Lot# Lead Low Est. High Est. 1 Unusual Interior Glazed Redware Double Handled Jar

Total Page:16

File Type:pdf, Size:1020Kb

Lot# Lead Low Est. High Est. 1 Unusual Interior Glazed Redware Double Handled Jar Lot# Lead Low Est. High Est. 1 Unusual Interior Glazed Redware Double Handled Jar. 100 200 2 Antique Redware Bowl with Manganese Slip Decoration. 100 200 3 Two Pieces of Stamped "LKT" Glazed Redware. 100 200 4 Two Redware Jars Attributed to Henry Schofield, MD. 100 200 5 19th Century Yellow Slip Decorated Redware Charger. 100 300 6 19th Century Mottle Glazed Redware Flower Pot. 100 200 7 Scarce Interior Glazed Redware Jar Stamped "L. Kopp". 50 100 8 Pennsylvania 19th Century Mottle Glazed Redware Bowl. 100 200 9 Antique Molded Redware Seated Spaniel Still Bank. 100 300 10 Pennsylvania 19th Century Mottle Glazed Redware Jar. 100 200 11 Redware Decorative Brick Signed "J.A. May, 1896". 100 200 12 19th Century Redware Pottery Pitcher. 50 150 13 19th Century Yellow Slip Decorated Redware Charger. 100 300 14 Pennsylvania 19th Century Glazed Redware Jug. 100 200 15 Redware Birdhouse Attributed to Henry Schofield, MD. 50 150 16 Antique Brush-glazed Redware Bowl. 100 200 17 Large Interior Glazed Redware Storage Jar. 50 100 18 19th century Speckle Glazed Redware Preserve Jar. 50 100 19 Unsigned Stahl Pottery Two Color Slip Decorated Plate. 50 100 20 Unusual 19th Century Glazed Redware Bear Form Cider Jug. 300 500 21 Pennsylvania 19th Century Brush-glazed Redware Jar. 50 100 22 Two Pieces of Shooner Redware Pottery. 100 300 23 Two Large Antique Redware Pottery Vessels. 50 100 24 Three 19th Century Interior Glazed Redware Vessels. 50 100 25 Pennsylvania 19th Century Mottle Glazed Redware Crock. 50 100 26 French 19th century Redware Bowl and Colander. 50 100 27 Two 19th Century Interior Glazed Redware Storage Crocks. 50 100 28 Four Pieces of Foltz Redware Pottery, Circa. 1980's-1990's. 100 200 29 Redware Double Handled Bulbous Vase with Drop Rings. 100 200 30 Two Contemporary Bennington Pottery Masks. 100 200 31 PA 19th Century Brush Decorated Redware Storage Jar. 100 200 32 Cowden & Wilcox Blue Slip Decorated Stoneware Jar. 100 300 33 19th century miniature Stoneware Jug. 100 200 34 Cowden & Wilcox Blue Slip Stoneware 1-1/2 Gallon Jug. 200 400 35 Decorated Penn Yan One Gallon Stoneware Pitcher. 100 200 36 New York Cobalt Blue Floral Decorated Three Gallon Crock. 100 200 37 Norton Two Gallon Crock with Cobalt Floral Decoration. 100 200 38 T. Harrington, 4 Gallon Jug with Floral Bud Decoration. 100 200 39 N. Clark & Co. 3 Gallon Blue Decorated Stoneware Jar. 100 300 40 Antique Cobalt Blue Foliate Slip Decorated Redware Crock. 100 200 41 Unsigned Remmey Stoneware Jar with Blue Foliate Slip. 50 150 42 Six 19th Century Glazed Stoneware Bottles and Flasks. 50 150 43 Five 19th Century Glazed Stoneware Bottles. 50 150 44 Five 19th Century Glazed Stoneware Bottles and Jar. 50 150 45 Vintage West German Decorated Stoneware Flagon. 50 100 46 Antique Stoneware Planter with Incised Band Decoration. 100 200 47 Antique/Vintage Black Painted Stoneware Figural Still Bank. 100 300 48 19th Century Incise Decorated Stoneware Syrup Jug. 100 300 49 Cobalt Blue Decorated Stoneware Spittoon. 