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SFRA Newsletter Published Ten Times a Vear Iw the Science Fiction Research Associa Tion
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 3-1-1989 SFRA ewN sletter 165 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 165 " (1989). Digital Collection - Science Fiction & Fantasy Publications. Paper 110. http://scholarcommons.usf.edu/scifistud_pub/110 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The SFRA Newsletter Published ten times a vear Iw The Science Fiction Research Associa tion. C:opyrightf'.' 1l)8~ by the SFRA. Address editorial correspon dence to SFRA Newslcller. English Dept., Florida Atlantic University, Boca Raton. FL ::n,n I (Tel. 407-3()7-3838). Editor: Robert A. Collins: Associate Editor: Catherine Fischer: R('l'iCiv Editor: Rob Latham: Fillll Editor: Ted Krulik; Book Neil'S Editor: Martin A. Schneider: EditOlial Assistant: .Jeanette Lawson. Send changes of address to the Secretary. enquiries concerning subscriptions to the Treasurer, listed below. Past Presidents of SFRA Thomas D. Clare son (1970-76) SFRA Executive Arthur o. Lewis,.Jr. (1977-78) Committee .Joe De Bolt (1979-80) .J ames Gunn (1981-82) Patricia S. Warrick (1983-84) Donald M. Hassler (J985-8() President Elizabeth Anne Hull Past EditOl'S of the Newsletter Liberal Arts Division Fred Lerner (1971-74) William Rainey Harper College Beverly Friend (1974-78) Palatine. -
Common Horror Elements 2.Pages
Common Horror Elements 1) “Elements of Aversion” by Elizabeth Barrette - All horror has motifs in common - Elements of absence = Takes away certitudes (constant things in our lives) - The Unknown = primal fear, anything can happen, limitless potential, endless power - The Unexpected = reversal of expectation, confuses what we expect from reality - The Unbelievable = places beyond belief, boundaries of everyday reality - The Unseen = something new and strange, only become visible when something goes seriously wrong - The Unconscious = we fear ourselves, we can neither control nor escape it - The Unstoppable = we can not avoid or control it, confront the inevitable - Elements of Presence = Puts in certitudes, adds an intrusion to our comfort - Helplessness = lack of control, relate to the feeling - Urgency = the feeling that something has to be done, variables that place pressure on it - Pressure = build up of tension adding to urgency, slow build of tension, we connect to it in terms of the pressure in our own life, but is different then reality as it always reaches a resolution - Intensity = heightened awareness and senses, enhances all emotions, drowns out common sense, so all consuming, everything else becomes heightened, drowns out rational thinking of brain. - Rhythm = rise and fall of tension, pattern of action or lack of, comforting or disruptive, playing on our innate desire for the world to make sense - Release = comes to a conclusion, uncertainty keeps us waiting, redemption or disaster offer completion, balance restored or altered, its over, allows us to let the story go - What you get out of it largely depends on how you go into it - Your own fears will sustain you even as they threaten to drive you mad - Come out more powerful then when you went in 2) “The Evolution of American Horror Film” - Major Hollywood Figures in the Horror Genre - Larry Cohen: sophisticated, physiological. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
Science Fiction Review 54
SCIENCE FICTION SPRING T)T7"\ / | IjlTIT NUMBER 54 1985 XXEj V J. JL VV $2.50 interview L. NEIL SMITH ALEXIS GILLILAND DAMON KNIGHT HANNAH SHAPERO DARRELL SCHWEITZER GENEDEWEESE ELTON ELLIOTT RICHARD FOSTE: GEIS BRAD SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 FEBRUARY, 1985 - VOL. 14, NO. 1 PHONE (503) 282-0381 WHOLE NUMBER 54 RICHARD E. GEIS—editor & publisher ALIEN THOUGHTS.A PAULETTE MINARE', ASSOCIATE EDITOR BY RICHARD E. GE1S ALIEN THOUGHTS.4 PUBLISHED QUARTERLY BY RICHARD E, GEIS FEB., MAY, AUG., NOV. interview: L. NEIL SMITH.8 SINGLE COPY - $2.50 CONDUCTED BY NEAL WILGUS THE VIVISECT0R.50 BY DARRELL SCHWEITZER