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Subversion in Robert Mcliam Wilson's Ripley Bogle
“Down-and-Outs, Subways and Suburbs: Subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)” Marie Mianowski To cite this version: Marie Mianowski. “Down-and-Outs, Subways and Suburbs: Subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)”. Rodopi. Sub-versions: Transnational Readings of Modern Irish Literature. Ciaran Ross, ed., pp.87-100, 2010, 9789042028289 9042028289 9789042028296 9042028297. hal-01913551 HAL Id: hal-01913551 https://hal.archives-ouvertes.fr/hal-01913551 Submitted on 19 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Marie Mianowski – Nantes University, France - "Down-and-outs, subways and suburbs: subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)" Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998) both point to fundamental common issues as far as the notion of subversion is concerned. McLiam Wilson’s eponymous hero is a young Irish tramp wandering in London, who has often been compared to Joyce's Bloom by reviewers. -
New Writing from Ireland
New Writing from Ireland Promoting Irish Literature Abroad Fiction | 1 NEW WRITING FROM ireLAND 2013 This is a year of new beginnings – Ireland first published 2013 Impac Award-winner Literature Exchange has moved offices Kevin Barry’s collection, There Are Little and entered into an exciting partnership Kingdoms in 2007, offers us stories from with the Centre for Literary Translation at Colin Barrett. Trinity College, Dublin. ILE will now have more space to host literary translators from In the children and young adult section we around the world and greater opportunities have debut novels by Katherine Farmar and to organise literary and translation events Natasha Mac a’Bháird and great new novels in co-operation with our partners. by Oisín McGann and Siobhán Parkinson. Writing in Irish is also well represented and Regular readers of New Writing from Ireland includes Raic/Wreck by Máire Uí Dhufaigh, will have noticed our new look. We hope a thrilling novel set on an island on the these changes make our snapshot of Atlantic coast. contemporary Irish writing more attractive and even easier to read! Poetry and non-fiction are included too. A new illustrated book of The Song of Contemporary Irish writing also appears Wandering Aengus by WB Yeats is an exciting to be undergoing a renaissance – a whole departure for the Futa Fata publishing house. 300 pp range of intriguing debut novels appear Leabhar Mór na nAmhrán/The Big Book of this year by writers such as Ciarán Song is an important compendium published Collins, Niamh Boyce, Paul Lynch, Frank by Cló Iar-Chonnacht. -
Indiebestsellers
Indie Bestsellers Fiction Week of 11.18.20 HARDCOVER PAPERBACK 1. The Searcher ★ 1. Devotions: The Selected Poems of Tana French, Viking, $27 Mary Oliver Mary Oliver, Penguin, $20 2. The Vanishing Half Brit Bennett, Riverhead Books, $27 ★ 2. What Kind of Woman: Poems Kate Baer, Harper Perennial, $17 3. Anxious People Fredrik Backman, Atria, $28 3. The Overstory Richard Powers, Norton, $18.95 ★ 4. Moonflower Murders Anthony Horowitz, Harper, $28.99 4. Circe Madeline Miller, Back Bay, $16.99 ★ 5. The Law of Innocence 5. Shuggie Bain Michael Connelly, Little, Brown, $29 Douglas Stuart, Grove Press, $17 6. A Time for Mercy 6. Olive, Again John Grisham, Doubleday, $29.95 Elizabeth Strout, Random House, $18 7. The Invisible Life of Addie LaRue 7. The Nickel Boys V.E. Schwab, Tor, $26.99 Colson Whitehead, Anchor, $15.95 8. Leave the World Behind 8. This Tender Land Rumaan Alam, Ecco, $27.99 William Kent Krueger, Atria, $17 9. Transcendent Kingdom 9. The Best American Short Stories Yaa Gyasi, Knopf, $27.95 2020 Curtis Sittenfeld, Heidi Pitlor (Eds.), Mariner, 10. The Sentinel $16.99 Lee Child, Andrew Child, Delacorte Press, $28.99 10. The Topeka School 11. The Cold Millions Ben Lerner, Picador, $17 Jess Walter, Harper, $28.99 11. A Gentleman in Moscow 12. Memorial Amor Towles, Penguin, $17 Bryan Washington, Riverhead Books, $27 12. The Song of Achilles 13. Mexican Gothic Madeline Miller, Ecco, $16.99 Silvia Moreno-Garcia, Del Rey, $27 13. Homegoing Yaa Gyasi, Vintage, $16.95 14. The Evening and the Morning Ken Follett, Viking, $36 14. -
