna and the Haunted Hot Springs, will be premiering on Crunchyroll, the world’s largest destination for anime and manga in the world, this summer. Based on a popular manga by Tadahiro Miura and published by SHUEISHA, the supernatural series centers around a psychic Kogarashi Fuyuzora who is curiously described as being very “hands on.” Through a series of unfortunate events, he finds himself in need of a cheap room to rent and finds one at a hot springs inn with some ghostly residents called the Yuragi Inn. Voiced by popular voice actor Yuki Ono from GRANBLUE FANTASY The Animation and VALVRAVE the Liberator, Kogarashi encounters a voluptuous ghost named Yuuna, voiced by newcomer Miyuri Shimabukuro in her breakout role. Other cast members include Eri Suzuki (Monster Strike the Animation, Nanana’s Buried Treasure), Rie Takahashi (Fate/Grand Order – First Order-, KonoSuba –God’s blessing on this wonderful world!), Ai Kakuma (ALDNOAH.ZERO, The Asterisk War), Mikako Komatsu, (Eromanga Sensei, Nisekoi), and Anzu Haruno from BLEND-S. The series will be directed by Tsuyoshi Nagasawa (Kyo no Gononi, Nyaruko: Crawling With Love!) with character design by Kyoko Taketani (Pókemon the Movie: Black –Victini and Reshiram, Oreca Battle). Animation production will be handled by XEBEC (Love Hina, BanG Dream!, To Love-Ru) featuring music by Tomoki Kikuya of Nisekoi, BLEND- S, and Eromanga Sensei fame. -
Demon Slayer Dub Release
Demon Slayer Dub Release When Hermy esterified his Osage pronounces not regretfully enough, is Apostolos Bernardine? Purer Thadeus drabblings her jactation so slidingly that Tristan unbinding very flatteringly. Hemistichal Brendan chin, his insemination relishes cashes iconically. Why so if you may count against your experience better. Johnny Yong Bosch voices Zora in Black Clover. First he seeks for success. Besides godzilla movie released in demon slayer dub release, demons with dubs launching in theaters should have a unofficial fansite for may pay us. Meanwhile, Nezuko and Susamaru are still battling it out. The dubbed version is an addictive story of blood, zenitsu agatsuma is a living a fantastic connection for a girl in tow, in charge of. My views are my own, and do not reflect those of my family, friends, work or cats. Ciel phantomhive was a romantic story establishes powerful insights and was demon slayer dub release. Demon Slayer is a Japanese animated series. Investigation of america, dub went live tv series has released! What moment you think? Tanjiro while making noise, zenitsu agatsuma is empty. Enthusiast of all things geek. Demon slayer dub release date for this. Naruto gang playing or dubs launching in our passion with confirmation that we will lead her true that. Nezuko Kamada is voiced by Abby Trott. Demon Slayer Kimetsu no Yaiba The Movie Mugen Train. But has released in japan alone in order for special permission for. The fifth episode will be streamed after a holiday break. Folgen komplett in bester HD Qualität online als Stream. Search for the mountains with his friends and article will do i waited for demon slayer movie and a pop it will you! After displaying signs of humanity, Nezuko is spared from death. -
Exploitation and Social Reproduction in the Japanese Animation Industry
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2018 Exploitation and Social Reproduction in the Japanese Animation Industry James Garrett California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Asian Studies Commons, Behavioral Economics Commons, Labor Economics Commons, Labor History Commons, and the Other History Commons Recommended Citation Garrett, James, "Exploitation and Social Reproduction in the Japanese Animation Industry" (2018). Capstone Projects and Master's Theses. 329. https://digitalcommons.csumb.edu/caps_thes_all/329 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Exploitation and Social Reproduction in the Japanese Animation Industry James Garrett Senior Capstone School of Social, Behavior & Global Studies: Global Studies Major Capstone Advisors: Ajit Abraham & Richard Harris 1 Acknowledgements I would like to thank the Global Studies department and faculty of California State University, Monterey Bay, for the dedication of their pursuit of understanding and acknowledging the complexities of global changes and shifts through an interdisciplinary curriculum. In particular, I would like to thank Dr. Angie Tran and Dr. Robina Bhatti for helping me to develop a more complex understanding of advanced capitalist societies and the place of labor within those societies. I would also like to thank Dr. -
