XML Applications and Initiatives

XML Applications and Initiatives ● Hundreds of document formats using XML syntax have been developed,including RSS, Atom, SOAP, SVG, and XHTML. ● XML-based formats have become the default for many office-productivity tools, including Microsoft Office (Office Open XML), OpenOffice.org and LibreOffice (OpenDocument), and Apple's iWork. XML ha ● XML has also provided the base language for communication protocols such as XMPP. ● Applications for the Microsoft .NET Framework use XML files for configuration. ● Apple has an implementation of a registry based on XML. Link: http://xml.coverpages.org/xmlApplications.html MusicXML MusicXML is the standard open format for exchanging digital sheet music. It allows you to collaborate with musicians using different music applications. Examples: http://www.musicxml.com/music-in-musicxml/example-set/ http://www.musicxml.com/for-developers/ VoiceXML (VXML) VoiceXML (VXML) is a digital document standard for specifying interactive media and voice dialogs between humans and computers. It is used for developing audio and voice response applications, such as banking systems and automated customer service portals. Overview and Examples: https://www.w3.org/TR/voicexml20/#dml1 ComicsML A Simple Markup Language for Comics. To facilitate comics in the web:could help digital comics assert their value as online resources and as art forms. https://www.xml.com/pub/a/2001/04/18/comicsml.html MathsML MathML is a low-level specification for mathematical and scientific content on the Web and beyond. https://www.w3.org/Math/ https://www.dessci.com/en/reference/MathMLTestSuite/index.html .

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Recommended Formats Statement 2019-2020
Library of Congress Recommended Formats Statement 2019-2020 For online version, see https://www.loc.gov/preservation/resources/rfs/index.html Introduction to the 2019-2020 revision ....................................................................... 2 I. Textual Works and Musical Compositions ............................................................ 4 i. Textual Works – Print .................................................................................................... 4 ii. Textual Works – Digital ................................................................................................ 6 iii. Textual Works – Electronic serials .............................................................................. 8 iv. Digital Musical Compositions (score-based representations) .................................. 11 II. Still Image Works ............................................................................................... 13 i. Photographs – Print .................................................................................................... 13 ii. Photographs – Digital ................................................................................................. 14 iii. Other Graphic Images – Print .................................................................................... 15 iv. Other Graphic Images – Digital ................................................................................. 16 v. Microforms ................................................................................................................
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The Music Encoding Initiative As a Document-Encoding Framework
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Dynamic Generation of Musical Notation from Musicxml Input on an Android Tablet
Dynamic Generation of Musical Notation from MusicXML Input on an Android Tablet THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Science in the Graduate School of The Ohio State University By Laura Lynn Housley Graduate Program in Computer Science and Engineering The Ohio State University 2012 Master's Examination Committee: Rajiv Ramnath, Advisor Jayashree Ramanathan Copyright by Laura Lynn Housley 2012 Abstract For the purpose of increasing accessibility and customizability of sheet music, an application on an Android tablet was designed that generates and displays sheet music from a MusicXML input file. Generating sheet music on a tablet device from a MusicXML file poses many interesting challenges. When a user is allowed to set the size and colors of an image, the image must be redrawn with every change. Instead of zooming in and out on an already existing image, the positions of the various musical symbols must be recalculated to fit the new dimensions. These changes must preserve the relationships between the various musical symbols. Other topics include the laying out and measuring of notes, accidentals, beams, slurs, and staffs. In addition to drawing a large bitmap, an application that effectively presents sheet music must provide a way to scroll this music across a small tablet screen at a specified tempo. A method for using animation on Android is discussed that accomplishes this scrolling requirement. Also a generalized method for writing text-based documents to describe notations similar to musical notation is discussed. This method is based off of the knowledge gained from using MusicXML.
