DOCSLIB.ORG

CHRIS KLINE (720) 563 1641 in LINKEDIN.COM/IN/VERTEXGUY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CHRIS KLINE (720) 563 1641 in LINKEDIN.COM/IN/VERTEXGUY ARVADA, CO [email protected] PORTFOLIO CHRIS KLINE (720) 563 1641 in LINKEDIN.COM/IN/VERTEXGUY WWW.VERTEXGUY.COMVERTEXGUY.COM A CREATIVE PROFESSIONAL with a gift for developing award-winning interactive products for Fortune 500 companies around the world. Adept in many trades, providing user experience design solutions, extensive production skills, a wealth of industry experience, and continuous adaptability critical to the success of any organization. A natural leader who takes pride in developing high-functioning teams and making innovative business impacts, while delivering on time and budget. Redefined The Regis Company’s products by focusing on human-centered design principles and multi-industry best practices that grew our client base and produced more than 30 award-winning digital simulations. Developed an innovative, proprietary tool set at The Regis Company that enhanced capabilities, dramatically improved cross-team efficiency and increased speed to market with complex custom solutions. Expanded Ernst & Young’s branding at The Regis Company by creating a fresh, trendy user experience with our global, award winning Audit Core Curriculum, driving higher participation and increased knowledge retention. Produced custom tool sets at Idol Minds to enhance productivity, managed sensitive intellectual properties, developed publisher relationships, and contributed to a highly successful PlayStation Network title. Innovated at Farsight Studios by expanding our ability to deliver competitive product, attracting new publisher relationships and producing a long standing, highly profitable game series. PROFESSIONAL EXPERIENCE The Regis Company 2010-2017 Creative Director Led the company’s approach to user interface and user experience design, managing a finely tuned internal and external Creative Design and Development team to produce multiple award-winning global strategic learning and development programs. Provided leadership and hands on production across more than 100 custom products for high-profile global clients. • Designed and developed fully responsive multiplayer web based applications across desktop and mobile devices. • Created journey maps, user interfaces, graphics, storyboards, motion graphic animations, video productions, and photography. • Preserved, developed, and extended branding materials and style guides across major global product suites. • Managed clients from multinational organizations across a broad range of industries. • Streamlined processes with innovative methodologies to drive maximum efficiency within cross-functional teams. • Managed all aspects of the Creative Department including team leadership and development, project scopes, design and technology solutions, internal hiring and outsourced staffing needs across all projects. • Produced globally distributed digital interactive products winning over 30 awards from Brandon Hall and CLO Magazine. CLIENTS: Ernst & Young, Deloitte, HP Enterprise, Walgreens, Accenture, PWC, BNSF, Cisco, Citi, DaVita, Hyatt, Hertz, Intel, Lockheed Martin, McDonald’s, Wendy’s, U.S. Air Force, CDOT, Johnson Controls, Northwestern Mutual, Baxter, Abbott, The American College, and many more. Idol Minds 2007-2009 Lead Senior Environment Artist Brought on to form and lead a team to develop DreamWorks Madagascar 2 for the PlayStation 2. This was a critical project in an effort to expand the studio’s relationship with a major publisher. We succeeded in delivering the product on time and on budget. Later transitioned to work on installments of PAIN, the highest-selling PlayStation Network title of the year and other unannounced titles. Common tasks included designing, modeling, texturing, rigging, animating, vfx, and tools programming. PRODUCED TITLES: • PAIN: (PS3, PSN) - Expansion Packs: Area 51, Gym, Museum • Madagascar 2 - Escape 2 Africa: (PS2, PS3, Xbox 360, Wii, PC) CLIENTS: DreamWorks, Activision, Sony V V V Video Games Live 2007-2011 Music Composer / Performer Discovered through strategic YouTube videos going viral and contracted to join alongside famous game composer Tommy Tallarico to create several productions featured in their live shows, Blu-Rays, DVDs, and CDs. Performed at several massive events filled with thousands of fans and celebrities, and was the first symphonic rock act to play at the grand opening of the Nokia Theater in Los Angeles, California, following “The Eagles” opening day. Farsight Studios 2003-2007 Lead Senior 3D Generalist / Audio Director Brought on the team as a 3D Generalist / Assistant Producer and was quickly put in charge of forming and leading the studios audio department as well. Together we produced many successful titles and several unannounced titles, covering all the major consoles. Most notably we created the highest-selling console pinball game series ever made that is still a significant