ITV Plc Q3 Trading Update for the 9 Months to 30 September 2020
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April 2020 • Issue 2 PROSPERO
The newspaper for retired BBC Pension Scheme members • April 2020 • Issue 2 PROSPERO REMEMBERING A GOLDEN AGE OF FILM PAGE 8 PENSION SCHEME | BBC PENSIONS PAUL BOHAN AT 100: ‘A REMARKABLE MAN’ Former BBC broadcast engineer Paul Bohan recently celebrated his 100th birthday, and BBC Volunteer Visitor Arthur Masson caught up with him to talk about the interesting times – and places – he’s seen in his long life. aul was born in Bishop Auckland, County He arrived at Stoney Cross and joined a unit servicing Durham, on 24 November 1919. aircraft, for approximately a year. He was then transferred to RAF Marham, and then to RAF PHe was educated at a council school in Byers Mildenhall. Eventually, with his service completed, Green village, where he obtained the first of many he was released in March 1947. (It is perhaps worth ‘accomplishments’, his 11-plus certificate! He was then posted to Meldrum and completed noting that, as he had passed the Commission 12 years as a TV engineer. He left school at 16 and joined the RAF, completing an examinations, if he had remained in service he would 18-month course at Cranwell as a wireless operator, then, have been a Commissioned Officer.) He was offered early retirement, which he accepted after successfully qualifying, went to RAF Thornaby. at the ‘ripe old age’ of 58 and joined Aberdeen After leaving the RAF he joined BOAC, which was the University Language Laboratory as their recording After one year, he went back to Cranwell for another state airline, and was posted to Sudan (Wadi-Halfa). -
PSB Report Definitions
Definitions: Channel groups (1) Channel group Output & Spend definition TV Viewing Audience Opinion Legal Definition BBC One, BBC Two, BBC Three, BBC All BBC channels (BBC Four, BBC News, BBC Parliament, CBBC, One, BBC Two, BBC CBeebies, BBC streaming channels, BBC Three, BBC Four, BBC BBC One, BBC Two, BBC HD (to March 2013) and BBC Olympics News , BBC Parliament Three, BBC Four, BBC News, channels (2012 only). ITV Network* (inc ,CBeebies, CBBC, BBC PSB Channels BBC Parliament, ITV/ITV ITV Breakfast), Channel 4, Channel 5 and Alba, all BBC HD Breakfast, Channel 4, Channel S4C (S4C is added to C4 2008-2009 and channels), the Channel 3 5,, BBC CBBC, CBeebies excluded from 2010 onwards post-DSO in services (provided by ITV, Wales). HD variants are included where STV and UTV), Channel 4, applicable (but not +1s). Channel 5, and S4C. BBC One, BBC Two, ITV Network (inc ITV BBC One, BBC Two, ITV/ITV Main five PSB Breakfast), Channel 4, Channel 5. HD BBC One, BBC Two, Breakfast, Channel 4, Channel channels variants are included where applicable ITV/STV/UTV, Channel 4, 5 (but not +1s). Channel 5 BBC One, BBC Two, BBC Three, BBC Four , BBC Main PSB channels News, ITV/STV/UTV, combined Channel 4, Channel 5, S4C Commercial PSB ITV/ITV Breakfast, Channel 4, Channels Channel 5 ITV+1 Network (inc ITV Breakfast) , ITV2, ITV2+1, ITV3, ITV3+1, ITV4, ITV4+1, CITV, Channel 4+1, E4, E4 +1, More4, CITV, ITV2, ITV3, ITV4, Commercial PSB More4 +1, Film4, Film4+1, 4Music, 4Seven, E4, Film4, More4, 5*, Portfolio Channels 4seven, Channel 4 Paralympics channels 5USA (2012 only), Channel 5+1, 5*, 5*+1, 5USA, 5USA+1. -
Meet the Makers & Teachers
A RECKONING IN BOSTON MEET THE MAKERS STEPHEN MCCARTHY, AARON BOUCHARD, SOUND RECORDIST: CINEMATOGRAPHER: I first worked with James on the doc back in April of While following Kafi 2014 when it was just it was just him, a cameraman, and Dixon around the vacant I rolling through south Boston in my beat up PT Cruiser. lot on Mission Hill - truly I worked with James on many more shoot days until the a “mission” for Kafi - I film was finished in 2020. Over the years I developed a couldn’t stop thinking of sentimental investment in the lives of Kafi & Carl so see- my late friend John Car- roll. John was a neighbor ing the film for the first time was very moving. It is a rare of in nearby Jamaica experience to work on a project like A Reckoning in Bos- Plain - an African-Amer- ton and it is one I am very proud to have been a part of. ican Vietnam vet with a wondrous green thumb. Our many years of friendship began through early morning encounters in a former horse stable which I helped him cultivate with flowers, herbs and small plots of veg- etables. Like Kafi, John had a quiet mission to spread positivity through agriculture in a dense urban setting. In John’s case, the endeavor resulted in a permanent community garden that now serves as the hub of a thriv- ing (and desirable) neighborhood. There is a monument to John at the garden’s entrance. The less inspiring side of this story is that John’s work likely helped price him out of the very neighborhood in which he had become a true fixture. -
Media: Industry Overview
