Deliverable 5.2 Score Edition Component V2
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Recommended Formats Statement 2019-2020
Library of Congress Recommended Formats Statement 2019-2020 For online version, see https://www.loc.gov/preservation/resources/rfs/index.html Introduction to the 2019-2020 revision ....................................................................... 2 I. Textual Works and Musical Compositions ............................................................ 4 i. Textual Works – Print .................................................................................................... 4 ii. Textual Works – Digital ................................................................................................ 6 iii. Textual Works – Electronic serials .............................................................................. 8 iv. Digital Musical Compositions (score-based representations) .................................. 11 II. Still Image Works ............................................................................................... 13 i. Photographs – Print .................................................................................................... 13 ii. Photographs – Digital ................................................................................................. 14 iii. Other Graphic Images – Print .................................................................................... 15 iv. Other Graphic Images – Digital ................................................................................. 16 v. Microforms ................................................................................................................ -
The Music Encoding Initiative As a Document-Encoding Framework
12th International Society for Music Information Retrieval Conference (ISMIR 2011) THE MUSIC ENCODING INITIATIVE AS A DOCUMENT-ENCODING FRAMEWORK Andrew Hankinson1 Perry Roland2 Ichiro Fujinaga1 1CIRMMT / Schulich School of Music, McGill University 2University of Virginia [email protected], [email protected], [email protected] ABSTRACT duplication of effort that comes with building entire encoding schemes from the ground up. Recent changes in the Music Encoding Initiative (MEI) In this paper we introduce the new tools and techniques have transformed it into an extensible platform from which available in MEI 2011. We start with a look at the current new notation encoding schemes can be produced. This state of music document encoding techniques. Then, we paper introduces MEI as a document-encoding framework, discuss the theory and practice behind the customization and illustrates how it can be extended to encode new types techniques developed by the TEI community and how their of notation, eliminating the need for creating specialized application to MEI allows the development of new and potentially incompatible notation encoding standards. extensions that leverage the existing music document- 1. INTRODUCTION encoding platform developed by the MEI community. We also introduce a new initiative for sharing these The Music Encoding Initiative (MEI)1 is a community- customizations, the MEI Incubator. Following this, we driven effort to define guidelines for encoding musical present a sample customization to illustrate how MEI can documents in a machine-readable structure. The MEI be extended to more accurately capture new and unique closely mirrors work done by text scholars in the Text music notation sources. -
Dynamic Generation of Musical Notation from Musicxml Input on an Android Tablet
Dynamic Generation of Musical Notation from MusicXML Input on an Android Tablet THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Science in the Graduate School of The Ohio State University By Laura Lynn Housley Graduate Program in Computer Science and Engineering The Ohio State University 2012 Master's Examination Committee: Rajiv Ramnath, Advisor Jayashree Ramanathan Copyright by Laura Lynn Housley 2012 Abstract For the purpose of increasing accessibility and customizability of sheet music, an application on an Android tablet was designed that generates and displays sheet music from a MusicXML input file. Generating sheet music on a tablet device from a MusicXML file poses many interesting challenges. When a user is allowed to set the size and colors of an image, the image must be redrawn with every change. Instead of zooming in and out on an already existing image, the positions of the various musical symbols must be recalculated to fit the new dimensions. These changes must preserve the relationships between the various musical symbols. Other topics include the laying out and measuring of notes, accidentals, beams, slurs, and staffs. In addition to drawing a large bitmap, an application that effectively presents sheet music must provide a way to scroll this music across a small tablet screen at a specified tempo. A method for using animation on Android is discussed that accomplishes this scrolling requirement. Also a generalized method for writing text-based documents to describe notations similar to musical notation is discussed. This method is based off of the knowledge gained from using MusicXML. -
