Open Licenses and Radical Shift in Digital Content Distribution
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“The Future Is Open” for Composition Studies: a New
THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES “THE FUTURE IS OPEN” FOR COMPOSITION STUDIES: A NEW INTELLECTUAL PROPERTY MODEL IN THE DIGITAL AGE By CHARLES LOWE A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Summer Semester, 2006 Copyright © 2006 Charles Lowe All Rights Reserved The members of the committee approve the dissertation of Charles Lowe defended on May 25, 2006. ______________________________ John Fenstermaker Professor Directing Dissertation ______________________________ Ernest Rehder Outside Committee Member ______________________________ Eric Walker Committee Member ______________________________ Deborah Coxwell-Teague Committee Member Approved: ______________________________ Hunt Hawkins, Chair, Department of English The Office of Graduate Studies has verified and approved the above named committee members. ii This text is dedicated to Wendy Bishop, John Lovas, Candace Spigelman, and Richard Straub, four teachers and researchers in the field of composition studies with whom it was my pleasure to work. I only wish I could have the opportunity again. iii TABLE OF CONTENTS ABSTRACT...............................................................................................................................vi INTRODUCTION.......................................................................................................................1 The Future Is Open............................................................................................................. -
FOSS Philosophy 6 the FOSS Development Method 7
1 Published by the United Nations Development Programme’s Asia-Pacific Development Information Programme (UNDP-APDIP) Kuala Lumpur, Malaysia www.apdip.net Email: [email protected] © UNDP-APDIP 2004 The material in this book may be reproduced, republished and incorporated into further works provided acknowledgement is given to UNDP-APDIP. For full details on the license governing this publication, please see the relevant Annex. ISBN: 983-3094-00-7 Design, layout and cover illustrations by: Rezonanze www.rezonanze.com PREFACE 6 INTRODUCTION 6 What is Free/Open Source Software? 6 The FOSS philosophy 6 The FOSS development method 7 What is the history of FOSS? 8 A Brief History of Free/Open Source Software Movement 8 WHY FOSS? 10 Is FOSS free? 10 How large are the savings from FOSS? 10 Direct Cost Savings - An Example 11 What are the benefits of using FOSS? 12 Security 13 Reliability/Stability 14 Open standards and vendor independence 14 Reduced reliance on imports 15 Developing local software capacity 15 Piracy, IPR, and the WTO 16 Localization 16 What are the shortcomings of FOSS? 17 Lack of business applications 17 Interoperability with proprietary systems 17 Documentation and “polish” 18 FOSS SUCCESS STORIES 19 What are governments doing with FOSS? 19 Europe 19 Americas 20 Brazil 21 Asia Pacific 22 Other Regions 24 What are some successful FOSS projects? 25 BIND (DNS Server) 25 Apache (Web Server) 25 Sendmail (Email Server) 25 OpenSSH (Secure Network Administration Tool) 26 Open Office (Office Productivity Suite) 26 LINUX 27 What is Linux? -
Åtta Licenser För Öppet Innehåll En Bilaga Till Internetguiden ”Copyright – Copyleft”
Åtta licenser för öppet innehåll En bilaga till Internetguiden ”Copyright – Copyleft” Innehåll Innehåll Licenserna i sin helhet 5 Free Art License 1.3 .............................................................. 5 GNU Free Documentation License ...................................... 8 SPARC Author Addendum ................................................. 14 Open Database Licence Agreement (ODbL) ...................... 15 Kopimi ................................................................................. 23 The FreeBSD Documentation License ............................... 24 Open Game License ............................................................ 25 Creative Commons-licensen Erkännande- IckeKommersiell-DelaLika v2.5 Licens ............................. 27 bilaga till copyright – copyleft 3 Licenserna i sin helhet Free Art License 1.3 Preamble The Free Art licence authorises you to freely copy, spread, and transform creative works while re- specting the author’s rights. Far from ignoring such rights, the Free Art License recognizes them and protects them. It reformu- lates their application byallowing each and every creative use of the mind’s creation, regardless of their genres and the forms in which they are expressed. While the application of copyright law commonly results in restricting the public’s access to the mind’s creation, the Free Art License facilitates. Its intent is to allow the use of the resources constitu- tive of a work; to enable new conditions for creation in order to amplify the possibilities of creation. -
Table of Contents
