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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Millenniumforum @Millenniumforum Download Our App 2 Box Office +44 (0) 28 7126 4455 Through Arts Council Northern Ireland
www.millenniumforum.co.uk BOX OFFICE: 028 7126 4455 JANUARY - APRIL 2017 PROGRAMME /MillenniumForum @MillenniumForum Download Our App 2 Box Office +44 (0) 28 7126 4455 www.millenniumforum.co.uk through Arts Council Northern Ireland WELCOME TO ANOTHER GREAT SEASON OF SHOWS TO TAKE US THROUGH TO THE FIRST BUDS OF SPRING. This season we have superb headlining with its breathtaking sets and vibrant musicals beginning with the West End tour choreography. of DIRTY DANCING in February bringing the story of Johnny and Baby from screen We have drama with Shakespeare’s to stage in this dynamic production which HAMLET, brought to us by Icarus Theatre is garnering rave reviews on tour. in January. There is comedy drama by popular local playwright, Irene Melaugh, A brand new stage show makes its Irish with THE DERRY DUMPED DIVORCEES’ debut on our stage when WONDERLAND SUPPORT GROUP in March. The LMS arrives in February as part of its UK tour. joins us with SEVEN BRIDES FOR SEVEN This enchanting musical adaptation of the BROTHERS later in the season. Lewis Carroll classic stars Wendi Peters (Coronation Street) and acclaimed musical We have a fabulous show for children when theatre favourite, Dave Willets. Olivier nominated ROOM ON THE BROOM makes its debut in this magical, musical We have a wide range of Irish music artists adaptation of the classic picture book by this season with THE HIGH KINGS, DEREK Julia Donaldson and Axel Scheffler. RYAN and CHARLIE LANDSBOROUGH in January. HOMEGROWN returns in the I hope you can join us in our busy season! same month featuring a number of up- You can view our full programme at and-coming local musicians including millenniumforum.co.uk PAUL CASEY and THE HENRY GIRLS. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Christine Allado Photo: Roberto Vivancos
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Christine Allado Photo: Roberto Vivancos Original London Cast - Peggy/Maria Reynolds U/S Eliza Hamilton in HAMILTON: An American Musical at the Victoria Palace Theatre Height: 5'7" (170cm) Hair Colour: Auburn Weight: 8st. 13lb. (57kg) Hair Length: Long Playing Age: 18 - 32 years Voice Quality: Clear Appearance: Asian, Hispanic, Mixed Race Voice Character: Engaging Eye Colour: Brown Stage 2020, Stage, Tzipporah, The Prince of Egypt, Dominion Theatre, Scott Schwartz 2018, Stage, Peggy/Maria Reynolds cover Eliza Hamilton, Hamilton: An American Musical, Cameron Mackintosh, Thomas Kail 2016, Stage, Maria, West Side Story - 60th Year Documentary, BBC & Reef TV, Gareth Valentine 2016, Stage, Vanessa, In The Heights, King's Cross Theatre, Luke Sheppard 2014, Stage, Various Roles, Imelda U/S, Here Lies Love, National Theatre, Alex Timbers 2016, Stage, Ursula, Sweet Charity, Royal Exchange, Derek Bond 2016, Stage, Girlie, Beyond The Fence, Arts Theatre Sky Arts, Luke Sheppard 2015, Stage, Princess Turandot, Turandot, Regent Theatre, Jonathan Man 2013, Stage, New Congress Club Trio u/s Lorene, FROM HERE TO ETERNITY, Shaftesbury Theatre, Tamara Harvey 2013, Stage, Aggie Hurley, A Catered Affair, Jack Lyons Theatre, Matt Ryan 2013, Stage, Anne Egerman, A Little Night Music, Royal Academy of Music, Matt Ryan 2013, Stage, Soloist, West End Christmas, MAD Trust, Will Stuart 2013, Stage, Soloist, A Musical Theatre Celebration, King's Place, Bjorn Dobbelaere 2012, Stage, Kate Sullen, The Beaux' Stratagem, Royal Academy of Music, Karen Rabinowitz 2012, Stage, Sophie, Star Spangled Girl, Royal Academy of Music, Karen Rabinowitz 2012, Stage, Soloist, West End Christmas, MAD Trust, Stephen Hill 2012, Stage, Soloist, Winter Cabaret, Royal Academy of Music, George Hall 2012, Stage, Choir, Opening Gala: Silas Marner, St. -
Dailyinfo.Co.Uk
