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TED Talks Education Revolution FINAL2
TED Talks: Education Revolution Premieres Tuesday, September 13, 2016, on PBS Featuring Sal Khan, Anna Deavere Smith, Baratunde Thurston, Sara Ramirez, and Others, the Special is Part of the American Graduate Initiative SAN FRANCISCO – Hosted by best-selling author and comedian Baratunde Thurston and actress, musician and activist actress Sara Ramirez, TED Talks: Education Revolution explores new and innovative approaches to learning and teaching. TED Talks: Education Revolution premieres Tuesday, September 13, 2016, 10:00-11:00 p.m. ET (check local listings) as part of SPOTLIGHT EDUCATION week on PBS and is funded by the Corporation for Public Hosts Baratunde Thurston and Sara Ramirez Credit: Ryan Lash/TED Broadcasting (CPB), as part of “American Graduate: Let’s Make It Happen,” a public media initiative to help communities ensure more students graduate ready for college and careers. Filmed live at New York's The Town Hall theater, these new TED Talks brings together a wide range of cutting edge thinkers, performers, entrepreneurs, and educators. Featured speakers include: • Entrepreneur Sal Khan, the former hedge fund manager who went on to create the celebrated Khan Academy, shares new ideas about how we can transform classroom learning by giving students the tools they need to master concepts, which leads to character-building and heightened creativity. • Author Julie Lythcott-Haims challenges parents to stop micromanaging their children and focus on creating lives centered more on love than conventional concepts of achievement and career success. • Dr. Victor Rios, author and educator, recounts how a dedicated and empowering teacher rescued him from a life of poverty and prison. -
Cheryl-Lewis Stunts-Dbl Online Pic-Resume.Pdf View
Cheryl Lewis SAG-AFTRA*AEA*AGMA*AGVA stunt performer/actor/dancer/aerialist www.CherylinAction.com [email protected] ~Youtube * Vimeo * Facebook * Instagram @CherylinAction HEIGHT: 5’5” WEIGHT: 126 LBS. EYES: BROWN HAIR: DK. BROWN FILM COORDINATOR or DIRECTOR WITHOUT REMORSE Stunt Driver Dbl. Jodie Turner-Smith Doug Coleman LOVE-40 Stunt Actor (Tennis Player) Drew Leary WONDER WOMAN 1984 Stunt Performer Rob Inch | Patty Jenkins 17 BRIDGES Stunt Performer Andy Gill PROUD MARY Stunt Dbl: Taraji P. Henson Robert Alonzo / Paul Marini TEN Stunt Dbl: China Anne McClain Drew Leary DEIDRA & LANEY ROB A TRAIN Stunt Dbl: Ashleigh Murray Eliza Coleman PIMP Stunt Driving Dbl: Keke Palmer Drew Leary ROXANNE ROXANNE Stunt Dbl: Chanté Adams Vince Cupone CAPTAIN AMERICA: CIVIL WAR Stunt Performer Sam Hargrave CHI-RAQ Stunt Performer Jeff Ward/ Eddie Fernandez MONEY MONSTER Stunt Performer Jery Hewitt WHEN THE BOUGH BREAKS Stunt Dbl: Regina Hall Lance Gilbert STRAIGHT OUTTA COMPTON Stunts Lin Oeding RUN ALL NIGHT Stunts Doug Coleman DEAR SECRET SANTA Stunt Dbl: Tatyana Ali Sean “Speedy” Christopher STAR TREK INTO DARKNESS Stunts John Stoneham Jr. ZOMBIE NIGHT Stunt Dbl: Tia Robinson (fall thru glass roof) John Ross HOLLOWS GROVE Stunt Dbl: Bresha Webb Kanin Howell TRAILER PARK HEROES vs. CRAZIES Stunts stunt: Merritt Yohnka/fight: John Medlen BLACK GOLD Stunt Dbl:Mbong Amata / Protestor Stunts #2 Tom Proctor / William Washington I REALLY HATE MY EX Stunt Dbl: Tomiko Fraser Hines Elle Alexander BATTLE B-BOY Battle Dancer/Stunts John Kreng PREMIUM RUSH Utility Stunts Stephen Pope GAME OF DEATH Stunt Dbl: Aunjanue Ellis Simon Rhee UNDER-TOW Deborah (action actor) Miles Orion Feld SALT Stunts Vic Armstrong / Simon Crane BOLDEN Stunt Dbl: Jeryl Prescott Sales Bud Davis I AM LEGEND Stunts Vic Armstrong AMERICAN GANGSTER Stunts – RedTop Girl George Aguilar THE COOKOUT Stunt Dbl:Queen Latifah (high fall) Roy T. -
The BBB Featuring Bernie Dresel – Live and Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title)