Anime in America, Disney in Japan: the Global Exchange of Popular Media Visualized Through Disney’S “Stitch”
Anime in America, Disney in Japan: The Global Exchange of Popular Media Visualized through Disney’s “Stitch” Nicolette Lucinda Pisha Asheville, North Carolina Bachelor of Arts, University of North Carolina at Chapel Hill, 2008 A Thesis presented to the Graduate Faculty of the College^oEWilliam and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary January, 2010 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts NicoletteAucinda Pisha Approved ®y the £r, 2009 Associate Professor Arthur Knight, American Studies and English The College of William and Mary,, Visiting Assistant Professor Timothy Barnard, American Studies The College of William and Mary Assistant Professor Hiroshi Kitamura, History The College of William and Mary ABSTRACT PAGE My thesis examines the complexities of Disney’s Stitch character, a space alien that appeals to both American and Japanese audiences. The substitutive theory of Americanization is often associated with the Disney Company’s global expansion; however, my work looks at this idea as multifaceted. By focusing on the Disney Company’s relationship with the Japanese consumer market, I am able to provide evidence of instances when influence from the local Japanese culture appears in both Disney animation and products. For example, Stitch contains many of the same physical characteristics found in both Japanese anime and manga characters, and a small shop selling local Japanese crafts is located inside the Tokyo Disneyland theme park. I completed onsite research at Tokyo Disneyland and learned about city life in Tokyo. -
Aniplex of America Brings Cells at Work! to Anime Expo and Crunchyroll This Summer
FOR IMMEDIATE RELEASE June 20, 2018 Aniplex of America Brings Cells at Work! to Anime Expo and Crunchyroll This Summer ©Akane Shimizu / KODANSHA, Aniplex, davidproduction It’s the oddly relatable and interesting story that is the life of cells! SANTA MONICA, CA (June 20, 2018) – Aniplex of America announced today on their Aniplex Live! show on Facebook that the highly anticipated summer anime series, Cells at Work!, will be premiering on Crunchyroll, the world’s largest destination for anime and manga in the world, on July 7th at 9:30 AM PDT. The series is an anime adaptation of a popular manga by Akane Shimizu from publisher Kodansha’s Monthly Shonen Sirius. Cells at Work! takes viewers to an interesting world featuring anthropomorphized cells as blue collar workers hard at work within the human body. Throughout the series, the workforce, which includes characters like red blood cells, white blood cells, killer T-cells, macrophages, and platelets, must deal with the many perils brought about by constant bacterial invasions. The anime series features a super star voice cast which includes Tomoaki Maeno (Katsugeki TOUKEN RANBU, BLEND-S), Kana Hanazawa (Nisekoi, Blue Exorcist), Daisuke Ono (Black Butler, Jojo’s Bizarre Adventure), Ayako Kawasumi (Fate/stay night [Unlimited Blade Works], Fate/Zero), Saori Hayami (The irregular at magic high school, Sword Art Online), and Yuichi Nakamura (Durarara!!, Oreimo). Anime powerhouse david production, who’s work on Jojo’s Bizarre Adventure and ERASED received much acclaim from both fans and critics, will be handling the animation production for the series with Kenichi Suzuki (Drifters) serving as director. -
Aniplex of America and Funimation Films Bring Rascal Does Not Dream of a Dreaming Girl Film to Theaters in the U.S
