Menu & Happy Hour

Total Page:16

File Type:pdf, Size:1020Kb

Menu & Happy Hour BarBEER Happy Hour Desserts DRAFT Monday to Friday 3pm to 7pm in Angry Orchard 7 Guinness 7 the Restaurant, Main Bar and the Deck Big Storm Wave Maker 7 Heineken 6 Blue Moon 7 Miller Lite 4.50 Chocolate Mousse Peanut Butter Cup Pie Menu 50% APPETIZERS Oreo cookie pie crust filled with rich chocolate Bud Light 4.50 Red Stripe 8 mousse, topped with crushed peanut butter CCB Jai Alai 8 Sam Adams Seasonal 6 Joe’s Pile of Nachos Buffalo Chicken OFF cups, whipped cream and drizzled with peanut CCB Florida Cracker 7 WJ’s Blonde 4.50 Quesadilla butter, chocolate and caramel sauces 6.99 Coors Light 4.50 WJ’s Red 4.50 $ Corona 6 BEER CAN SPECIAL Key Lime Pie A Florida classic baked in house, & Yuengling 4.50 2 served with raspberry sauce, whipped cream and Corona Light 6 a slice of lime 6.99 Fat Tire 7 Rotating Draft $ DOMESTIC DRAFT BEER Price Varies-Ask your Server 3 (NON-CRAFT) Alligator Brownie Skillet In house baked Florida Ave 8 chocolate brownie topped with chocolate sauces, Miller Lite Whiskey Joe’s mint chocolate chip ice cream, whipped cream BEERHappy GARDEN on draft Blonde or Red Coors Light and topped off with a cherry 7.99 Ballast Point Sculpin IPA 8 Keybilly Island Ale 7 Bud Light Yuengling Joe’s Bananas Foster Our signature dessert Bell’s Oberon 8 Sam ‘76 8 featuring pound cake topped with two scoops of Brew Bus You’re My Boy Tank La Playa Pils 7 $ DRINKS vanilla ice cream, sliced bananas, Joe’s caramel Blue Blueberry Wheat Ale 7 5 Tito’s New Amsterdam Gin rum sauce, candied pecans and whipped Dogfish 60Hour min IPA 7 Rotating Draft cream 10.99 Price Varies-Ask your Server Jameson Cocktail of the Week Dos Equis Lager 6 Jack Daniels Ask your bartender! Escape Other West Coast 8 Take Home $ HOUSE WINE CRAFT BOTTLES Souvenir GlassES Ace Pineapple Hard Cider 7 Funky Buddha Floridian 6 Canyon Road Ask Your Server for Details! Big Storm Tropic Hefeweizen 6 COCKTAILS Pressure 16oz 6 Funky Buddha Hop $ Big Storm Palm Gun IPA 7 7 Margarita Shanghai Red Bender 16oz 7 JDubs Up Top! IPA 7 Rum Runner Mojito CCB Tampa Style Lager 6 St. Pete Orange Wheat 7 *No substitutions to happy hour items listed BOTTLES Bud Light 4.75 Heineken 6 Pacifico 5.75 Budweiser 4.75 Land Shark 4.75 Red Stripe 5.75 Corona 6 Miller Lite 4.75 Sam Adams 5.25 Hard Seltzer Corona Light 6 Michelob Stella Artois 6 Coors Light 4.75 Ultra 4.75 Yuengling 4.75 Follow Us On Social! Dos Equis 6 O’douls 4.75 WHITE CLAW 16oz Aluminums Cans /TampaWhiskeyJoes Choice of one of the Bud Light 6 Miller Lite 6 following $6 /WhiskeyJoesT Coors Light 6 Heineken 8 Mango BUCKET thewhiskeyjoes.com 9287-04/2020 Pitchers Black Cherry Domestic 18 Lime Domestic 12 | Imports 15 CERTIFIED SANITIZED: Specialty Restaurants Corporation’s number one priority is Scan for Digital the health and safety of our teams, guests, partners and community. We are imple- menting new social distancing measures and safety standards including daily Em- Bar Menu! HIGH NOON ployee Wellness Screenings, utilizing an Electrostatic Sanitation Spray System, strict adherence to CDC and National Restaurant Association Guidelines and much more. Ask a team member or visit www.specialtyrestaurants.com/safety for more details. Choice of one of the CONSUMER ADVISORY: Consuming raw or undercooked meats poultry seafood following $6 shellfish or eggs may increase your risk of foodborne illness especially if you have certain medical conditions. CONSUMER INFORMATION: There is risk associated with Watermelon eating raw oysters If you have chronic illness of the liver stomach or blood or have im- mune disorders you are at greater risk of serious illness from raw oysters and should Grapefruit eat oysters fully cooked. IF UNSURE OF YOUR RISK CONSULT A PHYSICIAN Local Favorites Club Caribe Margaritas WineS Hurricane Juice Bacardi Rum, Parrot Bay Passion Fruit Joe’s Spiced Colida Sailor Jerry Spiced Rum, blended Ultimate Pineapple El Jimador, Patron Pineapple Citronage, Rum, Orange and Pineapple Juice, Grenadine, Float of perfectly with Pineapple and Coconut Juices 9 Pineapple Juice, REAL Pineapple, S&S, Lime Juice. Served SparklinG gls btl Trader Vic’s Dark Rum 9 Frozen in your