100 300 50 Bulls-Eye Cut-Sponge China Mush Cup and Saucer. 50 100 51 Mulberry Spatter Acorn Pattern Paneled China Soup Plate. 300 500 52 Blue Spatter Tulip Pattern Bulbous Form Cream Pitcher. 200 400 53 2 Design Spatter Columbine Pattern Ironstone China Plates. 50 150 54 Green Spatter China Open Body Peafowl Pattern Plate. 200 400 55 Huge Cut-Sponge Ironstone China Tulip Pattern Low Bowl. 200 400 56 Blue Sponge Cluster of Buds Pattern China Teapot. 100 200 57 Green Spatter China Peafowl Pattern Covered Mustard Pot. 200 400 58 Pansy Pattern Design Spatter Ironstone China Sugar Bowl. 100 200 59 Blue Spatter China Six Pointed Star Pattern Paneled Plate. 100 300 60 Gaudy Dutch Double Rose Pattern China Soup Plate. 100 300 61 Extremely Rare Gaudy Dutch Grape Pattern Water Pitcher. 3000 5000 62 Gaudy Dutch Butterfly Pattern China Cup and Saucer. 200 400 63 Gaudy Dutch Soft Paste China Oyster Pattern Plate. 200 400 64 Gaudy Dutch Soft Paste China Dove Pattern Plate. 100 300 65 Gaudy Dutch China War Bonnet Pattern Cup Plate. 200 400 66 Gaudy Dutch China Carnation Pattern Cup and Saucer. 200 400 67 Gaudy Dutch Soft Paste China Grape Pattern Plate. 200 400 68 Very Rare Gaudy Dutch Leaf Pattern China Cup and Saucer. 1000 2000 69 Gaudy Dutch Double Rose Pattern Soft Paste China Plate. 100 300 70 Five Color Rainbow Spatter China Pitcher. 500 800 71 Purple & Brown Rainbow Spatter Childs Cup & Saucer. 100 300 72 Blue Spatter China Tree Pattern Cup and Saucer. 100 300 73 Red and Blue Sponge Border Tulip Pattern Soup Plate. 50 150 74 Green Spatter China Peafowl Pattern Child's Cup & Saucer. 100 300 75 Pair of Cut-Sponge Rose Pattern Ironstone China Plates. 100 200 76 Blue Spatter Ironstone China Dahlia Pattern Toddy Plate. 100 200 77 Cut-Sponge Adams Rose Pattern Ironstone China Teapot. 100 300 78 Green and Blue Rainbow Spatter Ironstone China Plate. 200 400 79 Pair of Cut-Sponge Custer of Florets Pattern China Plates. 100 200 80 Gaudy Dutch China War Bonnet Pattern Cup Plate. 200 400 81 Exceedingly Rare Gaudy Dutch No Name Pattern Plate. 5000 10000 82 Gaudy Dutch China Butterfly Pattern Cup and Saucer. 200 400 83 Rare Gaudy Dutch Soft Paste China Dahlia Pattern Plate. 1000 2000 84 Gaudy Dutch Soft Paste China Dove Pattern Waste Bowl. 200 400 85 Gaudy Dutch China War Bonnet Pattern Plate. 200 400 86 Gaudy Dutch China Carnation Pattern Cup and Saucer. 200 400 87 Gaudy Dutch Double Rose Pattern China Milk Pitcher. 500 1000 88 Gaudy Dutch Soft Paste China Urn Pattern Plate. 300 500 89 Gaudy Dutch Soft Sunflower Pattern Cup and Saucer. 200 400 90 Purple and Blue Spatter Ironstone China Platter. 200 400 91 Cut-Sponge Floral Pattern Ironstone China Bowl. 100 200 92 Blue Spatter China Gooney Bird Pattern Paneled Plate. 100 300 93 Pair of Cut-Sponge Plum Pattern Ironstone China Plates. 100 200 94 Blue Spatter Peafowl Pattern China Cream Pitcher. 100 300 95 Cut-Sponge Floral & Foliate Pattern Ironstone China Plate. 50 150 96 Green and Blue Sponge Border Rose Pattern China Plate. 50 150 97 3 Color Rainbow Spatter Ironstone China Paneled Plate. 100 300 98 Cut-Sponge Floral Pattern Ironstone China Platter. 