NOISE LEVEL.16 A COLUMN BY JOUV BRUNNER NOT NECESSARILY REVIEWS.54 SUBSCRIPTIONS BY RICHARD E. GEIS SCIENCE FICTION REVIEW ONCE OVER LIGHTLY.18 P.O. BOX 11408 BOOK REVIEWS BY GENE DEWEESE LETTERS I NEVER ANSWERED.57 PORTLAND, OR 97211 BY DAMON KNIGHT LETTERS.20 FOR ONE YEAR AND FOR MAXIMUM 7-ISSUE FORREST J. ACKERMAN SUBSCRIPTIONS AT FOUR-ISSUES-PER- TEN YEARS AGO IN SF- YEAR SCHEDULE. FINAL ISSUE: IYOV■186. BUZZ DIXON WINTER, 1974.57 BUZ BUSBY BY ROBERT SABELLA UNITED STATES: $9.00 One Year DARRELL SCHWEITZER $15.75 Seven Issues KERRY E. DAVIS SMALL PRESS NOTES.58 RONALD L, LAMBERT BY RICHARD E. GEIS ALL FOREIGN: US$9.50 One Year ALAN DEAN FOSTER US$15.75 Seven Issues PETER PINTO RAISING HACKLES.60 NEAL WILGUS BY ELTON T. ELLIOTT All foreign subscriptions must be ROBERT A.Wi LOWNDES paid in US$ cheques or money orders, ROBERT BLOCH except to designated agents below: GENE WOLFE UK: Wm. -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: July 19, 2019 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] 2019 DATE local EVENT NAME WHERE TYPE WEBSITE LINK JULY 18-21 NYS MISTI CON Doubletree/Hilton, Tarrytown, NY limited size Harry Potter event http://connecticon.org/ JULY 18-21 CA SAN DIEGO COMIC CON S.D. Conv. Ctr, San Diego, CA HUGE media & comics show NO DW GUESTS YET! Neal Adams, Sergio Aragones, David Brin, Greg Bear, Todd McFarlane, Craig Miller, Frank Miller, Audrey Niffenegger, Larry Niven, Wendy & Richard Pini, Kevin Smith, (Jim?) Steranko, J Michael Straczynski, Marv Wolfman, (most big-name media guests added in last two weeks or so) JULY 19-21 OH TROT CON 2019 Crowne Plaza Htl, Columbus, OH My Little Pony' & other equestrials http://trotcon.net/ Foal Papers, Elley-Ray, Katrina Salisbury, Bill Newton, Heather Breckel, Riff Ponies, Pixel Kitties, The Brony Critic, The Traveling Pony Museum JULY 19-21 KY KEN TOKYO CON Lexington Conv. Ctr, Lexington, KY anime & gaming con https://www.kentokyocon.com/ JULY 20 ONT ELMVALE SCI-FI FANTASY STREET PARTY Queen St, Elmvale, Ont (North of Lake Simcoe!) http://www.scififestival.ca/ Stephanie Bardy, Vanya Yount, Loc Nguyen, Christina & Martn Carr Hunger, Julie Campbell, Amanda Giasson JULY 20 PA WEST PA BOOK FEST Mercer High School, Mercer, PA all about books http://www.westpabookfestival.com/ Patricia Miller, Michael Prelee, Linda M Au, Joseph Max Lewis, D R Sanchez, Judy Sharer, Arlon K Stubbe, Ruth Ochs Webster, Robert Woodley, Kimberly Miller JULY 20-21 Buf WILD RENN FEST Hawk Creek Wildlife Ctr, East Aurora, NY Renn fest w/ live animals https://www.hawkcreek.org/wp/ "Immerse yourself in Hawk Creek’s unique renaissance-themed celebration of wildlife diversity! Exciting entertainment and activities for all ages includes live wildlife presentations, bird of prey flight demonstrations, medieval reenactments, educational exhibits, food, music, art, and much more! JULY 20-21 T.O. -
Conadian (...And in Hollywood)
November 1994 Table of Contents vol. 33 no. 5 M a i n St o r i es Locus Looks a t Books Long-Lost Verne.......................... 8 - 13- Harcourt SF Line Resurrected.. 8 C onAdian Distillations: Short Fiction Reviews by Mark R. Kelly: Heinlein on Mars Realms of Fantasy 10/94; Radius 10/94; ConAdian (...and in Hollywood) .............. 8 W o rldcon 1994 Souvenir Book; Alternate Worldcons, Mike A n alo g MAFIA Threatens ........ 8 Resnick, ed.; Prairie Fire, Summer '94; F&SF 10- ConAdian Reports: 11/94; Asimov's 10/94; Analog 11/94; Interzone Rice Recants re 9/94; Omni 10/94. Vampire Cruise ........................ 8 Jane Jewell........................ 38 - 17- Nebula Awards Russell Letson...................40 Reviews by Faren Miller: Everville, Clive Barker; The Priest, Thomas M. Weekend 1995 ........................ 9 Mike Glyer.......................... 41 Disch; Revenant, Melanie Tern; Merlin’s Wood, Spectrum Competition Open ... 9 Edward Bryant...................48 Robert Holdstock; Nameless Sins, Nancy A. Collins; Travellers in Magic, Lisa Goldstein; T he D ata File Black Thorn, White Rose, Ellen Datlow & Terri Windling, eds.; SHORT TAKES: The Devil’s Own King Tour Begins.................................9 Work, Alan Judd; Complicity, lain Banks; The Court Cases.........................................9 A Sad Farewell to Unicorn Hunt, Dorothy Dunnett. Cyberspace: - 21 - The Final Electronic Frontier?.......... 9 Two Horror Stars Reviews by Gary K. Wolfe: Rushdie Update................................... 9 Queen City Jazz, Kathleen -