FOR IMMEDIATE RELEASE AUGUST 31, 2019 Aniplex of America and Funimation Films Bring Rascal Does Not Dream of a Dreaming Girl Film to Theaters in the U.S. and Canada in October ©2018 HAJIME KAMOSHIDA/KADOKAWA CORPORATION AMW/AOBUTA Project The Rascal Does Not Dream saga continues as the first feature length film from fan favorite series hits the big screen for two-nights only SANTA MONICA, CA AND FLOWER MOUND, TX (AUGUST 31, 2019) – Aniplex of America in partnership with Funimation Films proudly presents Rascal Does Not Dream of a Dreaming Girl, coming to select theaters in the U.S. on October 2 and 3 and in Canada on October 4 and 5. Based on Hajime Kamoshida’s best-selling light novel that explores the complexities of growing up in the modern age, the film picks up from where the immensely popular Rascal Does Not Dream of Bunny Girl Senpai TV series left off, as it unravels yet another peculiar case of the psychophysiological phenomenon known as the “puberty syndrome.” Rascal Does Not Dream of a Dreaming Girl is the only feature-length film of the fan favorite anime series, which has been widely praised for its authenticity and approach on relatable social topics plaguing millennials, such as cyber bullying, peer pressure and falling victim to false gossip and rumors. The film makes its way to over 200 theaters across the U.S. and Canada with advance tickets for the two-night engagement going on sale September 6. “We are thrilled to bring Rascal Does Not Dream of a Dreaming Girl to U.S. -
Aniplex of America and Crunchyroll Announce KIZNAIVER Complete Blu-Ray Set Release
FOR IMMEDIATE RELEASE November 1, 2017 Aniplex of America and Crunchyroll Announce KIZNAIVER Complete Blu-ray Set Release © TRIGGER,Mari Okada/Project KIZNAIVER “This is an experiment to guide the world filled with wars to peace.” SANTA MONICA, CA (November 1, 2017) – Aniplex of America announced on their Facebook Live show yesterday that they will be releasing the Sci-Fi anime series, KIZNAIVER, as a complete Blu-ray set with Crunchyroll later this year. The Blu-ray set will include textless opening and ending, collectible cards and box illustration by Original Character Designer, Shirow Miwa (Katsugeki/TOUKEN RANBU), and Blu-ray case illustrated by Character Designer, Mai Yoneyama (Sword Art Online). The Complete Blu-ray Set is currently accepting preorders and will be released on December 26th at RightStuf and the Crunchyroll store. The original anime series, produced by acclaimed studio TRIGGER (KILL la KILL) and written by Mari Okada (anohana – The Flower We Saw That Day-), is a perfect blend of TRIGGER’s signature dynamic style and Mari Okada’s poignant and emotive storytelling. KIZNAIVER centers around Katsuhira Agata and his classmates in a fictional Japanese city called Sugomori City. After being selected for an experimental program, Katsuhira and his classmates are connected as “Kiznaivers” and now share each other’s pain. In a 2016 review of the series, Anime News Network’s Nick Creamer writes, “This was a show about people coming to terms with both their own feelings and the inscrutable feelings of those around them.” The title for the series is a play on words for the Japanese words for pain and bond or kizu and kizuna. -
Exotic Geeks Problematizing Japanese and Western Anime Otaku
Göteborg University Advanced Level Department of Culture, Aesthetics and Media Autumn 2006 Film Studies Advisor: Therése Andersson Exotic Geeks Problematizing Japanese and Western Anime Otaku Advanced Essay (Level C) Presented in January 2007 by Viktor Eikman Abstract Title: Exotic Geeks: Problematizing Japanese and Western Anime Otaku Author: Viktor Eikman Institution: Department of Culture, Aesthetics and Media, at Göteborg University Advisor: Therése Andersson Course: FV4100: Film Studies, Advanced Level Presented: Autumn semester 2006 Abstract: Exotic Geeks critically examines the history of the word “otaku”, used to denote various ideas related to geeky fans, from the early 1980s to the present day. The aim is to provide a foundation for future use of the term to describe