S. No. Name Address Contact Tpas Approved in Third Party Aggregators Empanelment Committee Meeting Held on 29Th March 2019 MINIS
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Research Scholar ISSN 2320 – 6101 an International Refereed E-Journal of Literary Explorations Impact Factor 0.793 (IIFS)
Research Scholar ISSN 2320 – 6101 www.researchscholar.co.in An International Refereed e-Journal of Literary Explorations Impact Factor 0.793 (IIFS) THE CULTURAL GEOGRAPHY OF PUBLIC SPACE IN DEEPA MEHTA’S ELEMENTS TRILOGY Abhilash Dey M.Phil Scholar Department of English University of Burdwan, West Bengal, India Abstract The following article takes up the representation of heterotopic public places and lived spaces in the visual story arcs of (celebrated Indian- Canadian filmmaker) Deepa Mehta for a closer probe. She has made her mark in the map of world cinema with her outstanding and thought- provoking feminist movies such as Water, Fire and Earth. A spokesperson of Indian women's plight, she leaves no stone unturned in portraying the telling helplessness of Indian women, in times past and times present. This paper also travels across the theories propounded by Foucault, Marc Augé and Ray Oldenburg and frequently seeks its sustenance from the matchless erudition of film-critic, Roger Ebert. The lived experiences of the pivotal protagonists involved in the sad-glad process of lives and times take place more in the public space than in the home space, and therein lies the crux of this proposed investigation. The spatiality of the relationship dynamic that attains fruition in the home space actually finds its fountainhead in the public space abroad. Deepa Mehta's visual rhetoric adduces support to the points driven home in this article. This is the epoch of space, the epoch of simultaneity and juxtaposition—to reiterate Foucault from his 1967-published treatise on discursive other space, “Of Other Spaces: Utopias and Heterotopias”. -
1. LETTER to PARASRAM MEHROTRA [Before June 16, 1932]1 CHI
1. LETTER TO PARASRAM MEHROTRA [Before June 16, 1932]1 CHI. PARASRAM, Judging from your letter the children seem to have made good progress. You speed with the takli is also good. Do give half an hour daily to it; if you can in what time spin 160 rounds, nothing can be better than that. What does kule ki haddi2 mean? The word Kula is not to be found in the Hindi Dictionary. Why did the haddi get swollen? Has the swelling subsided now? If it has not, you must take immediate steps to cure it. The replies to the questions which you have put to Mahadev are: 1. I consider a minimum of half an hour’s walk morning and evening essential for you and others. It is not necessary to sit in one position for more than an hour. One should stand up for a minute at least, or change the posture. 2. It is natural that a mother should desire to see her son, but every mother ought to restrain such a with and, if the son is engaged in some activity of service, he must cure his mother of such attachment. 3. When a son goes abroad and lives in a foreign country for ten years, his mother has no choice but to bear the separation. There are innumerable poor mothers in India who possibly never again see the face of their son after he has gone out to earn a living. One may console the mother through a letter, and cheer her as much as one can by reasoning with her and citing other similar instances. -
Indian Cinema, Postcolonialism, and Social Justice: an Interview with Nandita Das1
