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Brevard Live January 2016
Brevard Live January 2016 - 1 2 - Brevard Live January 2016 Brevard Live January 2016 - 3 4 - Brevard Live January 2016 Brevard Live January 2016 - 5 6 - Brevard Live January 2016 Contents January 2016 FEATURES DAVE MASON Columns CARROT TOP COMES HOME Meet Dave Mason for an evening of If you ever have the chance to see Car- rock music history as he retraces the ear- Charles Van Riper rot Top’s show, either on the road or in liest days of his career with Traffic and 20 Political Satire Vegas - make sure you do. It’s a laugh a later the classic recordings that launched minute riot from beginning to end, and his solo career. Calendars he never pumps the breaks once. Page 17 25 Live Entertainment, Page 11 Concerts, Festivals ATLANTA RHYTHM SECTION TRAVIS TRITT With 15 albums of outstanding song- Local Download He has received two Grammys and four writing and entertaining live perfor- 33 by Andy Harrington CMA Awards. Tritt has also charted mances, Atlanta Rhythm Section em- Local Music Scene more than 40 times on the Hot Coun- bodies all that the phrase “classic rock” try Songs charts, including five number implies - despite of being labeled as a Behind The Scene ones: “Help Me Hold On,” “Anymore,” southern rock band. MIFF Scenes by “Can I Trust You with My Heart,” “Fool- 34 Page 18 Charles & Lissa ish Pride”, and “Best of Intentions.” Page 12 JOHN MASSUNG Flori-duh! The work of John Massung takes the 36 by Charles Knight ABBA MANIA viewer, quite literally, above and beyond Billed as the world’s number one tour- the standard perception of our local par- The Dope Doctor ing ABBA tribute concert, Abba Mania adise. -
Devon Allman, Son of Gregg Allman of the Allman Brothers Band, Leads His Band Called Honey Tribe and He Is a Member of Royal Southern Brotherhood As Well
Singer/guitarist Devon Allman, son of Gregg Allman of the Allman Brothers Band, leads his band called Honey Tribe and he is a member of Royal Southern Brotherhood as well. Now Devon has recorded his first solo album that is made up songs that are written about his personal life along with one Tom Petty cover song. The 2013 International Blues Challenge was held in Memphis from January 29 – February 2. Ghost Town Blues Band from Memphis did not win, but they did make it to the top ten. They have released two excellent albums and can be seen performing at many local venues. Former Memphian Little G. Weevil won the solo/duo category and best guitarist in that category at the IBC. His excellent album The Teaser is a great example of why he won. Boz Scaggs came to Memphis to record his new album titled, surprisingly enough, Memphis. Most surprising is how well he handles the soul and blues songs on Memphis. Devon Allman – Turquoise Devon Allman is Gregg Allman’s son, but he grew up with his mom in Corpus Christi, Texas, away from the rock & roll lifestyle. He didn’t even meet his dad until he was a teenager, but they are now very close. While Devon was influenced by The Allman Brothers, he was also influenced by a myriad of other musicians and styles of music, so he really doesn’t sound much like The Allman Brothers. Devon has his own unique sound, both in his guitar playing and his singing. Some have tried to compare him to his uncle Duane, but aside from both having blonde hair and favoring Les Paul guitars, there aren’t a lot of similarities. -
The Monthly Magazine of the Saint Louis Blues Society
