Americans Support Lithuanian Independence Effort
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LITUANUS Cumulative Index 1954-2004 (PDF)
LITUANUS Cumulative Index 1954-2004 Art and Artists [Aleksa, Petras]. See Jautokas. 23:3 (1977) 59-65. [Algminas, Arvydas]. See Matranga. 31:2 (1985) 27-32. Anderson, Donald J. “Lithuanian Bookplates Ex Libris.” 26:4 (1980) 42-49. ——. “The Art of Algimantas Kezys.” 27:1 (1981) 49-62. ——. “Lithuanian Art: Exhibition 90 ‘My Religious Beliefs’.” 36:4 (1990) 16-26. ——. “Lithuanian Artists in North America.” 40:2 (1994) 43-57. Andriußyt∂, Rasa. “Rimvydas Jankauskas (Kampas).” 45:3 (1999) 48-56. Artists in Lithuania. “The Younger Generation of Graphic Artists in Lithuania: Eleven Reproductions.” 19:2 (1973) 55-66. [Augius, Paulius]. See Jurkus. 5:4 (1959) 118-120. See Kuraus- kas. 14:1 (1968) 40-64. Außrien∂, Nora. “Außrin∂ Marcinkeviçi∆t∂-Kerr.” 50:3 (2004) 33-34. Bagdonas, Juozas. “Profile of an Artist.” 29:4 (1983) 50-62. Bakßys Richardson, Milda. ”Juozas Jakßtas: A Lithuanian Carv- er Confronts the Venerable Oak.” 47:2 (2001) 4, 19-53. Baltrußaitis, Jurgis. “Arts and Crafts in the Lithuanian Home- stead.” 7:1 (1961) 18-21. ——. “Distinguishing Inner Marks of Roerich’s Painting.” Translated by W. Edward Brown. 20:1 (1974) 38-48. [Balukas, Vanda 1923–2004]. “The Canvas is the Message.” 28:3 (1982) 33-36. [Banys, Nijol∂]. See Kezys. 43:4 (1997) 55-61. [Barysait∂, DΩoja]. See Kuç∂nas-Foti. 44:4 (1998) 11-22. 13 ART AND ARTISTS [Bookplates and small art works]. Augusts, Gvido. 46:3 (2000) 20. Daukßait∂-Katinien∂, Irena. 26:4 (1980) 47. Eidrigeviçius, Stasys 26:4 (1980) 48. Indraßius, Algirdas. 44:1 (1998) 44. Ivanauskait∂, Jurga. 48:4 (2002) 39. -
Lithuanian Papers ? LITHUANIAN PAPERS, No.18/2004 1 the Origin of This Journal's Name Goes Back to 1987
Why Lithuanian Papers ? LITHUANIAN PAPERS, No.18/2004 1 The origin of this journal's name goes back to 1987. During that Looking for a horne loan? year, the Lithuanian Studies Society started fortnightly lunchtime lectures at the University of Tasmania, on a wide range of topics connected with Lithuania. Some of these lectures were given by the University's members of staff; others were presented by Think Talka visiting speakers and invited guests. Lovvinterest rates It soon became apparent that many original papers had emerged and vve charge from this lecture programme, and that it would be a great pity to NO Fees lose the newly gained knowledge. Although short of money and Melbourne 0393283466 resources, the Society decided to publish the best papers, chosen 1 Sydney 02 9796 8662 from each year's presentations. And so, the Lithuanian Papers were born. The annual journal has since grown and is now read Adelaide 08 8362 7377 by 3,000 subscribers in 29 countries and in all continents. [email protected] .u Professor Alec Lazenby, the Vice-Chancellor of the University of Tasmania at the time, wrote in 1988: "The programme was not only of obvious interest to those members of the University with Lithuanian connections, but I believe, of I "' Lithuanian Credit Society "Talka" .A, ��� · \;,,i,,ou.,.,� • 'Sl'c:1,·, considerable educational value to the whole University... This is an admirable project; it will enable the culturally enriching influence of the Society to be extended to many members of the University... " COVER PHOTOS: WHEN IN SYDNEY Basketball ("krepsinis'J is Lithuanians' favourite sport. -
Vilnius Drawing School 1866–1915