Sean Elsbernd Prepares for Re-Election Tive Amendment Mandating the Supervisoral Candi- by John Dunbar Newsom Has Been Ratcheted up in 2008
Volumn 20 No. 2 • 821-9443 • www.tpobserver.com • [email protected] • March 2008 then and Now Arden Wood Neighbors, Developers Closer life in the fat lane Neighbor’s PoiNt of VieW DeVeloPer’s MessAge RUMINATIONS OF A FORMER CITIZEN SUPERVISOR By Eric Castongia, Zephyr Real Estate By Robert Mendelsohn, Republic Urban Properties Big Changes presented on the Proposed Arden by Quentin Kopp Wood Development In January, one of our The developers of the proposed housing project daily newspapers which oc- on the Arden Wood property sponsored two work- casionally, like a blind pig shops in February to present their new vision for finding an acorn, identifies the 4.6 acre parcel. In Republic Urban’s words, ‘you taxpayer waste and abuse, talked, we listened’. Their new scheme was a signifi- reported that the Board cant and welcomed departure from the original 13 of Supervisors engaged in and six story towers, which were loudly opposed by fewer meetings while re- neighbors. ceiving vastly higher com- The new scheme consists of four new low-rise pensation than ever before buildings straddling a ‘village drive’ culminating at the relatively recent imposi- a cul-de-sac. Two existing buildings are to stay and tion of election by district. be remodeled as part of the development; building Specifically, in 2002, Charter section 2.100, establish- 701 which is currently staff housing and the director’s ing the compensation and salary of the 11 Board of house. Robert Mendelsohn, President of Republic Over the past year, the West Portal community Supervisors members, was rendered obsolete by a Urban Properties San Francisco Branch, states that has been providing us with their thoughts and ideas Charter amendment that essentially delegated to the although a Planned Unit Development will still be about the project and we have been listening. -
Bernhardt Hamlet Cast FINAL
IMAGES AVAILABLE FOR DOWNLOAD HERE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF “BERNHARDT/HAMLET” FEATURING GOLDEN GLOBE NOMINEE DIANE VENORA AS SARAH BERNHARDT WRITTEN BY THERESA REBECK AND DIRECTED BY SARNA LAPINE ALSO FEATURING NICK BORAINE, ALAN COX, ISAIAH JOHNSON, SHYLA LEFNER, RAYMOND McANALLY, LEVENIX RIDDLE, PAUL DAVID STORY, LUCAS VERBRUGGHE AND GRACE YOO PREVIEWS BEGIN APRIL 7 - OPENING NIGHT IS APRIL 16 LOS ANGELES (February 24, 2020) – Geffen Playhouse today announced the full cast for its West Coast premiere of Bernhardt/Hamlet, written by Theresa Rebeck (Dead Accounts, Seminar) and directed by Sarna Lapine (Sunday in the Park with George). The production features Diane Venora (Bird, Romeo + Juliet) as Sarah Bernhardt. In addition to Venora, the cast features Nick BoraIne (Homeland, Paradise Stop) as Louis, Alan Cox (The Dictator, Young Sherlock Holmes) as Constant Coquelin, Isaiah Johnson (Hamilton, David Makes Man) as Edmond Rostand, Shyla Lefner (Between Two Knees, The Way the Mountain Moved) as Rosamond, Raymond McAnally (Size Matters, Marvelous and the Black Hole) as Raoul, Rosencrantz, and others, Levenix Riddle (The Chi, Carlyle) as Francois, Guildenstern, and others, Paul David Story (The Caine Mutiny Court Martial, Equus) as Maurice, Lucas Verbrugghe (Icebergs, Lazy Eye) as Alphonse Mucha and Grace Yoo (Into The Woods, Root Beer Bandits) as Lysette. It’s 1899, and the legendary Sarah Bernhardt shocks the world by taking on the lead role in Hamlet. While her performance is destined to become one for the ages, Sarah first has to conVince a sea of naysayers that her right to play the part should be based on ability, not gender—a feat as difficult as mastering Shakespeare’s most Verbose tragic hero. -
Mccann Lit Review
