The “One-Button” Broadcasting Transmission

Total Page:16

File Type:pdf, Size:1020Kb

The “One-Button” Broadcasting Transmission The “one-button” broadcasting transmission. TV-production in a totally digital environment 1 SVT Malmö This is me and the tv-station in Malmö. The station has a staff of 240, including the newsroom. The programmes transmitted are entertainment, current affairs, religion, music, culture, drama, youth, news and sport for SVT Channels SVT1, SVT2, SVT24 and the Internet channel www.svt.se/ Regional news are transmitted in "windows" in SVT Channel 2, Monday until Friday 17.55-18.00, 19.10-19.30 and 22.00-22.03, 22.15-22.28 in the evenings. Regional News are also transmitted in Sunday evenings, 2x5 minutes. My local station Sydnytt is the regional news for south of Sweden, covering the area of Skane and Blekinge, broadcasting to 1.3 million inhabitants with 650.000 TV-sets. 2 The Good Old Days The work in the newsroom and the news broadcasting transmissions from Sveriges Television have been radically changed in a few years. In the “Good Old Days,” the company’s local newsrooms in different parts of Sweden was connected only by telephone and traditional video transmission links. All video material was stored on tape.Video sequences from the Archive in Stockholm could be transferred to our video editing room in Malmö after a request over the phone. But that operation could take several ours and involve at least a handful persons. And the broadcasting transmission of our local news was dependent on a staff of 6 persons except the anchorman/woman in the studio. 3. The Internet revolution During the last 10-12 years, this has changed dramatically. First we got the Internet Revolution, and a growing Intranet. All of a sudden there was a user interface, that was easy too understand, and looked the same, for all databases! The Internet-success marched into our newsroom! Every user in the system has full access to all information, wires, scripts and rundowns not only in our own newsroom but in every newsroom within the company, locally as well as nation-wide. But there was still more to come. 4. The Production Facilities The Swedish Television Company is covering all of Sweden. In smaller cities we have local news correspondents with a camera crew and video editing facilities. We have 11 local news stations like my own SYDNYTT. Every local station has this new One- button studio, for the broadcasting of their local news program. Some of our local stations have also other Studio Facilities and produce entertainment, documentary programs, sport and family shows. They have Post-production facilities. The three major cities in Sweden, Stockholm, Gothenburg and Malmö has fully equipped TV-studios and all heavy tv-technique for all kinds of TV-production. 5 Map 1-wan The white spots on the map are local correspondent office, reporter and a camera crew The Yellow spots are TV-stations for our 11 local news. Soon all with one-button studios. Some of the TV-houses like Norrköping and Sundsvall also have a studio for family shows and so on. 6 Map2 –WAN All broadcast transmissions and data communication is carried by the SVT wide are network WAN. Today we use the WAN/LAN and TCP/IP for access to all video in the system, and we have the archive online, access able on every computer in the company. As soon as a video sequence has been posted to the system, every user in the system have fully access to the video file. A browse copy (mpeg) can be played on the PC-screen and the original dvcpro-file can be transferred to the local video server and imported to the nearest video editing room. 7 Local Production system The local area network, LAN, gives access to servers for video archive and stills. 8 Desktop tools We have developed some simple video editing program and graphic tools, that makes it possible for the journalists to do quick archive research, video editing and graphic work on their own computer. Also the control over the downstream key, for names and graphic signs in the video during transmission can be edited by the journalist just after editing the video sequence. Translations from foreign languages are made by translators in Stockholm and automatically put on the downstream key layer over the video as subtitles during transmission, independent of location of the control room that is running the video whit translations. 9 Archive before broadcasting Gives a complete archive online. Every video sequence can be seen on the PC. 9 Copyright notes to archive. Copyright Notes and metadata written in the editorial system Avstar, goes direct to the videofile in the archive. 10 Video from the field via FTP Pictures from the latest news are transferred via FTP over the Internet from the field to the local network and system of video servers and ready for broadcast only minutes after the have been taken. 11 Exchange of video with other TV-companies We have exchange of video files with other TV-companies via FTP over Internet. 12 One button control rooms And every event in the rundown is programmed before the broadcast begins, so that the broadcast can be handled by one single button: NEXT. That means that one single person, can run the whole program, using ONE FINGER. That means starting next video, cut to next camera, change of graphic elements and so on. Every line in the rundown can mean series of events, all controlled by the magic NEXT-button. The cameras are remote controlled and every “shoot” is fixed in advance. When a video sequence ends, there will be an automatic mix or cut to next camera and the sound from the video will fade down and the microphone in the studio will fade up. 13 Digital Broadcasting in Sweden The Swedish government has decided to close down the analogue boradcasting network in 2005 – 2008. So now will the TV-signal be digital all the way home to the households. 14 Publishing on Internet, Wap, 3G We publish also on other platforms like Internet, Wap and 3G. 15 The way to succes .