VILNIUS DRAWING SCHOOL 1866–1915 Summary Académie de Vilna... The title of the mystical Academy of Vilnius appears in numerous books and articles presenting creative biographies of the Litvak artists of the Paris school. The legend of the Academy was undoubtedly created by the artists themselves, which shows the high esteem enjoyed by their firstalma mater. “Montparnasse, the capital of Lithuanian art” – this is the title of the memoirs about painter Michel Kikoïne by Arbit Blatas, a Lithuanian expatriate, which refers to the entire conglomerate of Litvaks who had settled in Montparnasse. This was the beginning of L’École de Paris. “At the beginning of this story was Lithuania. It is impossible to forget its landscapes, its light, and its surroundings, which along with all their rituals perfused Kikoine, just like all of us, Slavic artists (i.e. artists who had come from the then-territory of the Russian Empire – J. Š.)”, Arbit Blatas wrote. “Lithuania, which is so far away, gave many artists a possibility to realize their talent, be it patriots of Russia, such as Levitan <...>, or France, to whom Paris was the Mecca of painting”. So, what was this Academy of Vilnius, which nurtured so many remarkable artists? This question is still bothering a great number of researchers ofL’École de Paris, let alone society at large. Specialists know the answer – it is the largely forgotten Vilnius Drawing School, which was founded by officials of tsarist Russia at the end of 1866. It operated up until the beginning of World War I, and in 1915, its entire inventory was evacuated to the depths of Russia, to Samara. -
D 2.2 Title of the Deliverable: Consolidated Content List
ICT-PSP Project no. 297158 EUROPEANAPHOTOGRAPHY EUROPEAN Ancient PHOTOgraphic vintaGe repositoRies of digitAized Pictures of Historical qualitY Starting date: 1st February 2012 Ending date: 31st January 2015 Deliverable Number: D 2.2 Title of the Deliverable: Consolidated Content List Dissemination Level: Restricted Contractual Date of Delivery to EC: Month 12 Actual Date of Delivery to EC: December 2012 Project Coordinator Company name : KU Leuven Name of representative : Fred Truyen Address : Blijde-Inkomststraat 21 B-3000 Leuven PB 3301 Phone number : +32 16 325005 E-mail : [email protected] Project WEB site address : http://www.europeana-photography.eu Page 1 of 91 EUROPEANAPHOTOGRAPHY Deliverable D2.2 Title: Consolidated Content List Context WP 2 Themes, Collections and Content WP Leader KU Leuven – Prof. Dr. Fred Truyen Task 2.3 Detailed Content List Task Leader KU Leuven – Prof. Dr. Fred Truyen Dependencies Author(s) Prof. Dr. Fred Truyen Contributor(s) Alinari 24 Ore and Fondazione Alinari, TopFoto, Imagno, Parisienne de Photographie, ICCU, Polfoto, CRDI, Gencat Cultura, United- Archives, NALIS, MHF, Arbejdermuseet, ICIMSS, KU Leuven, Lithuanian Museums. Reviewers Nacha Van Steen (KMKG), Gerald Piffl (Imagno) Approved by: History Version Date Author Comments 0.1 22/05/2012 Fred Truyen – KU Leuven 0.2 23/11/2012 Fred Truyen – KU Leuven 0.3 11/12/2012 Fred Truyen – KU Leuven 0.4 27/12/2012 Fred Truyen – KU Peer reviews Leuven, Gerald Piffl integrated. – Imagno, Natasha Van Steen, KMKG Final 1.0 31/12/2012 Fred Truyen – KU -
ONCE AGAIN on SOVIET STATEHOOD in LITHUANIA in 1918–1919 Česlovas Laurinavičius
LITHUANIAN HISTORICAL STUDIES 13 2008 ISSN 1392-2343 PP. 179–190 ONCE AGAIN ON SOVIET STATEHOOD IN LITHUANIA IN 1918–1919 česlovas Laurinavičius ABSTRACT This article makes the claim that by initiating the formation of the so-called Soviet statehood in Lithuania and Belarus (Litbel) the gov- ernment of Soviet Russia did not intend ‘to set in motion the broad mass of Lithuania for the revolutionary struggle’ and tried to avoid social and national conflicts. However, the attitude of the Soviet government towards Lithuania underwent a change in the middle of 1919 when the advance of the Red Army to the West was halted. Historiographical Tendencies since the Sąjūdis Movement In Li- thuania much has been written and discussed on the issue of state hood since the time of Sąjūdis, the time of national rebirth in 1988–1989. The then discussion was characterized by a sort of rivalry between the two statehoods, national