Olentangy Local School District Literature Selection Review Teacher: Shachter / Boone / Overbeck /Boden School: Liberty High School Book Title: Let the Great World Spin Genre: Literary Fiction Author: Colum McCann Pages: 400 Publisher: Random House Copyright: December 2009 In a brief rationale, please provide the following information relative to the book you would like added to the school’s book collection for classroom use. You may attach additional pages as needed. Book Summary and summary citation: (suggested resources include book flap summaries, review summaries from publisher, book vendors, etc.) In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people. Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s. Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. -
Dialogues Through Literature
Dialogues Through Literature Aim Using the common interest of books and reading to make connections and develop contacts between existing reading groups and communities affected by the conflict. Goals To challenge stereotypes and develop respect and mutual understanding on a cross community basis. To build sustainable cross community relationships. Project Time Period From Jan 2012 to August 2013. Participants Reading Groups in Counties Cavan, Leitrim, Fermanagh and Tyrone in conjunction with Public Library Services. Participation is not limited to library book groups but open to any book group in the project area. Adult Irish language Reading groups are also welcome. The initiative is addressing a range of themes including: Identity and Belonging Rural and urban life Community dynamics and cultural clashes The voices of other (women, young people etc) Looking North - Looking South Looking West - Looking East Key Dimensions Development of a Shared Reading List Delivery of copies of selected books to Reading Groups involved Inter Group meetings 2 Reading Symposiums – taking place in Ballinamore, Co. Leitrim in Aug 2012 and 2013 Here’s a taste of what we are reading! Sebastian Barry A long, long way Barely 18, Willie Dunne leaves Dublin in 1914 to fight for the Allied cause, largely unaware of the growing political and religious tensions festering back home. Told in Barry's characteristically beautiful prose, it evokes the camaraderie and humour of Willie and his regiment, the Royal Dublin Fusiliers, but also the cruelty and sadness of war, and the divided loyalties that many Irish soldiers felt. Tracing their experiences through the course of the war, the narrative brilliantly explores and dramatises the events of the Easter Rising within Ireland, and how such a seminal political moment came to affect those boys off fighting for the King of England on foreign fields - the paralysing doubts and divisions it caused them. -
2020 Book Groups
JOIN ONE OF OUR BOOK GROUPS! 2020 Meet interesting people. Book Groups Read great books. SHARING STORIES, Red Hook Public Library EXPLORING WORLDS Share your passion. 845.758.3241 Read. Discuss. Connect. Learn something new. 7444 S. Broadway Be challenged. Red Hook, NY 12571 Have fun! www.redhooklibrary.org READ & DISCUSS. AFTERNOON OR EVENING AT THE LIBRARY SHAKESPEARE BOOK GROUP AFTERNOON BOOK GROUP EVENING BOOK GROUP January 13: History of Wolves by Emily Fridlund January: Richard III January 14: The Overstory by Richard Powers February 10: Beloved by Toni Morrison February: Two Gentlemen of Verona February 11: Undaunted Courage by Stephen Ambrose March 16: First: Sandra Day, an American Life by Evan March: Romeo & Juliet March 10: A Fairly Honorable Defeat by Iris Murdoch Thomas April: Richard II April 14: My Name Is Lucy Barton by Elizabeth Strout April 20: Light Between Oceans by ML Stedman May: Henry IV, part 1 May 12: Black Boy by Richard Wright May 18: The Library Book by Susan Orlean June: Henry IV, part 2 June 9: Quartet in Autumn by Barbara Pym June 15: Where the Crawdads Sing by Delia Owens July: Henry V July 14: The Testaments by Margaret Atwood July – Summer Break August – Summer Break August 11: A Stopover in Venice by Kathryn Walker August 17: Book to be Determined September: Midsummer Night’s Dream September 8: Little Fires Everywhere by Celeste Ng September 21: Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe October: King John October 13: Trial By Family by Roselee Blooston October 19: The Testaments by Margaret Attwood November: Love’s Labour’s Lost November 10: The Serengeti Rules by Sean Carroll November 16: All Things Cease to Appear by Elizabeth Brundage December – Winter Break December 8: Poetry December 21: The Dutch House by Ann Patchett Love reading? Want to discuss? Come to Book Club! Shakespeare Book Club meets at 11 a.m. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Edition 3 | 2018-2019