Transformation Frameworks and Their Relevance in Universal Design
Universal Access in the Information Society manuscript No. (will be inserted by the editor) Transformation frameworks and their relevance in universal design Silas S. Brown and Peter Robinson University of Cambridge Computer Laboratory 15 JJ Thomson Avenue, Cambridge CB3 0FD, UK e-mail: fSilas.Brown,[email protected] Received: date / Revised version: date Category: Long Paper – Some algorithms can be simplified if the data is first transformed into a convenient structure. Many algo- Key words notations, transformation, conversion, ed- rithms can be regarded as transformations in their ucation, tools, 4DML own right. Abstract Music, engineering, mathematics, and many – Transformation can be important when presenting other disciplines have established notations for writing data to the user and when accepting user input. their documents. Adjusting these notations can con- This last point, namely the importance of transfor- tribute to universal access by helping to address access mation in user interaction, is relevant to universal design difficulties such as disabilities, cultural backgrounds, or and will be elaborated here. restrictive hardware. Tools that support the program- ming of such transformations can also assist by allowing the creation of new notations on demand, which is an 1.1 Transformation in universal design under-explored option in the relief of educational diffi- culties. Universal design aims to develop “technologies which This paper reviews some programming tools that can are accessible and usable by all citizens. thus avoid- be used to effect such transformations. It also introduces ing the need for a posteriori adaptations or specialised a tool, called “4DML”, that allows the programmer to design” [37]. -
The Text Encoding Initiative Nancy Ide
Encoding standards for large text resources: The Text Encoding Initiative Nancy Ide LaboratoirE Parole et Langage Department of Computer Science CNRS/Universitd de Provence Vassar College 29, Avenue R.obert Schuman Poughkeepsie, New York 12601 (U.S.A.) 13621 Aix-en-Provence Cedex 1 (France) e-maih ide@cs, vassar, edu Abstract. The Text Encoding Initiative (TEl) is an considerable work to develop adequately large and international project established in 1988 to develop appropriately constituted textual resources still remains. guidelines for the preparation and interchange of The demand for extensive reusability of large text electronic texts for research, and to satisfy a broad range collections in turn requires the development of of uses by the language industries more generally. The standardized encoding formats for this data. It is no longer need for standardized encoding practices has become realistic to distribute data in ad hoc formats, since the inxreasingly critical as the need to use and, most eflbrt and resources required to clean tip and reformat the importantly, reuse vast amounts of electronic text has data for local use is at best costly, and in many cases dramatically increased for both research and industry, in prohibitive. Because much existing and potentially particular for natural language processing. In January available data was originally formatted R)r the purposes 1994, the TEl isstled its Guidelines for the Fmcoding and of printing, the information explicitly represented in the hiterehange of Machine-Readable Texts, which provide encoding concerns a imrticular physical realization of a standardized encoding conventions for a large range of text rather than its logical strttcture (which is of greater text types and features relevant for a broad range of interest for most NLP applications), and the applications. -
Scanscore 2 Manual
ScanScore 2 Manual Copyright © 2020 by Lugert Verlag. All Rights Reserved. ScanScore 2 Manual Inhaltsverzeichnis Welcome to ScanScore 2 ..................................................................................... 3 Overview ...................................................................................................... 4 Quickstart ..................................................................................................... 4 What ScanScore is not .................................................................................... 6 Scanning and importing scores ............................................................................ 6 Importing files ............................................................................................... 7 Using a scanner ............................................................................................. 7 Using a smartphone ....................................................................................... 7 Open ScanScore project .................................................................................. 8 Multipage import ............................................................................................ 8 Working with ScanScore ..................................................................................... 8 The menu bar ................................................................................................ 8 The File Menu ............................................................................................ 9 The -