Postcolonial Text, Vol 13, No 3 (2018) Indian Cinema, Postcolonialism, and Social Justice: An Interview with Nandita Das1 Manav Ratti Salisbury University, Maryland, USA Introduction Nandita Das (b. 1969) is one of India’s most eminent filmmakers and actors, renowned in particular for her work in art cinema (or parallel cinema, as it is also called in India), the genre of pioneering filmmakers Ritwik Ghatak (1925-1976), Satyajit Ray (1921-1992), Mrinal Sen (b. 1923), and Tapan Sinha (1924-2009). Das (Figure 1) has, in some respects, pursued an unconventional path into the Indian film industry, for it is not her first professional pursuit, and she does not hail from a film family (distinguished in their fields, her father, Jatin Das, is a painter; and her mother, Varsha Das, is a writer). Born in Mumbai and growing up in New Delhi, Das worked with NGOs for several years before entering the film industry, building on her Master’s degree from the Delhi School of Social Work in the University of Delhi. Fig. 1. Nandita Das at the Cannes Film Festival, 2017. Photo courtesy of Nandita Das Perhaps this unconventional, even outsider’s, path has informed Das’s use of films to question the norms of gender, religion, caste, sexuality, class, and nation, among others. Her work has gained recognition and respect for its uniqueness, urgency, awareness, and authenticity. Known for her social justice advocacy, Das’s national and international commitments span a range of issues, such as violence against women, children’s rights, HIV/AIDS, poverty, and interreligious harmony. She has supported India’s “Dark is Beautiful” campaign, which raises awareness about colourism, a form of prejudice and discrimination that devalues darker skin colours while privileging lighter ones. -
GENERAL ELECTION to STATE LEGISLATIVE ASSEMBLY-2019 CANDIDATE WISE VOTES SL.No Candidate Name Total Vote 1-Akkalkuwa 1 AAMSHYA FULJI PADAVI (SHS) 80674 2 ADV
GENERAL ELECTION TO STATE LEGISLATIVE ASSEMBLY-2019 CANDIDATE WISE VOTES SL.No Candidate Name Total Vote 1-Akkalkuwa 1 AAMSHYA FULJI PADAVI (SHS) 80674 2 ADV. K. C. PADAVI (INC) 82770 3 ADV. KAILAS PRATAPSING VASAVE (AAAP) 4055 4 DR.SANJAY RAVLYA VALVI (BTP) 2824 5 NAGESH DILVARSING PADVI (IND) 21664 6 BHARAT JALYA PAWARA (IND) 3784 7 NOTA (NOTA) 4857 Total 200628 2-Shahada 8 Adv.Padmakar Vijaysing Valvi (INC) 86940 9 Mali Jaysing Devchand (CPIM) 4060 10 Rajesh Udesing Padvi (BJP) 94931 11 Eng.Jelsing Bijala Pawara (IND) 21013 12 NOTA (NOTA) 3449 Total 210393 3-Nandurbar 13 UDESING KOCHARU PADVI (INC) 51209 14 VIJAYKUMAR KRUSHNARAO GAVIT (BJP) 121605 15 VIPUL RAMSING VASAVE (BSP) 1925 16 DIPA SHAMSHON VALVI (VBA) 6734 17 Adv.PRAKASH MOHAN GANGURDE (SWP) 1448 18 ANANDA SUKALAL KOLI (IND) 2047 19 NOTA (NOTA) 3521 Total 188489 4-Nawapur 20 Gavit Bharat Manikrao (BJP) 58579 21 Naik Shirishkumar Surupsing (INC) 74652 22 Dr. Ulhas Jayant Vasave (BTP) 6009 23 Jagan Hurji Gavit (VBA) 5462 24 Ramu Maharya Valvi (PPID) 738 25 Dr. Sunil Kuthya Gavit (AAAP) 477 26 Arjunsing Diwansing Vasave (IND) 1039 27 Adv. Prakash Mohan Gangurde (IND) 1154 28 Dr. Rakesh Rajya Gavit (IND) 1286 29 Sharad Krushnarao Gavit (IND) 63317 30 NOTA (NOTA) 4950 Total 217663 5-Sakri 31 Dhanaji Sitaram Ahire (INC) 25302 32 Mohan Gokul Suryawanshi (BJP) 68901 33 Rangnath Rama Bhavare (BSP) 2276 34 Nandu Rajaram Malache (BTP) 3743 35 Yashwant Devman Malache (VBA) 14032 36 Chaure Sandip Shantaraam (IND) 1601 37 Manjula Tulshiram Gavit (IND) 76166 Page 1 of 89 GENERAL ELECTION TO STATE LEGISLATIVE ASSEMBLY-2019 CANDIDATE WISE VOTES SL.No Candidate Name Total Vote 38 Rajkumar Pandit Sonawane (IND) 9058 39 Hiraman Deva Sabale (IND) 2872 40 NOTA (NOTA) 4147 Total 208098 6-Dhule Rural 41 Kunalbaba Rohidas Patil (INC) 125575 42 Baisane Nandu Sukdeo (BSP) 1471 43 Maisaheb Dnyanjyoti Manohar Patil (BJP) 111011 44 Rajdip Bhatu Agale (VBA) 4216 45 Dr. -