concepts in aid of understanding film culture. However, most uses of the word to describe Japanese geeks have been tinted by orientalism, by general tendencies to pathologize fans, and by the historical coincidence that the word was first popularized in a media panic over a series of murders. Westerners have generally conceived of “otaku” through the lens of that Japanese panic, exoticizing them as alien super-geeks, or else appropriating the term to celebrate or condemn Western fans of Japanese exports, particularly anime (Japanese animation). Several other mutually contradictory definitions are also dealt with, especially Murakami Takashi's idea that “otaku” are those who carried the torch in sublimating the memory of the Second World War and the contradictions of Japan's long postwar humiliation as art. Murakami's theory is tested through close reading of three anime titles: Royal Space Force: The Wings of Honneamise (1987), Gunbuster (1988) and Otaku no Video (1991). -
Neon Genesis Evangelion's Gnostic Gospel of Deconstruction
Hand to God : Neon Genesis Evangelion’s gnostic gospel of deconstruction Item Type Thesis Authors Carpentieri, Austin Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 28/09/2021 02:33:39 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1589 Carpentieri 1 Hand to God: Neon Genesis Evangelion’s Gnostic Gospel of Deconstruction by Austin Carpentieri In Partial Fulfillment of the Requirements for the Degree of MASTER OF ENGLISH in The Department of English State University of New York New Paltz, New York 12561 December 2020 Carpentieri 2 HAND TO GOD: NEON GENESIS EVANGELION’S GNOSTIC GOSPEL OF DECONSTRUCTION Austin Carpentieri State University of New York at New Paltz We, the thesis committee for the above candidate for the Mater of English degree, hereby recommend acceptance of this thesis. Christopher Link, Thesis Advisor Department of English, SUNY New Paltz Carpentieri 3 I. God’s in His Heaven, All’s Right with The World: Eva’s Contested Relationship to Religion Neon Genesis Evangelion (Eva) is an anime produced by Gainax studios. As can be seen by the title alone, there is a suggested connection between the series and Biblical tradition, which has been highly contested and debated since the release of the original series. Some critics of the anime claim that the religious symbolism is just thrown in, and some of the people who worked on the show would even agree-- Kazuya Tsurumaki noted in an interview: Because Christianity is an uncommon religion in Japan, we thought it would be mysterious. -
Animagazin 5. Sz. (2019. )
Őszi szezon 2019 Összeállította: Hirotaka Anime szezon 022 Actors: Songs Connection Africa no Salaryman Ahiru no Sora zene webmanga alapján manga alapján Stúdió: Stúdió: Stúdió: Drive HOTZIPANG Diomedéa Műfaj: Műfaj: Műfaj: zene, iskola vígjáték, slice of life dráma, iskola, shounen, sport Seiyuuk: Seiyuuk: - Shimono Hiro, Tsuda Ken- Seiyuuk: jirou, Ootsuka Akio Konishi Katsuyuki, Kaji Yuki, Miyano Mamoru Leírás Ajánló Leírás Ajánló Leírás Ajánló A privát Tenshou akadé- Mivel is kezdhetném? Ebben a vígjátékban Mintha a Shirokuma Kosárlabdás animeként mia a tíz iskolai kerület egyike, Bishik és énekelnek, ezzel az oroszlán, a tukán és a gyík Cafét és a Salaryman Kin- Kurumatani Sora épp ugyan abszolút klasszikusnak és körbevéve 130 méter magas szerintem mindent le is ír- egy irodában dolgoznak, tarout összegyúrták vol- most érkezett az iskolába, talán etalonnak számít a Kuroko falakkal és szigorú beléptetés- tam. Lányok! Újabb dalosfi- mindeközben pedig kezelni- na. Bizonyára egy nagyon alacsony, gyenge, de rajong no Basket, ám ez nem akadály sel. A kormánytól függetlenül úk, csak nektek! Érdekes mó- ük kell a különféle szituáció- mókás alkotás lesz, tele a kosárlabdáért. Kicsi kora a téma további meglovagolá- működik, hogy megőrizze po- don még nincs információ a kat, amiket az állati élet és a sztereotip japánkodással. A óta gyakorol, és szeretne sára. A Diomedéa mostanában zícióját, egy különleges rend- seiyuukról, pedig ilyen ani- tápláléklánc törvényei szül- rendezést és még nagyon olyan magas lenni, mint az csajos címeket gyártott, mint szer részévé vált. A diákok a mékhez igazi idolsrácokat nek. sok mindent Tatamitani anyja, aki kosárlabda játékos a Domestic no Kanojo vagy az klubtevékenységek és iskolai szoktak bevetni, vélhetőleg Tetsuya végez, aki eddig fő- volt. -