and Soviet, which had existed nearly side by side in 1918–1919. Doubtless, the national argument put forward during Sąjūdis has turned out to be more persuasive. It was generally agreed that it was national statehood that was real and representing the self-determination of the Lithuanian nation. Meanwhile Soviet sta- tehood was branded as advertising hoardings necessary for the spread of the world revolution into Germany or Poland. The most important argument for such identification was the fact that the concrete creators of Soviet statehood – Lithuanian Communists – refused categorically to recognize the right of nations for self-determination and did nor seek to separate Lithuania from Russia. -
History of Lithuanian Culture History of Lithuanian Culture
History of Lithuanian culture History of Lithuanian Culture 2014 Reviewed by Dr. Daiva Dapkutė (Vytautas Magnus University) Dr. Eugenijus Žmuida (The Institute of Lithuanian Literature and Folklore) Edited by Dalia Kuizinienė Translated by Jurgita Perskaudienė Vijolė Višomirskytė Jurgita Macijauskaitė-Bonda Approved by the Department of Lithuanian Literature of Faculty of Humanities at Vytautas Magnus University on 10 March 2014 (Protocol No. 3). Recommended for printing by the Council of the Faculty of Humanities of Vytautas Magnus University on 12 March 2014 (Protocol No. 1-2). Publication is supported by the European Social Fund (ESF) and the Ministry of Education and Science of the Republic of Lithuania. Project title: “Strengthening of the Lithuanian (Baltic) studies activities with collaboration between universities abroad and Lithuania higher education institutions” (VP1-2.2-ŠMM-08-V-02-006). ISBN 978-609-467-031-2 (Online) ISBN 978-9955-34-485-8 (Online) ISBN 978-609-467-032-9 (Print) ISBN 978-9955-34-486-5 (Print) © Edgaras Klivis, Dalia Kuizinienė, Dalia Senvaitytė, Vijolė Višomirskytė, Rasa Žukienė, 2014 © Translation, Jurgita Perskaudienė, Jurgita Macijauskaitė-Bonda, Vijolė Višomirskytė, 2014 © Vytautas Magnus University, 2014 © “Versus aureus” publishers, 2014 History of Lithuanian culture 5 CONTENT Dalia KuiZinienė Preface ⁄ 7 Dalia SenvaitYTė Lithuanian Ethnic Culture ⁄ 9 Rasa Žukienė The Trajectories of Lithuanian Art in the 20th Century ⁄ 51 EDGaras Klivis Development of National Theatre ⁄ 105 Dalia KuiZinienė Lithuanian Theatre in Exile ⁄ 159 Vijolė VišomirskYTė Lithuanian Literature and National Identity ⁄ 171 Dalia KuiZinienė Lithuanian Émigré Literature and Press ⁄ 213 Further Reading ⁄ 239 History of Lithuanian culture 7 Preface The History of Lithuanian Culture was an idea of five authors who aim to present a diverse overview of Lithuanian culture of the 20th century. -
Exhibition Catalogue
After the restoration of Lithuania’s independence on 11 March 1990, the historical coat of arms Lithuania — the Vytis — was legalised. Its compositional basis was the depiction of the knight on horseback with a sword and shield, created by sculptor Juozas Zikaras for the coins, and well-known due to the horse’s lowered tail. On 4 August 1991, the Supreme Council of Lithuania confirmed the second version of the coat of arms, created by Arvydas Každailis and Since 1993, the Bank of Lithuania has been issuing also collector approved by the Heraldry Commission of Lithuania. This version VYTIS: (commemorative) coins. The coins perpetuate landmark events in is still used today. It restores the historical colours of the coat of our state’s and world history, cultural, sporting events, prominent arms and the old idea — to depict a knight in horseback, ready people and architectural and natural monuments. To date, the Bank FROM to protect, sword in hand, his land and state. The horse’s tail is On 16 February 1918, Lithuania proclaimed the Act of of Lithuania has already issued nearly 100 collector and collector already raised in this version. Independence. The Lithuanian coat of arms once again had the circulation coins. The approved state coat of arms, or the figure THE LITHUANIAN symbol of statehood — the historical GDL knight (vytis). With the On 1 October 1992 the Republic of Lithuania adopted the specially adapted for the coin, has been used for the obverse issuing of Lithuanian money, the key symbols of state were depicted temporary currency, talonas, and roubles were withdrawn from increasingly rarer since 2003. -