The BBB Featuring Bernie Dresel – Live And Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title) Date: Tuesday, April 19, 2016 Arrive By 7:00 PM, Sound Check 8:00 PM NO Admission Fee Or Cover Charge Joe’s Great American Bar & Grill, Burbank, California Bernie Dresel’ s jazz orchestra, The BBB, is without question one of Los Angeles’ most exciting large jazz ensembles, if not on the planet. The BBB provides potent testimony to the sheer exhilaration of big band jazz...a combination of intense swing and fiery soloing, as well as tight ensemble playing. The BBB is comprised of sixteen seasoned pros on the LA studio scene. Populated by LA’s finest players, The BBB takes the big band tradition into the new millennium with a contemporary, highly original sound featuring the witty, intricate, and hard‐ swinging compositions of established and up‐and‐coming composers and arrangers. And like those other famous road bands such as Buddy Rich’s, Count Basie’s, Woody Herman’s, Stan Kenton’s, Thad Jones/Mel Lewis’, the music and delivery of The BBB’s music is nothing less than astonishing when experienced live. The sound has a contemporary, dynamic and hard swinging energy with a focused edge to it that is like no other jazz orchestra, though reminiscent of Buddy Rich’s ensembles. The band make‐up is unique in that there is no piano but jazz/rockin’ guitar instead, in addition to four trumpets, four trombones, five saxophones and upright acoustic bass and drums. When people hear Bernie’s BBB, the first thing that hits them is its energy and intensity. -
Loving, Black Teenage Instagram Celebrity Converts to Islam. Here's
A shape-shifting, pepperoni- loving, black teenage Instagram celebrity converts to Islam. Here’s what happens. THE STORY Summer is a 17-year old carefree black girl, whose world is turned upside down when her mother, a popular meteorologist named Jade Jennings, abruptly converts to Islam and becomes a different person, prompting Summer to reevaluate her identity. When her mother coerces her into converting, Summer rebels. But, while Summer initially resists Islam, she eventually becomes drawn to its teachings, particularly around the "Jinn," supernatural beings who occupy a parallel world and have free will, like humans. Summer soon realizes that the religion is more complex than she thought, and that people interpret it in different ways. Yet, Summer's need to be free and untethered to any one way of being clashes with her mother’s strict interpretation of the faith and causes a growing rift between them. When Summer meets Tahir, a fellow Muslim classmate who attends the same masjid, she is further drawn to the religion and especially to his parent’s fluid, freeing practice of it. As Summer and Tahir build a connection based in laughter, curiosity, and beef pepperoni, a budding sexual attraction ignites, causing a major conflict between physical desire and piety. About Nijla- Writer/Director Nijla Mu'min is a writer and filmmaker from the East Bay Area. Named one of 25 New Faces of Independent Film by Filmmaker Magazine in 2017, she tells stories about black girls and women who find themselves between worlds and identities. Her short films have screened at festivals and venues across the country, including Outfest, Pan African Film Festival, and BAMcinématek. -
Goodbye TV Ads, Hello Sponsormagic Introducing a More Excellent Way to Connect with Your TV Audience and Build Your Brand the Advertiser’S Dilemma
Goodbye TV Ads, Hello SponsorMagic Introducing a more excellent way to connect with your TV audience and build your brand The Advertiser’s Dilemma People hate advertising: “Your ads interrupt me.” “There are too many ads.” “Advertising is irrelevant to me.” “I don’t trust advertising messages.” People avoid advertising: • DVR ad skipping • Subscription video services: Netflix, HBO • Commercial free satellite radio • Web & mobile ad blockers The Advertiser’s Dilemma Connecting with people who: • Don’t want to see advertising • Find advertising to be irrelevant • Resent the intrusion of ads • Have ways to block or avoid advertising You need a whole new strategy … SponsorMagic! What is SponsorMagic? • Creating magic moments for viewers to experience your brand • A way to build brand awareness and affinity that’s NOT advertising • Customized branded entertainment integrated into the