100 200 99 Slate Blue Spatter Ironstone China Tulip Pattern Cup Plate. 100 300 100 Very Rare Gaudy Dutch China Double Rose Pattern Platter. 2000 3000 101 Gaudy Dutch China War Bonnet Pattern Cup and Saucer. 200 400 102 Rare Gaudy Dutch China Strawflower Pattern Plate. 500 800 103 Gaudy Dutch Soft Paste China Butterfly Pattern Plate. 200 400 104 Scarce Gaudy Dutch Zinnia Pattern Soft Paste China Plate. 300 500 105 Gaudy Dutch Soft Paste China Carnation Pattern Plate. 100 300 106 Gaudy Dutch China Grape Pattern Cup and Saucer. 100 300 107 Gaudy Dutch Soft Paste China Urn Pattern Plate. 200 400 108 Gaudy Dutch China Single Rose Pattern Large Waste Bowl. 100 300 109 Gaudy Dutch China Oyster Pattern Cup and Saucer. 200 400 110 Purple and Blue Spatter Ironstone China Platter. 200 400 111 Cut-Sponge & Brush Decorated Floral Pattern China Plate. 100 200 112 Red and Blue Rainbow Spatter China Teapot. 100 200 113 Pair of Design Spatter Daisy Pattern Ironstone China Plates. 50 150 114 Red and Blue Rainbow Spatter China Six Pointed Star Plate. 100 300 115 Four Color Design Spatter Ironstone China Bowl. 100 300 116 Blue Sponge Border Tulip Pattern Ironstone China Plate. 50 150 117 Red and Green Rainbow Spatter Ironstone China Plate. 100 300 118 Pair of Design Spatter Dogwood Pattern China Plates. 100 200 119 Blue Spatter ironstone China Peafowl Pattern Plate. 100 200 120 Gaudy Dutch Soft Paste China Carnation Pattern Plate. 100 300 121 Gaudy Dutch Soft Paste China Urn Pattern Cup and Saucer. 200 400 122 Gaudy Dutch Soft Paste China Sunflower Pattern Plate. 100 300 123 Gaudy Dutch China Double Rose Pattern Cup and Saucer. 100 200 124 Gaudy Dutch China War Bonnet Pattern Soup Plate. 200 400 125 Gaudy Dutch China Single Rose Pattern Cup and Saucer. 100 200 126 Gaudy Dutch China Sunflower Pattern Cup and Saucer. 100 300 127 Gaudy Dutch Soft Paste China Carnation Pattern Plate. 200 400 128 Gaudy Dutch China War Bonnet Pattern Cup and Saucer. 100 300 129 Gaudy Dutch Soft Paste China Urn Pattern Cup and Saucer. 100 300 130 12 Flow Blue Ironstone Manilla Pattern Paneled Plates. 300 500 131 Copeland & Garrett Flow Blue Porcelain Hot Water Plate. 100 200 132 Four Pieces of Flow Blue Brush Stroke Ironstone China. 100 200 133 Lot of Gaudy Welsh and Flow Blue China. 100 300 134 Nine Various Pieces of Antique Flow Blue China. 100 300 135 Chinese 18th Century Blue and White Porcelain Vase. 1000 2000 136 Ming-Style Blue and White Covered Ginger Jar. 800 1200 137 Pair of Antique Oriental Porcelain Figural Decorated Vases. 100 300 138 Large Tang Dynasty Blue and Sancai Dish. 800 1200 139 Large Chinese Ming Dynasty Blue and White Porcelain Jar. 1000 1500 140 17th Century Chinese Blue & White Porcelain Dragon Bowl. 141 Chinese Republic Period Porcelain Dragon Vase. 200 400 142 Antique Oriental Blue and White porcelain Charger. 100 300 143 Gaudy Dutch Soft Paste China Single Rose Pattern Plate. 100 300 144 Gaudy Dutch China War Bonnet Pattern Cup and Saucer. 100 300 145 Gaudy Dutch Soft Paste China Carnation Pattern Plate. 100 300 146 Gaudy Dutch China Dove Pattern Cup and Saucer. 100 300 147 Lot of Early 19th Century Canary Yellow Lusterware China.
