Dedicated to the Preservation of Spanish Colonial Architecture in Balboa Park FALL 2007 Newsletter
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Filner Promises A
VOLUME 4 ISSUE 23 7th Annual Nov. 9–Nov. 22, 2012 Harvestfor housingHowl youth Follow us on Facebook and Twitter Photo SpreadPg. 21 Old Town • Mission Hills • Bankers Hill Hillcrest • University Heights • Normal Heights • North Park • South Park • Golden Hill • Kensington • Talmadge ➤➤ NEWS P. 9 Volunteers & Visionaries Community leaders present awards at Friends of Balboa Park luncheon By Anthony King SDUN Editor The Friends of Balboa Park held their annual “Salute to Volunteers RECON turns 40 and Visionaries” luncheon on Oct. 30, handing out seven awards to individuals and organizations in rec- ➤➤ DINING P. 11 ognition of their long-term contribu- tions to Balboa Park. Now in its 12th year, the recep- tion and program was held at the Balboa Park Club ballroom. After Mayor-elect Bob Filner spoke, many gathered to ask for his autograph in Trolley Barn Park. (Photo by Anulak Singphiphat) Approximately 350 people at- tended, including Rep. Susan Davis and State Sen. Christine Kehoe. Councilmember Todd Gloria pre- Filner promises a ‘new City Hall’ sented the Inspiration Awards and Assemblymember Toni Atkins, who serves on the Friends of Balboa First Democrat mayor in two decades sees importance of neighborhoods Park advisory council, presented Hanna’s is a treat the Millennium Awards. By Morgan M. Hurley introduced his fiancée and laid out media. “That process will happen “If volunteers hadn’t been SDUN Assistant Editor plans he has for San Diego. irrespective of my decision to involved since day one, what would ➤➤ THEATER P. 14 “You’re gonna see a team that is concede this race.” our park be like now?” said Jim In less than four weeks, after a aggressive and visible,” he said of Though an unknown number Hughes, Friends of Balboa Park grueling and historic campaign, the the city’s new first couple. -
Casa Del Prado in Balboa Park
Chapter 19 HISTORY OF THE CASA DEL PRADO IN BALBOA PARK Of buildings remaining from the 1915 Panama-California Exposition, exhibit buildings north of El Prado in the agricultural section survived for many years. They were eventually absorbed by the San Diego Zoo. Buildings south of El Prado were gone by 1933, except for the New Mexico and Kansas Buildings. These survive today as the Balboa Park Club and the House of Italy. This left intact the Spanish-Colonial complex along El Prado, the main east-west avenue that separated north from south sections The Sacramento Valley Building, at the head of the Plaza de Panama in the approximate center of El Prado, was demolished in 1923 to make way for the Fine Arts Gallery. The Southern California Counties Building burned down in 1925. The San Joaquin Valley and the Kern-Tulare Counties Building, on the promenade south of the Plaza de Panama, were torn down in 1933. When the Science and Education and Home Economy buildings were razed in 1962, the only 1915 Exposition buildings on El Prado were the California Building and its annexes, the House of Charm, the House of Hospitality, the Botanical Building, the Electric Building, and the Food and Beverage Building. This paper will describe the ups and downs of the 1915 Varied Industries and Food Products Building (1935 Food and Beverage Building), today the Casa del Prado. When first conceived the Varied Industries and Food Products Building was called the Agriculture and Horticulture Building. The name was changed to conform to exhibits inside the building. -
Balboa Park Facilities
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Tapestry of Time
Tapestry of Time From the Friends of Balboa Park Updated November 2010 Table of Authors Letter from Our Founder, Betty Peabody 4, 5 Allen, Grace Bentley 93 Amos, Martha f. 28 Anderson, Phyllis D. 91 Atherton, Debra 105 Atherton, May 17 Bennett, Kay Mason 77 Benton, Mariella 30 Borthwick, Georgia 11 Brown, Margaret 70 Butler, Ardith Lundy 47 Butler, Colornel Richard D. 45 Butorac, Kathryn 84 Cardua, Harney M. Jr. 38 Cash, John C. 9 Conlee, Roger 108 Cooper, Barbara 99 Davies, Darlene G. 96 Davies, Vince 66 Dose, Betty Curtis 69 Dr. Rufus Anton Schneiders 56 Earnest, Sue Ph.D 20 Echis, Ellen Renelle 33 Ehrich, Nano Chamblin 75 Engle, Mrs. Margaret 86 Evenson, Bea 106 Faulconer, Thomas P. 13 Fisk, Linda L. 23 Fry, Lewis W. 58 Giddings, Annie & Donald 18 Green, Don 87 Hankins, Thelma Larsen 53 Herms, Bruce F. 63 Hertzman, Sylvia Luce 78 Howard, RADM J.L. 43 Johnson, Cecelia cox 98 Jones, Barbara S. 40 Kenward, Frances Wright 34, 51 Kirk, Sandra Jackson 104 Klauber, Jean R. 6 Klauber, Phil 14, 36 Klees, Bob 89 Kooperman, Evelyn Roy 102 Lathrop, Chester A. 88 Lee, CDR Evelyn L. Schrader 100 Logue, Camille Woods 72 Marston, Hamilton 25 McFall, Gene 31 McKewen, Barbara Davis 90 Meads, Betty 95 Menke, Pat & Bob 94 Minchin, Mrs. Paul 68 Minskall, Jane 35 Mitchell, Alfred R. 29 Moore, Floyd R. 101 Neill, Clarence T. “Chan” 67 Oberg, Cy 74 Pabst, Dick 42 Pabst, Katherine 50 Phair, Patti 92 Porter, Francis J. Jr. 85 Pyle, Cynthia Harris 97 Richardson, Joe 79 Roche, Francis 82 Roche, Merna Phillips 60 Sadler, Mary M. -