program Presenting … • Fresh, new promotions created for each show Your • Product placement and demos in Brand! the form of songs, sketches, parodies, prize giveaways, and other programming techniques SponsorMagic! Why it’s better • Viewers stay engaged with your message because it’s part of the entertainment • Your brand is associated with the good feelings generated by the program • The audience can’t skip over your Presenting … brand message because it’s grafted into the show Your • Fresh, new message every week Brand! • No advertising production costs SponsorMagic on TV Where can I find a program with SponsorMagic opportunities? Innovative TV Programming An innovative brand sponsorship program needs an innovative TV program Coming Early 2018 … Innovative TV Programming • A variety show to bring all generations together • Hosted by show-biz team Stu Newmeyer and Laurie Stillman • Star-studded family entertainment • Live studio audience • Prime time-family time: Sundays at 7:00 p.m. -
Diagnosing Drama: Grey's Anatomy, Blind Casting, and the Politics Of
Diagnosing Drama: Grey’s Anatomy, Blind Casting, and the Politics of Representation AMY LONG N FEBRUARY 5, 2006 NEARLY THIRTY-EIGHT MILLION VIEWERS CHOSE TO forego post-Super Bowl celebrations in favor of tuning in to a Omuch-hyped episode of ABC’s hit medical melodrama Grey’s Anatomy. The episode thus constitutes ‘‘the best scripted-series perfor- mance since the series finale of Friends’’ in 2004 and ‘‘the best per- formance of an ABC show since an episode of Home Improvement in 1994’’ (‘‘Grey’s Scores Big’’). Grey’s Anatomy and its multiracial ensem- ble stand in marked contrast to the all-white casts of both aforemen- tioned shows, a fact that has not been lost on media observers. When civil rights groups issued their annual ‘‘diversity report cards’’ for 2006, ABC garnered the highest overall grade of the four major net- works (an A-), thanks in part to shows like Grey’s Anatomy, Lost, and Ugly Betty (‘‘Grey’s Leads Charge’’). Its diverse cast and the production practices through which it was assembled have been the major focus of the media attention conferred upon Grey’s, second only to stories con- cerning the colossal audiences it routinely snags.1 The show’s creator, Shonda Rhimes (currently the only African American woman ‘‘showrunner’’ in network television), gives the credit for her show’s diversity to her ‘‘race-blind’’ casting methods. In her Time Magazine profile of the writer and producer, Jeanne McDowell notes that ‘‘[Rhimes’] script for the pilot had no physical descriptions [of its characters] other than gender,’’ a statement repeated in almost all of the popular press coverage the show receives.2 As Rhimes herself affirmed in an interview with Oprah Winfrey, ‘‘We really read every color actor for every single part. -
Television Network Industry
Social Insights on the Television Network Industry © Brandwatch.com Contents 1.0 A FOREWORD ON TELEVISION NETWORKS ................................................................. 3 2.0 AIM & METHODOLOGY ....................................................................................................... 4 3.0 THE TELEVISION NETWORK SOCIAL PERFORMANCE INDEX .................................. 5 4.0 THE VOLUME OF CONVERSATION .................................................................................. 7 5.0 THE NETWORK-AUDIENCE RELATIONSHIP ................................................................ 11 5.1 WHERE: THE LANDSCAPE OF SOCIAL PLATFORMS �������������������������������������������������������������������� 11 5.2 WHEN: TIMING COMMUNICATION ��������������������������������������������������������������������������������������������������� 12 5.3 WHAT: CONTENT FORMAT ����������������������������������������������������������������������������������������������������������������� 16 5.4 WHO: THE DEMOGRAPHICS OF NETWORK AUDIENCES ������������������������������������������������������������� 18 6.0 TELEVISION NETWORKS IN REVIEW ............................................................................25 7.0 ABOUT BRANDWATCH .....................................................................................................26 Social Insights on the Television Network Industry © 2015 Brandwatch.com | 2 1.0 A Foreword on Television Networks Television networks are facing an unsettling transition. Innately linked to traditional -