Recommended publications
  • 001. Outstanding Double Stamped John Bell Sitting Molded Spaniel Dog W/ Collar & Chain, 8 ½” Tall
    Pa. OnSite Auction Saturday Nov. 17, 2018 Charles & Elizabeth Roby Auction Sale Catalog 001. Outstanding double stamped John Bell sitting molded Spaniel dog w/ collar & chain, 8 ½” tall. 002. Very good splint basket w/ green paint & wooden handle. 003. “White Utica” bulbous stoneware jug w/ blue decoration. 004. Blue & white granite coffee boiler. 005. Early oblong wooden trencher maintaining some original bark. 006. Signed “H.W. Hayden pat. Dec. 16, 1851 brass bucket. 007. Early iron grappling hook w/ loop top. 008. Cornucopia & eagle w/ shield dark green glass flask. 009. 1994 Book w/ dust cover: “The Pottery Of The Shenandoah Valley Region” by H.E. Comstock, signed “To Charles Roby Good Luck In Collecting J. Bell Pottery H.E. Comstock 11/10/95”. 010. Very good olive green glass nice form demijohn. 011. Early 3 legged iron hearth frypan w/ wrought iron handle. 012. “Wm. Radam’s Microbe Killer No. 1” stoneware jug. 013. Very good oak splint flower gathering basket w/ full wooden handle & rest stops on base. 014. Very good wooden dry measure w/ iron bands. 015. Large pair tailors scissors signed “R. Heinisch Inventor Newark N.J.” 016. Large green glass bottle “Clarke’s Vegetable Sherry Wine Bitters Sharon Mass.”\ 017. 4 pc. Kitchen Tool Set: wrought iron fork, brass spatula w/ wrought iron handle, brass bowl ladle & strainer both w/ wrought iron handles, all pcs. signed “F.B.S. Canton O. Pat. Jan 26, 1886”. 018. Sheet iron cow or goat bell. 019. Signed “J.T. 1978” wrought iron adjustable candle lamp. 020. 12 count candle mold.
    [Show full text]
  • Pekin Japan – a Pattern with a Long Run
    Pekin Japan – a Pattern with a Long Run By Connie Rogers n our work in the TCC Database, we cessful Ashworth firm continued Ifind that some patterns are short- from 1860-1968 when it was re- lived. Others were popular enough named ‘Mason’s Ironstone China that when the pottery that pro- Ltd.’ This paper will discuss and duced them went out of busi- illustrate some of the Pekin Ja- ness, another pottery bought pan pattern variations of the the copper plates and continued two firms that helped to keep the pattern for many years un- it popular for nearly a century. der different marks – and occa- Now, the name: Pekin Ja- sionally a new name. In the case pan. Where did that come of Pekin Japan, the pattern and from? Pekin surely relates to its name were found in a pattern the city of Peking in China. Ja- book, dated c. 1825-30 from the C. pan is a totally different country. J. Mason & Co. In Mason Porcelain Was this Mason’s way of choos- & Ironstone 1796-1853, the authors, ing a name for an Oriental land- Reginald Haggar & Elizabeth Adams, scape that was not directly copied illustrate a page from the pattern book Figure 1. from a Chinese Export pattern? By 1825- in Plate 101, and a 10 inch plate with 30 when this pattern came out, there were Pekin Japan, c. 1825-30 in Plate 102. The pat- thousands of pieces of Chinese Export tern was first produced by the Masons in an porcelain in Britain, and many of the pat- underglaze blue transfer print as seen here terns were known in general as “Chinese in Figure 1 with its mark (1a).