Alcazar Garden Sign
Alcázar Garden - Balboa Park Richard Smith Requa 1881 - 1941 Seventy years later, the Moorish tiles were beginning to show their age. Tiles were cracked, chipped, and had chunks missing. In 2008, the garden was reconstructed to replicate the 1935 design by San Diego architect Richard Requa. During the restoration they found that moisture had seeped through, as tiles are porous and grout isn't perfect. With $50,000 in donations, the Committee of One Hundred, a nonprofit group dedicated to the park's Spanish Colonial architecture, replaced the damaged tiles and renovated the water fountains to their original grace and glory. The group commissioned 1,800 tiles that replicate the originals. Richard Smith Requa was an American architect, largely During the 1915 Panama-California Exhibition, this garden was T h e y e x p e c t t h i s known for his work in San Diego, California. Requa was the originally named Los Jardines de Montezuma (Montezuma Garden). renovation will last 20 Master Architect for the California Pacific International Exposition held in Balboa Park in 1935-36. He improved and In 1935, architect Richard Requa modified the garden by adding two years or so, but bought extended many of the already existing buildings from the delightful water fountains and eight tile benches. The garden was extra tiles for future patch 1915 Panama-California Exposition, as well as created new facilities including the Old Globe Theater. renamed Alcázar because its design is patterned after the courtyard work. His own designs were predominantly in the Spanish gardens of Alcázar Palace in Seville, Spain. -
The Southwest on Display at the Panama- California Exposition, 1915
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Fall 1990, Volume 36, Number 4 Richard W. Crawford, Editor The Southwest on Display at the Panama- California Exposition, 1915 By Richard W. Amero Images from the Article After five years of unrelenting effort, San Diego celebrated the official opening of the Panama- California Exposition in Balboa Park on January 1, 1915. At midnight, December 31, President Woodrow Wilson, in Washington, D.C., pressed a Western Union telegraph key. The signal turned on every light on the grounds and touched off a display of fireworks. The gates to the Exposition swung open. A crush of from 31,836 to 42,486 people on the grounds cheered, waved banners, threw confetti, sang "I Love You California," and snake-danced their way to the Isthmus, or fun street.1 Among the guests who took part in the official but sparsely attended ceremonies, beginning at 11:30 the following morning, were Secretary of the Treasury William G. McAdoo, Commander of the U.S. Pacific fleet Rear Admiral T.B. Howard, Director-General of the Pan-American Union John Barrett, and Spanish delegate Count del Valle de Salazar.2 In his speech to the guests, wearied from the festivities of the night before, Gilbert Aubrey Davidson, president of the Panama-California Exposition Company, declared the Exposition's purpose was to build an empire extending from the back country of the Pacific slope to the west shores of the Missouri River.3 At one point Davidson said: Here is pictured in this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life can expand in this fragrant land of opportunity. -
Advanced Scavenger Hunt
