Blue Ink April 2012
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“ Blues Ain't Football. You Don't Have to Retire at 30. You Can Grow and Play
LOCALS | BY PHIL RESER | PHOTOS: ERIC LESLIE “ Blues ain’t football. You don’t have to retire at 30. You can grow and play all your life.” —Elvin Bishop THE LIFE AND LEGEND OF LESLIE ‘LAZY LESTER’ JOHNSON UP ON THE RIDGE in Paradise lives a blues music legend La., that fate turned his way. He recognized a guy named named Leslie ‘Lazy Lester’ Johnson, originally from South Lightnin’ Slim, a recording artist who was riding on the same Louisiana, where he built his legendary music career as one bus, headed to Crowley to cut a record at Jay Miller’s Studio, of the key creators of the swamp blues sound in the ‘50s. where much of the material for the Nashville-based Excello Lester crafted a style as unique as his nickname. It’s a Records was being recorded. mixture of blues, swamp pop and classic country. After establishing a friendly connection with Slim, Lester Born in Torras, La., in 1933 and raised outside of Baton decided to stay on the bus and accompany him to the studio. Rouge, he became a harp player and vocalist. When they got there, the scheduled harp player, Wild Bill As a boy, he worked as a gas station attendant, woodcutter Phillips, had not showed up for the session work. Lester told and at a grocery store, saving money to purchase a harmonica Slim he thought he could handle the harp parts. Remarkably, and Little Walter’s “Juke” record. Slim and Miller gave him his big chance, and that was the Then Lester began to blow that harp, and at the same time, moment that Lester became a mainstay on Slim’s Excello he borrowed his brother’s guitar and learned how to strum recordings and his live shows. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Blues Notes June 2016
VOLUME TWENTY-ONE, NUMBER SIX • JUNE 2016 Sunday, June 5th @ 5 pm - Zoo Bar CURTIS SALGADO Tuesday, June 7th @ 6 pm • 21st Saloon, Omaha, NE $10 for BSO members, $20 for non-members Join the BSO or renew at the door Advance tix @ www.eventbrite.com GOLDEN STATE - LONE STAR REVUE Also Appearing Thursday, June 30th @ 5 pm $15 Wednesday, June 8th @ 6 pm • Zoo Bar, Lincoln, NE 21st Saloon, Omaha WEEKLY BLUES SERIES 4727 S 96th Plaza SOARING WINGS BLUES FESTIVAL Thurs. shows @ 6pm • Sat. shows @ 8 pm with John Primer & Watermelon Slim Bands subject to change Saturday, June 4th June 2nd .............................................................Davy Knowles ($10) June 4th (8 pm) ... Swamp Productions Presents Swampboy Blues Band, SUMMER ARTS FESTIVAL Sweet Tea, Bad Judgement & 40 Sinners ($5) June 10, 11, & 12 June 7th (Tues)........................................................... Curtis Salgado Featuring ($10 BSO Members, $20 Non Members, Bernard Allison Friday, June10th advance tickets at www.eventbrite.com) June 9th (5 pm) ......................................... Tale of 3 Cities Tour ($10) BLUES AT BEL AIR Hector Anchondo, Amanda Fish, and Delta Sol - Sunday June 12th Front and Center opens at 5pm! featuring June 10th (9 pm) ........Achilles Last Stand - Led Zepplin Tribute ($5) The Mighty Jailbreakers June 11th (8 pm) .... Luther James Band ($5) Summer Arts Fest After Party and The Bel Airs June 16th (5 pm) .......... Markey Blue ($10) - Dilemma opens at 5pm June 18th (8 pm) ........ Blue House and the Rent to Own Horns ($5) BRIDGE BEATS June 23rd (5 pm) ....Bruce Katz Band ($10) - Far & Wide opens at 5pm Saturday June 10th & 24th June 25th (8 pm) ............................................Rhythm Collective ($5) June 30th (5 pm) ................... -
Jimmy D. Lane
Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls. -
Golden Gate Grooves, January 2014
Golden Gate Grooves, January 2014 CD REVIEWS Billy Boy Arnold, Charlie Musselwhite, The singers/harmonica players under whose names Remembering Little Walter was issued are an enviable Mark Hummel, Sugar Ray Norcia, James all-star assemblage: Hummel, Harman, Charlie Harman, Remembering Little Walter Musselwhite, Billy Boy Arnold, and Sugar Ray Norcia. Together they make up something like 50% of any by Tom Hyslop reasonable person’s list of the pre-eminent living Latter-day harp men talk harmonica players, and the environment, as one might about Big Walter’s tone, expect, makes for committed and spirited emulate the conversational performances. Sugar Ray’s intense “Mean Old World” is styles of both Sonny Boys, dynamite, as is Musselwhite’s take on the up-tempo admire the power and “One Of These Mornings,” a relative rarity, which also playfulness of Cotton, and