revenue generator for the company over a decade later. Common tasks included designing, modeling, texturing, rigging, animating, vfx, tools programming, sound effect creation, voice talent processing, and music production. PRODUCED TITLES: • Backyard Baseball 2009: (PS2, PC, Wii) • Game Party: (Wii) • Backyard Football 2008: (PS2, PC, Wii) • Pinball Hall of Fame - The Williams Collection: (PS2, PSP, Wii, PS3, Xbox 360, 3DS) • Hard Rock Casino: (PS2, PSP) • Charlie Brown’s All Stars: (PS2, X-Box) • Skateboarder: (Plug-N-Play Dedicated Console) • Pinball Hall of Fame - The Gottlieb Collection (PS2, X-Box, Game Cube) • Gottlieb’s Pinball Classics: (PSP, Wii) • Golden Tee - Home Edition: (Plug-N-Play Dedicated Console) • Real Swing Golf: (Plug-N-Play Dedicated Console) CLIENTS: MLB, NFL, Universal, Midway, Vivendi, Atari, Hard Rock Casino, Bandai Namco, Sony, Nintendo, Microsoft, EMI, Charles M. Schulz Museum, Williams Electronics, Gottlieb, Radica, Incredible Technologies, and many more. HONORS & ACHIEVEMENTS Received 15 Gold awards from Brandon Hall and CLO Magazine in various categories for interactive products. Invited to perform my music in front of Shigeru Miyamoto and Koji Kondo (creator and composer of Super Mario Bros.). Contracted to produce music tracks performed at Spike TV’s annual Video Game Award Show. Invited to perform live in concert at the 2007 Game Developers Conference G.A.N.G. Awards. Interviews and personal works featured on popular gaming sites (Gamasutra, Kotaku, Destructoid, ScrewAttack). Praised by Hidenori Maezawa (composer for Contra) on 1Up’s composer interview. Invited to perform live in concert for ScrewAttack.com at the Iron Man of Gaming in 2008. CERTIFICATIONS for the machines 01011101CORE - Material SKILLS Design Gamification Cognitive Science Neuroscience Professional Services Health Sciences Pharmaceutical Trans- portation National Defense Technology Aerospace Banking and Financial • Agile Product Owner Services DigitalSOFTWARE: Concepts BusinessAdobe Photoshop, Development After Effects, Future Illustrator, State Dig ital3D StudioMedia Max, Maya, Flash, Sonar, Audition, Visual Studio • Agile Scrum Master budget scope resources multiple projects design industry client-facing vision agency counselingPROGRAMMING: relationships HTML, responsive CSS, JavaScript, fluid design jQuery, ios XML, andr PHP,oid rockVisual band guitar heroBasic mmorpg .NET, Action senior Script, leader Max purpose Script, Mel driven Script collaborate disciplines solve problems stunning design style aesthetic rationale concep- tualize big pictureOTHER: serious Human attention Centered to Design,detail deadline User Interface orient Design,ed fast User paced EDUCATION estimate track Experiencetime keen Design,eye mentor Responsive highly Design, proficient Game grid Design, layou Instructionalt typography color prototypingDesign, PowerPoint 2D/3D Visual cross Design, platform Motion os windowsGraphics, Animation,mac tablet Web The Art Institute of Phoenix, Phoenix, AZ Development, Application Development, Video Production, Audio BACHELOR OF ARTS, GAME ART & DESIGN Production, Client Management, Marketing, Cross-Functional Team Development and Leadership, Music Composition and Production Please visit my website for a portfolio demonstrating my skills and work products. For recommendations, please visit my LinkedIn profile..
Load more

Recommended publications
  • Concert Review: Symphony Help Breathe Life Into Video Games | Deseret News
    11/23/2016 Concert review: Symphony help breathe life into video games | Deseret News Family Concert review: Symphony help breathe life into video games By Scott Iwasaki Published: March 29, 2008 12:00 a.m. "VIDEO GAMES LIVE!" Utah Symphony, Abravanel Hall, Friday, additional performance today, 355-2787 With strobe lights, a big video screen, mirror balls and an electric guitar, it was clear that "Video Games Live!" is not a typical symphony concert. And to have the Utah Symphony give two acts of video-game music life in a place other than the TV was nothing short of a rush. By the end of the show, the symphony did exactly what narrator and game composer and "Video Game Live!" co-founder Tommy Tallarico said it would do — "Show how culturally significant video games and video game music is in the world today." Conducted by video-game-music composer and "Video Game Live!" co-founder Jack Wall, the symphony, aided by the Snow College Choir, took the nearly sold-out audience on a journey from the early days of video gaming to the present. Kicking off the evening with the "blip-bleep" of "Pong" and ending with a rousing crescendo of "Final Fantasy VII," the concert brought old and young gamers together. With a symphonic suite, the concert highlighted pioneering games such as "Donkey Kong," "Dragon's Lair," "Tetris," "Frogger" and "Space Invaders," to name a few. In keeping with the "Space Invaders" theme, Tallarico chose a member from the audience to play a giant screen version of the game while the symphony performed the theme.