Recommended publications
  • DICE Best Practice Guide.Pdf
    BEST PRACTICE GUIDE Interactive Service, Frequency Social Business Migration, Policy & Platforms Acceptance Models Implementation Regulation & Business Opportunities BEST PRACTICE GUIDE FOREWORD As Lead Partner of DICE I am happy to present this We all want to reap the economic benefi ts of dig- best practice guide. Its contents are based on the ital convergence. The development and successful outputs of fi ve workgroups and countless discus- implementation of new services need extended sions in the course of the project and in conferences markets, however; markets which often have to be and workshops with the broad participation of in- larger than those of the individual member states. dustry representatives, broadcasters and political The sooner Europe moves towards digital switcho- institutions. ver the sooner the advantages of released spectrum can be realised. The DICE Project – Digital Innovation through Co- operation in Europe – is an interregional network We have to recognise that a pan-European telecom funded by the European Commission. INTERREG as and media industry is emerging. The search for an EU community initiative helps Europe’s regions economies of scale is driving the industry into busi- form partnerships to work together on common nesses outside their home country and to strategies projects. By sharing knowledge and experience, beyond their national market. these partnerships enable the regions involved to develop new solutions to economic, social and envi- It is therefore a pure necessity that regional political ronmental challenges. institutions look across the border and aim to learn from each other and develop a common under- DICE focuses on facilitating the exchange of experi- standing.
    [Show full text]
  • Katso Televisiota, Maksukanavia Ja Makuunin Vuokravideoita 4/2017 Missä Ja Millä Vain
    KATSO TELEVISIOTA, MAKSUKANAVIA JA MAKUUNIN VUOKRAVIDEOITA 4/2017 MISSÄ JA MILLÄ VAIN. WATSON TOIMII TIETOKONEELLA, TABLETISSA JA ÄLYPUHELIMESSA SEKÄ TV-TIKUN TAI WATSON-BOKSIN KANSSA TELEVISIOSSA. WATSON-PERUSPALVELUN KANAVAT 1 Yle TV1 12 FOX WATSONISSA 2 Yle TV2 13 AVA MYÖS 3 MTV3 14 Hero 4 Nelonen 16 Frii MAKUUNIN 5 Yle Fem / SVT World 18 TLC UUTUUSLEFFAT! 6 Sub 20 National Geographic 7 Yle Teema Channel 8 Liv 31 Yle TV1 HD 9 JIM 32 Yle TV2 HD Powered by 10 TV5 35 Yle Fem HD 11 KUTONEN 37 Yle Teema HD Live-tv-katselu. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu tv-tikun tai Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Vain live-tv-katselu Watson-boksin kautta. Vain live-tv-katselu. KANAVAPAKETTI €/KK, KANAVAPAIKKA, KANAVA Next 21 Discovery Channel C 60 C More First Sports 121 Eurosport 1 HD *1 0,00 € 22 Eurosport 1 C 61 C More First HD 8,90 € 122 Eurosport 2 HD 23 MTV C 62 C More Series 123 Eurosport 2 24 Travel Channel C 63 C More Series HD 159 Fuel TV HD 25 Euronews C 64 C More Stars 160 Motors TV HD 27 TV7 C 66 C More Hits 163 Extreme Sports HD Start 33 MTV3 HD *1 C 67 SF Kanalen 200 Nautical Channel 0,00 € C 75 C More Juniori Base 126 MTV Live HD *1 C More Sport S Pakettiin sisältyy oheisella 8,90 € 150 VH1 Swedish 40 SVT1 4,30 € 41 SVT2 24,95 € tunnuksella merkityt 151 Nick Jr.