In Sync with the Happy Vibe
TREND ALERT IN SYNC WITH THE TIME TO PUT HAPPY VIBE THE ROCKS ON THE FRESHEST DESIGNS DiamonDs are a Girl’s FROM THE BIGGEST COUTURIERS BEST FRIEND FOR LIFE FRESH CUT COVETED! MENSWEAR ACQUIRES THE CHANAKYA RAISES THE A NEW EXPRESSION BAR IN CONTEMPORARY LUXURY FROM THE EDITor’s DESK he concept of beauty, by amazing season and The Chanakya. This edition is similar. Every feature has and large, is a matter of The newest addition to DLF’s Luxury been crafted from a delighted sense of perspective because it Retail oeuvre, The Chanakya is well sharing the bountiful joy that Spring traces its origin to the on its way to becoming one of the brings us. Therefore, the pages that Tvision of the beholder. That is what most talked about luxe addresses in follow will present the reader several makes it individualistic as opposed the country. Encompassing the best of shades of the happy vibe. From the to an all-encompassing universality. fashion, food and beverage offerings finest couturiers that talk about the However, there are exceptions and and a movie theatre built around essential style tips of the season to Spring is definitely one of them. There cutting-edge technology, The Chanakya finely crafted jewellery; from gorgeous cannot be any doubt that this season was conceptualised as a benchmark mountain tops across the world to is Mother Nature’s great unifier and in luxury shopping. It is living up to its gourmet spreads worthy of an epicure, envelops everything in its undeniable promise admirably. this magazine by DLF Emporio and The charm. -
Salt Satyagraha the Watershed
I VOLUME VI Salt Satyagraha The Watershed SUSHILA NAYAR NAVAJIVAN PUBLISHING HOUSE AHMEDABAD-380014 MAHATMA GANDHI Volume VI SALT SATYAGRAHA THE WATERSHED By SUSHILA NAYAR First Edition: October 1995 NAVAJIVAN PUBLISHING HOUSE AHMEDABAD 380014 MAHATMA GANDHI– Vol. VI | www.mkgandhi.org The Salt Satyagraha in the north and the south, in the east and the west of India was truly a watershed of India's history. The British rulers scoffed at the very idea of the Salt March. A favourite saying in the barracks was: "Let them make all the salt they want and eat it too. The Empire will not move an inch." But as the Salt Satyagraha movement reached every town and village and millions of people rose in open rebellion, the Empire began to shake. Gandhi stood like a giant in command of the political storm. It was not however only a political storm. It was a moral and cultural storm that rose from the inmost depths of the soul of India. The power of non-violence came like a great sunrise of history. ... It was clear as crystal that British rule must give way before the rising tide of the will of the people. For me and perhaps for innumerable others also this was at the same time the discovery of Gandhi and our determination to follow him whatever the cost. (Continued on back flap) MAHATMA GANDHI– Vol. VI | www.mkgandhi.org By Pyarelal The Epic Fast Status of Indian Princes A Pilgrimage for Peace A Nation-Builder at Work Gandhian Techniques in the Modern World Mahatma Gandhi -The Last Phase (Vol. -
Growing up in Mahatma Gandhi's Sevagram Ashram