very own Fresh Pineapple 16 Black Cherry Mojito Club Caribe Lemon Rum, REAL Black William Wycliff Brut, California 9 34 Shanghai Red’s Rum Runner Our signature Rum Cherry Purée, Lime, Splash of Lime Juice, muddled and Skinny Milagro Tequila, Agave Nectar, Lime, on the Rocks 11 Runner made with RumHaven Coconut Rum, Blue Zonin Split, Prosecco Brut, topped with Sprite 11 Veneto, Italy 11 Chair Bay Banana Rum, Blackberry Liqueur, Orange Dave’s Our Founder’s Signature Margarita Made with and Pineapple Juices topped with a Float of Dark Whiskey Joe’s Punch Club Caribe Pineapple Rum, Captain Milagro Reposado, Cointreau, Lime, Float of Grand Korbel Split, Brut, California 11 Rum 9 Morgan Spiced Rum, Orange and Pineapple Juices, Marnier 13 La Marca Prosecco 32 Grenadine and Sprite 9 Moscow Mule New Amsterdam Vodka, Lime Juice, Rocky Point Camarena Silver, Triple Sec, S&S, Lime Juice, Ginger Beer 11 Rum Runner Club Caribe Pineapple and Banana Rum, Splash of OJ 11 Pinot Grigio Banana Blackberry Cordial, Pineapple and Orange Juice, Bahama Mama RumHaven Rum, Gionelli Banana Float of Trader Vic’s Dark Rum 9 Coconut 1800 Coconut Tequila, Triple Sec, S&S, Lime Canyon Road, California 8 Liqueur, Pineapple and Orange Juice, Grenadine 9 Juice 12 Ecco Domani, delle Venezie, Italy 9 34 Whiskey Joe’s Lemon Aid Club Caribe Lemon Rum, Our Strawberry Mule Florida Cane Plant City Strawberry Special Lemon-aide topped with Lemon Lime Soda 9 Mango Jose Cuervo Silver, Triple Sec, REAL Mango, S&S, Vodka, Strawberry, Lime, Ginger Beer 11 Lime Juice 12 Sauvignon Blanc Beach Front Frozen Mango The Buzz Kill Jack Honey, Agave Nectar, REAL Canyon Road, California 8 30 Mojito Club Caribe Mango Rum, Add a $2 Floater of Ultimate Patron Patron Silver, Patron Citronage Orange Pineapple, Lime and Mint 9 Mango Purée, Fresh Mint 11 Trader Vic’s Dark Rum Liqueur, S&S, Lime and Orange Juice 13 Oyster Bay, Marlborough, Painkiller Trader Vic’s Dark Rum, REAL Coconut, or Sailor Jerry Rum to New Zealand 10 38 Raspberry Orange Cooler Club Strawberry Jose Cuervo Silver, Triple Sec, REAL Strawberry, Pineapple Juice and a Splash of Orange Juice 10 any Cocktail Caribe Raspberry Rum, Club S&S, Lime Juice 12 Chardonnay Caribe Citrus Rum, Pineapple and Tampa Bay El Jimador Reposado Tequila, Fresh S&S, Triple Cranberry Juice, Splash of Sprite 9 Tropical Sec, shaken with Fresh Lime 11 Canyon Road, California 8 30 True Blue Club Caribe Coconut Rum, Blue Curacao Liquor, Kendall Jackson ‘Vintner’s Reserve’, Passion Fruit Milagro Silver Tequila, REAL Passion Fruit, Gator Juice Captain Morgan, Parrot Bay Passion Fruit REAL Coco, REAL Pineapple 10 California 10 38 Rum, Orange and Pineapple Juice, Grenadine, Float of Fresh S&S, Triple Sec, shaken with Fresh Lime 12.50 Dark Rum 9 Razz Lemonade Club Caribe Raspberry Rum, Triple Sec, Other White Varietals Splash of S&S, topped with Lemon Lime Soda 9 3.00 Gator Killer 1800 Coconut Tequila, Blue Curacao, Make any Margarita a Corona-Rita Chateau Ste. Michelle Riesling, REAL Coco, Pineapple Juice, Yellow Red Bull 11 excluding the Skinny margarita Washington 9 34 Sangrias Build Your Mirassou Moscato, California 9 34 Own Margarita FROZEN Blanca Chardonnay, St. Germain, Parrot Bay Passion Fruit, Orange and Pineapple Juice, Fresh Fruit 9 Pick Your Tequila Pinot Noir Ultimate Piña Colada Blue Chair Bay Pineapple 11 El Jimador, Camarena Silver Francis Ford Coppola Votre Sante, Rum Cream, Pineapple Juice, REAL Coco. Roja Canyon Road Merlot, E&J Brandy, Agave Nectar, Served in your very own Pineapple 16 Orange and Cranberry Juice, Fresh Fruit 9 12 Milagro Silver, 1800 Silver Sonoma 10 38 Banana Colada RumHaven Rum, Gionelli 13 Patron Silver, Don Julio Blanco Merlot Banana Liqueur, Banana Purée 9 ADD A FLAVOR FOR 1.00 Blackberry, Black Cherry, Blueberry, Coconut, Canyon Road, California 8 30 Mudslide Stoli Vanil Vodka, Kahlua, Bailey’s 9 Mango, Passionfruit, Raspberry, Strawberry Silver Palm, Sonoma 10 38 Miami Vice Half Piña Colada & Half Strawberry Mojitos Cabernet Daiquiri 11 Original Bacardi Rum, Muddled Mint, Lime, Simple Pineapple Club Caribe Pineapple, Muddled Mint and Piña Colada RumHaven Rum, Patron Pineapple Syrup, topped with Soda Water 11 Pineapple, Lime, Simple Syrup, REAL