Catalogue 143 ~ Holiday 2008 Contents
Between the Covers - Rare Books, Inc. 112 Nicholson Rd (856) 456-8008 will be billed to meet their requirements. We accept Visa, MasterCard, American Express, Discover, and Gloucester City NJ 08030 Fax (856) 456-7675 PayPal. www.betweenthecovers.com [email protected] Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Images are not to scale. All books are returnable within ten days if returned in Overseas orders will be sent airmail at cost (unless other arrange- the same condition as sent. Books may be reserved by telephone, fax, or email. ments are requested). All items insured. NJ residents please add 7% sales tax. All items subject to prior sale. Payment should accompany order if you are Members ABAA, ILAB. unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions Cover verse and design by Tom Bloom © 2008 Between the Covers Rare Books, Inc. Catalogue 143 ~ Holiday 2008 Contents: ................................................................Page Literature (General Fiction & Non-Fiction) ...........................1 Baseball ................................................................................72 African-Americana ...............................................................55 Photography & Illustration ..................................................75 Children’s Books ..................................................................59 Music ...................................................................................80 -
By Poul Anderson Change Without Notice Before, During, Or After the Convention
NEW EMPIRES Expansion Set!!! i. Four All New Empires! .A 0 Entity (ultra rare) cards found only in the first print run! r Basic Deck C - CGE1120450 nonrandom cards) $6.95 ea. 127display Expansion Packs - CGE5110 (12 random cards) $2.45 ea. 36/Display ! GALACTIC EMPIRES™ Primary Edition: The 430 card major release! First print run going, going... will beholding Fantastic Graphics and illustrations! s half hour demonstrations games of Eight different empires! Plus 9 Entity (ultra rare) cards found only in the first print run! Galactic Empires in the gaming section. The Basic Deck A & B - CGE1110 (55 cards, 50 nonrandom) demonstrations of Galactic Empires will be $8.95ea. 12/display hosted by designers C. Henry Schulte and Expansion Packs - CGE4110 (12 random) $2.45 ea. 36/Display Richard J. Rausch. Every person who partici Limited Edition Prints (500 signed & numbered) Coming Soon! pates in the demonstration games will receive CLP0001 - ‘Assault on a Clydon Bridge’ (this illustration 20x24) $39.95 Illustration © 1995 Douglas Chaffee. an ultra-rare ‘entity’ card. Call Companion Games for Details: 1-800-49-GAMES or 607-652-9038 The New York Science Fiction Society — The Lunarians, Inc. presents: Lunacon 1995 March 17 - 19 Rye Town Hilton Rye Brook, New York Writer Guest of Honor Poul Anderson Artist Guest of Honor Stephen F. Hickman Fan Guest of Honor: Mike Glyer Featured Filker: Graham Leathers I TOR SALUTES LUNACON GUEST OF HONOR POUL ANDERSON the Hugo and Nebula-award winning SF Grand Master! Don’t miss THE STARS ARE ALSO FIRE, Poul Anderson’s -
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence. -
Belgariad 5: Enchanters End Game Pdf, Epub, Ebook