08 hindustantimes YEARS ON 1869 - 2019 PERSPECTIVE ABHAY BANG GROWING UP IN MAHATMA GANDHI’S SEVAGRAM ASHRAM n MK Gandhi in M A P P I N G GANDHI a horse-drawn carriage in Benares, 1916. ALAMY STOCK 1915-16: A tour PHOTO of the homeland Dhamini Ratnam over, as the community of Indians stood as one n [email protected] against the imperial powers. In India, how- ever, the differences were wide and various, ohandas Karamchand Gandhi was and Gandhi needed time to understand them. already a well-known political Thus began his tour of the country. He M activist when the ship, the S.S Ara- started his travels from Bombay and jour- bia, docked in Mumbai — then neyed across the length and breadth of the Bombay — on January 9, 1915. Gandhi and his country, from Kolkata to Ahmedabad, Delhi wife Kasturba, had returned to India, after to Chennai, attending meetings, and talking starting two settlements for Indians in South about indentured labour, an issue that he had Africa, and launching a successful satyagraha fought against in South Africa. When news of against unfair laws and taxes on the Indian his mentor, Gopalkrishna Gokhale’s death in community there. February 1915 reached him, Gandhi took a In India, however, Gandhi was advised by vow to not wear any footwear for a year. At a his mentor Gopalkrishna Gokhale — a free- stop in Haridwar some months later he took dom fighter who belonged to the ilk of Moder- another vow: To eat not more than five things ates within the Congress — to tour India for a in 24 hours, and no meal after sunset. -
The Indian School
THE INDIAN SCHOOL List of all applicants NEIGHB FATHER'S OURHO SIBLING FIRST REG NO. CHILD'S NAME NAME OD (50) (30) BORN (20) TOTAL 1 ADHIRAJ KAPOOR RISHI KAPOOR 50 0 0 50 SANJEEV 2 SYANSH MIGLANI KUMAR 50 0 20 70 4 SHOMITA DUTTA SHYMAL DUTTA 50 0 0 50 5 TISYA CHHABRA KAPIL CHHABRA 50 0 20 70 ASHISH 6 ARSHIA KHANNA KHANNA 50 0 20 70 VAIBHAV 8 STUTI ANAND ANAND 50 0 20 70 MANISH KUMAR 9 AARAV SHARMA SHARMA 50 0 20 70 GANVIR DINESH 10 RISHABH GANVIR V 50 0 20 70 SANTOSH K 11 ADWITA UPADHYAY UPADHYAY 50 0 20 70 12 MAAHI PASRIJA VIKAS PASRIJA 50 0 20 70 13 DAKSH KUMAR BOBBY KUMAR 50 0 20 70 DR. VISHAL 14 ARNAV MASKARA MASKARA 50 0 20 70 PUNEET 15 OJAS KHANDELWAL KHANDELWAL 50 0 20 70 ISHAQ AHMED 16 MARIAM KHAN KHAN 50 0 20 70 SUMIT 17 AARAV THAKKAR THAKKAR 50 0 20 70 MANISH 18 SIDDHANT WIDHANI WIDHANI 50 0 20 70 19 JASNOOR KAUR HARMEET SINGH 50 0 20 70 BEDOJYOTI TATHARTH BHATTACHARJE 20 BHATTACHARJEE E 50 0 20 70 SAJJAD HUSSAIN 22 SAAKHIRAH SAJJAD WANI 50 0 20 70 23 PRAHI SEN RAHUL SEN 50 0 0 50 RANJIT 24 SERA BHARDWAJ BHARDWAJ 50 0 20 70 SUSHIL 26 PEARL THUKRAL THUKRAL 50 0 20 70 27 SAHISHNU KUMAR AMIT KUMAR 50 0 20 70 28 KIRTI RANJAN SWAIN SANJAY SWAIN 50 0 20 70 MANOJ KUMAR 29 SAANVI SWAIN SWAIN 50 0 20 70 SHAMBHAVI UTKARSH 30 CHANDRA CHANDRA 50 0 20 70 31 AANANDITA ARORA CHETAN ARORA 50 0 20 70 32 AARNA GUPTA MRADUL GUPTA 50 0 20 70 VARUN 33 GARVITT MARWAHA MARWAHA 50 0 20 70 34 VENYA PRABHAKAR A PRABHAKAR 50 0 0 50 MEHTAB SINGH 35 ZAIRA MANN MANN 50 0 20 70 36 ESHVEEN KAUR USHMEET SINGH 50 0 20 70 GAGANDEEP 37 KEERAT KAUR SINGH 50 0 -
Annual Report and Audited Consolidated Financial Statements for the Period from 4 April 2007 to 31 March 2008