Table of Contents Preface . ix 1. Open Source Licensing, Contract, and Copyright Law . 1 Basic Principles of Copyright Law 1 Contract and Copyright 3 Open Source Software Licensing 4 Issues with Copyrights and Patents 7 The Open Source Definition 8 Warranties 11 2. The MIT, BSD, Apache, and Academic Free Licenses . 14 The MIT (or X) License 14 The BSD License 15 The Apache License, v1.1 and v2.0 17 The Academic Free License 24 Application and Philosophy 30 3. The GPL, LGPL, and Mozilla Licenses . 34 GNU General Public License 35 GNU Lesser General Public License 49 The Mozilla Public License 1.1 (MPL 1.1) 62 Application and Philosophy 81 4. Qt, Artistic, and Creative Commons Licenses . 85 The Q Public License 85 Artistic License (Perl) 90 Creative Commons Licenses 98 vii 5. Non-Open Source Licenses . 114 Classic Proprietary License 114 Sun Community Source License 120 Microsoft Shared Source Initiative 144 6. Legal Impacts of Open Source and Free Software Licensing . 147 Entering Contracts 148 Statutory Developments Related to Software Contracts 150 The Self-Enforcing Nature of Open Source and Free Software Licenses 151 The Global Scope of Open Source and Free Software Licensing 153 The “Negative Effects” of Open Source and Free Software Licensing 154 Community Enforcement of Open Source and Free Software Licenses 158 Compatible and Incompatible Licensing: Multiple and Cross Licensing 159 7. Software Development Using Open Source and Free Software Licenses . 164 Models of Open Source and Free Software Development 164 Forking 171 Choosing an Open Source or Free Software License 174 Drafting Open Source Licenses 176 Appendix: Creative Commons Attribution-NoDerivs License . -
Free As in Freedom (2.0): Richard Stallman and the Free Software Revolution
Free as in Freedom (2.0): Richard Stallman and the Free Software Revolution Sam Williams Second edition revisions by Richard M. Stallman i This is Free as in Freedom 2.0: Richard Stallman and the Free Soft- ware Revolution, a revision of Free as in Freedom: Richard Stallman's Crusade for Free Software. Copyright c 2002, 2010 Sam Williams Copyright c 2010 Richard M. Stallman Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled \GNU Free Documentation License." Published by the Free Software Foundation 51 Franklin St., Fifth Floor Boston, MA 02110-1335 USA ISBN: 9780983159216 The cover photograph of Richard Stallman is by Peter Hinely. The PDP-10 photograph in Chapter 7 is by Rodney Brooks. The photo- graph of St. IGNUcius in Chapter 8 is by Stian Eikeland. Contents Foreword by Richard M. Stallmanv Preface by Sam Williams vii 1 For Want of a Printer1 2 2001: A Hacker's Odyssey 13 3 A Portrait of the Hacker as a Young Man 25 4 Impeach God 37 5 Puddle of Freedom 59 6 The Emacs Commune 77 7 A Stark Moral Choice 89 8 St. Ignucius 109 9 The GNU General Public License 123 10 GNU/Linux 145 iii iv CONTENTS 11 Open Source 159 12 A Brief Journey through Hacker Hell 175 13 Continuing the Fight 181 Epilogue from Sam Williams: Crushing Loneliness 193 Appendix A { Hack, Hackers, and Hacking 209 Appendix B { GNU Free Documentation License 217 Foreword by Richard M. -
Shrinking the Commons: Termination of Copyright Licenses and Transfers for the Benefit of the Public Timothy K
University of Cincinnati College of Law University of Cincinnati College of Law Scholarship and Publications Faculty Articles and Other Publications Faculty Scholarship 1-1-2010 Shrinking the Commons: Termination of Copyright Licenses and Transfers for the Benefit of the Public Timothy K. Armstrong University of Cincinnati College of Law Follow this and additional works at: http://scholarship.law.uc.edu/fac_pubs Part of the Intellectual Property Commons Recommended Citation Armstrong, Timothy K., "Shrinking the Commons: Termination of Copyright Licenses and Transfers for the Benefit of the ubP lic" (2010). Faculty Articles and Other Publications. Paper 144. http://scholarship.law.uc.edu/fac_pubs/144 This Article is brought to you for free and open access by the Faculty Scholarship at University of Cincinnati College of Law Scholarship and Publications. It has been accepted for inclusion in Faculty Articles and Other Publications by an authorized administrator of University of Cincinnati College of Law Scholarship and Publications. For more information, please contact [email protected]. ARTICLE SHRINKING THE COMMONS: TERMINATION OF COPYRIGHT LICENSES AND TRANSFERS FOR THE BENEFIT OF THE PUBLIC TIMOTHY K. ARMSTRONG* Federallaw limits the free alienabilityof copyright rights to preventpower- ful transfereesfrom forcing authors into unremunerative bargains. The limiting mechanism is a statutory provision that permits authors or their heirs, at their sole election, to terminate any transfer or license of any copyright interest dur- ing a defined period. Indeed, the applicable provisions of the Copyright Act go so far as to invalidate purported waivers by authors of their statutory termina- tion powers. These statutory provisions may constitute an impediment to the effective grant of rights for the benefit of the public under widely used "open content" licensing arrangements, such as the GNU General Public License ("GPL") for software or the Creative Commons family of licenses for other sorts of expres- sive works. -
Open Content Licensing
