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Research Scholar ISSN 2320 – 6101 an International Refereed E-Journal of Literary Explorations Impact Factor 0.793 (IIFS)
Research Scholar ISSN 2320 – 6101 www.researchscholar.co.in An International Refereed e-Journal of Literary Explorations Impact Factor 0.793 (IIFS) THE CULTURAL GEOGRAPHY OF PUBLIC SPACE IN DEEPA MEHTA’S ELEMENTS TRILOGY Abhilash Dey M.Phil Scholar Department of English University of Burdwan, West Bengal, India Abstract The following article takes up the representation of heterotopic public places and lived spaces in the visual story arcs of (celebrated Indian- Canadian filmmaker) Deepa Mehta for a closer probe. She has made her mark in the map of world cinema with her outstanding and thought- provoking feminist movies such as Water, Fire and Earth. A spokesperson of Indian women's plight, she leaves no stone unturned in portraying the telling helplessness of Indian women, in times past and times present. This paper also travels across the theories propounded by Foucault, Marc Augé and Ray Oldenburg and frequently seeks its sustenance from the matchless erudition of film-critic, Roger Ebert. The lived experiences of the pivotal protagonists involved in the sad-glad process of lives and times take place more in the public space than in the home space, and therein lies the crux of this proposed investigation. The spatiality of the relationship dynamic that attains fruition in the home space actually finds its fountainhead in the public space abroad. Deepa Mehta's visual rhetoric adduces support to the points driven home in this article. This is the epoch of space, the epoch of simultaneity and juxtaposition—to reiterate Foucault from his 1967-published treatise on discursive other space, “Of Other Spaces: Utopias and Heterotopias”. -
Indian Cinema, Postcolonialism, and Social Justice: an Interview with Nandita Das1
Postcolonial Text, Vol 13, No 3 (2018) Indian Cinema, Postcolonialism, and Social Justice: An Interview with Nandita Das1 Manav Ratti Salisbury University, Maryland, USA Introduction Nandita Das (b. 1969) is one of India’s most eminent filmmakers and actors, renowned in particular for her work in art cinema (or parallel cinema, as it is also called in India), the genre of pioneering filmmakers Ritwik Ghatak (1925-1976), Satyajit Ray (1921-1992), Mrinal Sen (b. 1923), and Tapan Sinha (1924-2009). Das (Figure 1) has, in some respects, pursued an unconventional path into the Indian film industry, for it is not her first professional pursuit, and she does not hail from a film family (distinguished in their fields, her father, Jatin Das, is a painter; and her mother, Varsha Das, is a writer). Born in Mumbai and growing up in New Delhi, Das worked with NGOs for several years before entering the film industry, building on her Master’s degree from the Delhi School of Social Work in the University of Delhi. Fig. 1. Nandita Das at the Cannes Film Festival, 2017. Photo courtesy of Nandita Das Perhaps this unconventional, even outsider’s, path has informed Das’s use of films to question the norms of gender, religion, caste, sexuality, class, and nation, among others. Her work has gained recognition and respect for its uniqueness, urgency, awareness, and authenticity. Known for her social justice advocacy, Das’s national and international commitments span a range of issues, such as violence against women, children’s rights, HIV/AIDS, poverty, and interreligious harmony. She has supported India’s “Dark is Beautiful” campaign, which raises awareness about colourism, a form of prejudice and discrimination that devalues darker skin colours while privileging lighter ones. -
In Sync with the Happy Vibe