    [Show full text]
  • TESIS: Grand Theft Auto IV. Impacto Y Contexto En Los Videojuegos Como
    UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE ESTUDIOS SUPERIORES ACATLÁN Grand Theft Auto IV. Impacto y contexto en los videojuegos como parte de la cultura de masas Tesis para obtener el título de: Licenciado en Comunicación PRESENTA David Mendieta Velázquez ASESOR DE TESIS Mtro. José C. Botello Hernández UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Grand Theft Auto IV Impacto y contexto en los videojuegos como parte de la cultura de masas Agradecimientos A mis padres. Gracias, papá, por enseñarme valores y por tratar de enseñarme todo lo que sabías para que llegara a ser alguien importante. Sé que desde el cielo estás orgulloso de tu familia. Mamá, gracias por todo el apoyo en todos estos años; sé que tu esfuerzo es enorme y en este trabajo se refleja solo un poco de tus desvelos y preocupaciones. Gracias por todo tu apoyo para la terminación de este trabajo. A Ariadna Pruneda Alcántara. Gracias, mi amor, por toda tu ayuda y comprensión. Tu orientación, opiniones e interés que me has dado para la realización de cualquier proyecto que me he propuesto, así como por ser la motivación para seguir adelante siempre.
    [Show full text]
  • Video Games Live
    Sunday, November 17, 2019, 7pm Zellerbach Hall Video Games Live with the UC Berkeley Symphony Orchestra Tommy Tallarico, creator, executive producer, host, guitar Emmanuel Fratianni, conductor Jason Paige, soloist Chad Gorr, lighting director and production manager Derek Almstead, audio engineer Steve Miller, video operator Cal Performances’ 2019–20 season is sponsored by Wells Fargo. 15 PROGRAM NOTES Video Games Live™? is an immersive concert new friends as we celebrate a pastime that has event celebrating music from the most popular evolved to become an important part of our video games of all time. Created, produced, and culture. Even if you don’t play video games, we hosted by well-known game industry veteran promised that you’ve never heard or seen an and superstar Tommy Tallarico, it features orchestral per formance quite like this. orchestras from around the world performing to exclusive, synchronized video footage Achievements & Accomplishments and lighting, and with celebrity Internet solo Incorporated in 2002, Video Games Live is the per­­formers, electronic percussion, live action, first and most successful video game touring and unique interactive segments, all creating concert in the world, having been performed an explosive, one-of-a-kind entertainment ex- over 500 times in 42 countries on five conti- per i ence. Special events surround the show, nents. Over 11,000 people were present for the including a pre-show costume contest and debut performance at the Hollywood Bowl with a post-show meet-and-greet with top game the Los Angeles Philharmonic and since then, composers. Pre- and post-show events are open over two million people have experienced the to all ticket holders.
    [Show full text]
  • Video Games and the Mobilization of Anxiety and Desire
    PLAYING THE CRISIS: VIDEO GAMES AND THE MOBILIZATION OF ANXIETY AND DESIRE BY ROBERT MEJIA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Kent A. Ono, Chair Professor John Nerone Professor Clifford Christians Professor Robert A. Brookey, Northern Illinois University ABSTRACT This is a critical cultural and political economic analysis of the video game as an engine of global anxiety and desire. Attempting to move beyond conventional studies of the video game as a thing-in-itself, relatively self-contained as a textual, ludic, or even technological (in the narrow sense of the word) phenomenon, I propose that gaming has come to operate as an epistemological imperative that extends beyond the site of gaming in itself. Play and pleasure have come to affect sites of culture and the structural formation of various populations beyond those conceived of as belonging to conventional gaming populations: the workplace, consumer experiences, education, warfare, and even the practice of politics itself, amongst other domains. Indeed, the central claim of this dissertation is that the video game operates with the same political and cultural gravity as that ascribed to the prison by Michel Foucault. That is, just as the prison operated as the discursive site wherein the disciplinary imaginary was honed, so too does digital play operate as that discursive site wherein the ludic imperative has emerged. To make this claim, I have had to move beyond the conventional theoretical frameworks utilized in the analysis of video games.