    [Show full text]
  • ”Sveriges Viktigaste Mediekanal”? En Kvalitativ Studie Av SVT BARNKANALEN
    Högskolan i Halmstad Sektionen för Hälsa och Samhälle Medie- och Kommunikationsvetenskap 61-90 C-uppsats 15hp Hur skapas ”Sveriges viktigaste mediekanal”? En kvalitativ studie av SVT BARNKANALEN Författare: Jennifer Larsson & Lisa Larsson Handledare: Malin Hallén Examinator: Veronica Stoehrel ABSTRACT Titel: Hur skapas ”Sveriges viktigaste mediekanal”? - En kvalitativ studie av SVT Barnkanalen Författare: Jennifer Larsson och Lisa Larsson Handledare: Malin Hallén Examinator: Veronica Stoehrel Termin: Höstterminen 2012 Syfte: Att undersöka SVT Barnkanalens anställdas syn på public service och hur de anser att de tillämpar denna syn i sitt arbete. Metod: Kvalitativ innehållsanalys, intervjuer samt observation Material: Innehållsanalys av åtta dokument om public service, intervjuer med sex anställda på SVT Barnkanalen samt en observation på SVT i Malmö. Resultat: Resultatet av denna studie visar att alla de sex personer som vi varit i kontakt med har sin egen syn på begreppet public service och vad detta innebär i praktiken. Beroende på vad respondenten har för yrkesroll på SVT anges olika definitioner på vad som är det mest centrala kärnvärdet inom public service-television. Kanalcheferna tycks ha en mer övergripande syn på vad public service-uppdraget innebär för dess organisationer. Producenter, inköpare och programledare tycks dock ha en mer branschorienterad syn på uppdraget och har själva plockat ut relevanta komponenter som passar deras yrkesroll. Vi anser att ingen syn på public service- uppdraget är helt fullständig, men adderar vi alla medarbetares tolkningar anser vi att hela public service-uppdraget representeras. Nyckelord: public service, Sveriges Television, Barnkanalen, barnprogram, tv-produktion Kontakt: [email protected] [email protected] 2 INNEHÅLLSFÖRTECKNING 1. ”SVERIGES VIKTIGASTE MEDIEKANAL”: INLEDNING............................................................................
    [Show full text]
  • Sweden Is Converting to Digital Television! the Switchover to Digital
    1/3 Sweden is converting to digital television! Is your television ready? The switchover to digital television is starting! A Riksdag decision The Riksdag has decided that all of Sweden is to convert to digital television broadcasting in the terrestrial network no later than 1 February 2008. Gotland, Gävle and Motala are the first three transmission areas to convert. Gotland will begin 19 September 2005, Gävle on 10 October 2005 and Motala on 21 November 2005. This means that analogue terrestrial broadcasts in these areas will gradually be phased out and completely terminated by 13 December 2005. More channels Digital television provides better images, sound and new services such as electronic programme guides and more advanced text television. Most importantly however, all households will be able to receive more channels. The existing analogue terrestrial network is fully utilized and can only accommodate channels SVT1, SVT2 and TV4, despite the considerable demand for a broader selection. Most households have already arranged more channels via cable or satellite. Digital technology enables as many as between five and seven digital channels to be carried in the space used by analogue signals to carry one channel. The digital terrestrial network has been gradually expanded to generate more space for many more channels. Two networks, too expensive Less than 25% of all households still use the analogue terrestrial network to watch television. Costs for maintenance and service of two parallel networks – the old analogue and the new digital – is too expensive in the long term which is why we are switching over to acommon television network based on modern technology.