Open Content Licensing Open Content Licensing From Theory to Practice Edited by Lucie Guibault & Christina Angelopoulos Amsterdam University Press Cover design: Kok Korpershoek bno, Amsterdam Lay-out: JAPES, Amsterdam ISBN 978 90 8964 307 0 e-ISBN 978 90 4851 408 3 NUR 820 Creative Commons License CC BY NC (http://creativecommons.org/licenses/by-nc/3.0) L. Guibault & C. Angelopoulos / Amsterdam University Press, Amsterdam, 2011 Some rights reversed. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Contents 1. Open Content Licensing: From Theory to Practice – An Introduction 7 Lucie Guibault, Institute for Information Law, University of Amsterdam 2. Towards a New Social Contract: Free-Licensing into the Knowledge Commons 21 Volker Grassmuck, Humboldt University Berlin and University of Sao Paulo 3. Is Open Content a Victim of its Own Success? Some Economic Thoughts on the Standardization of Licenses 51 Gerald Spindler and Philipp Zimbehl, University of Göttingen 4. (Re)introducing Formalities in Copyright as a Strategy for the Public Domain 75 Séverine Dusollier, Centre de Recherche Informatique et Droit, Université Notre- Dame de la Paix (Namur) 5. User-Related Assets and Drawbacks of Open Content Licensing 107 Till Kreutzer, Institute for legal questions on Free and Open Source Software (ifrOSS) 6. Owning the Right to Open Up Access to Scientific Publications 137 Lucie Guibault, Institute for Information Law, University of Amsterdam 7. Friends or Foes? Creative Commons, Freedom of Information Law and the European Union Framework for Reuse of Public Sector Information 169 Mireille van Eechoud, Institute for Information Law, University of Amsterdam 8. -
A Creative Commons License Filter
The future of BootCaT: A Creative Commons License Filter egon w. stemle & verena lyding <{egon.stemle, verena.lyding}@eurac.edu> Institute for Specialised Communication and Multilingualism European Academy of Bozen/Bolzano (EURAC) June 24th, 2013 The Problem "Copyright issues remain a gray area in compiling and distributing Web corpora" William H. Fletcher, 2011 Notwithstanding all the good intentions of a researcher who collects web data for building a corpus in the name of fair use (i.e. without committing an act of piracy), redistributing data taken from the web without the permission of their creator is — strictly speaking — illegal. Marco Brunello, 2009 (adapted) egon, verena (ComMul@EURAC) CC license filter June 24th, 2013 2 / 12 The Problem . solved? "If a Web corpus is infringing copyright, then it is merely doing on a small scale what search engines such as Google are doing on a colossal scale" Adam Kilgarriff, Gregory Grefenstette, 2003 "Starting August 1, Google News in Germany will only index sources that have decided to explicitly opt-in to being shown on the search giant's news-aggregation service. Google News remains an opt-out service in the other 60 countries and languages it currently operates in, but since Germany passed a new copyright law earlier this year that takes effect on August 1, the company is in danger of having to pay newspapers, blogs and other publishers for the right to show even snippets of news" TechCrunch, June 21st, 2013 The problem (with the "Leistungsschutzrecht" Law) is that it is not clear when a few words become a snippet. -
Stephen Downes
Free Learning Essays on open educational resources and copyright Stephen Downes National Research Council Canada 2 Free Learning Free Learning Essays on Open Educational Resources and Copyright Stephen Downes Copyright (c) 2011 This work is published under a Creative Commons License Attribution-NonCommercial-ShareAlike CC BY-NC-SA This license lets you remix, tweak, and build upon this work non-commercially, as long as you credit the author and license your new creations under the identical terms. View License Deed: http://creativecommons.org/licenses/by-nc-sa/3.0 View Legal Code: http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode Stephen Downes 3 I want and visualize and aspire toward a system of society and learning where each person is able to rise to his or her fullest potential without social or financial encumbrance, where they may express themselves fully and without reservation through art, writing, athletics, invention, or even through their avocations or lifestyle. Where they are able to form networks of meaningful and rewarding relationships with their peers, with people who share the same interests or hobbies, the same political or religious affiliations - or different interests or affiliations, as the case may be. This to me is a society where knowledge and learning are public goods, freely created and shared, not hoarded or withheld in order to extract wealth or influence. This is what I aspire toward, this is what I work toward. 4 Free Learning Free Learning Introduction ................................................................................................................................................. -
A Framework for Open Source Projects