TREND ALERT IN SYNC WITH THE TIME TO PUT HAPPY VIBE THE ROCKS ON THE FRESHEST DESIGNS DiamonDs are a Girl’s FROM THE BIGGEST COUTURIERS BEST FRIEND FOR LIFE FRESH CUT COVETED! MENSWEAR ACQUIRES THE CHANAKYA RAISES THE A NEW EXPRESSION BAR IN CONTEMPORARY LUXURY FROM THE EDITor’s DESK he concept of beauty, by amazing season and The Chanakya. This edition is similar. Every feature has and large, is a matter of The newest addition to DLF’s Luxury been crafted from a delighted sense of perspective because it Retail oeuvre, The Chanakya is well sharing the bountiful joy that Spring traces its origin to the on its way to becoming one of the brings us. Therefore, the pages that Tvision of the beholder. That is what most talked about luxe addresses in follow will present the reader several makes it individualistic as opposed the country. Encompassing the best of shades of the happy vibe. From the to an all-encompassing universality. fashion, food and beverage offerings finest couturiers that talk about the However, there are exceptions and and a movie theatre built around essential style tips of the season to Spring is definitely one of them. There cutting-edge technology, The Chanakya finely crafted jewellery; from gorgeous cannot be any doubt that this season was conceptualised as a benchmark mountain tops across the world to is Mother Nature’s great unifier and in luxury shopping. It is living up to its gourmet spreads worthy of an epicure, envelops everything in its undeniable promise admirably. this magazine by DLF Emporio and The charm. -
Annual Report and Audited Consolidated Financial Statements for the Period from 4 April 2007 to 31 March 2008
Annual Report and Audited Consolidated Financial Statements For the period from 4 April 2007 to 31 March 2008 Managed by Film Investment Managers (Mauritius) Limited Investment Objective The investment objective of The Indian Film Company Limited (the “Company”) and its Subsidiaries; The Indian Film Company (Cyprus) Limited (formerly Braxfield Investment Limited and IFC Distribution Private Limited (collectively the Group) is to achieve total return for Shareholders through investment in a diverse portfolio of Indian films and films primarily targeted at the Indian audience across different genres, languages and budgets. The Group intends to build a film library of Intellectual Property Rights (“IPR”) in various formats, including satellite, home video and mobile technology. The Directors and Film Investment Managers (Mauritius) Limited (the “Investment Manager”) (formerly known as BK Enterprises Limited) believe that the Group is well placed to take advantage of film investment opportunities and to capitalise on the growth that the Indian film industry is experiencing. Operational Strategy The Investment Manager, on behalf of the Group, captures opportunities in the entire value chain of film creation by; (i) sourcing and evaluating prospective film projects through a research-led investment process; and (ii) managing and structuring the production and distribution of such film projects. In sourcing prospective film projects the Investment Manager thoroughly evaluates film concepts, scripts, directors and cast in respect of current market data relating to current tastes and trends. The Investment Manager then assesses the feasibility of the project in relation to budget, timescales and the risks and rewards of each opportunity. Once a film project has been approved by the Board, the Group seeks to retain full ownership of all IPR relating to each film project, although in certain situations the Group may invest in a film project where it may not acquire all rights. -
S. No. Name Address Contact Tpas Approved in Third Party Aggregators Empanelment Committee Meeting Held on 29Th March 2019 MINIS