Balboa Park Scavenger Hunt AN EDUCATION PROGRAM OF FRIENDS OF BALBOA PARK Balboa Park History Balboa Park was originally built to host the Panama-California Exposition of 1915, celebrating the Earn your patch! opening of the Panama Canal. The Park was not intended to be permanent, but citizens rallied to preserve it. Over a century later, it remains one of San Diego's most beloved destinations. Your Mission Using the Balboa Park Map, follow the clues and riddles to learn even more about the park, its important buildings, museums, and institutions. Each “Hidden Treasure” will have a map number listed to help you narrow down your search. Good luck! Hidden Treasure #1 Hidden Treasure #2 Map number 11 Map letter A Many works of art from Spain can be found This garden was restored in 1962. inside this museum, and these Spanish artists can be found standing on the outside What is the name of this garden? of it. What club restored it? Hidden Treasure #3 Map letter H What are the last names of these three artists? This tropical oasis contains more than 1. 450 palms within 2 acres. 2. The original group of 3. Mexican Fan Palms date back to 1912. What is the name of this hidden spot? FRIENDS OF BALBOA PARK SCAVENGER HUNT Hidden Treasure #4 Hidden Treasure #6 Map number 22 Map number 15 The Spreckels Organ is the largest outdoor organ in the world! Who donated the organ to the City of San Diego, back in 1914? This spy was a dark secret when it first breathed air. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Journal of San Diego Volume 61 Winter 2015 Numbers 1 • The Journal of San Diego History Diego San of Journal 1 • The Numbers 2015 Winter 61 Volume History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego History Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; membership dues; admissions; shop sales; and rights and reproduction fees. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Front Cover: Clockwise: Casa de Balboa—headquarters of the San Diego History Center in Balboa Park. Photo by Richard Benton. Back Cover: San Diego & Its Vicinity, 1915 inside advertisement. Courtesy of SDHC Research Archives. Design and Layout: Allen Wynar Printing: Crest Offset Printing Editorial Assistants: Travis Degheri Cynthia van Stralen Joey Seymour The Journal of San Diego History IRIS H. W. ENGSTRAND MOLLY McCLAIN Editors THEODORE STRATHMAN DAVID MILLER Review Editors Published since 1955 by the SAN DIEGO HISTORICAL SOCIETY 1649 El Prado, Balboa Park, San Diego, California 92101 ISSN 0022-4383 The Journal of San Diego History VOLUME 61 WINTER 2015 NUMBER 1 Editorial Consultants Published quarterly by the San Diego History Center at 1649 El Prado, Balboa MATTHEW BOKOVOY Park, San Diego, California 92101. -
History of the California Building and the San Diego Museum Of
CHAPTER 9 THE CALIFORNIA BUILDING: A CASE OF THE MISUNDERSTOOD BAROQUE AND THE HISTORY OF THE SAN DIEGO MUSEUM/ MUSEUM OF MAN by Richard W. Amero “My judgment is now clear and unfettered, and that dark cloud of ignorance has disappeared, which the continual reading of these detestable books of knight-errantry has cast over my understanding.” Miguel de Cervantes. Don Quixote, Book 2, Part 16. Very few people appear to have looked at the south facade of the California Building in San Diego's Balboa Park. H. K. Raymenton described it as Plateresque in style.[1] Trent Sanford thought it better than anything in Mexico or Spain.[2] William Templeton Johnson called it the finest Spanish- Renaissance facade in existence,[3] and Thomas E. Tallmadge hailed it as the best example of Churrigueresque architecture in the world.[4] An article in the San Diego Union, January 1, 1915, asserted the California Building was "copied in many essential details from the magnificent cathedral at Oaxaca, Mexico."[5] Christian Brinton repeated this suggestion in June of the same year.[6] After checking with Bertram Goodhue, who designed the California Building, C. Matlack Price referred to the comparison as "palpably absurd."[7] The Late-Renaissance Cathedral of Oaxaca, rebuilt in the early eighteenth century, has a compartmentalized facade with three horizontal tiers and five vertical bays which hold one principal and two lateral doorways, and is flanked by two squat, single-stage towers.[8] None of its details resemble those on the California Building. Carol Mendel declared the California Building facade was taken from the seventeenth to nineteenth-century late-Renaissance, Baroque, Neo- Classical facade of the Cathedral of Mexico in Mexico City.[9] If she had selected the mid-eighteenth century Sagrario Metropolitano, which adjoins the cathedral, she would have been closer to the truth, for this building's facade is an outstanding example of Mexican Ultra-Baroque, or, as it is generally known, Churrigueresque.[10] To George H. -
Casa Del Prado History