THE MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY January 2013 Number 55 Charles Hunt The St. Louis BluesLetter Blues Society The Monthly Magazine of the St. Louis Blues Society Officers Chairman Number 55 John May The St. Louis Blues Society is dedicated to preserving and perpetuating Vice President blues music in and from St. Louis, while fostering its growth and Open appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual improvement in their Treasurer field, all for the educational and artistic benefit of the general public. Jerry Minchey The St. Louis Blues Society is a 501(c)(3) Legal Counsel not-for-profit Missouri corporation. R Charley Taylor Memberships to the Blues Society are tax E Secretary deductible to the extent allowed by law. Lynn Barlar jETT Board of Directors TO MEMBERS Bernie Hayes Glenn Howard L Rich Hughes Contents Greg Hunt Letter to Members 3 Eric McSpadden On The Cover Jeremy Segel-Moss Mary Kaye Tönnies Charles Hunt 4 Johnny Willis cover photo by Madison Thorn National Blues Museum Update 8 BluesLetter CD Review 10 Editor Mary Kaye Tönnies From the Crowd 10 Creative Direction Jeremy Segel-Moss Staff Photographer and From the Crowd Sourcer Madison Thorn Contact Us St. Louis Blues Society Staff Writer P. O. Box 78894 Bruce Olson St. Louis MO 63178 www.stlouisbluessociety.org [email protected] us at facebook.com/pages/St-Louis-Blues-Society 2 Happy New Year! We hope you and your friends and families have enjoyed your holidays and got out to see a few local shows during the season. -
Golden Gate Grooves
THE GOLDEN GATE BLUES SOCIETY NEWSLETTER Issue 6, July 2010 GOLDEN GATE GROOVES FROM THE EDITOR Deb Lubin The period since the last newsletter was published was very busy, with planning for upcoming blues society events, going out to hear our favorite local blues bands, and our annual pilgrimage to Memphis in May for the Blues Music Awards. The BMAs are a wonderful event that all blues lovers should attend at least once. This year in Memphis, we got to see many of our favorite musicians from the Bay Area, among them Rick Estrin and the Nightcats, including Kid Andersen; the entire Tommy Castro Band, which took home several awards; Laura Chavez and Kennan Shaw from Candye Kane's band; Maria Muldaur, and others with Bay Area ties. I had so much fun reconnecting with old friends both on and off the stage. Meanwhile, the GGBS is rolling. We're getting ready for several big events that we're either sponsoring, partnering with, or supporting, including the 5th annual Redwood City Blues Festival in July, the first U.S. events of the European-based charity United by Music , the San Jose Jazz Festival in August, and events to select a member band to compete in the Blues Foundation's International Blues Challenge (IBC) in Memphis in February 2011, among others. Please look for information about all of these events in this issue of the newsletter. In addition, East Bay musician/cat lover/pre-war blues specialist Joel Fritz reviews four CDs by local bands. SF-based singer Cathy Lemons reviews E.C. -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Tom Petty and the Heartbreakers' Mike Campbell
Mike & Marcie Campbell Tom Petty and The Heartbreakers Mike Campbell and Wife Marcie ‘Won’t Back Down for the Animals’ By Melissa Maroff If life mirrors song, Mike Campbell “got lucky babe” when he found his wife Marcie. Before he went on to fame as lead guitarist for one of the world’s greatest rock bands, Tom Petty and The Heartbreakers, Mike met Marcie -- literally because of a dog. It was in 1974 at an LA Halloween party where Marcie brought her dog Medena; Mike mistakenly called Medena “Daisy,” the name of the host’s dog. Marcie had to set him straight -- and the rest as they say, is rock and roll history. “I connected with the dog and then found out the dog came with her,” Mike says. “If it weren’t for the dog, we probably wouldn’t have met.” And for two dog lovers it was “something very good from the get go,” they admit. After 34 years of