Pineapple, topped Canyon Road, California 8 30 with Soda Water 11 Citronage, Piña Colada Mix 10 Wild Berry Bacardi Rum, Agave Nectar, Mint, Seasonal Louis Martini, California 10 38 Strawberry Daiquiri Rum and Strawberry Purée 10 Berries 11 Raspberry Club Caribe Raspberry, Muddled Mint and Raspberries, Lime, Simple Syrup, REAL Raspberry, topped Other Red Varietals True Blue Club Caribe Coconut Rum, Blue Curacao, Citrus Club Caribe Lemon, Muddled Mint and Orange, with Soda Water 11 REAL Coco, REAL Pineapple 10 Limes, Simple Syrup, topped with Soda Water 11 Gnarly Head ‘Old Vine’ Zinfandel, Strawberry Bacardi Dragon Berry, Muddled Mint and Lodi, California 9 34 Beach Front Frozen Mango Mojito Club Caribe Blackberry Blue Chair Bay White Rum, Muddled Mint, Strawberries, Lime, Simple Syrup, REAL Strawberry, topped Apothic Wines ‘Winemaker’s Blend’, Mango Rum, Mango Purée, Fresh Mint 11 Lime, Simple Syrup, REAL Blackberry, topped with Soda with Soda Water 11 Water 11 California 9 34 Mango Club Caribe Mango, Muddled Mint and Mango, Gascón Malbec, Mendoza, Argentina 9 34 Coconut Club Caribe Coconut, Muddled Mint, Lime, Lime, Simple Syrup, REAL Mango, topped with Soda Simple Syrup, REAL Coco, topped with Soda Water 11 Water 11.
Recommended publications
  • The Use of Music in the Cinematic Experience
    Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2019 The seU of Music in the Cinematic Experience Sarah Schulte Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Film and Media Studies Commons, Music Commons, and the Psychology Commons Recommended Citation Schulte, Sarah, "The sU e of Music in the Cinematic Experience" (2019). Honors College Capstone Experience/Thesis Projects. Paper 780. https://digitalcommons.wku.edu/stu_hon_theses/780 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. SOUND AND EMOTION: THE USE OF MUSIC IN THE CINEMATIC EXPERIENCE A Capstone Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky Univeristy By Sarah M. Schulte May 2019 ***** CE/T Committee: Professor Matthew Herman, Advisor Professor Ted Hovet Ms. Siera Bramschreiber Copyright by Sarah M. Schulte 2019 Dedicated to my family and friends ACKNOWLEDGEMENTS This project would not have been possible without the help and support of so many people. I am incredibly grateful to my faculty advisor, Dr. Matthew Herman. Without your wisdom on the intricacies of composition and your constant encouragement, this project would not have been possible. To Dr. Ted Hovet, thank you for believing in this project from the start. I could not have done it without your reassurance and guidance.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Films Winning 4 Or More Awards Without Winning Best Picture
    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
    [Show full text]
  • Film Music Week 4 20Th Century Idioms - Jazz
    Film Music Week 4 20th Century Idioms - Jazz alternative approaches to the romantic orchestra in 1950s (US & France) – with a special focus on jazz... 1950s It was not until the early 50’s that HW film scores solidly move into the 20th century (idiom). Alex North (influenced by : Bartok, Stravinsky) and Leonard Rosenman (influenced by: Schoenberg, and later, Ligeti) are important influences here. Also of note are Georges Antheil (The Plainsman, 1937) and David Raksin (Force of Evil, 1948). Prendergast suggests that in the 30’s & 40’s the films possessed somewhat operatic or unreal plots that didn’t lend themselves to dissonance or expressionistic ideas. As Hollywood moved towards more realistic portrayals, this music became more appropriate. Alex North, leader in a sparser style (as opposed to Korngold, Steiner, Newman) scored Death of a Salesman (image above)for Elia Kazan on Broadway – this led to North writing the Streetcar film score for Kazan. European influences Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). • Director Frederico Fellini &composer Nino Rota (many examples) • Director François Truffault & composerGeorges Delerue, • Composer Maurice Jarre (Sundays & Cybele, 1962) and later the • Professionals, 1966, Composer- Ennio Morricone (Serge Leone, jazz background). (continued) Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background).