The Committee of One Hundred Panama-California Sculpture Court, Casa del Prado Courtyard History of the Casa del Prado Photo # Completed in 1971, the Casa del Prado is a modified reconstruction of the largest of the temporary exhibition 01 halls built in 1914 for the Panama-California Exposition of 1915-1916. The exposition celebrated the opening of the Panama Canal, which was expected to bring expanded trade and prosperity to the port cities of the Pacific Coast. Like the other Spanish Baroque style buildings of Balboa Park’s Central Mesa, the exterior of this building was designed as a part of a romantic and idealized evocation of a prosperous Spanish Colonial city of the early 18th Century. Although many of the ornamental features of these buildings were inspired by actual historical buildings in Spain and in Spain’s New World colonies, the intense richness of the exposition’s architecture was deliberately exaggerated to enhance the fun and fantasy experienced by the exposition’s visitors. The Panama-California Exposition’s Supervising Architect was Bertram Grosvenor Goodhue (1869-1924), of Cram, Goodhue & Ferguson, with offices in New York, Boston and Los Angeles. Goodhue controlled all design decisions for the exposition’s permanent and temporary structures, and employed two main assistants, Carleton Monroe Winslow (1876-1946), Project Architect, and Frank P. Allen, Jr. The Committee of One Hundred Panama-California Sculpture Court, Casa del Prado Courtyard (1881-1943), the project’s Chief Engineer and Director of Works. They are credited with the design of most of the exposition’s “temporary” buildings. The Casa del Prado’s original building was designed by Winslow. -
A Californian's Guide to the Trees Among Us
LNewsletteret’s of the San DiegoT Horticulturalalk Society Plants!October 2012, Number 217 A Californian’s Guide to the Trees Among Us SEE PAGE 1 HOW DUDLEYAS GOT NAMED page 4 NEW BOARD MEMBERS page 6 SOUTHWESTERN STYLE page 7 DON’t OVERLOOK DAYLILIES page 9 SUCCULENT PUMPKIN ARRANGEMENT WoRKSHOP page 13 On the Cover: Lemon-Scented Gum ▼SDHS SPONSOR GREEN THUMB SUPER GARDEN CENTERS 1019 W. San Marcos Blvd. • 760-744-3822 (Off the 78 Frwy. near Via Vera Cruz) • CALIFORNIA NURSERY PROFESSIONALS ON STAFF • HOME OF THE NURSERY EXPERTS • GROWER DIRECT www.supergarden.com Now on Facebook WITH THIS VALUABLE Coupon $10 00 OFF Any Purchase of $6000 or More! • Must present printed coupon to cashier at time of purchase • Not valid with any sale items or with other coupons or offers • Offer does not include Sod, Gift Certifi cates, or Department 56 • Not valid with previous purchases • Limit 1 coupon per household • Coupon expires 10/31/2012 at 6 p.m. In This Issue... San Diego Horticultural Society 2 2013 Spring Garden Tour: We Need Your Help! Our Mission is to promote the enjoyment, art, knowledge 2 Important Member Information and public awareness of horticulture in the San Diego area, 3 To Learn More... while providing the opportunity for education and research. 3 SDHS Winning Member Membership Information 3 From the Board Details on membership are on page 20 and at www.sdhortsoc.org 4 The Real Dirt On… William R. Dudley For questions contact [email protected] or 4 Book Review Jim Bishop at (619) 296-9215. -
The Art Traveler Guide: a Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch
THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK 1 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK ON THE COVER: “Mr. Goodhue’s Dream” (detail of Cabrillo Bridge and the California State Building) by RD Riccoboni®, a.k.a. the Art Traveler. He created all the paintings reproduced in this guide in acrylic on canvas or paper, working in Balboa Park and his San Diego studio (2006-2014). Paintings from Beacon Artworks Collection, ©RD Riccoboni. www.rdriccoboni.com MR. GOODHUE’S DREAM Acrylic on canvas, 2012 | 16 x 20 inches The Art Traveler Guide: A Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch. All rights reserved. No part of this book, either text or image may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior written permission of the publisher. Published by Our Heritage Press, 2476 San Diego Avenue, San Diego, CA 92110 ISBN-13 978-0-9800950-5-0 ISBN-10 0-9800950-5-0 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK Paintings by RD Riccoboni Forward✥ by ✥ Bruce ✥ Coons Executive Director, Save Our Heritage Organisation Alana Coons, Editor Ann Jarmusch, Writer Martina Schimitschek, Designer Will Chandler and Michael Kelly, Editorial Consultants Second Edition An Our Heritage Press publication to commemorate the Centennial of the 1915 Panama-California Exposition, and to promote the preservation and celebration of historic Balboa Park in the heart of San Diego. Table of Contents Forward by Bruce Coons, Executive Director, Save Our Heritage Organisation ........