    [Show full text]
  • Part 5: Exploration & Excavation
    Marshall University Marshall Digital Scholar C.S.S. Alabama: An Illustrated History Library Special Collections Fall 10-11-2017 Part 5: Exploration & Excavation Jack L. Dickinson Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/css_al Part of the Military History Commons, and the United States History Commons Recommended Citation Dickinson, Jack L., "Part 5: Exploration & Excavation" (2017). C.S.S. Alabama: An Illustrated History. 4. http://mds.marshall.edu/css_al/4 This Article is brought to you for free and open access by the Library Special Collections at Marshall Digital Scholar. It has been accepted for inclusion in C.S.S. Alabama: An Illustrated History by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. CSS Alabama : An Illustrated History In Six Parts: You are here Part 1: Building of Ship 290 Part 2: Officers and Crew Part 3: Cruise of the Alabama Part 4: Battle with USS Kearsarge ---> Part 5: Exploration & Excavation Part 6: Miscellaneous and Bibliography (the Alabama Claims, poems, music, sword of Raphael Semmes) To read any of the other parts, return to the menu and select that part to be downloaded. Designed and Assembled by Jack L. Dickinson Marshall University Special Collections 2017 Investigation of the Confederate Commerce Raider CSS Alabama 2001 CSS Alabama Association P. O. Box 2744 Mobile, Alabama 36652-2744 Association CSS Alabama 34 Avenue de New York 75116 Paris Investigation of the Confederate Commerce Raider CSS Alabama 2001 Submitted to: Joint French American Scientific Committee for the CSS Alabama Submitted by: Gordon P.
    [Show full text]
  • WHITE IRONSTONE NOTES VOLUME 3 No
    WHITE IRONSTONE NOTES VOLUME 3 No. 2 FALL 1996 By Bev & Ernie Dieringer three sons, probably Joseph, The famous architect Mies van was the master designer of the der Rohe said, “God is in the superb body shapes that won a details.” God must have been in prize at the Crystal Palace rare form in the guise of the Exhibition in 1851. master carver who designed the Jewett said in his 1883 book handles and finials for the The Ceramic Art of Great Mayer Brothers’ Classic Gothic Britain, “Joseph died prema- registered in 1847. On page 44 turely through excessive study in Wetherbee’s collector’s guide, and application of his art. He there is an overview of the and his brothers introduced Mayer’s Gothic. However, we many improvements in the man- are going to indulge ourselves ufacture of pottery, including a and perhaps explain in words stoneware of highly vitreous and pictures, why we lovingly quality. This stoneware was collect this shape. capable of whithstanding varia- On this page, photos show tions of temperature which details of handles on the under- occurred in the brewing of tea.” trays of three T. J. & J. Mayer For this profile we couldn’t soup tureens. Top: Classic find enough of any one T. J. & J. Octagon. Middle: Mayer’s Mayer body shape, so we chose Long Octagon. Bottom: Prize a group of four shapes, includ- Bloom. ing the two beautiful octagon Elijah Mayer, patriarch of a dinner set shapes, the Classic famous family of master potters, Gothic tea and bath sets and worked in the last quarter of the Prize Bloom.
    [Show full text]
  • Ceramics at the First Baptist Church of America
    Ceramics at the First Baptist Church of America Chelsea Sokolow The First Baptist Church of America 75 North Main Street Providence, RI 02903 (401) 454-3418 The study of Ceramics is a valuable resource in historical archaeology. The examination of ceramic pieces can aid in dating a site, reveal information about trade and production, as well as provide insight into the social practices surrounding an archaeological site. The variations in style and material composition are linked the geographic origin, the production methods of ceramic artifacts, and are indicators of class status in a community. When a ceramic assemblage is created the first step is to identify the artifacts. The three main attributes from which ceramic pieces are identified consist of the paste, surface treatment, and decoration (in that order). The paste is the type of the clay from which the pieces is made. The surface treatment examines the manner in which the vessel has been covered or glazed. The decoration consists of the methods, motifs, designs, and colors used to decorate the piece. (FLMNH) In general, the quality of the ceramic is directly connected to the composition of the clay and the temperature at which it has been fired. As the availability of high-heat kilns and advanced technology grew during the 18th and 19th centuries, the presence of higher quality ceramics also increased. The higher the temperature at which a piece is fired the less porous it becomes, making it more functionally useful. Discovered at the First Baptist Church of America were various types of ceramics pieces including coarse earthenware, refined earthenware, stoneware, ironstone, and porcelain pieces.