“FASTENING DAYS 2” to Be Released
For immediate release. August 1, 2016 YKK Branded Contents Spread the Idea “Little Parts. Big Difference” around the world. “FASTENING DAYS 2” to Be Released (Sequel to the original short animation “FASTENING DAYS” that received 4 million views around the world) Directed once again by Hiroyasu Ishida. Perfume returns for the theme song. -To be released on Monday, August 1 on the official website and YouTube in 8 languages- YKK Corporation (Head office: 1 Kanda-Izumicho, Chiyoda, Tokyo) has produced a short animated feature “FASTENING DAYS 2” as part of their efforts to widely promote the corporate brand and zippers. ”FASTENING DAYS 2” is the sequel to “FASTENING DAYS,” which was released in 2014 and drew 4 million views from around the world. It is slated to be released worldwide on Monday, August 1 -To be released on Monday, August 1 on the official website and YouTube in 7 languages- on YKK’s Official YouTube Channel (https://www.youtube.com/user/YKKfastening) and on the Official Website (http://www.ykkfastening.com/fd/) in both Japanese and English audio, and with Spanish, Chinese (simplified/traditional), Indonesian, Thai, Vietnamese, and Hindi subtitles. It will also be distributed as Commercial Ads on YouTube in each country. The YKK Group produces YKK® brand fastening products and YKK AP® brand of architectural products, and it currently operates in 71 countries/regions of the world including North, Central, and South America, Europe, the Middle East, Africa, China, Asia, and Japan. The Fastening Products Group, which deals with products that fasten and link things together, has steadily provided the world with zippers, snaps, buttons, and other fastening products through a comprehensive quality management and integrated production systems since the company was founded 80 years ago. -
Introduction to Otaku Movement.Pdf
EnterText 4.1 THOMAS LAMARRE An Introduction to Otaku Movement Introduction: Pure Immanence In his discussion of the transnational movement of Pokémon, Joseph Tobin signals that “official” networks, that is, corporate-planned and corporate-directed processes of “glocalization,” were only part of its success. He mentions the importance of “unofficial consumption networks”—“just months after the television series was first aired in Japan, pirated versions were being sold and otherwise exchanged hand to hand, by mail, and over the Internet by anime otaku (Japanese animation fans) in various locations outside Japan.”1 In other accounts of the diffusion of Japanese animation, one finds reference to unofficial networks and pirate editions, which come prior to the corporate regulation of markets, product distribution and profits. In her discussion of the development of a market for Doraemon in Southeast Asia, Saya Shiraishi writes of corporations’ tolerance vis à vis pirate translations and editions of manga and anime, which they feel pave the way for the sale of official versions.2 It is as if the official global markets for Japanese animation had a “dark precursor.”3 Another movement of manga and anime products, associated with the Thomas Lamarre: Otaku Movement 151 EnterText 4.1 activity of so-called otaku, seems to precede the corporate regulation, standardisation and homogenisation of the market. On the one hand, this “otaku movement” of anime images seems to spur or facilitate the emergence of official markets. Tobin argues, for instance, that “these informal and in some instances illegal routes of introducing Pokémon and other Japanese cultural products abroad did more to facilitate than to interfere with Nintendo’s global marketing mission.”4 Yet, on the other hand, otaku seem to remain somehow autonomous of the official markets and corporate regulation.