    [Show full text]
  • MMS Halvårsrapport 2017 2017-01-02 – 2017-07-02
    MMS Halvårsrapport 2017 2017-01-02 – 2017-07-02 Halvårsrapport 2017 (vecka 1-26) TV - Programtopplistor per målgrupp Topplistorna innehåller de tio mest sedda programmen (exklusive nyheter) med högst rating per serie där programlängden är minst 10 min. Alla 3-99 år Programtitel Datum Kanal Tittare i 1000-tal 1 MELODIFESTIVALEN 17 FINAL Lö 2017-03-11 svt1 3 823 2 PÅ SPÅRET Fr 2017-03-03 svt1 3 062 3 EUROVISION SONG CONT FIN Lö 2017-05-13 svt1 2 873 4 MÄSTARNAS MÄSTARE Sö 2017-04-02 svt1 2 411 5 SKAVLAN Fr 2017-03-03 svt1 2 338 6 ISHOCKEY VM CAN-SWE 2 Sö 2017-05-21 TV4 2 069 7 LETS DANCE Fr 2017-03-10 TV4 1 980 8 ANTIKRUNDAN To 2017-03-16 svt1 1 943 9 VASALOPPET Sö 2017-03-05 svt1 1 862 10 ALLSÅNG PÅ SKANSEN Ti 2017-06-27 svt1 1 706 Män 3-99 år Programtitel Datum Kanal Tittare i 1000-tal 1 MELODIFESTIVALEN 17 FINAL Lö 2017-03-11 svt1 1 754 2 PÅ SPÅRET Fr 2017-02-03 svt1 1 412 3 EUROVISION SONG CONT FIN Lö 2017-05-13 svt1 1 237 4 ISHOCKEY VM CAN-SWE 2 Sö 2017-05-21 TV4 1 230 5 MÄSTARNAS MÄSTARE Sö 2017-03-05 svt1 1 141 6 SKAVLAN Fr 2017-03-03 svt1 1 016 7 VASALOPPET Sö 2017-03-05 svt1 989 8 ANTIKRUNDAN To 2017-02-23 svt1 907 9 FOTBOLL VM KVAL SWE-FRA 2 Fr 2017-06-09 Kanal5 893 10 SKIDOR VM LAHTIS Sö 2017-03-05 svt1 856 Kvinnor 3-99 år Programtitel Datum Kanal Tittare i 1000-tal 1 MELODIFESTIVALEN 17 FINAL Lö 2017-03-11 svt1 2 068 2 PÅ SPÅRET Fr 2017-03-03 svt1 1 651 3 EUROVISION SONG CONT FIN Lö 2017-05-13 svt1 1 636 4 SKAVLAN Fr 2017-03-03 svt1 1 322 5 MÄSTARNAS MÄSTARE Sö 2017-04-02 svt1 1 284 6 LETS DANCE Fr 2017-03-10 TV4 1 196 7 ANTIKRUNDAN
    [Show full text]
  • Digital Terrestrial Television the Swedish Experience
    Digital Terrestrial Television The Swedish Experience Vienna, February 15, 2011 Lars Backlund Senior Vice President, Public and Regulatory Affairs Teracom Group Vice Chairman, Broadcast Networks Europe Digital Terrestrial TV, The Swedish Experience, Vienna 2011-02-15 /LB page 1 Network operator for Radio, TV and Telecom • First broadcasts in 1921 • Incorporated in 1992 • Owns the Swedish and Danish Terrestrial Networks • Owns Boxer Sweden, Boxer Denmark and a majority of PlusTV in Finland • Revenue, approximately 400 million € • Employees, approximately 600 Digital Terrestrial TV, The Swedish Experience, Vienna 2011-02-15 /LB page 2 Broadcast Networks Europe (BNE) represents the Terrestrial Broadcast Network Operators in Europe 13 MEMBERS 25 COUNTRIES • Abertis • Spain • Arqiva • UK • Digea • Greece • Elettronica Industriale • Italy • Norkring • Norway , Belgium, Slovenia • OIV • Croatia • ORS • Austria • Swisscom Broadcast • Switzerland • Radiocom • Romania • RaiWay • Italy • RTENL • Ireland • TDF • France , Germany, Finland, Hungary, Estonia .... • Teracom • Sweden, Denmark, Finland Digital Terrestrial TV, The Swedish Experience, Vienna 2011-02-15 /LB page 3 Terrestrial has a strong position Data from Eurobarometer show that in winter 2009 TV was received by 57% of EU households using the analogue and digital terrestrial networks. Digital terrestrial was the fastest growing means of reception. Sum terrestrial 57% 50% Digital Terrestrial TV, The Swedish Experience, Vienna 2011-02-15 /LB page 4 Terrestrial is consumers’ preferred choice Ofcom Digital TV Q2 2010 report indicates that Digital Terrestrial Reception is used by 73% of UK households (18,7 million) on either a primary or secondary TV-set Digital Terrestrial TV, The Swedish Experience, Vienna 2011-02-15 /LB page 5 The Swedish Terrestrial Network – from the start • Sweden (and Great Britain) started Digital Terrestrial Television (DTT) in the late 1990’s.