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Scanscore 2 Manual
ScanScore 2 Manual Copyright © 2020 by Lugert Verlag. All Rights Reserved. ScanScore 2 Manual Inhaltsverzeichnis Welcome to ScanScore 2 ..................................................................................... 3 Overview ...................................................................................................... 4 Quickstart ..................................................................................................... 4 What ScanScore is not .................................................................................... 6 Scanning and importing scores ............................................................................ 6 Importing files ............................................................................................... 7 Using a scanner ............................................................................................. 7 Using a smartphone ....................................................................................... 7 Open ScanScore project .................................................................................. 8 Multipage import ............................................................................................ 8 Working with ScanScore ..................................................................................... 8 The menu bar ................................................................................................ 8 The File Menu ............................................................................................ 9 The
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Methodology and Technical Methods
Recordare MusicXML: Methodology and Technical Methods Michael Good Recordare LLC Los Altos, California, USA [email protected] 17 November 2006 Copyright © 2006 Recordare LLC 1 Outline Personal introduction What is MusicXML? Design methodology Technical methods MusicXML use today Suitability for digital music editions Recommendations Future directions 17 November 2006 Copyright © 2006 Recordare LLC 2 My Background B.S. and M.S. in computer science from Massachusetts Institute of Technology B.S. thesis on representing scores in Music11 Trumpet on MIT Symphony Orchestra recordings available on Vox/Turnabout Opera and symphony chorus tenor; have performed for Alsop, Nagano, Ozawa Worked in software usability at SAP and DEC before founding Recordare in 2000 17 November 2006 Copyright © 2006 Recordare LLC 3 What is MusicXML? The first standard computer format for common Western music notation Covers 17th century onwards Available via a royalty-free license Supported by over 60 applications, including Finale, Sibelius, capella, and music scanners Useful for music display, performance, retrieval, and analysis applications Based on industry standard XML technology 17 November 2006 Copyright © 2006 Recordare LLC 4 The Importance of XML XML is a language for developing specialized formats like MusicXML, MathML, and ODF XML files can be read in any computer text editor Fully internationalized via Unicode The files are human readable as well as machine readable Each specialized format can use standard XML tools Allows musicians to leverage the large
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Proposals for Musicxml 3.2 and MNX Implementation from the DAISY Music Braille Project
Proposals for MusicXML 3.2 and MNX Implementation from the DAISY Music Braille Project 11 March 2019 Author: Haipeng Hu, Matthias Leopold With contributions from: Jostein Austvik Jacobsen, Lori Kernohan, Sarah Morley Wilkins. This document provides general suggestions on the implementation of MusicXML 3.2 and MNX formats, hoping they can be more braille-transcription-friendly. But it doesn't limit to the requirement of music braille transcription. Some of the points may also benefit the common transformation of musical data to be more accurately and clearly. Note: The word “text” in this document specifically means all non-lyrics texts, such as titles, composers, credit page information, as well as expression / technique / instructional texts applied to a staff or the whole system. A. MusicXML 3.2 Suggestions 1. If possible, implement a flow to include all system-wide texts (such as tempo texts, stage indications), lines (such as a line with text “poco a poco rit.”) and symbols (such as a big fermata or breath mark above the whole system), like the "global" section of MNX, so that all things in it can affect the whole score instead of the topmost staff or (in orchestra) piccolo and first violin staves. This can also ease part extraction. The position of the elements can be placed using the forward command. (e.g. in SATB choir pieces: sometimes breathing marks, dynamics and wedges are only written once in Soprano but are meant to apply to all voices; and in orchestral scores, tempo texts and overall indications are written above piccolo and first violin; and some big fermata or breath marks appear above every instrument category).
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Access Control Models for XML
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Beyond PDF – Exchange and Publish Scores with Musicxml
Beyond PDF – Exchange and Publish Scores with MusicXML MICHAEL GOOD! DIRECTOR OF DIGITAL SHEET MUSIC! ! APRIL 12, 2013! Agenda • Introduction to MusicXML • MusicXML status and progress in the past year • Possible future directions for MusicXML • Interactive discussions throughout What is MusicXML? • The standard open format for exchanging digital sheet music between applications • Invented by Michael Good at Recordare in 2000 • Developed collaboratively by a community of hundreds of musicians and software developers over the past 13 years • Available under an open, royalty-free license that is friendly for both open-source and proprietary software • Supported by over 160 applications worldwide What’s Wrong With Using PDF? • PDF: Portable Document Format • The standard format for exchanging and distributing final form documents • High graphical fidelity • But it has no musical knowledge – No playback – No alternative layouts – Limited editing and interactivity • PDF duplicates paper – it does not take advantage of the interactive potential for digital sheet music MusicXML Is a Notation Format • Music is represented using the semantic concepts behind common Western music notation • Includes both how a score looks and how it plays back • Includes low-level details of the appearance of a particular engraving, or the nuances of a particular performance – Allows transfer of music between applications with high visual fidelity – Also allows the visual details to be ignored when appropriate – The best display for paper is often not the best for
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Recordare Case Study
Recordare Case Study Recordare Case Study An Altova customer uses XMLSpy and DiffDog to develop MusicXML-based “universal translator” plugins for popular music notation programs. Overview Recordare® is a technology company focused on and Sibelius®. The list of MusicXML adopters also providing software and services to the musical includes optical scanning utilities like SharpEye or community. Their flagship products, the Dolet® capella-scan, music sequencers like Cubase, and plugin family, are platform-independent plugins beyond. Dolet increases the MusicXML support in for popular music notation programs, facilitating all of these programs and promotes interoperability the seamless exchange and interaction of sheet and the sharing of musical scores. music data files by leveraging MusicXML. In creating the Dolet plugins, Recordare used Dolet acts as a high quality translator between Altova's XML editor, XMLSpy, for editing and the MusicXML data format and other applications, testing the necessary MusicXML XML Schemas enabling users to work with these files on any con- and DTDs, and its diff/merge tool, DiffDog, for ceivable system, including industry leading notation regression testing. and musical composition applications Finale® The Challenge Music interchange between applications had Since its original release by Recordare in January traditionally been executed using the MIDI of 2004 (version 2.0 was released in June 2007), (Musical Instrument Digital Interface) file format, MusicXML has gained acceptance in the music a message transfer protocol that has its roots in notation industry with support in over 100 leading electronic music. MIDI is not an ideal transfer products, and is recognized as the de facto XML format for printed music, because it does not take standard for music notation interchange.