MINISTRY OF SKILL DEVELOPMENT & ENTREPRENEURSHIP, NEW DELHI * * * LIST OF APPROVED THIRD PARTY AGGREGATORS (TPAs) (As on 17.02.2021) S. No. Name Address Contact 1 Amass Skill Ventures Private 2nd Floor, Shri Krishna Dharamkanta Mr. Raj Kumar Limited Complex, Naharpur Rupa More, Mobile: +91 7840010615 Opp Anaj Mandi, NH-8 Email: [email protected] Gurgaon- 122001 Haryana 2 CAIT Edusys Pvt. Ltd. Plot -9, Sector-21, Racheta CHS, Mr. Mahesh Hadpe Yamunanagar, Nigdi, Distt- Pune– 411044 Mobile: +91 7738811119 Maharashtra, India Landline: 020-27662750 Email: [email protected] 3 TeamLease Skills University ITC Building , ITI Campus Mr. Dhriti Prasanna Mahanta Tarsali,Vadodara- 390009. Mobile: +91 7874511166, +91 9871586561 Gujarat, India LandLine: 0265 3309100, 0265 3309112 Email: [email protected] 4 Team Plus HR services Pvt. Ltd. Hari om corner, tuljabhavani chowk Mr. BALKRISHNA M MULEY opp.SBIO School. Mobile: +91 9923445447 Aurangabad LandLine: 0240-2391533 Maharashtra Email: [email protected] 5 Foresight Edutech Private AB-6, Safdarjung Enclave Mr. Pulkit Jain Limited New Delhi Mobile: +91 9717890345 Delhi- 110029 LandLine: 011-41051733 Email: [email protected] 6 Aspire Knowledge And Skills 1289, J.M. Road Mr. Sanjay Gandhi Opp. Hotel Swan Inn , Shivajinagar Mobile: +91 9822256989 Pune LandLine: 020-25530291 Maharashtra- 411005 Email: [email protected] 7 Yuvashakti Foundation Block No 66/67, C Wing, Mr. Satish Pawar Commercial Complex, Mobile: +91 9764406444 Chikhali Road, Near RTO, Chinchwad, Landline: 020-27491415 Pune- 411019 Email: [email protected] Maharashtra, India TPAs Approved in Third Party Aggregators Empanelment Committee Meeting held on 29th March 2019 8 2COMS Consulting Pvt. -
EROS INTERNATIONAL COLLECTION of INDIAN CINEMA on DVD Last Update: 2008-05-21 Collection 26
EROS INTERNATIONAL COLLECTION OF INDIAN CINEMA ON DVD Last Update: 2008-05-21 Collection 26 DVDs grouped by year of original theatrical release Request Titles by Study Copy No. YEAR OF THEATRICAL COLOR / RUNNING STUDY COPY NO. CODE FILM TITLE RELEASE B&W TIME GENRE DIRECTOR(S) CAST 1 DVD5768 M DVD-E-079 MOTHER INDIA 1957 color 2:43:00 Drama Mehoob Khan Nargis, Sunil Dutt, Raj Kumar 2 DVD5797 M DVD-E-751 KAAGAZ KE PHOOL 1959 color 2:23:00 Romance Guru Dutt Guru Dutt, Waheeda Rehman, Johnny Walker 3 DVD5765 M DVD-E-1060 MUGHAL-E-AZAM 1960, 2004 color 2:57:00 Epic K. Asif Zulfi Syed, Yash Pandit, Priya, re-release Samiksha 3.1 DVD5766 M DVD-E-1060 MUGHAL-E-AZAM bonus material: premier color in Mumbai; interviews; "A classic redesigned;" deleted scene & song 4 DVD5815 M DVD-E-392 CHAUDHVIN KA CHAND 1960 b&w 2:35:00 Romance M. Sadiq Guru Dutt, Waheeda Rehman, Rehman 5 DVD5825 M DVD-E-187 SAHIB BIBI AUR GHULAM 1962 b&w 2:42:00 Drama Abrar Alvi Guru Dutt, Meena Kuman, Waheeda Rehman 6 DVD5772 M DVD-E-066 SEETA AUR GEETA 1972 color 2:39:00 Drama Ramesh Sippy Dharmendra, Sanjeev Kumar, Hema Malini 7 DVD5784 M DVD-E-026 DEEWAAR 1975 color 2:40:00 Drama Yash Chopra Amitabh Bachchan, Shashi Kapoor, Parveen Babi, Neetu Singh 8 DVD5788 M DVD-E-016 SHOLAY 1975 color 3:24:00 Action Ramesh Sippy Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Hema Malini 9 DVD5807 M DVD-E-256 HERA PHERI 1976 color 2:37:00 Comedy Prakash Mehra Amitabh Bachchan, Vinod Khanna, Saira Banu, Sulakshana Pandit 10 DVD5802 M DVD-E-140 KHOON PASINA 1977 color 2:31:00 Drama Rakesh Kumar Amitabh Bachchan, Vinod Khanna, Rekha 11 DVD5816 M DVD-E-845 DON 1978 color 2:40:00 Action Chandra Barot Amitabh Bachchan, Zeenat Aman, Pran 12 DVD5811 M DVD-E-024 MR. -
Bollywood's Variation on the Firanginess Theme