MEDIA: INDUSTRY OVERVIEW 7 This document is published by Practical Law and can be found at: uk.practicallaw.com/w-022-5168 Get more information on Practical Law and request a free trial at: www.practicallaw.com This note provides an overview of the sub-sectors within the UK media industry. RESOURCE INFORMATION by Lisbeth Savill, Clare Hardwick, Rachael Astin and Emma Pianta, Latham & Watkins, LLP RESOURCE ID w-022-5168 CONTENTS RESOURCE TYPE • Scope of this note • Publishing and the press Sector note • Film • Podcasts and digital audiobooks CREATED ON – Production • Advertising 13 November 2019 – Financing and distribution • Recorded music JURISDICTION • Television • Video games United Kingdom – Production • Radio – Linear and catch-up television • Social media – Video on-demand and video-sharing services • Media sector litigation SCOPE OF THIS NOTE This note provides an overview of the sub-sectors within the UK media industry. Although the note is broken down by sub-sector, in practice, many of these areas overlap in the converged media landscape. For more detailed notes on media industry sub-sectors, see: • Sector note, Recorded music industry overview. • Sector note, TV and fi lm industry overview. • Practice note, Video games industry overview. FILM Production Total UK spend on feature fi lms in 2017 was £2 billion (up 17% on 2016) (see British Film Institute (BFI): Statistical Yearbook 2018). Film production activity in the UK is driven by various factors, including infrastructure, facilities, availability of skills and creative talent and the incentive of fi lm tax relief (for further information, see Practice note, Film tax relief). UK-produced fi lms can broadly be sub-divided into independent fi lms, UK studio-backed fi lms and non-UK fi lms made in the UK. -
Weekly News Round
Rosebery News Weekly News Round Friday 6 July 2018 Dear Parents and Carers This week our focus has been very much directed to the future, as we welcomed our new Year 7 students for their Transition Day and on Thursday evening we held our annual Open Evening attended by Year 4 and 5 students, THIS WEEK’S NEWS keen to determine whether Rosebery should be their school of choice at the end of Year 6. As ever, our current students were centre stage during both events and were fantastic ambassadors and supporters to our visitors. Also this week, our cheerleaders performed brilliantly in the national championships, and this weekend Mrs Brice and Miss Hill take 27 students on Dates for your Diary .......................................... 2 their final Silver Duke of Edinburgh expedition, which promises to be an even more significant challenge than usual, given the current very warm PE Results ............................................................. 2 temperatures. End of term arrangements Wellbeing Week ................................................ 3 As the end of term rapidly approaches, I want to ensure all parents are clear about the changes to the timetable over the final weeks of this school year. Film Media Academy .......................................... 3 Sports Day Sixth Form Student Coaching ............................ 4 Friday 13 July: Sports Day at The Harrier Centre, Poole Road, West Ewell, KT19 9RY (click here for a map and directions) Student News—Rosebery Doodles .................. 5 All students should arrive at The Harrier Centre by 8.30am where they will go to their tutor area to be registered. Students will not be at school during the International Women in Engineering Day ...... 6 day. -
Online Educa Berlin 2016
The Opening Plenary: Owning Learning Thursday, Dec 1 Time 09:30 – 11:00 Room Potsdam I/III Tomorrow’s learning is about ownership and OEB’s opening session will examine how we can own our own learning. We will soon control what, where, when and how we learn. We will access, link, combine, interpret and interact with knowledge. We will make learning work for us. But what are the implications? And how can we ensure that the new world of the empowered learner works for students, teachers and society? The opening plenary session of OEB 2016 will focus on the challenges and opportunities of taking empowered learning to its ultimate phase. Moderator NIK GOWING, Broadcast Journalist, UK Nik Gowing was a main news presenter for the BBC’s international 24-hour news channel BBC World News 1996-2014. He presented The Hub with Nik Gowing, BBC World Debates, Dateline London, plus location coverage of major global stories. For 18 years he worked at ITN where he was bureau chief in Rome and Warsaw, and Diplomatic Editor for Channel Four News (1988-1996). He has been a member of the councils of Chatham House (1998–2004), the Royal United Services Institute (2005–present), and the Overseas Development Institute (2007-2014), the board of the Westminster Foundation for Democracy including vice chair (1996-2005), and the advisory council at Wilton Park (1998-2012). Plenary Speakers ROGER SCHANK, Socratic Arts & XTOL, USA Roger Schank is one of the world's leading visionaries in artificial intelligence, learning theory, cognitive science, and the building of virtual learning environments. -
ITV on Track to Deliver