Media Coverage June 2014 – July 2014
Media Coverage June 2014 – July 2014 TeenTech Media Coverage June 2014 - July 2014 Opportunities Date Media Outlet Headline Circulation to See 25 June 2014 The Telegraph Online Tech award challenges teens to make life 64,191,797 192,575,391 'better, simpler or easier' 25 June 2014 sNEWSi Online Tech award challenges teens to make life N/A N/A 'better,simpler or easier' 26 June 2014 Daily Mail Online From a pen that spots spelling mistakes to 11,241,257 33,723,771 home-grown CLOTHES: Teens design range of futuristic gadgets for cars and houses 26 June 2014 4iNews (UK Edition) Online A spelling pen and veg-counting wristband N/A N/A are among teens' inventions 26 June 2014 News Locker Online Teens design range of futuristic gadgets for N/A N/A cars and houses 26 June 2014 News Reality Online From a pen that spots spelling mistakes to N/A N/A home-grown CLOTHES: Teens design range of futuristic gadgets for cars and houses 26 June 2014 Newscloud Online From a pen that spots spelling mistakes to N/A N/A home-grown CLOTHES: Teens design range of futuristic gadgets for cars and houses 26 June 2014 Top News Today Online From a pen that spots spelling mistakes to N/A N/A home-grown CLOTHES: Teens design range of futuristic gadgets for cars and houses TeenTech Media Coverage June 2014 - July 2014 Opportunities Date Media Outlet Headline Circulation to See 26 June 2014 vnc (viral news chart) Online From a pen that spots spelling mistakes to N/A N/A home-grown CLOTHES: Teens design range of futuristic gadgets for cars and houses 27 June 2014 Comms -
Performance of Gender and Fetishization of Women in WWE Divas Matches – a Case Study Using the Mixed-Methods Framework
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2016 by ASCO 2016, Vol. 6, No. 1 Amity University Rajasthan Performance of Gender and Fetishization of Women in WWE Divas Matches – A Case Study using the Mixed-Methods Framework Hansa Malhotra The Quint, New Delhi Ruchi Jaggi Symbiosis International University, Pune Abstract This research study aims to combine quantitative and qualitative techniques contextualized in the interpretative paradigm to explore the methodological nuances in mass communication research. Using professional wrestling as the context, this research paper will endeavor to understand the underlying conscious and subconscious biases and stereotypes that one might harbour with respect to discourses of gender and sexuality. Keywords: sexuality, methodology, stereotype Background studies. He identifies these as problems of content, dispersal, While the discussion on methods is central to humanities ephemerality, access, discovery, ethics, production, the plurality of and social sciences, media studies has struggled and reconfigured audiences and generalizability. itself over the last century to accommodate a mix of methodologies The above discussion problematizes the importance of and also develop some exclusive ones. The potential of a method methodological conflicts in the domain of media research. As is dependent on the way in which it connects the researcher to the Merrin (2006) states, Media studies has a range of research question. However in the case of media studies, this favouredmethodologies which it uses. Images are subjected to relationship gets more and more complex as the media ecosystem semiotic analysis and texts are analysed using content analysis and is constantly evolving. The methodological framework of discourse analysis, whilst audiences are studied using both scholarly research in media studies has also developed in myriad qualitative and quantitative methods, from ethnographic ways in this ecosystem. -
