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A Feminist Jungian Analysis of the Representations of Teenage Females in Films 1950S to 1970S
Edith Cowan University Research Online Theses : Honours Theses 2005 A feminist Jungian analysis of the representations of teenage females in films 1950s ot 1970s Lea O'Dea Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Critical and Cultural Studies Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation O'Dea, L. (2005). A feminist Jungian analysis of the representations of teenage females in films 1950s ot 1970s. https://ro.ecu.edu.au/theses_hons/1262 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1262 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). -
Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966). -
Friends Newsletter
FRIENDS OF THE OVIATT LIBRARY Summer 2009 OOviattviatt FrFriieennddss Oviatt Exhibit Marks CSUN’s 50-year Celebration ifty years ago it was farmland. Today it is a also found some unexpected historical gems that top-tier regional university with a multi- collectively highlight the institution’s triumphs and ethnic student population and thrills, trials and tumults, as it matured F global reach. In celebration of over the past half-century. Here I’ll focus its remarkable metamorphosis from on items that most caught my attention. agriculture to academe, CSUN on My first surprise was a photo of leg- September 22 kicked off a yearlong endary anthropologist, Margaret Mead. observance of its 50th anniversary with Although a member of the University’s the first-ever Founders Day celebration. faculty for more than 45 years, I was As part of the festivities, returning alum- unaware that in 1957 this remarkable, ni, former faculty and staff heard much-in-demand woman had expound- Professor Emeritus John Broesamle, ed on “Changing ideas of discipline” in author of the institution’s history, a temporary classroom on the Suddenly a Giant, expound on near-barren campus of a fledgling the campus’s coming-of-age, and San Fernando Valley State afterwards joined in dedicating College, the institution’s original the James and Mary Cleary Walk, name. But, I discovered she was named in honor of the institu- just one among many luminaries tion’s longest serving president to grace the young institution’s and his wife. At day’s end the halls of learning. I also found returnees were treated to a visual photographic affirmation of visits rerun of the campus’s bygone by: Pulitzer prize-winning poet times at the launch of the Oviatt Gwendolyn Brooks, who in 1972 Library’s exhibition, “Fifty and Images from the Fifty and Fabulous Exhibition enchanted a class with a poetry Fabulous,” in the Tseng Family recitation; actor Jon Voight, who Gallery. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 27 - July 3, 2021 American Graffiti (1973) Cinemax Mon. 4:12 a.m. The Exorcist (1973) TMC Sun. 8 p.m. Father of the Bride (1950) TCM Sun. 3:15 p.m. Finding Nemo (2003) Freeform Sat. 3:10 p.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Wed. 4 p.m. VH1 Wed. 7:30 p.m. Giant (1956) TCM Mon. 3 a.m. Glory (1989) Encore Sun. 11:32 a.m. Encore Sun. 9 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 3:30 p.m. L.A. Confidential (1997) Encore Sun. 7:39 a.m. Encore Sun. 11:06 p.m. The Lady Vanishes (1938) TCM Sun. 3:30 a.m. The Man Who Knew Too Much (1956) TCM Sun. 10:45 a.m. The Man Who Knew Too Much (1934) TCM Sun. 11:15 p.m. Monsieur Hulot's Holiday (1953) TCM Mon. 8:30 p.m. North by Northwest (1959) TCM Sat. 12:15 p.m. Once (2006) Cinemax Mon. 2:44 a.m. Ordinary People (1980) EPIX Tues. 3:45 p.m. Psycho (1960) TCM Sun. 5 p.m. Rear Window (1954) TCM Sat. 7:15 p.m. Saving Private Ryan (1998) BBC America Wed. 8 p.m. BBC America Thur. 4 p.m. Shadow of a Doubt (1943) TCM Sat. 9:15 p.m. -