Methodology and Technical Methods
Recordare MusicXML: Methodology and Technical Methods Michael Good Recordare LLC Los Altos, California, USA [email protected] 17 November 2006 Copyright © 2006 Recordare LLC 1 Outline Personal introduction What is MusicXML? Design methodology Technical methods MusicXML use today Suitability for digital music editions Recommendations Future directions 17 November 2006 Copyright © 2006 Recordare LLC 2 My Background B.S. and M.S. in computer science from Massachusetts Institute of Technology B.S. thesis on representing scores in Music11 Trumpet on MIT Symphony Orchestra recordings available on Vox/Turnabout Opera and symphony chorus tenor; have performed for Alsop, Nagano, Ozawa Worked in software usability at SAP and DEC before founding Recordare in 2000 17 November 2006 Copyright © 2006 Recordare LLC 3 What is MusicXML? The first standard computer format for common Western music notation Covers 17th century onwards Available via a royalty-free license Supported by over 60 applications, including Finale, Sibelius, capella, and music scanners Useful for music display, performance, retrieval, and analysis applications Based on industry standard XML technology 17 November 2006 Copyright © 2006 Recordare LLC 4 The Importance of XML XML is a language for developing specialized formats like MusicXML, MathML, and ODF XML files can be read in any computer text editor Fully internationalized via Unicode The files are human readable as well as machine readable Each specialized format can use standard XML tools Allows musicians to leverage the large -
SGML As a Framework for Digital Preservation and Access. INSTITUTION Commission on Preservation and Access, Washington, DC
DOCUMENT RESUME ED 417 748 IR 056 976 AUTHOR Coleman, James; Willis, Don TITLE SGML as a Framework for Digital Preservation and Access. INSTITUTION Commission on Preservation and Access, Washington, DC. ISBN ISBN-1-887334-54-8 PUB DATE 1997-07-00 NOTE 55p. AVAILABLE FROM Commission on Preservation and Access, A Program of the Council on Library and Information Resources, 1400 16th Street, NW, Suite 740, Washington, DC 20036-2217 ($20). PUB TYPE Reports Evaluative (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS *Access to Information; Computer Oriented Programs; *Electronic Libraries; *Information Retrieval; Library Automation; Online Catalogs; *Preservation; Standards IDENTIFIERS Digital Technology; *SGML ABSTRACT This report explores the suitability of Standard Generalized Markup Language (SGML) as a framework for building, managing, and providing access to digital libraries, with special emphasis on preservation and access issues. SGML is an international standard (ISO 8879) designed to promote text interchange. It is used to define markup languages, which can then encode the logical structure and content of any so-defined document. The connection between SGML and the traditional concerns of preservation and access may not be immediately apparent, but the use of descriptive markup tools such as SGML is crucial to the quality and long-term accessibility of digitized materials. Beginning with a general exploration of digital formats for preservation and access, the report provides a staged technical tutorial on the features and uses of SGML. The tutorial covers SGML and related standards, SGML Document Type Definitions in current use, and related projects now under development. A tiered metadata model is described that could incorporate SGML along with other standards to facilitate discovery and retrieval of digital documents. -
A Standard Format Proposal for Hierarchical Analyses and Representations
A standard format proposal for hierarchical analyses and representations David Rizo Alan Marsden Department of Software and Computing Lancaster Institute for the Contemporary Arts, Systems, University of Alicante Lancaster University Instituto Superior de Enseñanzas Artísticas de la Bailrigg Comunidad Valenciana Lancaster LA1 4YW, UK Ctra. San Vicente s/n. E-03690 [email protected] San Vicente del Raspeig, Alicante, Spain [email protected] ABSTRACT portant place in historical research, in pedagogy, and even in such In the realm of digital musicology, standardizations efforts to date humble publications as concert programme notes. have mostly concentrated on the representation of music. Anal- Standard text is generally a crucial part of music analyses, often yses of music are increasingly being generated or communicated augmented by specialist terminology, and frequently accompanied by digital means. We demonstrate that the same arguments for the by some form of diagram or other graphical representation. There desirability of standardization in the representation of music apply are well established ways of representing texts in digital form, but also to the representation of analyses of music: proper preservation, not for the representation of analytical diagrams. In some cases sharing of data, and facilitation of digital processing. We concen- the diagrams are very like music notation, with just the addition of trate here on analyses which can be described as hierarchical and textual labels, brackets or a few other symbols (see Figure 1). In show that this covers a broad range of existing analytical formats. other cases they are more elaborate, and might not make direct use We propose an extension of MEI (Music Encoding Initiative) to al- of musical notation at all. -