A Framework for Open Source Projects Master Thesis in Computer Science submitted by Gregor J. Rothfuss [email protected] of Zurich, Switzerland Register No. 97-711-915 Supervisor: Prof. K. Bauknecht Department of Information Technology University of Zurich Zurich, November 12, 2002 Abstract The historical roots of Open Source are outlined. A comparison between Open Source projects and classical projects highlights strengths and weaknesses of both, and defines their attributes. Existing Open Source theories are evaluated, and the requirements for a framework for Open Source projects are determined. The framework introduces the notions of actors, roles, areas, processes and tools, and depicts their interrelationships in a matrix. Each aspect of the framework is then further developed to serve both as a conceptual foundation for Open Source and a help for organizing and managing Open Source projects. Die Geschichte von Open Source wird aufgezeigt. Ein Vergleich zwischen Open Source und klassischen Projekten beleuchtet Stärken und Schwächen beider Ansätze, und definiert deren Atribute. Existierende Open Source Theorien werden evaluiert, und die Anforderungen für ein Rahmenwerk über Open Source ermittelt. Das Rahmenwerk führt die Begriffe Akteur, Rolle, Bereich, Prozess und Werkzeug ein und illustriert deren Zusammenspiel in einer Matrix. Die einzelnen Aspekte des Rahmenwerks werden vertieft und dienen als konzeptuelle Grundlage für Open Source sowie helfen bei der Organisation und dem Management von Open Source Projekten. 2 Acknowledgements I would like to thank Prof. Dr. Kurt Bauknecht, head of the “Information Management” research group at the Department of Information Technology at the University of Zurich who made this master thesis possible. I would like to thank for valuable discussions and suggestions Carl P. -
Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions
INSTITUTE FOR INFORMATION LAW Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions Melanie Dulong de Rosnay Institute for Information Law University of Amsterdam i Version 1.0 1 September 2010 This work is licensed under a Creative Commons Attribution 3.0 Nederland license available at http://creativecommons.org/licenses/by/3.0/nl/ ii TABLE OF CONTENTS Executive summary..................................................................................................................vii 1. Introduction ............................................................................................................................ 1 1.1 Sources of legal incompatibilities .................................................................................... 3 1.2 Scope, methodology and outline ...................................................................................... 4 2. Creative Commons licenses diversity .................................................................................... 7 2.1 Creative Commons: an organization and a set of licenses............................................... 9 2.1.1 The licensing infrastructure: a technical standard..................................................... 9 2.1.2 Creative Commons policy strategy: not quite a legal standard............................... 12 2.2 The different licenses available...................................................................................... 14 2.2.1 The licenses formats............................................................................................... -
This Is the Title of the Book, Ematter Edition Copyright © 2004 O'reilly
Index A Apache License, 14, 170 market share, 32 Academic Free License, 14, 24–30 Version 1.1, 17–18, 173 derivative works, 27 acknowledgment of creator’s disclaimer of warranties, 26 contribution, 18 intellectual property rights, 24 clauses identifying contributors, 18 limitations of, 26 non-attribution provision, 18 merger clauses, 29 warranty disclaimer provision, 18 modifying terms, 30 Version 2.0, 18–24, 177 non-endorsement provision, 26 additional benefits of, 24 Paragraph 1 (Grant of Copyright Contribution, 20, 23 License), 25 derivative works, 20 Paragraph 2 (Grant of Patent License), 25 grant of patent license, 21 Paragraph 3 (Grant of Source Code Section 1 (Definitions), 19 License), 25 Section 2 (Grant of Copyright Paragraph 4 (Exclusions From License License), 21 Grant), 26 Section 3 (Grant of Patent License), 21 Paragraph 6 (Attribution Rights), 26 Section 4 (Redistribution), 22 Paragraph 7 (Warranty of Provenance and Section 5 (Submission of Disclaimer of Warranty), 26 Contributions), 23 Paragraph 8 (Limitation of Liability), 26 Section 6 (Trademarks), 23 Paragraph 9 (Acceptance and Section 7 (Disclaimer of Warranty), 23 Termination), 27 Section 8 (Limitation of Liability), 23 Paragraph 10 (Termination for Patent Section 9 (Accepting Warranty or Action), 28 Additional Liability), 23 Paragraph 11 (Jurisdiction, Venue and separate warranty arrangement with Governing Law), 28 others for Work or Derivative Paragraph 12 (Attorneys Fees), 29 Works, 24 Paragraph 13 (Miscellaneous), 29 similarities to MPL, 19 Paragraph 14 (Definition of “You” in This Apache Software Foundation, 163 License), 29 Artistic License (Perl), 90–98, 173 Paragraph 15 (Right to Use), 30 C or Perl subroutines, 97 acceptance (contracts), 148 Copyright Holder, 91 Allman, Eric, 159 We’d like to hear your suggestions for improving our indexes.