Die Beach-Party-Filme (1963-1968)
Katja Bruns / James zu Hüningen: Die Beach-Party-Filme (1963-1968) Eine erste Fassung dieses Artikels erschien in: Kieler Beiträge zur Filmmusikforschung 5,4, 2011, S. 623-651. URL der Online-Fassung: http://www.derwulff.de/4-23. Inhalt: BEACH BLANKET BINGO, 1965; HOW TO STUFF A WILD Alphabetisches Verzeichnis der Filme BIKINI, 1965; THE GHOST IN THE INVISIBLE BIKINI, 1966) Chronologisches Verzeichnis der Filme angesehen, um die sich aber schnell Produktionen Literatur anderer Firmen gruppierten, zu denen aber auch wei- tere AIP-Filme (SKI PARTY, 1965, als Variante der Als Beach Party Movies bezeichnet man ein kleines „Ski-Party-Filme“, SERGEANT DEAD HEAD, 1965, und Genre von Filmen, das sich um die Produktionen der DR. GOLDFOOT AND THE BIKINI MACHINE, 1965, als gro- American International Pictures (AIP) versammelt. teske Science-Fiction-Varianten, FIREBALL 500, 1966, Zwar gab es eine Reihe von Vorläufern – zuallererst der eine Autonarren- und Rennfahrergeschichte er- ist die Columbia-Produktion GIDGET aus dem Jahre zählt) gesellten. Alle diese Ableger der Kerngruppe 1959 zu nennen (nach einem Erfolgsroman von Fre- von Filmen (einschließlich einer Horror-Variante) derick Kohner), in dem Sandra Dee als Surferin auf- wurden schon bald auch von anderen Produktionsfir- getreten war –, doch beginnt die kurze Erfolgsge- men fortgeführt. Das Genre erreichte 1965 seinen schichte des Genres erst mit BEACH PARTY (1963), ei- Höhepunkt; selbst Elvis Presley steuerte mit GIRL ner AIP-Produktion, die einen ebenso unerwarteten HAPPY einen für das Genre -
Watch Gidget Goes Hawaiian Free Onli
Watch gidget goes hawaiian free onli Continue GENRE : STAR-CAST : Deborah Wally, Carl Reiner, Jeff Donnell, Mimsey Farmer, Peggy Cass, James Darren, Eddie Foy Jr., Johnny Gilbert, Gerardo Decordovier, Vivian Marshall, Guy Lee, Kam Fong, Bart Patton, Don Edmonds, Joey Baker, Michael Callan, SYNOPSIS: Frances in despair: her parents want to get her to go on vacation with them When he invites her to do it, she's even more in a panic - doesn't he want to be with her? So she goes to Hawaii in a worse mood. On the plane, she meets a sociable Abby, who gives her advice to forget about Jeff - and regrets it soon after, when Frances follows the advice and steals her boyfriend Eddie, a famous dancer. But then Jeff discovers that he is missing Francis... Watch Gidget Goes Hawaiian (1961) Full Film Online Close Ad by Clicking Small x. Gidget Goes Hawaiian (1961) Movie Alternative Links HD PLAYER LINK Gidget Goes Hawaiian Movie HD Player Link Movie Gidget Goes Hawaiian was released in 1961 and the film 101 minutes from the moment of its available here, so you can watch Gidget Goes Goes for free online. The film's director Paul Wendkos. Both actors and actress in the Gidget Goes Hawaiian film Deborah Wally, Carl Reiner, Jeff Donnell, Mimsey Farmer, Peggy Cass, James Darren, Eddie Foy Jr., Johnny Gilbert, Jerado Decordovier, Vivian Marshall, Guy Lee, Cam Fong, Bart Patton, Don Edmonds, Jobe Baker, Michael Callan, Looks like some famous Stars Right Cast. It belongs to the genre of Comedy, Music, Romance,. Free Movies Online Without Downloading or Registration Search Terms: Download Gidget Goes Hawaiian Full Movie Online Free Gidget Goes Hawaiian Film Watch online Enjoy free movie Gidget Goes Hawaiian free movies online without downloading or registering Watch Gidget Goes Hawaiian in high definition Full Film Gidget Goes Hawaiian Watch Free Online Putlocker 0 Rating (0) Frankin (0) Frankin (0) to get her to go with them on vacation to Hawaii - only for two weeks when her beloved Moondoggie is at home from college. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of May 9 - 15, 2021 Adam's Rib (1949) TCM Wed. 5 p.m. Almost Famous (2000) EPIX Thur. 9:50 p.m. Around the World in 80 Days (1956) TCM Thur. 6:15 a.m. Beauty and the Beast (1991) Freeform Tues. 8 p.m. Casablanca (1942) TCM Sat. 12:45 p.m. Dodsworth (1936) TCM Thur. 4:30 a.m. Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (1964) TMC Thur. 6:30 a.m. East of Eden (1955) TCM Sat. 10:30 a.m. The Enchanted Cottage (1945) TCM Tues. 11:30 p.m. The Exorcist (1973) Showtime Sat. 12:30 p.m. Forrest Gump (1994) Comedy Central Sat. 4 p.m. Comedy Central Sat. 7 p.m. Hannah and Her Sisters (1986) Showtime Thur. 4:10 a.m. TMC Sat. 1:05 a.m. I Remember Mama (1948) TCM Sun. 1:30 p.m. The Philadelphia Story (1940) TCM Wed. 1:15 p.m. Raiders of the Lost Ark (1981) Paramount Sat. 11:45 a.m. Rosemary's Baby (1968) Showtime Sat. 2:35 a.m. The Silence of the Lambs (1991) Showtime Mon. Noon Taxi Driver (1976) Showtime Tues. 1:45 a.m. Terminator 2: Judgment Day (1991) BBC America Thur. 8 p.m. BBC America Thur. 11 p.m. Titanic (1997) Starz Mon. 2:19 p.m. Starz Thur. 7:33 a.m. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
Rating Guide 27 5P; 28 12P Comedy Gomez, Morticia and Their Natasha
park where the rides are designed with Elizabeth Hawthorne. (PG-13, 2:00) ’18 minimum safety for maximum fun. When SHOS-E 321 June 13 7:30a, TMC-E 327 a corporate mega-park opens nearby, June 1 5:15a, 10p; 9 11a; 17 6:15p; 20 D.C. and his loony crew of misfits must 7:45a; 28 2p; 29 4:30a, TMCX-E 328 adventurer and a botanist lead a Tibetan pull out all the stops to try and save the June 2 9:30a; 4 10p; 7 2:50p; 27 4:15p; A search for the legendary big-footed Yetis. day. Johnny Knoxville, Chris Pontius, 30 11:15a Dan Bakkedahl, Matt Schulze. (1:30) ’18 Abducted Suspense A war hero Forrest Tucker, Peter Cushing, Maureen Adventureland 555 Comedy-Drama 9 EPIX 380 June 13 6:30a, EPIX2 381 June takes matters into his own hands Connell, Richard Wattis. (1:30) ’57 A college grad takes a lowly job at an A FXM 384 June 10 4:30a, 11:50a; 16 7 5:40a, EPIXHIT 382 June 11 8:45a; 12 amusement park after his parents refuse when a kidnapper snatches his 8:05a; 25 8:20a young daughter during a home 11:50a; 27 9:35a; 28 6a to fund his long-anticipated trip to Europe. invasion. Scout Taylor-Compton, Daniel About a Boy 555 Comedy-Drama An An Actor Prepares Comedy After Jesse Eisenberg, Kristen Stewart, Martin Joseph, Michael Urie, Najarra Townsend. irresponsible playboy becomes emotion- suffering a heart attack, a hard-drinking Starr, Kristen Wiig. -
Some Notes on the Constituent Structure of Noun Phrases Emmon W Bach
University of Massachusetts Amherst From the SelectedWorks of Emmon W. Bach 1963 Some notes on the constituent structure of noun phrases Emmon W Bach Available at: https://works.bepress.com/emmon_bach/7/ MISCELLANY 295 "Let me in on the gag, you guys." I tried to be real cool about it. The great Kahoona grinned. "It's derived by osmosis," he said. "A small girl. Sort of a midget. A girl midget. A gidget. Get it?"x3 2. "LADY" AND "WOMAN': THE TERMS USE IN THE I88OS Louise M. Ackerman, in discussing today's usage, states that "the word lady has become fully accepted as a synonym for wvoman."' Perhaps the following example may be of interest in that it illustrates a usage during a period when the terms were not interchangeable: Mrs. V. [Mrs. Van Amsterdam of a "Knickerbocker family whose blood was very blue."] (To other ladies.) Come ladies, I shall waste no more words with that woman! Mrs. B. [Mrs. Bonds, a