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Deliverable 5.2 Score Edition Component V2
Ref. Ares(2021)2031810 - 22/03/2021 TROMPA: Towards Richer Online Music Public-domain Archives Deliverable 5.2 Score Edition Component v2 Grant Agreement nr 770376 Project runtime May 2018 - April 2021 Document Reference TR-D5.2-Score Edition Component v2 Work Package WP5 - TROMPA Contributor Environment Deliverable Type Report Dissemination Level PU Document due date 28 February 2021 Date of submission 28 February 2021 Leader GOLD Contact Person Tim Crawford (GOLD) Authors Tim Crawford (GOLD), David Weigl, Werner Goebl (MDW) Reviewers David Linssen (VD), Emilia Gomez, Aggelos Gkiokas (UPF) TR-D5.2-Score Edition Component v2 1 Executive Summary This document describes tooling developed as part of the TROMPA Digital Score Edition deliverable, including an extension for the Atom text editor desktop application to aid in the finalisation of digital score encodings, a Javascript module supporting selection of elements upon a rendered digital score, and the Music Scholars Annotation Tool, a web app integrating this component, in which users can select, view and interact with musical scores which have been encoded using the MEI (Music Encoding Initiative) XML format. The most important feature of the Annotation Tool is the facility for users to make annotations to the scores in a number of ways (textual comments or cued links to media such as audio or video, which can then be displayed in a dedicated area of the interface, or to external resources such as html pages) which they ‘own’, in the sense that they may be kept private or ‘published’ to other TROMPA users of the same scores. These were the main requirements of Task 5.2 of the TROMPA project.
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2021-2022 Recommended Formats Statement
Library of Congress Recommended Formats Statement 2021-2022 For online version, see Recommended Formats Statement - 2021-2022 (link) Introduction to the 2021-2022 revision ....................................................................... 3 I. Textual Works ...................................................................................................... 5 i. Textual Works – Print (books, etc.) ........................................................................................................... 5 ii. Textual Works – Digital ............................................................................................................................ 7 iii. Textual Works – Electronic serials .......................................................................................................... 9 II. Still Image Works ............................................................................................... 12 i. Photographs – Print ................................................................................................................................ 12 ii. Photographs – Digital............................................................................................................................. 13 iii. Other Graphic Images – Print (posters, postcards, fine prints) ............................................................ 14 iv. Other Graphic Images – Digital ............................................................................................................. 15 v. Microforms ...........................................................................................................................................
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Framework for a Music Markup Language Jacques Steyn Consultant PO Box 14097 Hatfield 0028 South Africa +27 72 129 4740 [email protected]
Framework for a music markup language Jacques Steyn Consultant PO Box 14097 Hatfield 0028 South Africa +27 72 129 4740 [email protected] ABSTRACT Montgomery), FlowML (Bert Schiettecatte), MusicML (Jeroen van Rotterdam), MusiXML (Gerd Castan), and Objects and processes of music that would be marked with MusicXML (Michael Good), all of which focus on subsets a markup language need to be demarcated before a markup of CWN. ChordML (Gustavo Frederico) focuses on simple language can be designed. This paper investigates issues to lyrics and chords of music. MML (Jacques Steyn) is the be considered for the design of an XML-based general only known attempt to address music objects and events in music markup language. Most present efforts focus on general. CWN (Common Western Notation), yet that system addresses only a fraction of the domain of music. It is In this paper I will investigate the possible scope of music argued that a general music markup language should objects and processes that need to be considered for a consider more than just CWN. A framework for such a comprehensive or general music markup language that is comprehensive general music markup language is XML-based. To begin with, I propose the following basic proposed. Such a general markup language should consist requirements for such a general music markup language. of modules that could be appended to core modules on a 2 REQUIREMENTS FOR A MUSIC MARKUP needs basis. LANGUAGE Keywords A general music markup language should Music Markup Language, music modules, music processes, S music objects, XML conform to XML requirements as published by the W3C 1 INTRODUCTION S use common English music terminology for The use of markup languages exploded after the element and attribute names introduction of the World Wide Web, particularly HTML, S which is a very simple application of SGML (Standard address intrinsic as well as extrinsic music objects General Markup Language).
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