    [Show full text]
  • Vidi Vici Gallery
    Vidi Vici Gallery June 19 Estate Auction Wednesday - June 19, 2019 June 19 Estate Auction 1: Lot of 4 Vintage Pocket Knives Kent Camillus Camco Keen USD 50 - 75 Lot of 4 Vintage Pocket Knives Kent Camillus Camco Keen KutterFolded from 3 5/8 inches long to 3 11/16 inches approximately. 1A: African Carved Figurine Pin Holder & Ebony Wood USD 50 - 75 African Carved Figurine Pin Holder & Ebony Wood Hairpins LotFrom 4 3/4 to 8 1/2 inches approximately, figurine is about 6 5/16 inches tall. 1B: Ronson Vintage Art Deco Cigarette Lighters Lot of 3 USD 50 - 75 Ronson Vintage Art Deco Cigarette Lighters Lot of 3 Approximately 2 inches tall. 1C: Jewelry Chest Wooden Box Shaped as a Dresser USD 45 - 55 Jewelry Chest Wooden Box Shaped as a DresserApproximately 12 x 6 3/8 x 7 13/16 inches tall. 2: Iridescent Glass Vintage Enameled Bowl USD 35 - 55 Iridescent Glass Vintage Enameled BowlApproximately 8 inches in diameter. 2A: Pair Iridescent Glass Martini & Green Frosted Glass Lot USD 35 - 55 Pair Iridescent Glass Martini & Green Frosted Glass Lot of 3Approximately 8 1/8 inches tall and 5 1/4 inches in diameter. Green frosted glass is about 7 7/8 inches tall x 4 9/16 in diameter. 2B: Fenton Carnival Plate & Iridescent Glass Basket Pierced USD 35 - 55 Fenton Carnival Plate & Iridescent Glass Basket Pierced Bowl Lot of 2Plate is approximately 8 1/4 inches in diameter; bowl is about 5 7/8 x 4 13/16 x 2 3/4 inches tall.
    [Show full text]
  • Investigations at the Vollrath Blacksmith Shop (41BX786), San Antonio, Bexar County, Texas
    Volume 1990 Article 3 1990 Investigations at the Vollrath Blacksmith Shop (41BX786), San Antonio, Bexar County, Texas I. Waynne Cox Maureen J. Brown Jon Hageman Clinton McKenzie Center for Archeological Research, University of Texas at San Antonio, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/ita Part of the American Material Culture Commons, Archaeological Anthropology Commons, Environmental Studies Commons, Other American Studies Commons, Other Arts and Humanities Commons, Other History of Art, Architecture, and Archaeology Commons, and the United States History Commons Tell us how this article helped you. Cite this Record Cox, I. Waynne; Brown, Maureen J.; Hageman, Jon; and McKenzie, Clinton (1990) "Investigations at the Vollrath Blacksmith Shop (41BX786), San Antonio, Bexar County, Texas," Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: Vol. 1990, Article 3. https://doi.org/10.21112/ ita.1990.1.3 ISSN: 2475-9333 Available at: https://scholarworks.sfasu.edu/ita/vol1990/iss1/3 This Article is brought to you for free and open access by the Center for Regional Heritage Research at SFA ScholarWorks. It has been accepted for inclusion in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. Investigations at the Vollrath Blacksmith Shop (41BX786), San Antonio, Bexar County, Texas Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License This article is available in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: https://scholarworks.sfasu.edu/ita/vol1990/iss1/3 ---" " .-.-- -' T / , /.