Bollywood’s variation on the firanginess theme: Song-and-dance sequences as heterotopic offbeats Monia Acciari De Montfort University Abstract Song-and-dance sequences have widely been studied as disruptive elements in the narrative of popular Hindi cinema and as quintessential traits of this industry. While the utopic dimension of such musical intervals has largely been theorised, the aim of this article is to expand on this framework to articulate the heterotopic dimension of these interludes. Foucault’s concept of heterotopia allows further study of how song-and-dance sequences are elements responsible for communicating both social and cultural aspects. On a similar note, it must be mentioned that the use and representation of foreigners in Indian cinema dates back to its origins, when foreign actresses were often employed in films, replacing local performers. Through historical exploration, this paper will specifically investigate how song-and-dance sequences are important ‘malleable elements’ of the narrative, which are able to articulate identity and to discourse on the representation and articulation of firanginess in popular Hindi cinema. Keywords Bollywood, Firanginess, Foreignness, Song and dance sequences, Heterotopic spaces. The history of the fascination that Indian cinema productions have with foreign bodies and cultures dates back to the very beginning of Indian cinema, when mostly British-Jewish and Indo-American actresses populated the silent screens of India, conveying a deeply international flavour right from the start. When it comes to engaging with the history of song- and-dance sequences and the role these ‘interruptions’ (Gopalan 18) have played in depicting firanginess (foreignness) in popular Hindi cinema, the 1950s and 1960s established an important trend. -
Dil Kabaddi Movie 3 Hd Download
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Mongrel Media Presents
Mongrel Media presents A film by Deepa Mehta Preliminary Press notes As of August 29, 2002 Distribution 109 Melville Ave. Toronto, Ontario, Canada M6G 1Y3 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith/Stacey Holland Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] Synopsis When people from a culture largely defined by Bollywood find themselves in an environment that is saturated with Hollywood, the result is a state of mind that celebrates these two seemingly disparate worlds. A Bollywood/Hollywood state of mind. The film Bollywood/Hollywood is a madcap love-song to both East and West with Bollywood music, Hollywood choreography, North American locations. And the actors? Bollywood's best! The Story: Rahul Seth (Rahul Khanna) is a dashing young millionaire who believes he is "western" enough to rebel against his mother (Moushumi Chatterjee) and grandmother (Dina Pathak). They are not too keen about his Caucasian girlfriend Kimberly (Jessica Paré) who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's (Rishma Malik) wedding unless he finds himself a "nice Indian girl." What to Do?: Easy. Rahul enlists the services of Sue (Lisa Ray), a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. -
Wednesday,The 07Th September,2011
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR WEDNESDAY,THE 07TH SEPTEMBER,2011 INDEX PAGES 1. APPELLATE JURISDICTION 1 TO 42 2. COMPANY JURISDICTION 43 TO 44 3. ORIGINAL JURISDICTION 45 TO 53 4. REGISTRAR GENERAL/ 54 TO 66 REGISTRAR(ORGL.)/REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL.) 07.09.2011 1 (APPELLATE JURISDICTION) 07.09.2011 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 (DIVISION BENCH-1) HON'BLE THE CHIEF JUSTICE HON'BLE MR. JUSTICE SANJIV KHANNA FRESH MATTERS & APPLICATIONS ______________________________ 1. W.P.(C) 5854/2011 D.D.A.KARMCHARI UNION (REGD) J.N.AGGARWAL CM APPL. 11883/2011 AND ANR Vs. D.D.A. FOR ADMISSION _______________ 2. CM APPL. 7596/2011 VINOD KUMAR GOEL PET.IN-PERSON,ROHIT In W.P.(C) 3590/2008 Vs. D.D.A GOEL,RAJIV BANSAL (Disposed off case 3. W.P.(C) 8765/2009 RAHUL GUPTA MAYANK MISHRA,RAJIV CM APPL. 3312/2011 Vs. DDA AND ANR. BANSAL,SAQIB 4. W.P.(C) 3903/2011 DEEPAK ANAND PET IN PERSON,SUNIL Vs. UOI AND ORS KUMAR,P.K. SHARMA 5. W.P.(C) 5174/2011 SHANMUGA PATRO IN PERSON,SWEETY MANCHANDA Vs. MINISTRY OF FINANCE, GOI 6. W.P.(C) 5612/2011 COURT OF ITS OWN MOTION THROUGH LETTER,N.WAZIRI Vs. DEPARTMENT OF WOMEN AND CHILD DEVELOPMENT AFTER NOTICE MISC. MATTERS ____________________________ 7. CM APPL. 1895/2006 ALL INDIA CONFEDERATION OF SUBHASH C.VASHISHTH,RAJAN CM APPL. 7304/2006 THE MANI,NARESH KAUSHIK,NEERAJ CM APPL. -