marriage, the love is still strong, which is evident the minute you see them together. They compliment each other; both have a sense of humor, don’t take themselves too seriously and love their family, which extends to their animal family -- and other animals as well. Mike Campbell has a resume that speaks for itself. In addition to playing on and co- producing Tom Petty and The Heatbreakers albums and co-writing some of their biggest hits, he has also co-penned other classics like Stop Draggin’ My Heart Around (Petty’s duet with Stevie Nicks) and Don Henley’s iconic Boys of Summer, which ranks among Rolling Stone’s 500 Greatest Songs of All Time. -
Dallas String Band with Coley Jones: Three Unknowns, Vcl; Acc
MATCHBOX BLUESMASTER SERIES: SET 1: MSESET1 (6 albums) MSE 201 COUNTRY BLUES – THE 1st GENERATION (1927) Series Editor: Johnny Parth MSE 202 BUDDY BOY HAWKINS (1927-29) Notes: Paul Oliver MSE 203 BO WEAVIL JACKSON (1926) Produced by: Gef Lucena MSE 204 RAGTlME BLUES GUITAR (1928-30) Remastering from 78s: Hans Klement, Austrophon Studios, Vienna MSE 205 PEG LEG HOWELL (1928-29) MSE 206 TEXAS ALEXANDER VOL. 1 (1927-28) Digitising from vinyl: Norman White MATCHBOX BLUESMASTER SERIES: SET 3: MSESET3 (6 albums) MSE 213 MEMPHIS HARMONICA KINGS (1929-30) Original recordings from the collections of MSE 214 TEXAS ALEXANDER VOL. 2 (1928-29) Werner Benecke, Joe Bussard, Johnny Parth, Guido van Rijn, MSE 215 RAMBLIN' THOMAS (1928-32) MSE 216 COUNTRY GIRLS (1926-29) Bernd Kuefferle, Hans Maitner MSE 217 RUFUS & BEN QUILLIAN (1929-31) MSE 218 DE FORD BAILEY & BERT BILBRO (1927-31) With thanks to Mark Jones of Bristol Folk Publications for the loan of MATCHBOX BLUESMASTER SERIES: SET 4: MSESET4 (6 albums) MSE 219 JULIUS DANIELS – LIL McCLlNTOCK (1927-30) vinyl LP copies of the original re-issue series MSE 220 TEXAS ALEXANDER VOL. 3 (1929-30) MSE 221 PEG LEG HOWELL (1926-27) Sleeve Design: Bob Doling/Genny Lucena MSE 222 SANCTIFIED JUG BANDS (1928-30) MSE 223 ST. LOUIS BESSlE (1927-30) MSE 224 TEXAS ALEXANDER VOL. 4 (1934-50) Discographical details from Blues and Gospel Records 1902-1942 MATCHBOX BLUESMASTER SERIES: SET 5: MSESET5 (6 albums) by John Godrich and Robert Dixon MSE 1001 BLIND LEMON JEFFERSON (1926-29) MSE 1002 FRANK STOKES (1927-29) Considering the extreme rarity of the original 78s, condition is generally MSE 1003 BLIND BLAKE (1926-29) MSE 1004 BIG BILL BROONZY (1927-32) better than might be expected, but it must be borne in mind that only MSE 1005 MISSISSIPPI SHEIKS VOL. -
Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 43 – Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Índice Directorio PORTADA Mississippi Heat: Warning Shot (1) ……………….….…….… 1 Cultura Blues. La revista electrónica Fotos: Cortesía Pierre Lacocque: Press Kit Mississippi Heat “Un concepto distinto del blues y algo más…” ÍNDICE-DIRECTORIO ……..……………………………………………..…..… 2 www.culturablues.com EDITORIAL Fin de año ¿Felices fiestas? (2) …………………………..…. 3 Año 3 Núm. 43 – diciembre de 2014 Derechos Reservados 04 – 2013 – 042911362800 – 203 BLUES A LA CARTA Registro ante INDAUTOR Pierre Lacocque - Mississippi Heat - Warning Shot (2) ………………….... 5 POR SEGURIDAD DE LOS USUARIOS Director general y editor: Al vacío (3) ……………………….……………………….…………………………………. 10 José Luis García Fernández CORTANDO RÁBANOS De tradición y nuevas rolas (4) ……… 15 Subdirector general: José Alfredo Reyes Palacios HUELLA AZUL Entrevista a los Hot Tamales (5, 6 y 7) …………… 17 SESIONES DESDE LA CABINA Programación y diseño: Blue rondo a la Brubeck (8) ………………………………………..………….……. 21 José Luis García Vázquez Aida Castillo Arroyo CULTURA BLUES de visita en… Biblioteca Benjamín Franklin Consejo Editorial: Casa de Cultura Iztaccíhuatl Mario Martínez Valdez Blues Club Ruta 61 María Luisa Méndez Flores Casa de Cultura de Azcapotzalco (2) ……………………………...