BELGARIAD 5: ENCHANTERS END GAME PDF, EPUB, EBOOK David Eddings | 448 pages | 29 Jun 2011 | Random House Children's Publishers UK | 9780552554800 | English | London, United Kingdom Belgariad 5: Enchanters End Game PDF Book Having accomplished his mission, the story ends with Belgarath sitting in the throne room as the Orb mischieviously seems to blush. In an attempt to prove to himself and As usual, Eddings really exceeds himself as a writer when it comes to his characters, whether they be lovable or loathe- able. And he spoke slightingly to me and would have driven me forth. The Nadraks I set in the north to guard the ways in which the thieves had come. It's always fun to read David Eddings books. The fight for survival and liberty continues with Andrew Keane fully aware that any miscalculation in the war against the Hordes could lead to defeat, slaughter and even total annihilation. But the dark sea stood between my people and those who would come against them, and my enemies fled in terror of that which I had done. I suppose Belgarion does mature a bit more, especially in the final chapters, but this theme is no longer the main one as Garion has reached what is, if not very close to, his full potential as the hero by the begining of the book. UL, eldest among them, agrees to allow Garion to revive Durnik, with the help of the Orb; Mara objects, yet relents on the condition that Relg and Taiba who is a Marag help restore the Marag people. -
Program Books, Run Parties, Publish Bidzines, and -Tommorow,”’ Almost Two Years Ago
MINICOM 1984 Vol. 19, No. 4 Minneapolis, Minnesota April 20 - 22, 1984 Chelsea THE MINICON HOTELS Crazy Quinn A ) ZL _\4 Mpls. Yarbro Fandom by Terry A. Garey by Nate Bucklin She's a cartographer, a costume A Floundering Father and designer, a composer, an essayist, Lapsed President a poet, a writer of fiction, a card and palm reader, a student of "What is Minn-stf?" you ask. ’ the occult, of history, of \ aoTl. "I know it stands for the humanity, and has been known to Minnesota Science Fiction EG\ N whomp up authentic curry for 20 Society, but what does it do?" people just because she happened NS a ASELVE/\ yi To start with, it might be to think it would be kind of fun. helpful to explain what we She's had 25 books published in NN VA aren't. We aren't quite the same the last eight or nine years, THE ANDREWS HOTEL THE DYCKMAN HOTEL as the Minicon Committee, for Fanging from a collection of her instance --though there are short stories to historical Z NS TZ N overlaps. We aren't the Second horror, to science fiction. She y — Foundation. They're the serious has been Pro Guest of Honor at s-f discussion group. We're the several cons, been on innumerable / \ folks who throw all the parties. panels, and has even run We're the umbrella organization conventions. She goes to concerts that includes writers' groups, and operas, corresponds with vast gamers, the amateur press, and numbers of people all over the hundreds of friendships. -
The Quest for Harmony with the Other in Andre Norton's Young Adult Literature
1HE QUEST FOR HARMONY WITH 1HE OTHER IN ANDRE NORTON'S . YOUNG ADULT LITERATURE APPROVED BY SUPERVISORY COMMITTEE: tz,Chair Dr. Rainer Schulte Dr. Joan Chandler Copyright 1995 Diana M. Beebe All Rights Reserved THE QUEST FOR HARMONY WITH THE OTHER IN ANDRE NORTON'S YOUNG ADULT LITERATURE by Diana M. Beebe, B.A. THESIS Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN THE HUMANITIES The University of Texas at Dallas January, 1995 ACKNOWLEDGMENTS I would like to thank my supervising professor, Dennis Kratz for all of his help and encouragement during the writing and development of this thesis. I would also like to thank the other members of my committee, Rainer Schulte and Joan Chandler for their encouragement and thoughtfulness. Many ideas may have remained underdeveloped without their insightful comments and probing questions. I cannot thank you enough. Many thanks go to Andre Norton for creating all the worlds that have given me so much inspiration and growth. I have made my own quest and have come closer to finding my own Harmony. Thank you to my friends who read my manuscript and helped me proofread for my final draft Liz.a Bachman, John Shampton, and Bill Spier. Thanks to all my friends (Stephanie, Lona, Norma, Brandy, Jennifer, Amy; the list goes on) who understood when I was emersed in Andre Norton's worlds. I most want to thank my family. Larry and Marty Haynes, I could not have done this without their love and support and patience.