On the Significance of the Great War in Interwar Lithuania
Acta Baltico‑Slavica, 42 Warszawa 2018 DOI: 10.11649/abs.2018.016 Vasilijus Safronovas Institute of Baltic Region History and Archaeology, Klaipėda University Klaipėda [email protected] Who fought for national freedom? On the signifcance of the Great War in interwar Lithuania Introduction In 1938, Lithuania commemorated the twentieth anniversary of its independence. Te occasion was marked by several publications to introduce the country to readers both at home and abroad. One of them was a book published in Lithuanian (Kemežys, 1938) which focused on the achievements of the two decades: the contributors wrote about the progress that had taken place in all areas over the period, from the army and education to welfare, architecture and art. Lithuanian history did not receive any special attention. However, the chapter on the army included a rather exhaustive historical overview of the Wars of Independence, written by the professional historian and lieutenant in the reserve Antanas Vasiliauskas, who worked at the army headquarters at the time. Te very frst paragraph catches the eye: Afer the storm of the Great War quietened down, Lithuanians freed themselves from the claws of the doubleheaded eagle, and undertook to build an independent state. […] Lithuania’s sons, sacrifcing their lives on the altar of their homeland, took up arms for a crucial struggle and won. (Vasiliauskas, 1938, p. 46) Tis is an Open Access article distributed under the terms of the Creative Commons Attribution 3.0 PL License (creativecommons.org/licenses/by/3.0/pl/), which permits redistribution, commercial and non commercial, provided that the article is properly cited. -
1 Vasilijus Safronovas Intro
LITHUANIAN HISTORICAL STUDIES 24 2020 ISSN 1392-2343 PP. 75–108 https://doi.org/10.30965/25386565-02401004 THE CONTESTED DATE OF THE EMERGENCE OF MODERN LITHUANIA: WAS 15 MAY AN ALTERNATIVE TO 16 FEBRUARY?1 Vasilijus Safronovas (Klaipėda University) ABSTRACT Today in Lithuania, the day of the establishment of the modern nation-state is celebrated on 16 February. It is well known that the origins of this celebration go back to the period before the Second World War. However, historians have stated for some time now that in the 1920s, in addition to 16 February, there was another day that was also known as the National Day: 15 May. An attempt is made here for the first time to look at the two celebrations as alternatives set by political competition. The author seeks to find explanations why some politicians wanted to see 15 May as a counterbalance to 16 February, and examines whether this was influenced by their different experiences and different views as to what constituted the starting point of the independent Lithuanian state. KEYWORDS: politics of memory, collective experience, National Day, public holi- days, religious holidays, democracy and authoritarianism. Introduction During the First World War, various Lithuanian groups on either side of the Atlantic voiced their demands numerous times for an independent Lithuania. On three occasions between 1917 and 1920, independence was not just demanded but actually declared. The first was on 11 December 1917, by the Lietuvos Taryba (Council of Lithuania), a body of 20 representatives, elected in September 1917 during a session of the Vilnius Conference, which had gathered with the permission of the German Ober Ost authorities, with Lithuanians choosing and inviting to the conference individuals 1 This article was written as part of the Klaipėda University research project ‘A Lived‐Through History in Interwar Lithuania: Between Experience Narratives and Politics of Memory’. -