Syllabus FREN379 Winter 2020
Department of French and Italian Studies University of Washington Winter 2020 FRENCH 379 Eighteenth-Century France Through Digital Archives and Tools Tues, Thurs 1:30-3:20 Denny 159 Geoffrey Turnovsky ([email protected]) Padelford C-255; 685-1618 Office Hours: M 1-3pm and by appointment Description. The last decade or two has witnessed a huge migration of texts and data onto digital platforms, where they can be accessed, in many cases, by anyone anywhere. This is a terrific benefit to students and teachers alike, who otherwise wouldn't be able to consult these materials; and it has transformed the kind of work and research we can do in the French program and in the Humanities. We can now discover obscure, archival documents which we would never have been able to find in the past. And we can look at classic works in their original forms, rather than in contemporary re-editions that often change and modernize the works. Yet this ease of access brings challenges: to locate these resources on the web, to assess their quality and reliability, and to understand how to use them, as primary sources and “data”, and as new research technologies. The PDF of a first edition downloaded through Google Books certainly looks like the historical printed book it reproduces; but it is not that printed book. It is a particular image of one copy of it, created under certain conditions and it can be a mistake to forget the difference. In this course, we'll explore a variety of digital archives, databases and tools that are useful for studying French cultural history. -
Proposals for Musicxml 3.2 and MNX Implementation from the DAISY Music Braille Project
Proposals for MusicXML 3.2 and MNX Implementation from the DAISY Music Braille Project 11 March 2019 Author: Haipeng Hu, Matthias Leopold With contributions from: Jostein Austvik Jacobsen, Lori Kernohan, Sarah Morley Wilkins. This document provides general suggestions on the implementation of MusicXML 3.2 and MNX formats, hoping they can be more braille-transcription-friendly. But it doesn't limit to the requirement of music braille transcription. Some of the points may also benefit the common transformation of musical data to be more accurately and clearly. Note: The word “text” in this document specifically means all non-lyrics texts, such as titles, composers, credit page information, as well as expression / technique / instructional texts applied to a staff or the whole system. A. MusicXML 3.2 Suggestions 1. If possible, implement a flow to include all system-wide texts (such as tempo texts, stage indications), lines (such as a line with text “poco a poco rit.”) and symbols (such as a big fermata or breath mark above the whole system), like the "global" section of MNX, so that all things in it can affect the whole score instead of the topmost staff or (in orchestra) piccolo and first violin staves. This can also ease part extraction. The position of the elements can be placed using the forward command. (e.g. in SATB choir pieces: sometimes breathing marks, dynamics and wedges are only written once in Soprano but are meant to apply to all voices; and in orchestral scores, tempo texts and overall indications are written above piccolo and first violin; and some big fermata or breath marks appear above every instrument category). -
Access Control Models for XML
Access Control Models for XML Abdessamad Imine Lorraine University & INRIA-LORIA Grand-Est Nancy, France [email protected] Outline • Overview on XML • Why XML Security? • Querying Views-based XML Data • Updating Views-based XML Data 2 Outline • Overview on XML • Why XML Security? • Querying Views-based XML Data • Updating Views-based XML Data 3 What is XML? • eXtensible Markup Language [W3C 1998] <files> "<record>! ""<name>Robert</name>! ""<diagnosis>Pneumonia</diagnosis>! "</record>! "<record>! ""<name>Franck</name>! ""<diagnosis>Ulcer</diagnosis>! "</record>! </files>" 4 What is XML? • eXtensible Markup Language [W3C 1998] <files>! <record>! /files" <name>Robert</name>! <diagnosis>! /record" /record" Pneumonia! </diagnosis> ! </record>! /name" /diagnosis" <record …>! …! </record>! Robert" Pneumonia" </files>! 5 XML for Documents • SGML • HTML - hypertext markup language • TEI - Text markup, language technology • DocBook - documents -> html, pdf, ... • SMIL - Multimedia • SVG - Vector graphics • MathML - Mathematical formulas 6 XML for Semi-Structered Data • MusicXML • NewsML • iTunes • DBLP http://dblp.uni-trier.de • CIA World Factbook • IMDB http://www.imdb.com/ • XBEL - bookmark files (in your browser) • KML - geographical annotation (Google Maps) • XACML - XML Access Control Markup Language 7 XML as Description Language • Java servlet config (web.xml) • Apache Tomcat, Google App Engine, ... • Web Services - WSDL, SOAP, XML-RPC • XUL - XML User Interface Language (Mozilla/Firefox) • BPEL - Business process execution language