wealthy widow from the Midwest.] (Turning around.) Woman! do you mean to call me a woman! [punctuation sic.]2 ALBERT F. MOE Oakland, California SOME NOTES ON THE CONSTITUENT STRUCTURE OF NOUN PHRASES Robert B. Lees's article on "The Constituent Structure of Noun Phrases"' invites a number of comments. Since the definite article is introduced as dependent on a (subsequently de- letable) relative clause symbol, "CN" (p. 164, rules iv and ix), there will be kernel sentences enumerated by Lees's grammar which are not sentences of English, for instance, "The C, man is on the C, corner" (and nonkernel, derived sentences such as "The man is on the comrner"). -
Cruising for Community: Youth Culture and Politics in Los Angeles, 1910-1970
Cruising For Community: Youth Culture and Politics in Los Angeles, 1910-1970 By Matthew Allan Ides A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2009 Doctoral Committee: Associate Professor Matthew D. Lassiter, Co-chair Professor Regina Morantz-Sanchez, Co-chair Associate Professor James W. Cook Jr. Associate Professor Paul A. Anderson Acknowledgements A list of everyone who has supported me through my years of graduate work is frankly untenable. So instead, I will identify advisors, colleagues, friends, and family who in the last couple of years helped me through the final stage of my graduate career. First and foremost, I would like to thank my family. Joel in his Venice pad was always there for a place to crash or a shared meal on research trips. Kate, and her husband Brun, served as a new source of friendship in Ann Arbor at the end stages of the dissertation. My parents, Allan and Cindi, have been a constant source of emotional and financial support—and in many ways, as young Angelinos in the mid-20th century, my dissertation is a tribute to them. My father, Allan, also provided me with excellent feedback on many chapter drafts, thereby providing a role model as teacher/scholar. In Ann Arbor, I have had the privilege of meeting and working with many creative and intelligent people. Pete Soppelsa, Dan Rose, Megan Biddinger, Urmila Venkatesh, Afia Ofori-Mensa, Tyler Cornelius, Matthew Wittmann, Elizabeth Ben-Ishai, Dros Adamson, Bob Rich, Charles Gentry, and Mark Dilley have all at times provided me with sources of both intellectual stimulation and down righ good fun. -
Die Beach-Party-Filme (1963-1968) 2011
Repositorium für die Medienwissenschaft Katja Bruns; James zu Hüningen Die Beach-Party-Filme (1963-1968) 2011 https://doi.org/10.25969/mediarep/12745 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Bruns, Katja; Hüningen, James zu: Die Beach-Party-Filme (1963-1968). Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 115). DOI: https://doi.org/10.25969/mediarep/12745. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0115_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 115, 2010: Beach-Party-Filme. Redaktion und Copyright dieser Ausgabe: Katja Bruns, James zu Hüningen. ISSN 1613-7477. Eine Parallelausgabe der Filmographie erscheint in: Kieler Beiträge zur Filmmusikforschung 5,4, 2011, S. 623-651. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0115_11.html Letzte Änderung: 1.2.2011. Die Beach-Party-Filme (1963-1968) Zusammengestellt von Katja Bruns und James zu Hüningen Inhalt: Es handelte sich ausschließlich um minimal budge- Alphabetisches Verzeichnis der Filme tierte Filme, die on location vor allem an den Strän- Chronologisches Verzeichnis der Filme den Kaliforniens (meist am Paradise Cove) aufge- Literatur nommen wurden; später kamen auch Aufnahmen auf Hawaii und an anderen berühmten Surfer-Stränden Als Beach Party Movies bezeichnet man ein kleines zustande.