    [Show full text]
  • Input # Type1 Type2 Item No
    Input # Type1 Type2 Item No. No. of Short Description Long Description Marks Body Pattern Pattern Size (Inches) Size (Millimetres) Condition Maker Place Date Notes Compendium Illustr'n H & A Godden Godden S & Y Barlaston Other Acquis. Acquis. Date pieces Material No. Name 1997 1977 1980 1991 1992 1996 Illustr'ns from 1 Ceramic 1 to 1AU 44 Part tea Service, comprising : bat printed in red/orange. On teapot stand 1B and Bone China, 351 1 & 1A: teapot & lid 10¼" long 1 & 1A: teapot & lid 260mm Teapot 1 gold wear; teapot lid Miles Lane c.1805 Tea cups 1H and 1I have Picture 7 Skinner Bequest 22 Jan 1993 teapot, lid and stand, sucrier Gold band. Pattern number plates 1G & 1F : ‘M MASON’ x 5" wide x 5¾" high (overall); long x 127mm wide x 146mm 1A restoration to finial; slop Mason Delph gold bands at foot of Bute & Young from the (no lid), slop basin, saucer 351. impressed; on teapot 1 and 1B: teapot stand 8" long x 5½" high (overall); 1B: teapot stand bowl 1D star crack; saucer shape. Coffee cans 1W 1992, Raven dish, two plates, twelve tea sucrier base 1C ‘351’ gilded wide; 1C : sugar box base 6⅞" 203mm long x 140mm wide; 1C dish 1E star crack & staining & and 1AC have gold bands page 53, Mason cups, twelve coffee cups, pattern number long x 4⅝" wide x 3½" high; 1D : sugar box base 175mm long x gold wear; plate 1F minor gold at foot, and are therefore illustrate family twelve saucers. : slop bowl 6⅛" dia. x 3⅛" high; 117mm wide x 89mm high; 1D : wear; plate 1G stained; teacup a different pattern s Pattern 1E : saucer dish 7⅛" dia.; 1F & slop bowl 156mm dia.
    [Show full text]
  • Ironstone China Warranted Pitcher
    Ironstone China Warranted Pitcher Unrespected and homochromatic Ferdinand palter modestly and institutionalized his soredium judiciously and ultrasonically. Barn is ascending: she overestimates discourteously and decolonises her vakeel. Gunther crystallizes his ambergris muddies atomistically or transitionally after Sanders advance and eulogised improperly, completive and viceless. These labels are usually removed long before the items are offered for sale in the secondary market. Companies such as Geely, Qiantu and Chery are constantly evaluating new international locations, both in developing and developed countries. It is Very Important to provide Good Sellers with Good Ratings. It will be consolidated with my vintage ironstone china warranted sydney pitcher, warranted best one? Virtually as an accurate shipping calculator for sale and ironstone china warranted pitcher and weight and campbell warranted, based on function and other organizations engaged in history. We need to begin our discussion with a quick review of the transfer process. Only after this requirement followed mass public protests in china ironstone warranted superior ironstone? Lovely little jar with light all over crazing otherwise fine. Flo Blue, Blue Willow, and Staffordshire Historical Blue are all names of various wares decorated with underglaze transfer designs in cobalt blue. That are looking! The ONE antique piece that broke was the ironstone platter JUST LIKE the one that is sitting on the display of many pieces in this article. Other exceptions are not so easily detected and require specialized knowledge. Some are free by tightening enforcement of pitcher china ironstone warranted ivory porcelain imported from major manufacturer of dishes but still in no. However, it remains unclear how long the Chinese economy can maintain this trajectory.