Annual Report and Audited Consolidated Financial Statements For the period from 4 April 2007 to 31 March 2008 Managed by Film Investment Managers (Mauritius) Limited Investment Objective The investment objective of The Indian Film Company Limited (the “Company”) and its Subsidiaries; The Indian Film Company (Cyprus) Limited (formerly Braxfield Investment Limited and IFC Distribution Private Limited (collectively the Group) is to achieve total return for Shareholders through investment in a diverse portfolio of Indian films and films primarily targeted at the Indian audience across different genres, languages and budgets. The Group intends to build a film library of Intellectual Property Rights (“IPR”) in various formats, including satellite, home video and mobile technology. The Directors and Film Investment Managers (Mauritius) Limited (the “Investment Manager”) (formerly known as BK Enterprises Limited) believe that the Group is well placed to take advantage of film investment opportunities and to capitalise on the growth that the Indian film industry is experiencing. Operational Strategy The Investment Manager, on behalf of the Group, captures opportunities in the entire value chain of film creation by; (i) sourcing and evaluating prospective film projects through a research-led investment process; and (ii) managing and structuring the production and distribution of such film projects. In sourcing prospective film projects the Investment Manager thoroughly evaluates film concepts, scripts, directors and cast in respect of current market data relating to current tastes and trends. The Investment Manager then assesses the feasibility of the project in relation to budget, timescales and the risks and rewards of each opportunity. Once a film project has been approved by the Board, the Group seeks to retain full ownership of all IPR relating to each film project, although in certain situations the Group may invest in a film project where it may not acquire all rights. -
Gandhi Revisits the Royal Opera House After 81 Years with an Untold
Gandhi revisits the Royal Opera House after 81 years with an Untold Story in Indian History Renowned dignitaries and famous personalities from various fields attend the exclusive Hindi premiere show of ‘Yugpurush’ - a remarkable tribute to Mahatma Gandhi and his spiritual mentor, Shrimad Rajchandraji For Immediate Release 19 December 2016, Mumbai The newly refurbished and iconic Royal Opera House in Mumbai - the oldest and only surviving Opera House in all of India - witnessed the convergence of history, heritage, culture and spirituality. Corporate, social and political leaders, distinguished celebrities from the film and theatre industry, and members of the media fraternity, came together for a special Hindi show of Yugpurush - Mahatma ke Mahatma on Sunday, December 18, in the gracious presence of Pujya Gurudevshri Rakeshbhai, Visionary and Founder of Shrimad Rajchandra Mission Dharampur. The event was attended by Mrs. Tina Ambani – Chairperson – CSR, Reliance Group; Mrs. Indu Jain – Chairperson – Bennett, Coleman & Co. Ltd; Mr. Madhur Bajaj – Vice Chairman & Whole-Time Director, Bajaj Auto Ltd; Mr. Nikhil Meswani, Executive Director, Reliance Industries Limited, Mr. Amitabh Jhunjhunwala – Vice-Chairman, Reliance Capital & Group Managing Director, Reliance Group; Mr. Niraj Bajaj – Chairman & MD – Mukand Ltd; Mr. Mangal Prabhat Lodha –Vice- President of the Bharatiya Janata Party, Maharashtra and Mrs. Manju Lodha; Dr. Mukesh Batra – Founder & Chairman Emeritus, Dr. Batra's Homeopathy; Mr. Mofatraj Munot – Founder, Chairman and Chief Promoter , Kalpataru Group; Hon'ble Mr. Justice K. K. Tated; Mrs. Amla Ruia – Social Activist & Founder, Aakar Charitable Trust, to name a few. The following personalities attended from the film and theatre world: Mr. Ashutosh Gowariker; Mr. -