    [Show full text]
  • Public Service Media, Old and New: Vitalizing a Civic Culture?1
    Public Service Media, Old and New: Vitalizing a Civic Culture?1 Peter Dahlgren Lund University, Sweden Abstract: By the mid-1990s, the crisis in public service broadcasting in Sweden had passed and a new stability had emerged. In this situation, the two non-com- mercial television channels share the airwaves—and the public—chiefly with the new commercial terrestrial channel, TV4. This channel manifests a form of “popular public service.” Yet the new stability is being challenged by social and cultural developments in Sweden, especially various forms of social fragmenta- tion. The main argument is that a key role of public service broadcasting must be to enhance the democratic character of society. This can best be achieved by pro- moting what is called a civic culture, and the text discusses what this entails. The discussion concludes with some reflections on the emergence of digital televi- sion and how it could best further the public service project. Résumé: Au milieu des années 90, la crise dans la radiodiffusion de service public en Suède prend fin et une nouvelle stabilité s’instaure. À ce moment-là, les deux chaînes de télévision non-commerciales partagent les ondes—et le public—principalement avec TV4, une nouvelle chaîne terrestre commerciale. Cette dernière offre une forme de «service public populaire». Aujourd’hui, cependant, certains développements sociaux et culturels, surtout sous diverses formes de fragmentation sociale, sont en train de bouleverser cette nouvelle sta- bilité. L’idée principale est qu’un rôle clé de la radiodiffusion de service publique doit être de mettre en valeur la nature démocratique de la société.
    [Show full text]
  • 995 Final COMMISSION STAFF WORKING DOCUMENT
    EUROPEAN COMMISSION Brussels,23.9.2010 SEC(2010)995final COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod2007-2008 (PromotionofEuropeanandindependentaudiovisual works) COM(2010)450final EN EN COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod20072008 (PromotionofEuropeanandindependentaudiovisual works) EN 2 EN TABLE OF CONTENTS ApplicationofArticles 4and5ineachMemberState ..........................................................5 Introduction ................................................................................................................................5 1. ApplicationofArticles 4and5:generalremarks ...................................................5 1.1. MonitoringmethodsintheMemberStates ..................................................................6 1.2. Reasonsfornon-compliance ........................................................................................7 1.3. Measures plannedor adoptedtoremedycasesofnoncompliance .............................8 1.4. Conclusions
    [Show full text]
  • EUROPEAN COMMISSION Brussels, 24.9.2012 SWD(2012) 269 Final