features a daredevil guitar break. Tone and dynamics dig Junior Wells’s attitude. are at an impossibly high level throughout—Hummel Some may work on Jimmy and the band dial in a perfect late-night mood on “Blue Reed’s high-end approach, Light,” and the way Harman drives “Crazy Mixed Up or give lip service to Snooky World” hard before breaking it down to a whisper at Pryor or even Louis Myers. But Marion Walter Jacobs the end is masterly. Billy Boy’s “Can’t Hold Out Much was The Man, the player whose stylistic innovations Longer” is splendid on every level. revolutionized the way the instrument was played, and whose technique, taste, and tones continue to baffle That recaps only about half of the program, but the rest and inspire musicians more than 60 years after his of the songs (each performer sings two) are excellent as debut, and nearly 45 years after his untimely death. -
“Salute to the Blues” Takes Center Stage at Radio City Music Hall
Sponsored by Tickets Still Available for the Historic Concert of 2003 “Salute to the Blues” Takes Center Stage at Radio City Music Hall Historic Concert Produced by Martin Scorcese Features Legendary Lineup Including Aerosmith, Gregg Allman, India.Arie, Natalie Cole, Shemekia Copeland, Robert Cray, Chuck D, Macy Gray, Dr. John, B.B. King, The Neville Brothers, Bonnie Raitt, Vernon Reid, Mavis Staples, and more NEW YORK – Feb. 7, 2003 – Renowned artists across multiple music genres and generations will take to the stage at Radio City Music Hall tonight to celebrate their common heritage and passion – the blues. From roots to rock, jazz to rap, musical greats and special surprise guests will join forces for a once-in-a-lifetime “Salute to the Blues” benefit concert – produced by Experience Music Project – honoring the musicians and style that have inspired countless artists around the world. Slated performers include Aerosmith, Gregg Allman, India.Arie, Billy Boy Arnold, Clarence “Gatemouth” Brown, Ruth Brown, Solomon Burke, Natalie Cole, Shemekia Copeland, Robert Cray, Chuck D, Mos Def, Honeyboy Edwards, John Fogerty, Macy Gray, Buddy Guy, Warren Haynes, Levon Helm, David Johansen, Dr. John, Larry Johnson, Angelique Kidjo, B.B. King, Chris Thomas King, Alison Krauss, Lazy Lester, Keb’ Mo’, The Neville Brothers, Odetta, Bonnie Raitt, Vernon Reid, The Jon Spencer Blues Explosion, Mavis Staples, Angie Stone, Hubert Sumlin, James Blood Ulmer, Jimmie Vaughan and Kim Wilson. The concert will also be filmed for theatrical distribution, directed by Antoine Fuqua (“Training Day”) and executive produced by Martin Scorsese. “Salute to the Blues” is exclusively sponsored by Volkswagen and presented by Vulcan Productions with local support provided by W Hotels of New York. -
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career. -
Bio Ronnie Earl & the Broadcasters
Bio Ronnie Earl & The Broadcasters Please bill as Ronnie Earl & The Broadcasters Ronnie Earl, Guitar Legendary Blues guitarist Ronnie Earl is a three time Blues Music Award winner as Guitar Player of the Year, most recently receiving the award on May 8, 2014 in Memphis. He has served as an Associate Professor of Guitar at Berklee College of Music, and has taught at the National Guitar summer workshop in Connecticut. In 1995 Ronnie released Ronnie Earl: Blues Guitar with Soul, an instructional VHS tape that was then rereleased in DVD format in 2005. Earl’s discography includes acclaimed albums on Stony Plain Records, Black Top, Bullseye Blues, Verve, and Telarc. His 1996 Bullseye Blues release, Grateful Heart: Blues and Ballads, won Downbeat Magazine’s Blues Album of the Year, and in 2004 Earl’s Hey José won the Best Blues/R&B Song at the 3rd Annual Independent Music Awards. In 2014, Ronnie Earl and the Broadcasters celebrated 26 years as a band. The last three releases by Ronnie Earl and the Broadcasters, Spread the Love (2010), Just for Today (2013), and Good News (2014), all debuted on the top ten Billboard Blues charts and received wide critical acclaim. Ronnie Earl has played alongside such legends as Hubert Sumlin, Otis Rush, Earl King, Muddy Waters, Junior Wells, Kim Wilson and the Fabulous Thunderbirds, Jimmie Vaughan, Stevie Ray Vaughan, Carlos Santana, Eric Clapton, The Allman Brothers Band and many others, including, B.B. King, who said about Ronnie, “I feel the respect and affection for him that a father feels for his son. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1. -
Fall/Winter 2012 Electro-Fi Newsletter