    [Show full text]
  • Backyard Football Manual Interior Nintendo Wii Front
    BACKYARD FOOTBALL MANUAL INTERIOR NINTENDO WII FRONT COVER PLACEHOLDER PLEASE CAREFULLY READ THE Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY. THIS MANUAL CONTAINS IMPORTANT The Official Seal is your assurance that this product is licensed or manufactured by HEALTH AND SAFETY INFORMATION. Nintendo. Always look for this seal when buying video game systems, accessories, games and related products. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES. WARNING – Seizures • Some people (about 1 in 4000) may have seizures or blackouts triggered by light flashes or patterns, and this may occur while they are watching TV or playing video games, even if they have Nintendo, Wii and the Official Seal are trademarks of Nintendo. © 2006 Nintendo. never had a seizure before. Licensed by Nintendo • Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition, should consult a doctor before playing a video game. • Parents should watch their children play video games. Stop playing and consult a doctor if you or your child has any of the following symptoms: Convulsions Eye or muscle twitching Altered vision CONTENTS Loss of awareness Involuntary movements Disorientation • To reduce the likelihood of a seizure when playing video games: Controls.................................................................................... 2 1. Sit or stand as far from the screen as possible. Gestures................................................................................... 4 2. Play video games on the smallest available television screen. 3. Do not play if you are tired or need sleep. Saving.and.Loading.................................................................. 5 4. Play in a well-lit room. 5.
    [Show full text]
  • Console Games in the Age of Convergence
    Console Games in the Age of Convergence Mark Finn Swinburne University of Technology John Street, Melbourne, Victoria, 3122 Australia +61 3 9214 5254 mfi [email protected] Abstract In this paper, I discuss the development of the games console as a converged form, focusing on the industrial and technical dimensions of convergence. Starting with the decline of hybrid devices like the Commodore 64, the paper traces the way in which notions of convergence and divergence have infl uenced the console gaming market. Special attention is given to the convergence strategies employed by key players such as Sega, Nintendo, Sony and Microsoft, and the success or failure of these strategies is evaluated. Keywords Convergence, Games histories, Nintendo, Sega, Sony, Microsoft INTRODUCTION Although largely ignored by the academic community for most of their existence, recent years have seen video games attain at least some degree of legitimacy as an object of scholarly inquiry. Much of this work has focused on what could be called the textual dimension of the game form, with works such as Finn [17], Ryan [42], and Juul [23] investigating aspects such as narrative and character construction in game texts. Another large body of work focuses on the cultural dimension of games, with issues such as gender representation and the always-controversial theme of violence being of central importance here. Examples of this approach include Jenkins [22], Cassell and Jenkins [10] and Schleiner [43]. 45 Proceedings of Computer Games and Digital Cultures Conference, ed. Frans Mäyrä. Tampere: Tampere University Press, 2002. Copyright: authors and Tampere University Press. Little attention, however, has been given to the industrial dimension of the games phenomenon.