These Study Programmes Are Carried out in English and Are Offered to English-Speaking Students As Full-Time Degree Programmes
CONTENTS VYTAUTAS 02 Liberal Arts University MAGNUS 06 A Glimpse of History UNIVERSITY 10 Wide Variety of Programmes 12 Faculties KAUNAS LITHUANIA 32 Choose Your Programme! 40 Innovative Research WWW.VDU.LT 42 Open to the World 44 Welcome to Kaunas 54 Contacts 1 „arTESLIBERAL L ARTSIBERA ULes“NIV uNIERSITYVERSITETAS >> >> LIBERAL ARTS UNIVERSITY >> LIBERAL ARTS UNIVERSITY Throughout its short but exciting history, Vytautas Magnus University The university is an exceptionally important institution to the state. For has been faithfully nurturing and continuing its distinguished the members of the academic community, it serves as the hotbed for traditions. What sets this university apart is its willingness to organize science, improvement and communication. It is not just an institution studies, scientific research and life of the community in a different way. of higher learning; it is much more. It is the perfect embodiment Intellectuals from Lithuania and abroad have participated in the re- of freedom and autonomy, which the humanity had first achieved a establishment of VMU and defined its goals, which are being pursued thousand years ago when the first university was opened and helped to this day. Here, utmost importance is given to honesty, tolerance and people learn to live as a community adhering to ideals of this kind. dialogue, while the forerunning principles are liberal and democratic. Creativity, progress and development of national culture are all brought Classical liberal arts universities are the labs of modern life, educating into sharp focus. bold young people who are not afraid to experiment and are on their way to becoming professional contributors to their own country’s future. -
100 Years of Lithuanian Statehood
100 YEARS OF LITHUANIAN STATEHOOD KEY HISTORIC SITES IN VILNIUS On 16 February 1918, the Act of Independence of Lithuania was signed, effectively creating the modern Lithuanian state, with Vilnius as its capital. It is one of the most important dates in the nation’s history - the birth of a new democratically-run country. The Act laid the foundation for the creation of a state based on the principles of equality, freedom and prosperity, where different nationalities and social groups could co-exist. Its signatories were twenty Lithuanians elected to the Council of Lithuania and entrusted with the task of creating an independent Lithuanian state. The signatories’ backgrounds and sub- sequent fates were very diverse. As part of the Centennial celebration, this guide aims to shed light on the most important sites of the events leading up to the signing of the Act of Independence of Lithuania, as well as the places central to Lithuanian cultural life in the early 20th century. Museums Houses of Theatre / Plaque Worship Concert Hall 1. THE GREAT SEIMAS OF VILNIUS The Lithuanian National Philharmonic Society +370 526 65233, +370 526 65216 Ticket Office: Tue-Sat 10:00 - 13:30, Aušros Vartų g. 5, www.filharmonija.lt 14:00 - 19:00, Sun 10:00 - 12:00 The building of the current Philharmonic dates back to the beginning of 20th century, when the city’s Duma as- sembly and Theatre Construction Committee decided to house a theatre and concert hall in the reconstructed building of the Russian Merchants’ House that stood there. The remodeled building hosted many historically significant events.