    EUROPEAN COMMISSION Brussels, 24.9.2012 SWD(2012) 269 final COMMISSION STAFF WORKING DOCUMENT PROMOTION OF EUROPEAN WORKS IN EU SCHEDULED AND ON-DEMAND AUDIOVISUAL MEDIA SERVICES PART III ANNEX to PART II on the application of Articles 16 and 17 of Directive 2010/13/EU for the period 2009-2010 Accompanying the document First Report on the Application of Articles 13, 16 and 17 of Directive 2010/13/EU for the period 2009-2010 {COM(2012) 522 final} EN EN TABLE OF CONTENTS ANNEX 1: .............................................................................................................................. 3 PERFORMANCE INDICATORS.......................................................................................... 3 ANNEX 2: .............................................................................................................................. 6 CHARTS AND TABLES ON THE APPLICATION OF ARTICLES 16 AND 17 ................ 6 ANNEX 3: ............................................................................................................................ 12 LIST OF TELEVISION CHANNELS IN THE MEMBER STATES WHICH FAILED TO ACHIEVE THE MAJORITY PROPORTION REQUIRED BY ARTICLE 16 ................... 12 ANNEX 4: ............................................................................................................................ 24 LIST OF TELEVISION CHANNELS IN THE MEMBER STATES WHICH FAILED TO ACHIEVE THE MAJORITY PROPORTION REQUIRED BY ARTICLE 17 ................... 24 2 ANNEX 1: PERFORMANCE INDICATORS The following indicators
    [Show full text]
  • Download (1049Kb)
    COMMISSION OF THE EUROPEAN COMMUNITIES Brussels, 22.7.2008 SEC(2008) 2310 COMMISSION STAFF WORKING DOCUMENT Accompanying document to the COMMUNICATION FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS Eighth Communication on the application of Articles 4 and 5 of Directive 89/552/EEC ‘Television without Frontiers’, as amended by Directive 97/36/EC, for the period 2005- 2006 [COM(2008) 481 final] EN EN TABLE OF CONTENTS BACKGROUND DOCUMENT 1: Performance indicators...................................................... 3 BACKGROUND DOCUMENT 2: Charts and tables on the application of Articles 4 and 5... 6 BACKGROUND DOCUMENT 3: Application of Articles 4 and 5 in each Member State ... 12 BACKGROUND DOCUMENT 4: Summary of the reports from the Member States ........... 44 BACKGROUND DOCUMENT 5: Voluntary reports by Bulgaria and Romania................. 177 BACKGROUND DOCUMENT 6: Reports from the Member States of the European Free Trade Association participating in the European Economic Area ......................................... 182 BACKGROUND DOCUMENT 7: Average transmission time of European works by channels with an audience share above 3% .. ........................................................................ 187 BACKGROUND DOCUMENT 8: List of television channels in the Member States which failed to achieve the majority proportion required by Article 4............................................. 195 BACKGROUND DOCUMENT 9: List of television channels in the Member States which failed to achieve the minimum proportion required by Article 5........................................... 213 EN 2 EN BACKGROUND DOCUMENT 1: Performance indicators The following indicators facilitate the evaluation of compliance with the proportions referred to in Article 4 and 5 of the Directive. Indicators 2 – 5 are based on criteria set out in Articles 4 and 5.