Electro-Fi Records <noreply@electrofi.com> 2 December, 2012 2:06 PM To: Gary Collver Fall/Winter 2012 Electro-Fi Newsletter Fall/Winter 2012: While it certainly still can be a Mean Old World at times, 2012 has turned out to be an excellent year here at Electro-Fi Records, so first and foremost we want to thank you, our fellow Blues aficionados for sharing our deep love of the Blues. We couldn't begin to do what we do without all of your interest and kind support. Back in June we had 5 of our releases listed on the U.S. Roots Music Top Fifty Radio Chart, and in May we had the distinct pleasure of attending Electro-Fi artist and Chicago Blues Legend BILLY BOY ARNOLD'S induction into the Blues Hall of Fame in Memphis, during the Blues Foundation's Blues Music Awards week. Speaking of Billy Boy Arnold, he has asked us to thank you for helping to make his "Billy Boy Arnold Sings Big Bill Broonzy" release one of 2012's Traditional Blues highlights. This CD was a project close to all our hearts, and it's sure nice to see an artist from Chicago's Golden Age of the Blues step up and put out such a strong and vital album in 2012. A tip of the hat to producer ERIC NODEN, BLAISE BARTON @ Joy Ride Studio in Chicago and our pal BOB RIESMAN for his insightful liner notes, If you haven't picked up Bob's definitive Big Bill Broonzy Biography "I Feel So Good" yet, you are missing a great read. -
John Lee Hooker 1991.Pdf
PERFORMERS John Lee Hooker BY JOHN M I L W A R D H E BLUES ACCORDING TO John Lee Hooker is a propulsive drone of a guitar tuned to open G, a foot stomping out a beat that wouldn’t know how to quit, and a bear of a voice that knows its way around the woods. He plays big-city, big-beat blues born in the Mississippi Delta. Blame it on the boogie, and you’re blaming it on John Lee Hooker. Without the music of John Lee Hooker, Jim Morrison two dozen labels, creating one of the most confusing wouldn’t have known of crawling kingsnakes, and George discographies in blues history. Hooker employed such Thorogood wouldn’t have ordered up “One Bourbon, One pseudonyms as Texas Slim, Birmingham Sam, Delta John, Scotch, One Beer.” Van Morrison would not have influenced John Lee Booker, and Boogie Man. Most of his rhythm & generations of rock singers by personalizing the idiosyncratic blues hits appeared on Vee jay Records, including “Crawlin’ emotional landscape of Hooker’s fevered blues. Kingsnake,” "No Shoes,” and “Boom Boom”—John Lee’s sole Hooker inspired these and countless other boogie chil entry on the pop singles chart, in 1962. dren with blues that don’t In the late ’50s, Hooker adhere to a strict 12-bar T H E BLUES ALONE found a whole new audience structure, but move in re Detroit businessman Bernard Besman (in partnership with club owner Lee among the white fans of the sponse to the singer’s singu Sensation) issued John Lee Hooker’s first records in 1948 on the Sensation la folk revival. -
Extracts from Nick Gravenite's Book
EXTRACTS FROM NICK GRAVENITE’S BOOK- “BAD TALKING BLUESMAN” It's not so easy to introduce Nick Gravenites because the man has done so many things that one can easily write a book or build a web site only dedicated to Gravenites who is singer, songwriter, guitarist, and producer in one person. Subsequently everything found on this page concerning Nick can only be described as incomplete. Nevertheless let's start with a short introduction Taxim Records added to one of their Bay Area Blues Sampler 'More Bay Area Blues' which contains the song 'Hard Thing' by Nick. 'Nick Gravenites grew up on the southside of Chicago hanging out in the mid- 50's with a coterie of misfit white kids - Elvin Bishop, Paul Butterfield, Michael Bloomfield - who went on to form that protean powerhouse of watershed white blues, The Paul Butterfield Blues Band. Learning their lessons first-hand from the southside greats - Muddy Waters, Buddy Guy, Howlin' Wolf, Jimmy Reed, Otis Rush - Gravenites & Co. burst open the seams of the scene with a feverish intensity and undeniable authenticity, redefining the blues with as much impact as the introduction of electric instrumentation had 15 years earlier. From the late 50's through the mid 60's, Gravenites gravitated between Chicago and San Francisco, establishing himself in the Bay Area in 1965. In addition to authoring the classic "Born In Chicago" and the groundbreaking "East West" for Butterfield, Gravenites scribed hits for Janis Joplin and has his songs recorded by Big Brother and the Holding Company, Michael Bloomfield, the Electric Flag (of which Gravenites was a founding member), Pure Prairie League, Tracy Nelson, Roy Buchana, Jimmy Witherspoon as well as blues giants Howlin' Wolf, Otis Rush, and James Cotton.