Advertise instantly via www.dailyinfo.co.uk [email protected] QR CODES Scan these Oxford’s 01865 241133 (Mon-Fri, 9am-6pm) codes with your phone’s 1st floor of 121 Cowley Road, Oxford OX4 1HU scanner app to go straight to DAILY Line ads @ 50p/word. (min. 10) + VAT these ads on dailyinfo.co.uk PROPERTY Box ads @ £10-£12/cm. (min. 3cm) + VAT JOBS Magdalen POLITICS TEACHER (part time) INFO www.dailyinfo.co.uk C o l l e g e HOUSES & FLATS TO LET S c h o o l Applications are invited for the post of part-time Politics teacher Issue No. 8316 Next issue: Tue 12th Jun. Deadline: 10am, Mon 11th Jun with effect from 1st September 2012. Part of Oxford Magdalen College School is located in the heart of Oxford on the banks of the Cherwell and Student Property List OUT NOW! Fri 8th - Mon 11th Jun 2012 (Trinity Term, 7th-8th week) OX4 1DZ is one of the country’s leading and most historic day schools. It was founded by William of NORTH OXFORD Waynflete in 1480. Tel: 01865 242191 PROPERTY SERVICES Properties Available In All Areas www.mcsoxford.org The school requires a bright, capable graduate to teach six periods of A Level Politics per week. A willingness to contribute to extra-curricular activities will be advantageous. 47 Walton Street Inc. Jericho. HMC Oxford OX2 6AD WHAT’S ON Boys 7-18 Completed application form, full cv and covering le�er of application should be sent by Sixth Form Girls email to Mrs L.Beaumont, the Master’s PA ([email protected]) by midday Monday Don’t Miss Out! MUSIC COMEDY 11th June 2012. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
News Section
News Section Composers MICHAEL FINNISSY. Tlie History of Photography in Sound (first complete performance —29 January/London, R.A.M./ JOHN ADAMS. El Nino (German premiere)-15 ApriJ/ Ian Pace (pno). Berlin, Philharmonie/Dawn Upshaw, Lorraine Hunt- Lieberson, Willard White, London Voices, Deutsche SO c. GERALD FINZI (d.1956). In Years Defaced (premiere of Kent Nagano. cycle of six songs arrnaged for orchestra by the composer and JUDITH WEIR, COLIN MATTHEWS, ANTHONY JULIAN ANDERSON. Tlie Bird Sings With its Fingers (prePAYNE- , CHRISTIAN ALEXANDER and JEREMY miere)—9 February/London, Imperial College/Sinfonia 21 c. DALE ROBERTS)-19 May/Newbury Festival/Philip Martyn Brabbins. Langridge (ten), Cityu of London Sinfonia c. Richard Hickox. LOUIS ANDRIESSEN. Tlie New Math(s) (UK premiere)-1 DETLEV GLANERT. Mahler/Skizze (UK premiere)-!6 March/London, Barbican/Electra. February/Glasgow/BBC Scottish SO c. Martyne Brabbins. Karikaturcn (premiere)—5 May/Berlin, Konzderthaus/ WILLIAM ATTWOOD. Pascal's Dungeon (premiere)-20 Kammersymphonie Berlin c. Jiirgen Bruns. February/London, Blackheath Concert Halls/Janey Miller (oboe d'amore), Joby Burgess (perc). ALEXANDER GOEHR. Piano Quintet (premiere)-30 March/New York, Carnegie Hall/Peter Serkin (pno), Orion GERALD BARRY has completed a work for the Vanburgh Quartet. Suite for violin and piano (premiere)—25 April/ String Quartet; he is writing a work for children's choir and Harvard/Pamela Frank (vln), Peter Serkin (pno). chamber orchestra, commissioned for the 50' birthday cele- brations of the South Bank Centre, and an opera based on HK GRUBER. Aerial; Charivari (Australian premieres)-28 Fassbaender's Tlie Bitter Tears of Petra von Kant. April/Melbourne/Hakan Hardenberger (tpt), Melbourne SO c. -
Coventry & Warwickshire Cover
Worcestershire Cover July 2017 .qxp_Worcestershire Cover 26/06/2017 20:37 Page 1 DAME SARAH CONNOLLY AT Your FREE essential entertainment guide for the Midlands THREE CHOIRS FESTIVAL WORCESTERSHIRE WHAT’S ON JULY 2017 ON JULY WHAT’S WORCESTERSHIRE Worcestershire ISSUE 379 JULY 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onworcestershirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide theMISS heat isSAIGON on as smash-hit musical lands in the Midlands TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: AmericanSEASICK blues STEVE star headlines Bromyard Festival FACEBOOK: @WHATSONWORCESTER LivingVIKING History WEEKEND experience comes to Arley Arboretum WORCESTERSHIREWHATSON.CO.UK (IFC) Shrops.qxp_Layout 1 26/06/2017 18:24 Page 1 MEETING POINT: corner of Colmore Row & Waterloo Street, Victoria Square TOUR TIMES: 10.30am, 12.30pm & 2.30pm CONTACT: 0121 427 2555 / 07805 115 998 [email protected] AVAILABLE FOR PRIVATE HIRE THROUGHOUT THE YEAR Contents July Warwicks_Worcs.qxp_Layout 1 26/06/2017 15:02 Page 2 July 2017 Contents The Darkness - back in the UK to headline Godiva Festival more line-up info on page 19 Fusion The Mikado Summer Fun the list theatre, dance and music on the all-male version of Gilbert & Places to visit and things to do Your 16-page streets of Bromsgrove Sullivan’s classic in Malvern during the school holidays... week-by-week listings guide page 4 page 30 page 40 page 51 inside: 4. First Word 11. Food 15. -
Lucia Di Lammermoor
