fifth harmony 727 album download zip 7/27 album download zip. Free download: Fifth Harmony 7/27 Full album. Direct link, zip-rar, 320Kbps hq tracks. It’s been several years and hits since then, though, and Fifth Harmony’s had some time to grow into themselves. 7/27 is the second studio album by American girl group Fifth Harmony that was released by and Epic Records on May 27, 2016. The record is the follow-up to the group's debut studio album Reflection. Its lyrics discuss themes of female empowerment and love. It features guest appearances by American rappers Ty Dolla Sign and , and hip hop artist Missy Elliott, and collaborations with producers Jack Antonoff, Kygo and Norwegian duo Stargate. 7/27 is primarily a pop, tropical house and R&B record that includes elements of , funk, electronic dance music, hip hop andtrap. Unlike the genres explored on Reflection, 7/27's songs incorporate new genres like tropical house. This is the final Fifth Harmony album to feature , who left the group in December 2016 to pursue a solo career. Artist: Fifth Harmony Title: 7/27 (Deluxe Edition) Year Of Release: 2016 Genre: Pop. 1. “That’s My Girl” 2. “Work From Home” feat. Ty Dolla $ign 3. “The Life” 4. “” 5. “I Lied” 6. “All In My Head” feat. Fetty Wap 7. “Squeeze” 8. “Gonna Get Better” 9. “Scared Of Happy” 10. “Not That Kinda Girl” feat. Missy Elliott. Deluxe edition: 11. “Dope” 12. “No Way” The album's lead single, "Work from Home" was released on February 26, 2016 along with the album's pre-order. It was written by Joshua Coleman, Jude Demorest, Dallas Koehlke, Ty Dolla Sign, Alexander Izquierdo and Brian Lee. The song's music video was directed by Director X and was released on the official release date. It features the vocals of and appearance by American recording artist Ty Dolla Sign. Reflection (Deluxe) © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Napster. Music Apps & Devices Blog Pricing Artist & Labels. About Us. Company Info Careers Developers. Resources. Account Customer Support Redeem Coupon Buy a Gift. Legal. Terms of Use Privacy Policy End User Agreement. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Fifth Harmony: 'Fifth Harmony' Album Stream & Download - Listen Here! The ladies – including , Kordei , , and – just dropped their new self-titled album Fifth Harmony and we can’t stop listening to it! Fifth Harmony is the third studio album the group has released after they released 7/27 last year. It is also the first album Fifth Harmony has released since Camila Cabello left the group. You can download Fifth Harmony ‘s new album off of iTunes here. Fifth Harmony (album) Fifth Harmony is Fifth Harmony's self-titled third studio album, which was released on August 25, 2017. The album's first single was called "Down" it was released on June 2, 2017. The album is the group's first record following the departure of Camila Cabello, who left the group in December 2016. It was their last album before they went on indefinite hiatus in May 2018. Before their hiatus, they completed their final shows and released a music video for "Don't Say You Love Me". Contents. Background [ ] During a backstage interview with radio host Elvis Duran after a iHeartRadio Jingle Ball concert, the group revealed that they were working on a new album. [1] However, on December 18, 2016, they announced that Camila Cabello had left the group in a message posted on social media and signed by them. Following Cabello's departure and speculations about the group's future, they published another statement where they explained, "We have spent the past year and a half (since her initial solo endeavor) trying to communicate to her and her team all of the reasons why we felt Fifth Harmony deserved at least one more album of her time. We are excited for our future, and we can't wait for what the new year brings." [2] [3] They made their first appearance as a four-piece at the 43rd People's Choice Awards on January 17. During the show, they performed an edited version of "Work from Home", and went on to win the award for "Favorite Group" for the second consecutive year. [4] The Asian leg of the 7/27 Tour ran from March 23, 2017 to April 8. During an interview with Billboard, member Ally Brooke stated that the group for the first time was having "a lot of creative control and input" and that is something "they are so excited about." [5] On April 12, 2017, the quartet appeared on the cover for Galore magazine where they discussed the concept and sonority present on their third album, "we've been creating sounds that we've been wanting to touch base on. Some R&B tones, some tones. It's been amazing to create with one another because we're so different when it comes to music," Dinah Jane said. "We love different genres. So to vibe together and create this Fifth Harmony sound is what makes it so special." [6] Singles [ ] "Down" featuring Gucci Mane, was released to all major streaming services and digital platforms on June 2, 2017, as the lead single from the album. The accompanying music video for "Down" premiered on Fifth Harmony's channel on June 8, 2017. Its music video earned them their fourth Video Music Award at the 2017 ceremony for Best Pop Video. [7] "" was released as the second single from the album on August 25. The song will be serviced to US as the album's second single on September 19, 2017. The official video for "He Like That" was released on their Vevo channel the same day of its release. The music video for "He Like That" was directed by James Larese. [8] Promotional singles [ ] "Angel" was released as the first promotional single on August 10, 2017. [9] It was produced by Skrillex and Poo Bear. The first verse, pre- chorus, and main lyric of the chorus was performed at the VMA's before they performed Down. A music video for "Deliver" was released to Fifth Harmony's VEVO account on September 8, 2017. Fifth harmony 7/27 album download zip. On their new album, Fifth Harmony are at their best when grappling with the age-old girl-group concern of how to reconcile independence with love. If “The X Factor” has done one good thing in its many years of manufactured