by Theresa Rebeck directed by David Kennedy August 14 – September 1 THE HOWARD J. AIBEL THEATER CENTER WHAT’S INSIDE FROM ARTISTIC DIRECTOR MARK LAMOS 7 TITLE PAGE 11 THE CAST 13 PROGRAM NOTES 15 WHO’S WHO 21 ANNUAL CONTRIBUTORS 28 MAN OF LA MANCHA BOARD OF TRUSTEES AND STAFF 39 SEPTEMBER 25 – OCTOBER 13 ABOUT THE PLAYHOUSE 44 WRITTEN BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION DIRECTED BY MARK LAMOS WINNER OF 5 TONY AWARDS, INCLUDING BEST MUSICAL! The use of photographic or recording THOUSAND PINES devices is strictly prohibited. OCTOBER 30 – NOVEMBER 17 BY MATTHEW GREENE For the enjoyment of all patrons, DIRECTED BY AUSTIN PENDLETON WORLD PREMIERE FROM OUR NEW WORKS CIRCLE INITIATIVE please silence mobile phones, tablets, and other electronic devices. HERSHEY FELDER PRESENTS JOIN THE CONVERSATION WestportCountryPlayhouse DECEMBER 5–22, 2018 adapted and directed by HERSHEY FELDER based on the book @WCPlayhouse THE CHILDREN OF WILLESDEN LANE by Mona Golabek and Lee Cohen wcplayhouse WestportPlayhouse THE UNDERSTUDY 3 WCP | FROM THE ARTISTIC DIRECTOR Dear Friends, Welcome to the third production of our 88th season, There is superb work being done by actors in all The Understudy, Theresa Rebeck’s comedy of life back- fields right now: television, film, and in the hun- stage and onstage, of the overlap of drama and reality, dreds of non-profit regional theaters across our and the one’s infringement on the other, something country. The Understudy celebrates, analyzes and that often becomes the norm in our profession. explores the comedy and drama in the clash of acting “cultures” that can occasionally result in a Casting any production is always a challenge, and certain kind of casting. -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Universidade De São Paulo
1 UNIVERSIDADE DE SÃO PAULO MARIA DO ROSÁRIO CASAS COELHO Let the Great World Spin by Colum McCann: A working through trauma? (VERSÃO CORRIGIDA) São Paulo 2015 2 MARIA DO ROSÁRIO CASAS COELHO Let the Great World Spin by Colum McCann: A working through trauma? (VERSÃO CORRIGIDA) Dissertação apresentada à Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para obtenção do título de Mestre em Letras Área de Concentração: Estudos Linguísticos e Literários em Inglês Orientadora: Profa. Dra. Laura Patrícia de Zuntini Izarra São Paulo 2015 3 Nome: Maria do Rosário Casas Coelho Título: Let the Great World Spin by Colum McCann: A working through trauma? Dissertação apresentada ao Programa de Pós-Graduação em Estudos Linguísticos e Literários em Inglês, do Departamento de Letras Modernas da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, para obtenção do título de Mestre em Letras. Aprovada em: Banca Examinadora: Prof. Dr. _______________________________ Instituição: ___________________________ Julgamento: ____________________________ Assinatura: ___________________________ Prof. Dr. _______________________________ Instituição: ___________________________ Julgamento: ____________________________ Assinatura: ___________________________ Prof. Dr. _______________________________ Instituição: ___________________________ Julgamento: ____________________________ Assinatura: ___________________________ 4 For Gerson, Guilherme and Ana Luisa 5 ACKNOWLEDGMENTS I would like to thank my supervisor, Professor Laura Patrícia de Zuntini Izarra for her generous and kind support throughout the period we worked together, and also for making me believe in my potential as a researcher. I am deeply grateful to Professor Tina O'Toole for her invaluable contribution to this work providing me a great opportunity for learning and developing my research during the Fall of 2014, at University of Limerick.