July 30, 2020 – Gaetano Donizetti’s Lucia di Lammermoor “Lammermoor lass goes mad, stabs fiancée to death” is the headline that might have appeared in The Scotsman following the premiere of Gaetano Donizetti’s Lucia di Lammermoor, which is featured on this week’s Thursday Night Opera House. Loosely based on Sir Walter Scott’s historical novel The Bride of Lammermoor, the opera benefitted greatly from a European interest in the history and culture of Scotland: the perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued nineteenth-century readers and audiences. Lucia premiered on September 26, 1835 at the Teatro San Carlo in Naples. It has always been the best-known of Donizetti's tragic operas and has never fallen out of the standard repertory. In seventeenth-century Scotland, Lucia (soprano Andrea Rost) loves Edgardo (tenor Bruce Ford), the dispossessed master of Ravenswood and an enemy of her family. The couple exchange rings and vows before Edgardo leaves the country on a mission, and Lucia’s brother Enrico (baritone Anthony Michaels-Moore), learning of this, is outraged. He wants his sister to make a politically advantageous marriage to Lord Arturo Bucklaw (tenor Paul Charles Clark) and shows her a forged letter supposedly written by Edgardo that “proves” his infidelity. In the light of this and persuaded by the chaplain Raimondo (bass Alastair Miles), Lucia reluctantly agrees to the marriage. Months later Edgardo returns, interrupts the wedding celebration, curses Lucia and flings her ring at her, provoking Enrico to challenge him to a duel in the Ravenswood cemetery. -
LONDON METROPOLITAN ARCHIVES BARBICAN CLA/072 Page
LONDON METROPOLITAN ARCHIVES Page 1 BARBICAN CLA/072 Reference Description Dates PRINTED REPORTS CLA/072/01/001 Scheme submitted by the New Barbican 2.12.1954 Committee for the Area North of Route 11. 1 pamphlet Former reference: A5/E COL/PLD/TP/05/008 CLA/072/01/002 Scheme submitted by the New Barbican 26.9.1955 Committee for the Area North of Route 11. 1 pamphlet Former reference: A13/J COL/PLD/TP/05/008 CLA/072/01/003 Confidential Report to the Town Clerk on Jun-55 proposed City Housing. 1 pamphlet Former reference: C90/A COL/PLD/TP/05/008 CLA/072/01/004 Speech made by Mr. Eric F. Wilkins in CoCo 17.11.1955 3rd Nov 1955, Mr. John Batty's Speech and a memorandum of the Town Clerk. Consideration of the Schemes for the development of the Barbican Area. 1 pamphlet Former reference: A7/C COL/PLD/TP/05/008 CLA/072/01/005 Report on residential development within the 31.5.1956 Barbican Area prepared on the instructions of the Special Committee by Chamberl in Powell and Bon Architects. 1 pamphlet Former reference: A89/H COL/PLD/TP/05/008 CLA/072/01/006 Supplementary Report addressed to the Oct. 1956 Conference of Deputations of the Improvements and Town Planning, Public HeaLTH, City of London Schools, Music and Special Committees. 1 pamphlet Former reference: A105/k COL/PLD/TP/05/008 CLA/072/01/007 Barbican Area, Martin - Mealand Scheme 2.4.1957 1 pamphlet Former reference: C90/K COL/PLD/TP/05/008 LONDON METROPOLITAN ARCHIVES Page 2 BARBICAN CLA/072 Reference Description Dates CLA/072/01/008 Redevelopment of the Barbican Area: 12.12.1957 engagement of Architects and other Consultants. -
And the Nhs Money: Reinstate the Maternity Safety Training Fund
Baby Lifeline, The Granary, Fernhill Court, Balsall Street East, Balsall Common, CV7 7FR Tel: 01676 534671 Fax: 01676 535645 Email: [email protected] www.babylifeline.org.uk Company Registered No. 2661760. Registered Charity No. 1006457. Limited by Guarantee. The Rt Honourable Boris Johnson, Prime Minister, 10 Downing Street, London, SW1A 2AA. Dear Prime Minister, SAVE LIVES - AND THE NHS MONEY: REINSTATE THE MATERNITY SAFETY TRAINING FUND On behalf of Baby Lifeline – a charity which has been established for 39 years and is committed to supporting the safe care of pregnant women and newborn babies across the UK – we write to ask the Government to reinstate the Maternity Safety Training Fund as a matter of urgency. When the £8.1m Maternity Safety Training Fund was released in 2016 it gave over 30,000 maternity healthcare professionals access to training that they would not otherwise have had. Independent evaluation showed that the fund had an overwhelmingly positive impact, though it was not continued beyond its first year. The UK is a safe place for women to give birth, but improvements need to be made to ensure every maternity experience is as safe as possible. Poor maternity care can result in avoidable deaths and injuries to mothers and babies across the UK, costing billions of pounds to the National Health Service in resultant litigation costs. Baby deaths and injuries investigated by national bodies are reported to have been avoidable with different care in many cases. The cost of these tragedies to the wider NHS is high -