Reg. No Name in Full Residential Address Gender Contact No. Email Id REMARK
Reg. No Name in Full Residential Address Gender Contact No. Email id REMARK 55001 BHUREWAR RAJARAM 16/1, HALI (VADGAON Male 9881535351 BABURAO RASTA) HALI, TAL-UDGIR DIST-LATUR 413518 LATUR Maharashtra 55002 MATTA FARHANAAZ 5TH FLOOR, R.NO. 504, R4 Female 9035833990 [email protected] ZUBAIR 75/77 C-BLOCK, BABULA TANK RD NR. J.J. HOSPITAL, MUMBAI 400009 MUMBAI Maharashtra 55003 DEOKATE RUPALI 4725, KUMBHAR VASTI Female 9096314395 DNYANDEO PANHALE VASTI, NIRAWAGAJ, TAL-BARAMATI DIST-PUNE 413102 PUNE Maharashtra 55004 BERAD SEEMA MAHENDRA 137, MATOSHRI NIWAS, NR. Female 9822503675 MIRGANE HOSP. NAGAR MIRGANE HOSP. NAGAR SOLAPUR RD, DAREWADI 414002 AHMEDNAGAR Maharashtra 55005 SARTALE PRANITA PRATIK, CHANDRASEN Female 9595813523 PRAKASH DESHMUKH C/O- SUBHASHCHANDRA RATHOD RH NO-3, RAMTARA HSG SOCY 431001 AURANGABAD Maharashtra 55006 PATIL KAMLESH DHANRAJ FLAT NO.223, SAGAR Female 8983330308 [email protected] DARSHAN E-WING, OPP BANK OF MAHARASHTR PARNAKA, DAHANU(W) 401601 THANE Maharashtra 55007 BADAKH PRATIBHA A/P-KARAJGAON, TAL- Female 02427/232266 9890039159 DNYANDEO NEWASA DIST-AHMEDNAGAR 414105 AHMEDNAGAR Maharashtra 55008 SAPKAL SWATI EKNATH PANCHAL BLDG, H.NO. 31 Female 020/24213871 [email protected] BIBVEWADIGAON, PUNE 37 411037 PUNE Maharashtra 55009 AGRAWAL ROSHANI BAJERIYA SQUARE MASOBA Female 0712/2762577 9579543576 OMPRAKASH LANE, NAGPUR 440018 NAGPUR Maharashtra 55010 YADAV PRIYAMVADA ROOM NO. 12, MANIKA Female 02226878037 9324925023 AMIRCHAND YADAV CHAWL, MULGAON DONGARI, A.K. RD, ANDHERI(E), MUMBAI 400093 MUMBAI -
Mata Jai Kaur Public School List of Candidates Registered
MATA JAI KAUR PUBLIC SCHOOL LIST OF CANDIDATES REGISTERED FOR ADMISSION IN PRE-SCHOOL (NURSERY) 2019-20 REGN. NAME OF THE CANDIDATE NAME OF NO. FATHER/MOTHER/ GUARDIAN 1 VRIDHI RALLI AMIT RALLI 2 VIRAJ SINGH RANJEET SINGH 4 OMAANSH MENDIRATTA YOGESH KUMAR 5 AARAV MOHIT 6 MYRA GAGAN MONGA 7 KRISHA ARORA RAJAT ARORA 9 AMYRA ARORA LAKSHAY ARORA 11 YAKSHIT RAMPURIA NAVIN VIMAL CHAND RAMPURIA 12 GURSANJ SINGH SURJEET SINGH 13 SOHAM GUPTA DEEPAK GUPTA 14 KAVISH CHANDHOK RAMNEESH CHANDHOK 16 KIMAYA SABHARWAL NIPUN SABHARWAL 17 DARSHI AGGARWAL ATUL AGGARWAL 18 AANYA UPPAL VIKAS UPPAL 19 HARMANPREET SINGH GURMINDER SINGH 20 ANSH SINGH ABHIJEET KUMAR RANJAN 21 SAANVI MAHAJAN NAKUL MAHAJAN 22 AAYANSH PRUTHI PURAB PRUTHI 23 RANTEGH SHAH SINGH GAGANDEEP SHAH SINGH 24 ADVIK GUPTA MOHIT GUPTA REGN. NAME OF THE CANDIDATE NAME OF NO. FATHER/MOTHER/ GUARDIAN 25 HARSEERAT KAUR GAGANDEEP SHAH SINGH 26 SAMREEN TAXALI PULKIT TAXALI 28 GRISHA MIDDHA KAMAL MIDDHA 29 SHIVANSH SETHI ASHISH SETHI 30 ABHIRAJ SINGH KARANJEET SINGH 32 AAYANSH GUPTA ROBIN KUMAR 33 JINISHA DUREJA DEEPAK DUREJA 34 ARIKA GOEL SAHIL GOEL 35 GARIN ROHIT GANDHI 37 VIDUSHI SHARMA GAUTAM SHARMA 39 JAINIT SINGH PUNEET SINGH 40 TESAV DOSHI SIDDHARTH DOSHI 41 LEISHA DOSHI GOUTAM DOSHI 42 ACHAL MUKESH KUMAR 43 KANAV GUPTA NAKUL GUPTA 44 DAKSH AMIT KUMAR 47 NAVYA GUPTA VIPIN GUPTA 48 AADYA PIYUSH SETHI 49 ISHKIRAT KAUR GILL CHARANPREET SINGH GILL 50 AADRIK LOHIYA ATUL KUMAR LOHIYA 51 KANISHK KAPOOR SAURABH KAPOOR 52 SAARANSH GOEL VARUN GOEL 53 GARVIT JAIN ANKIT JAIN 54 PRISHA KHURANA KETAN KHURANA REGN.