“Smackdown”: a Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling Casey Brandon Hart University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Hart, Casey Brandon, "Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling" (2012). Dissertations. 550. https://aquila.usm.edu/dissertations/550 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 ABSTRACT IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart May 2012 The focus of this study is an in-depth intertextual examination of how the WWE in 2010 and by extension contemporary professional wrestling in general represents a microcosm of modern cultural ideology. The study examines three major areas in which this occurs. -
British Bulldogs, Behind SIGNATURE MOVE: F5 Rolled Into One Mass of Humanity
MEMBERS: David Heath (formerly known as Gangrel) BRODUS THE BROOD Edge & Christian, Matt & Jeff Hardy B BRITISH CLAY In 1998, a mystical force appeared in World Wrestling B HT: 6’7” WT: 375 lbs. Entertainment. Led by the David Heath, known in FROM: Planet Funk WWE as Gangrel, Edge & Christian BULLDOGS SIGNATURE MOVE: What the Funk? often entered into WWE events rising from underground surrounded by a circle of ames. They 1960 MEMBERS: Davey Boy Smith, Dynamite Kid As the only living, breathing, rompin’, crept to the ring as their leader sipped blood from his - COMBINED WT: 471 lbs. FROM: England stompin’, Funkasaurus in captivity, chalice and spit it out at the crowd. They often Brodus Clay brings a dangerous participated in bizarre rituals, intimidating and combination of domination and funk -69 frightening the weak. 2010 TITLE HISTORY with him each time he enters the ring. WORLD TAG TEAM Defeated Brutus Beefcake & Greg With the beautiful Naomi and Cameron Opponents were viewed as enemies from another CHAMPIONS Valentine on April 7, 1986 dancing at the big man’s side, it’s nearly world and often victims to their bloodbaths, which impossible not to smile when Clay occurred when the lights in the arena went out and a ▲ ▲ Behind the perfect combination of speed and power, the British makes his way to the ring. red light appeared. When the light came back the Bulldogs became one of the most popular tag teams of their time. victim was laying in the ring covered in blood. In early Clay’s opponents, however, have very Originally competing in promotions throughout Canada and Japan, 1999, they joined Undertaker’s Ministry of Darkness. -
Marketing and PR in Social Media
Marketing and PR in Social Media How the utilization of Instagram builds and maintains customer relationships Thamwika Bergström & Lisa Bäckman JMK, Department of Journalism, Media and Communication Bachelor Thesis, 15 ECTS credits Bachelor’s Programme in Media and Communication (30 credits) Spring semester 2013 Supervisor: Sven Ross !! !"#$%&#'()*)!+,-(./) "#$%&'()*!#)+!,-!()!./0(#1!"&+(#! ABSTRACT With the rise of social media and the emergence of smartphones, new possibilities have arisen for companies to create and maintain customer relations. Today, customers expect companies to be represented on social media platforms. Customers today will discuss companies and products on social media, regardless of whether the companies are represented on the platforms or not. Therefore, it is important for companies to be present on these platforms in order to be a part of the discussion. On Instagram, a company can share content that would perhaps be unfitting for any other medium. This thesis researches how the top five Interbrand companies on Instagram have worked with marketing and PR, and how their posted content affects the users’ level of interaction. Two methods of analysis have been used in the writing of this thesis. In the first one, content analysis, the content and level of interaction of 200 Instagram posts were examined. Furthermore, a survey was conducted, with the aim of investigating Instagram users’ motivations for using the platform and of following a company profile on Instagram. The material has been researched with an overall marketing and public relations perspective. Other theories that have been used concern customer relationship management, self- representation and self-disclosure, back stage and front stage and word-of-mouth theories.