Interim Results 2017 ITV plc ITV on track to deliver Interim results for the six months to 30 June 2017 Peter Bazalgette, ITV Executive Chairman, said: “ITV’s performance in the first six months of the year is very much as we anticipated and our guidance for the full year remains unchanged. “Total external revenue was down 3% with the decline in NAR partly offset by continued good growth in non-advertising revenues, which is a clear indication that our strategy of rebalancing the business is working. We are confident in the underlying strength of the business as we continue to invest both organically and through acquisitions. “ITV Studios total revenues grew 7% to £697m including currency benefit. ITV Studios adjusted EBITA was down 9% at £110m. This was impacted by our ongoing investment in our US scripted business and the fact that the prior year includes the full benefit of the four year license deal for The Voice of China. We have a very strong pipeline of new and returning drama and formats and we are building momentum in our US scripted business. We continue to grow our global family of production companies and in H1 we further strengthened our international drama and format business with the acquisition of Line of Duty producer World Productions in the UK, Tetra Media Studio in France and Elk Production in Sweden. “The Broadcast business remains robust despite the 8% decline in NAR caused by ongoing economic and political uncertainty with Broadcast & Online adjusted EBITA down 8% at £293m. On-screen we are performing well. -
Cover1 LETTER from OUR LEADERS
ANNUAL 2016 REPORTCover1 LETTER FROM OUR LEADERS Dear Stakeholders: We issued just over 700 grants in 2016, a 55% increase over the previous year. A major reason is that several large grants were received in the last weeks of 2015, for a record total of $926,000. But those funds came too late to be used in 2015. Instead, a large carry-over fueled our record-breaking 2016 MicroGrants grant making. We fully expect to equal 700 grants again in 2017. Our Partner Agencies told us that they could more than double their grantee-prospects without any compromise in the quality of their quali cations. at meant, there were hundreds of people, who did MISSION not apply for grants, only because of the limit of our resources. In addition, there were a dozen aspiring Partner Agencies, each with additional people of potential, waiting in the wings to become partners. To spur economic self-su ciency by giving strategic Consequently, our 250 additional grants were so quickly absorbed by the overwhelming demand. grants to low-income people of potential through We also improved our transportation grant-making in a new partnership with Bobby and Steve’s Auto Partner Agencies. World. ey restore and sell road-worthy, used cars to our grantees, at an average of 35% below market value. In addition, we increased our $1,000 transportation grants to $1,400, their estimated minimum for purchasing a serviceable vehicle. So, our grantees are no longer vulnerable to the proverbial Used Car Salesman, the lemon that fails right o the lot or the cheaply acquired, used car that just sits there because of unfeasible repair costs. -
Broadcasting Sector Report
Broadcasting Sector Report 1. This is a report for the House of Commons Committee on Exiting the European Union following the motion passed at the Opposition Day debate on 1 November, which called on the Government to provide the Committee with impact assessments arising from the sectoral analysis it has conducted with regards to the list of 58 sectors referred to in the answer of 26 June 2017 to Question 239. 2. As the Government has already made clear, it is not the case that 58 sectoral impact assessments exist. The Government’s sectoral analysis is a wide mix of qualitative and quantitative analysis contained in a range of documents developed at different times since the referendum. This report brings together information about the sector in a way that is accessible and informative. Some reports aggregate some sectors in order to either avoid repetition of information or because of the strong interlinkages between some of these sectors. 3. This report covers: a description of the sector, the current EU regulatory regime, existing frameworks for how trade is facilitated between countries in this sector, and sector views. It does not contain commercially-, market- or negotiation-sensitive information. Description of sector Scope 4. The broadcasting sector covers the production of audiovisual or audio (radio) content and its distribution, which is subject to the framework of regulation overseen by Ofcom (or, for TV stations based elsewhere in the European Economic Area (EEA), by another EEA regulator). 5. This report primarily covers linear (or live) visual broadcasting services (digital TV, live streaming, webcasting, near video-on-demand) and non-linear services (video on demand services such as the BBC iPlayer, All4, etc, or subscription video on demand services such as Netflix). -
Sustaining the Public Value of ITV News in a Changing World