    [Show full text]
  • SHAZRIN SALEH Composer / Sound Designer | Phone: +60123751501 Email: [email protected]
    SHAZRIN SALEH Composer / Sound Designer www.nadatema.com | www.linkedin.com/in/shazrinsaleh Phone: +60123751501 Email: [email protected] PROFILE I am a versatile composer, sound designer and multi-instrumentalist with leadership capabilities. I have 15 years’ industry experience with 51 shipped game titles across multiple platforms under the belt. I create original music in many genres for games, live events and any form of visual media. I have decent skills in playing guitar, bass, drums, keyboard and didgeridoo. When I am not working, I like to spend time with my son, read books, improve my cooking skills and run marathons. PROFESSIONAL EXPERIENCE Boomzap Entertainment Composer/Sound Designer (full-time) 2010 – 2017 Gamebrains Audio Director (full-time) 2002 - 2010 Oneapart Music/Sound Freelancer 3 Projects FencingFleas Music/Sound Freelancer 3 Projects Three Libra Interactive Music/Sound Freelancer 1 Project Mouse Deer Media Music/Sound Freelancer 1 Project Afrozapin Network Audio Engineer (full-time) 1999 GAME TITLE Android , Boomzap Composer/Sound Cubis Kingdoms 2017 iOS, Mac, PC Entertainment Designer Jewel Quest: Seven Seas Android, iOS, Boomzap 2016 Composer/Sound Editor Mac, PC Entertainment Cathy's Crafts: A Time Android, iOS, Boomzap 2016 Composer/Sound Management Game Mac, PC Entertainment Designer Legends of Callasia Mac, PC Boomzap 2016 Composer/Sound Entertainment Designer TypeOut! Android, iOS Three Libra 2016 Composer/Sound Interactive Designer (freelance) Monster Roller Android, iOS Boomzap 2016 Music Director/Sound
    [Show full text]
  • Instruction Manual / Manuel D'instructions
    INSTRUCTION MANUAL / MANUEL D’INSTRUCTIONS This product is intended for indoor, home use only and is not to be used in a commercial setting. Ce produit est destiné à un usage intérieur et domestique uniquement et ne devrait pas être utilisé dans un environment commercial. Index Assembly Guide P4 Packaging/Unboxing Warning P7 Controls & Inputs P8 Quick Start Guide / How to Update Firmware P9 How to Sign In with Your ArcadeNet® Account P10 Product Registration / When to Safely Power Off Arcade / Warranty Info P11 Game List P12 Warning / FCC Statement / Safety Notice P13 Manual D’Instructions P14 Assembly Guide Legends Pinball comes in two boxes. Due to the weight of the first box, it is recommended that you have another person help install the legs. TOOLS INCLUDED a Hex key (included) b Key (included) c Wrench (not included) A Playfield B Backglass C Leg X4 SCREWS SA X8 SB X4 CORD 4 M AC adapter Assembly Guide a Hex key (included) C C SA A A Step 1. Take out the playfield, legs, and 8 [SA] screws. Put the playfield upside down on a soft surface. Attach the legs to the main cabinet and insert 8 [SA] screws to the matching holes with [a] hex key. c Wrench (not included) Step 2. Position the playfield upright. Use the [c] wrench to adjust the height of the playfield to your liking. Tighten the base screws when set. b Key B Step 3. Take out the backglass and the included [b] key. Use the key to open up the rear panel on the backglass.
    [Show full text]
  • Animal Crossing
    Alice in Wonderland Harry Potter & the Deathly Hallows Adventures of Tintin Part 2 Destroy All Humans: Big Willy Alien Syndrome Harry Potter & the Order of the Unleashed Alvin & the Chipmunks Phoenix Dirt 2 Amazing Spider-Man Harvest Moon: Tree of Tranquility Disney Epic Mickey AMF Bowling Pinbusters Hasbro Family Game Night Disney’s Planes And Then There Were None Hasbro Family Game Night 2 Dodgeball: Pirates vs. Ninjas Angry Birds Star Wars Hasbro Family Game Night 3 Dog Island Animal Crossing: City Folk Heatseeker Donkey Kong Country Returns Ant Bully High School Musical Donkey Kong: Jungle beat Avatar :The Last Airbender Incredible Hulk Dragon Ball Z Budokai Tenkaichi 2 Avatar :The Last Airbender: The Indiana Jones and the Staff of Kings Dragon Quest Swords burning earth Iron Man Dreamworks Super Star Kartz Backyard Baseball 2009 Jenga Driver : San Francisco Backyard Football Jeopardy Elebits Bakugan Battle Brawlers: Defenders of Just Dance Emergency Mayhem the Core Just Dance Summer Party Endless Ocean Barnyard Just Dance 2 Endless Ocean Blue World Battalion Wars 2 Just Dance 3 Epic Mickey 2:Power of Two Battleship Just Dance 4 Excitebots: Trick Racing Beatles Rockband Just Dance 2014 Family Feud 2010 Edition Ben 10 Omniverse Just Dance 2015 Family Game Night 4 Big Brain Academy Just Dance 2017 Fantastic Four: Rise of the Silver Surfer Bigs King of Fighters collection: Orochi FIFA Soccer 09 All-Play Bionicle Heroes Saga FIFA Soccer 12 Black Eyed Peas Experience Kirby’s Epic Yarn FIFA Soccer 13 Blazing Angels Kirby’s Return to Dream
    [Show full text]
  • 2019 SRI Review Report Published Nov/Dec • EC Consultation Forum Meeting (Dec 12)
    REPORT ON THE 2019 REVIEW OF THE GAME CONSOLE SELF-REGULATORY INITIATIVE Final report date: TABLE OF CONTENTS Executive Summary ........................................................................................................................ 4 Updates on Industry Compliance with the SRI ................................................................................... 4 Review of Technology ........................................................................................................................ 5 Videogame Consoles Review Study ................................................................................................... 5 Energy Efficiency Proposal ................................................................................................................. 5 Material Efficiency Proposal .............................................................................................................. 5 Summary of all proposed changes to the SRI .................................................................................... 6 Introduction ................................................................................................................................... 7 Background on the SRI ...................................................................................................................... 7 Objective of the Report ...................................................................................................................... 7 Transparency of the process .............................................................................................................