    [Show full text]
  • Kanallista För Fiber-Tv Arris 3000, Pace 830, Samsung 5140 Och Samsung/Prime 680 UHD
    Kanallista för fiber-tv Arris 3000, Pace 830, Samsung 5140 och Samsung/Prime 680 UHD Kanalplats Kanalnamn Kanalplats Kanalnamn Kanalplats Kanalnamn Kanalplats Kanalnamn 1 SVT1 HD 75 C More Live 4 HD 201 V sport live 1 501 Rix FM 2 SVT2 HD 76 C More Live 5 HD 202 V sport live 2 502 Power Hit Radio 3 TV3 HD 77 203 V sport live 3 503 Lugna Favoriter 4 TV4 HD 78 204 V sport live 4 504 Bandit Rock 5 Kanal 5 HD 79 205 V sport live 5 505 Svenska Favoriter 6 TV6 HD 80 206 506 Bandit Classics 7 Sjuan HD 81 Nickelodeon 207 507 Power Club 8 TV8 HD 82 Nick Jr 208 508 Star FM 9 Kanal 9 83 Nicktoons 209 509 Classic 10 TV10 HD 84 SVT Barn 210 510 P4 Lyden av Norge 11 Kanal 11 85 Cartoon Network 211 discovery+ Extra 1 HD 531 DR P1 12 TV12 HD 86 Boomerang 212 discovery+ Extra 2 HD 532 DR P3 13 87 Disney Channel 213 discovery+ Extra 3 HD 533 DR Klassisk 14 V sport extra HD 88 214 discovery+ Extra 4 HD 534 NRK P1+ 15 89 Disney Junior 215 discovery+ Extra 5 HD 535 NRK P2 16 90 216 discovery+ Extra 6 HD 536 NRK P3 17 91 SVT24 217 discovery+ Extra 7 HD 537 NRK P13 18 92 BBC World News 218 discovery+ Extra 8 HD 538 NRK mP3 19 Paramount Network 93 CNN 219 539 NRK Nyheter 20 MTV 94 CNBC 220 540 NRK Super 21 E! HD 95 Sky News 221 541 NRK Klassisk 22 TV4 Film 96 Euronews HD 222 542 NRK Sami Radio 23 TV4 Guld 97 Al Jazeera HD 543 NRK Jazz 24 VH1 98 301 SVT1 Blekinge 544 NRK Været til sjøs 25 MTV 80s 99 302 545 NRK P1 Østlandsendingen 26 MTV Hits 100 303 SVT1 Dalarna 546 NRK Sport 27 Horse & Country HD 101 NRK1 HD 304 547 NRK Folkemusikk 28 Godare HD 102 NRK2 HD 305
    [Show full text]
  • Sveriges Televisions Public Service-Redovisning 2009 © Sveriges Television AB 2010
    Sveriges Televisions public service-redovisning 2009 © Sveriges Television AB 2010 Kontakt: SVT Strategi, 105 10 Stockholm Redaktion: Margareta Cronholm, Johan Hartman, Hasse Karlsson, Tomas Lindhé, Jocke Norberg, Christina Forslund, Thomas Håkansson, Ursula Haegerström, Anders Hvidfeldt Layout: MacGunnar – Information & Media Tryck: SRF Repro, Stockholm 2010 SVT 26.02.10 Förord De övergripande publikmålen för Sveriges Television handlar om att bibehålla ett högt förtro- ende, förbättra kvaliteten och att öka räckvidden. Därför är det glädjande att under 2009: ■■ SVT1 blev Sveriges största TV-kanal för första gången sedan 2005. ■■ Rapports publik ökade markant – en utveckling som går helt på tvärs med resten av Eu- ropas nyhetsprogram. ■■ SVT tog hem 11 av 13 möjliga kristaller i den årliga branschtävlingen för de stora svenska tv-bolagen. ■■ SVT ligger i topp i den årliga förtroendemätning, där företag, myndigheter, medier och institutioner tillfrågas via Medieakademin. Besparingarna som inleddes i april 2008 fullföljdes under 2009. Kostnaderna har nu sänkts med 250 miljoner kronor och SVT har drygt 400 färre heltidstjänster. En ny organisation med tre divisioner (Nyhetsdivisionen, Allmän-tv-divisionen och Division SVTi), jämte en centraliserad och bantad administration, har givit ökad rationalitet och högre beläggning. Detta har möjliggjort att vi kunnat bibehålla – och i något fall förstärka – programbudgeten på tidigare nivåer, trots lägre totala kostnader och färre medarbetare. Under det händelse- rika året 2010 kommer SVT därför att producera OS i Vancouver, kronprinsessans bröllop, ett delat (med TV4) VM i fotboll, en stor satsning på riksdags- och kommunalvalen samt ett utökat utbud av kulturprogram. Under senhösten flyttade Teckenspråks medarbetare från Leksand till Falun. Medarbe- tarna på nyhetsredaktionen Gävle-Dala gick med entusiasm in för att lära sig teckenspråket via dagliga korta lektioner och de två nyhetsdeskarna placerades i samma lokal, vilket möj- liggjort ett uppskattat utbyte mellan de döva och de hörande medarbetarna.
    [Show full text]