drama and purposeful audition mockery, it’s near-singlehandedly keeping alive the decades-old tradition of the pop girl group in the West. While they never disappeared worldwide—girl groups and their alumnae dominate J- and K-pop, for instance—the only two Western girl groups with consistent pop clout are the UK’s Little Mix and the States’ Fifth Harmony, both products of their respective countries’ “X Factors.” There are some downsides to this. Most groups that get far on “The X Factor” are assembled from failed solo auditions, and while plenty of girl groups are unglamorously cobbled together via some backstage machination or other, it’s one thing to know that and another to watch five solo hopefuls get rejected on live-TV and then jettisoned into a band with three consecutive names slapped onto it, one of which was a Bruno Mars family act and one of which was a Musiq Soulchild song. And while the “X Factor” process selects for vocal talent and marketable personality, it rarely selects for the two together ; what you end up with are a lot of singers with indistinguishably winning voices and #winning presence. Fifth Harmony’s early singles sounded less like the work of a coherent group than a diva scrimmage, each singer trying to outperform the rest— inevitably, because that’s literally what they came on the show hoping to do. It’s been several years and hits since then, though, and Fifth Harmony’s had some time to grow into themselves. The first track on *7/27—*the day the group originally formed—is as good a State of the Cowell-Administered Union as any. It begins like a retread of past hit “Worth It,” down to the deliberately squawky sax beat, but soon becomes a pep talk for fans complete with cheerleader whoops, a call to (immaculately toned) arms, and a showcase for each vocalist, now with discernibly individual personae: Ally on lead and Dinah on backup, Normani with the near-rap, Lauren’s cool alto balancing Camila’s Ring Pop of a voice. (Rumors of the latter being groomed for a solo career, at least as of this album, are exaggerated; 7/27 is as vocally egalitarian as any girl-group album of the past decade or so, and better for it.) It’s easily the best potential single the group’s ever released. It also sounds exactly like 2003—specifically, like a cut off Christina Aguilera’s Back to Basics or Mya’s Moodring . An even eerier flashback comes with “Not That Kinda Girl,” which rehashes the look-don’t-touch theme that was everywhere in pop in ‘03 and adds Missy Elliott, who as usual lately is operating at maybe 50% of peak but is welcome nevertheless because 50% of peak Missy is still pretty damn good. The echoes of early-'00s R&B radio seem to say more about the length of the pop nostalgia cycle than anything about Fifth Harmony in particular, which points to a larger issue: For all the group’s done to establish each singer vocally, they’ve yet to pin down a sonic identity, nor a lyrical identity beyond vague empowerment, and 7/27 dutifully triangulates every trend and radio format of the past couple years. There’s stuttery, pitch-shifted EDM with “The Life.” There’s the fake r&bass track “Work From Home,” wherein Dr. Luke protégé Ammo imitates rap producers imitating DJ Mustard. There’s even diluted reggae and Fetty Wap collaboration, both on “All in My Head (Flex),” which samples ’s “Flex.” About half the tracks have tropical-house synths stuck in like cocktail umbrellas. Unsurprisingly, the trendier the track, the worse Fifth Harmony showcase it proves. Several of the songs also suffer from brutally protracted lyrical metaphors that function as near-parodies of pop song form. It’s not entirely Fifth Harmony’s fault, for instance, that r&bass ceased to be a thing well before “Work from Home,” or that everyone missed Jordin Sparks’ near-identical 2015 single called “Work From Home,” or even that everyone (somehow) missed a certain megastar’s No. 1 single about work-work-work-work-work-work. It’s definitely their fault that this single involves a lot of metaphorically sexing up the freelance life, which is perhaps the least sexy labor arrangement in world history. (More accurate first verse: “worried about basically everything, wearing ripped pajamas”). Or that only Ty Dolla $ign—whose verse is one big leadup to a T-Pain- esque “put in overtime on your *booooddddyyyyyyyy!”—*takes the material as seriously as he should, which is to say not at all. Like most girl groups, Fifth Harmony trades in the kind of pop-cultural press-quote feminism where the group can say they are out squash gender roles and “gender-institutionalized thinking” while recording a fantasy of a stay-at-home sexter reassuring the household breadwinner that he’s the boss at home. And like girl groups historically, they grapple with how to reconcile that independence with love. The original girl groups were as liable to record love songs as wistful, even macabre cautionary tales. Modern groups Little Mix and Spice sing love songs, but they couldn’t be more obvious that their heart belongs to their besties. Destiny’s Child, with few exceptions, repudiated love entirely: “if you ain’t in love, I congratulate you.” 7/27 , though, approaches the subject with full abandon. “I Lied” thoroughly rescues its conceit from Michael Bolton hell and turns it into a sighing, feverish surge reminiscent of “Countdown.” Bonus track “Dope” is even more crushed-out, with a track that sounds like jittering through the whole runtime of a slow jam and lines delivered like so many words to stumble over en route to the big confession: “I don’t know what else to say, but you’re pretty fucking dope.” It strikes that rarest of balances for crush songs—confident but skittish, sure of one’s exact feelings but clueless about what to do next, independent but nevertheless absolutely swooningly done for—and also feels like a first. Mediocre girl-group material is a cartoon simulation of women’s lives. Good girl-group material reflects them. Great girl-group material recasts them in 3D with all the color cranked up. Finally, albeit in flashes, there are hints that Fifth Harmony may reach that peak.