    [Show full text]
  • Game Developer Power 50 the Binding November 2012 of Isaac
    THE LEADING GAME INDUSTRY MAGAZINE VOL19 NO 11 NOVEMBER 2012 INSIDE: GAME DEVELOPER POWER 50 THE BINDING NOVEMBER 2012 OF ISAAC www.unrealengine.com real Matinee extensively for Lost Planet 3. many inspirations from visionary directors Spark Unlimited Explores Sophos said these tools empower level de- such as Ridley Scott and John Carpenter. Lost Planet 3 with signers, artist, animators and sound design- Using UE3’s volumetric lighting capabilities ers to quickly prototype, iterate and polish of the engine, Spark was able to more effec- Unreal Engine 3 gameplay scenarios and cinematics. With tively create the moody atmosphere and light- multiple departments being comfortable with ing schemes to help create a sci-fi world that Capcom has enlisted Los Angeles developer Kismet and Matinee, engineers and design- shows as nicely as the reference it draws upon. Spark Unlimited to continue the adventures ers are no longer the bottleneck when it “Even though it takes place in the future, in the world of E.D.N. III. Lost Planet 3 is a comes to implementing assets, which fa- we defi nitely took a lot of inspiration from the prequel to the original game, offering fans of cilitates rapid development and leads to a Old West frontier,” said Sophos. “We also the franchise a very different experience in higher level of polish across the entire game. wanted a lived-in, retro-vibe, so high-tech the harsh, icy conditions of the unforgiving Sophos said the communication between hardware took a backseat to improvised planet. The game combines on-foot third-per- Spark and Epic has been great in its ongoing weapons and real-world fi rearms.
    [Show full text]
  • About This Particular Macintosh 6.01
    Cover ATPM About This Particular Macintosh™ 6.01: About the personal computing experience™ Volume 6, Number 1 January 3, 2000 Sign up for free subscriptions at: http://www.atpm.com/subscribe or send email to: [email protected] ATPM 6.01 ←→1 Cover Cover Art Copyright © 2000 Grant Osborne [email protected] http://www.illustrated.co.uk We need new cover art every month! Write to us! Contributors Eric Blair Daniel Chvatik Scott Feldstein William Gordon Edward Goss Tom Iov ino Robert Paul Leitao William Lovett Jamie McCornack David Ozab Mike Shields David Spencer Michael Tsai David Zapasnik Macintosh users like you Please write for ATPM! Check out the FAQ. Editorial Staff Publisher/Editor-in-Chief - Michael Tsai Managing Editor - Daniel Chvatik Associate Editor/Reviews - Paul Fatula Associate Editor/Shareware Reviews - William Lovett Copy Editors - Paul Fatula Brooke Smith Vac a nt ATPM 6.01 ←→2 Cover iCopy Editor - Christopher Turner Publicity Manager - Christopher Turner Contributing Editor/Welcome - Robert Paul Leitao Contributing Editors/Opinion - Tom Iovino Scott Feldstein Contributing Editors/Reviews - Eric Blair Evan Trent Vac a nt Contributing Editor/How To’s & Reviews - Jamie McCornack Contributing Editor/Trivia - Edward Goss Contibuting Editor/Music - David Ozab Contributing Editor/Networking - Matthew Glidden Contributing Editor/Web - David Spencer Help Jedi - Christopher Turner Hollywood Guy - Mike Shields Webmasters - Michael Tsai CGI Wizard - Evan Trent Assistant Webmaster - Vac a nt Interviews Managers - Storm Russell
    [Show full text]