Robert Kenny Sustaining the public value of ITV News in a changing world October 2020 About the Author Rob Kenny is a founder of Communications Chambers. He has extensive experience on issues of TMT policy and regulation, and PSB and news in particular. He has worked on PSB issues for clients such as the BBC, ITV, RTÉ, Virgin Media, COBA, the Broadcasting Authority of Ireland and the Belgian government, addressing funding, public value, market impact, distribution strategy, and many other topics. He has also worked widely on news issues, including plurality, the business of news, and interventions to support news. Relevant clients have included the BBC, Sky, 21st Century Fox, News Corp, GMG, the Broadcasting Authority of Ireland and the Australian Competition & Consumer Commission. Previously Rob headed strategic planning and corporate development for Hongkong Telecom, and corporate development for Level 3. Disclaimer This is an independent report prepared for ITV. The opinions offered herein are purely those of the author. They do not necessarily represent the views of ITV, nor the views of all Communications Chambers members. [0] Contents 1. Executive Summary .................................................................................................................................. 2 2. Introduction ................................................................................................................................................. 6 3. A rapidly changing news market ........................................................................................................ 7 3.1. Shifting platform preference 7 3.2. News economics 10 3.3. The nature of news 12 4. A news service for everyone: the current role of ITV News ............................................... 15 4.1. ITV’s news offering 15 4.2. ITV’s investment in news 19 4.3. Consumption of ITV News 21 4.4. Trust in ITV News 25 4.5. ITV News during COVID-19 25 4.6. -
The Development of the UK Television News Industry 1982 - 1998
-iì~ '1,,J C.12 The Development of the UK Television News Industry 1982 - 1998 Thesis submitted for the degree of Doctor of Philosophy by Alison Preston Deparent of Film and Media Studies University of Stirling July 1999 Abstract This thesis examines and assesses the development of the UK television news industry during the period 1982-1998. Its aim is to ascertain the degree to which a market for television news has developed, how such a market operates, and how it coexists with the 'public service' goals of news provision. A major purpose of the research is to investigate whether 'the market' and 'public service' requirements have to be the conceptual polarities they are commonly supposed to be in much media academic analysis of the television news genre. It has conducted such an analysis through an examination of the development strategies ofthe major news organisations of the BBC, ITN and Sky News, and an assessment of the changes that have taken place to the structure of the news industry as a whole. It places these developments within the determining contexts of Government economic policy and broadcasting regulation. The research method employed was primarily that of the in-depth interview with television news management, politicians and regulators: in other words, those instrumental in directing the strategic development within the television news industry. Its main findings are that there has indeed been a development of market activity within the television news industry, but that the amount of this activity has been limited by the particular economic attributes of the television news product. -
BBC WORLD HUB JOB SPECIFICATION Job Title: Digital
BBC WORLD HUB JOB SPECIFICATION Job Title: Digital Editor, BBC South Asia Hub Grade: London Grade 9 Contract: Continuing Reports to: Editor, South Asia Hub CONTEXT BBC World Service is an international multimedia broadcaster, delivering a wide range of language and regional Hubs on radio, TV, online and via wireless handheld devices. It uses multiple platforms to reach its audience, including digital, shortwave, AM, FM, digital satellite and cable channels. BBC South Asia Hub has six websites, mobile sites and Social Media pages – BBC Hindi, BBC Nepali, BBC Sinhala, BBC Tamil, BBC Burmese, BBC Bengali, with multimedia content in text, video, interactive and audio for radio, online,mobile and Social Media platforms. The Hub’s output aims to make international news relevant to South Asian audience, and bring international perspectives to bear on South Asian and global developments. All digital services in the Hub share an ambitious outlook to attract more audience to our digital contents in six languages and strengthen outputs in the coming years so to respond to the changes in the market. JOB PURPOSE To take editorial responsibility for and develop digital output for BBC South Asia Hub, particularly for BBC Nepali, BBC Bangla, BBC Burmese, BBC Tamil and BBC Sinhala – in platforms including online site, social media, content for mobile devices, and UGC. The role will need to help lead strategic editorial development of BBC South Asia Hub’s digital offering, working closely with BBC WS Digital team to implement the Digital Roadmap 2014/2016 for South Asian languages. The role holder will report to BBC South Asia Hub Editor and work with all service editors and desk editors in the Hub and collaborate with BBC World TV, News online, Future Media to manage output and lead the launch of new editorial approaches in South Asia Hub website coverage, adapting the output as needed to new platforms and changing audience needs and priorities.