………….. 23 Colaboradores en este número: DE COLECCIÓN El retorno de Cat Stevens/Yusuf Islam. Segunda parte 1. José Luis García Vázquez 120 discos de blues publicados en 2014 (2) ………………………..…..…... 28 2. José Luis García Fernández 3. José Alfredo Reyes Palacios COLABORACIÓN ESPECIAL 1 ¿Blues en español? (10) ..... 38 4. Frino 5. María Luisa Méndez Flores COLABORACIÓN ESPECIAL 2 In Memoriam (2 y 7) …........ 40 6. Fernando Monroy Estrada 7. Félix Fernando Franco Frías -Q.E.P.D.- UNA EXPERIENCIA 8. Yonathan Amador Gómez Jambalaya. -
Best of Bluescafe II
ßssentie\\e ß\ues• l(lassi~er aufCDTjJs NoterrtL Keine Jugend =~ Robert Johnson - Ein echter Draufgänger beeinträchtigung• frei verkäuflich Memphis Minnie - Die Königin des Country-Blues 18072 Die Geschichte der Resonatorgitarre u. v. m. 0 inhalt ● storys 8 Robert Johnson: Ein echter Draufgänger Seite 16 16 Memphis Minnie: Memphis Minnie: Die Königin des Country-Blues Die Königin des 24 Interview: Eric Sardinas Country-Blues 26 History: Die Resonatorgitarre ● workshops 32 Workshops zum Mitspielen: 30 Perlen aus Rainers Blueskiste ● gear 124 Crafter DG Maho Plus (Westerngitarre) 126 Martin 000-18E Retro (Westerngitarre) 128 Cuntz CWG23s Oveng Custom (Westerngitarre) 130 Alvarez AP70 & AP66SB (Westerngitarre) 132 Joe Striebel 00 12-Fret (Westerngitarre) 134 Peters Resonators Slingerland Maybell (Resonatorgitarre) 136 Andreas Seefeldt S-1008 King Bee (Westerngitarre) 138 Roland AC-40 (Verstärker) 140 Benk Cube Natural One (Verstärker) ● rubriken 3 Editorial 22 Aboanzeige 144 CD-Booklet 145 So geht’s leichter 146 Letzte Saite/Anzeigenindex/Impressum 126 130 Test: Alvarez AP70 138 Test: Roland AC-40 Seite 8 Story: Robert Johnson: Ein echter Draufgänger 4 Best of Bluescafé II inhalt ● S. 32 – 122: Workshops zum Mitspielen Big Joe Williams J. B. Lenoir Rory Gallagher She Left Me a Mule to Ride Down in Mississippi Unmilitary Two-Step Track 01 – 02 Track 23 – 25 Track 42 Seite 32 Seite 64 Seite 96 Black Ace Jim Jackson Ry Cooder I Am the Black Ace I’m Going to Kansas City Vigilante Man Track 03 – 04 Track 26 – 27 Track 43 – 46 Seite 36 Seite -
Edand the BLUES IMPERIALS
was 30 songs cut in three hours with no overdubs and only occasions. Success and accolades never stop pouring the of one second take. Twelve of those songs became the band’s in. Living Blues called 2012’s Jump Start “scorching and BIG SOUND debut album, Roughhousin’, released in September of 1986. soulful” with “crafty, clever lyrics...joyous and stomping.” and THE BLUES IMPERIALS The national press reacted with amazement to the blues The group took home the Living Blues Award for Best Live LIL’ ED world’s new discovery. Feature stories ran in Spin, Musician, Performer in 2011, 2012 and 2013. They won the prestigious The New York Times, The Los Angeles Times, The Washington Blues Music Award for Band Of The Year in both 2007 and 2009. In Chicago, a city overflowing with unrivaled blues talent, world- Born in Chicago on April 8, 1955, in the heart of Chicago’s tough Post, The Boston Globe, The Chicago Tribune and dozens of other The Associated Press says, “Williams fills Chicago’s biggest renowned Lil’ Ed & The Blues Imperials have been standing West Side, Ed grew up surrounded by music. He was playing publications. The Village Voice declared, “Roughhousin’ just shoes with more life and heat than anyone on stage today.” tall for almost 30 years. The band’s big sound, fueled by Lil’ guitar, then drums and bass, by the time he was 12. Ed and may be the blues album of the year.” The New York Times raved, Ed’s gloriously rollicking slide work and deep blues string Pookie received lessons and support from their famous uncle.