    [Show full text]
  • Investigation of the Confederate Commerce Raider CSS Alabama 2001
    Investigation of the Confederate Commerce Raider CSS Alabama 2001 CSS Alabama Association P. O. Box 2744 Mobile, Alabama 36652-2744 Association CSS Alabama 34 Avenue de New York 75116 Paris Investigation of the Confederate Commerce Raider CSS Alabama 2001 Submitted to: Joint French American Scientific Committee for the CSS Alabama Submitted by: Gordon P. Watts, Jr., Ph.D. Institute for International Maritime Research, Inc. P. O. Box 2494 Washington, North Carolina 27889 CSS Alabama Association P. O. Box 2744 Mobile, Alabama 36652-2744 Association CSS Alabama 34 Avenue de New York 75116 Paris 11 November 2001 ii Abstract During June and July 2001, the American CSS Alabama Association and the French Association CSS Alabama carried out an archaeological investigation of the remains of the Confederate commerce raider CSS Alabama. Under the direction of Dr. Gordon P. Watts Jr., American and French archaeologists, French volunteer divers and French Navy personnel cooperated in an examination of the wreck that took place between 6 June and 4 July. Objectives for the investigation included video and 35mm photographic documentation of the wreck, limited test excavation in the officer’s quarters and recovery of selected artifacts exposed on the bottom surface. Unfortunately the most important objective, video and 35mm documentation of the wreck site to generate data that would generate data for the production of a site mosaic and computer model was compromised by unsuccessful efforts to obtain French authorization for use of the U. S. Navy research submarine NR-1 or a U. S. Navy remote operated vehicle. On site research was limited to test excavation in the officer’s quarters and recovery of selected artifacts including one of the two Blakely patent British Royal Navy Pattern 32-pounders carried by the CSS Alabama.
    [Show full text]
  • Staffordshire Pottery and Its History
    Digitized by the Internet Archive in 2012 with funding from University of Toronto http://archive.org/details/staffordshirepotOOwedg STAFFORDSHIRE POTTERY AND ITS HISTORY STAFFORDSHIRE POTTERY AND ITS HISTORY By JOSIAH C. WEDGWOOD, M.P., C.C. Hon. Sec. of the William Salt Archaeological Society. LONDON SAMPSON LOW, MARSTON & CO. LTD. kon Si 710620 DEDICATED TO MY CONSTITUENTS, WHO DO THE WORK CONTENTS Chapter I. The Creation of the Potteries. II. A Peasant Industry. III. Elersand Art. IV. The Salt Glaze Potters. V. The Beginning of the Factory. VI. Wedgwood and Cream Colour. VII. The End of the Eighteenth Century. VIII. Spode and Blue Printing. IX. Methodism and the Capitalists. X. Steam Power and Strikes. XI. Minton Tiles and China. XII. Modern Men and Methods. vy PREFACE THIS account of the potting industry in North Staffordshire will be of interest chiefly to the people of North Stafford- shire. They and their fathers before them have grown up with, lived with, made and developed the English pottery trade. The pot-bank and the shard ruck are, to them, as familiar, and as full of old associations, as the cowshed to the countryman or the nets along the links to the fishing popula- tion. To them any history of the development of their industry will be welcome. But potting is such a specialized industry, so confined to and associated with North Stafford- shire, that it is possible to study very clearly in the case of this industry the cause of its localization, and its gradual change from a home to a factory business.
    [Show full text]
  • A Sugar Bowl of William Young & Sons Or William Young’S Sons Richard W
    Vol 13, Issue 1 T RENTON POTTERIES Newsletter of the Potteries of Trenton Society A Sugar Bowl of William Young & Sons or William Young’s Sons Richard W. Hunter n interesting early product of lighter grey to a light tan or yellowish A Trenton’s industrial potteries was cream. The coloring appears to have recently acquired on ebay by POTS been much affected by use and age, member Robert Cunningham of Ham- and was probably originally a light ilton, New Jersey. Apparently made cream. The vessel falls into the broad either by William Young & Sons or by category of ironstone china and was the successor firm William Young’s most likely considered as cream- Sons, this specimen is an oval bowl, colored earthenware by its manufac- slightly over four inches tall, roughly turers. Although its function is not five by four inches across at the rim, entirely certain, its size and shape, and 4.75 by 3.75 inches at the base. The along with the fact that it had a lid, vessel has a bulbous form, a low foot lead one to suppose it was probably a ring and a seat for a lid. The lid does sugar bowl. not survive. Applied at the shoulder, Slightly off-center on the base one at either end of the vessel, are two is a black transfer-printed makers’ Contents molded faces that are remarkably remi- mark consisting of an eagle with its niscent of – although somewhat small- wings raised and partly outstretched, A Sugar Bowl of William Young er than – the distinctive faces that the and its legs planted firmly on a rock & Sons or William Young’s Sons Richard W.
    [Show full text]