Q. 1. When Was Gandhiji Born? (A) 2Nd October, 1868 (B) 2Nd October, 1869 (C) 2Nd October, 1870 (D) 2Nd October, 1871 Ans : (B) 2Nd October, 1869
Q. 1. When was Gandhiji born? (a) 2nd October, 1868 (b) 2nd October, 1869 (c) 2nd October, 1870 (d) 2nd October, 1871 Ans : (b) 2nd October, 1869 Q. 2. By which name is Gandhiji’s ancestral home known today? (a) Birla House (b) Gandhi Nagar (c) Bankanair’s House (d) Kirti Mandir Ans : (d) Kirti Mandir Q. 3. Where did Gandhiji receive his primary education? (a) Sudamapuri (b) Bikaner (c) Porbandar (d) Rajkot Ans : (d) Rajkot Q. 4. Which of these activities did Gandhiji like since childhood? (a) Yoga (b) Kite flying (c) Wrestling (d) Walking Ans : (d) Walking Q. 5. Which mythological character impressed Gandhiji for life when he saw a play on his life? (a) Harishchandra (b) Ashoka (c) Vikramaditya (d) Krishna Ans : (a) Harishchandra Q. 6. Which Indian acquaintance was Gandhiji’s companion on his first overseas journey? (a) Mavji Dave (b) Thatcherji Swami (c) Raichand Bhai (d) Lawyer Sh. Trayambakrao Majumdar Ans : (d) Lawyer Sh. Trayambakrao Majumdar Q. 7. Which book influenced Gandhiji greatly, which he read in England? (a) Be Vegetarian (b) Vegetables are good for health (c) Plea for vegetarianism (d) Use vegetables Ans : (c) Plea for vegetarianism Q. 8. Whose English translation of Gita influenced Gandhiji? (a) Ruskin (b) Edwin Arnold (c) Tolstoy (d) Mr. Baker Ans : (b) Edwin Arnold Q. 9. Which book inspired him towards spiritualism? (a) Theosophy-Rahasya (b) Unto the last (c) The Kingdom of God is within you (d) Buddha Chaitra Ans : (a) Theosophy-Rahasya Q. 10. Whose books inspired Gandhiji towards truth and justice? (a) Ruskin (b) Tolstoy (c) Mr. -
Mahatma Gandhi: a Man of Spirituality and Social Upliftment
Scholarly Research Journal for Humanity Science & English Language, Online ISSN 2348-3083, SJ IMPACT FACTOR 2016 = 4.44, www.srjis.com UGC Approved Sr. No.48612, FEB-MAR 2018, VOL- 6/26 MAHATMA GANDHI: A MAN OF SPIRITUALITY AND SOCIAL UPLIFTMENT J. K. Khuman , Ph.D. Head, Deptt. Of English, Shree Parekh College, Mahuva. Z Scholarly Research Journal's is licensed Based on a work at www.srjis.com Mahatma Gandhi is such a huge and influential personality that no sphere of human existence in our world may remain out of his reach. There is hardly any society and religion reflecting true spirit of life and humanity that has never kept pace with Gandhian thoughts, principles and ideals. Gandhi was that rare and precious jewel of our human history that remains glitering and brightening the true path of humanity. In Bhagavad Gita Lord Krishna says to Arjuna: Manushhyanam sahastreshu Kashchidyatati Siddhaye| Yatatamapi siddhanam Kashchidmam Vetti tatvataha1 (Out of thousands among men only one can attain perfection; and out of those attaining perfection, rarely is there one who knows me in truth.) The same is true in case of this great man as far the real spirit of humanity and truth are concerned. Infact, Gandhi devoted his whole life for human welfare and remained true exponent of truth and non- violence till the end of his life. He never looked back in true and divine search of human life. The entire world witnessed his constant endeavour for the true service of humanity and one can rarely find anybody who has made such ceaseless and whole-hearted efforts for the service of society and practice of true, eternal religion.