    [Show full text]
  • High Noon (1952) Steeling Himself for His Showdown with the Murderous Millers
    length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, High Noon (1952) steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," TOMATOMETER High Noon won four Academy Awards (including Best All Critics Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, 96 one of Hollywood's most virulent anti-Communists. Average Rating: 8.8/10 Reviews Counted: 47 Fresh: 45 John Wayne, another notable showbiz right-winger and | Rotten: 2 Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Top Critics Noon with Rio Bravo (1959). ~ Hal Erickson, Rovi PG, 1 hr. 25 min. 100 Western, Mystery & Suspense Directed By: Fred Zinnemann Average Rating: 8.3/10 Critic Reviews: 8 Fresh: 8 | Written By: Carl Foreman Rotten: 0 In Theaters: Jul 24, 1952 Wide On DVD: Oct 23, 2001 A classic of the Western genre that broke with many of United Artists the traditions at the time, High Noon endures -- in no small part thanks to Gary Cooper's defiant, Oscar- [www.rottentomatoes.com] winning performance. AUDIENCE 87 liked it Average Rating: 4/5 User Ratings: 23,901 Movie Info This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly).
    [Show full text]
  • Cinematic Contextual History of High Noon (1952, Dire Fred Zinnemann) J. M. CAPARROS-LERA SERGIO ALEGRE
    Cinematic Contextual History of High Noon (1952, dire Fred Zinnemann) J. M. CAPARROS-LERA SERGIO ALEGRE Cinema must be seen as one of the ways of ideologies of our Century because it shows very well the mentality of men and women who make films. As well as painting, literature and arts, it helps us to understand our time. (Martin A. JACKSON) 0. T.: High Noon. Production: Stanley Kramer Productions, Inc./United Artists (USA,1952). Producers: Stanley Kramer & Carl Foreman. Director: Fred Zinnemann. Screenplay: Carl Foreman, from the story The Tin Star, by John W. Cunningham. Photography: Floyd Crosby. Music: Dimitri Tiomkin. Song: Do Not Forsake Me Oh My Darlin', by Dimitri Tiomkin and Ned Washington; singer: Tex Ritter. Art Director: Rudolph Sternad. Editor: Elmo Williams. Cast: Gary Cooper: (Will Kane), Thomas Mitchell (Jonas Henderson), Lloyd Bridges (Harvey Pell), Katy Jurado (Helen Ramirez), Grace Kelly (Amy Kane), Otto Kruge: (Percy Metrick), Lon Chaney, Jr. (Martin Howe), Henry Morgan (Sam Fuller), Ian MacDonald (Frank Miller), Eve McVeagh (Milfred Fuller) Harry Shannon (Cooper), Lee Van Cleef (Jack Colby), Bob Wilke (James Pierce), Sheb Wooley (Ben Miller), Tom London (Sam), Larry Blake (Gillis), Jeanne Blackford (Mrs: Henderson), Guy Beach (Fred), Virginia Christine (Mrs. Simpson), Jack Elam (Charlie), Virginia Farmer (Mrs. Fletcher), Morgan Farley (Priest),Paul Dubov (Scott), Harry Harvey (Coy), Tin Graham (Sawyer), Nolan Leary (Lewis), Tom Greenway (Ezra), Dick Elliot (Kibbee), John Doucete (Trumbull). B/W -85 min. Video distributor: Universal. The post-war American atmosphere and the never well-seen social problem cinema -especially thriller film noir- are the major reasons to understand why during the Forties Hollywood was purged by the self- called the most liberal and democratic government of the world.* Truman's executive order was published in May 12, 1947.
    [Show full text]
  • The Meaning of the Western Movie
    sCott a. mCConnEll The Meaning of the Western Movie emember Shane, Bonanza and The Lone of the country. Ranger? In novel, film and television, west- For more than 150 years, especially since erns once ruled the range. Until the 1960s 1900 when the frontier period was ending, the Rwesterns were the most popular fiction genre and American West was revealed in the western novel. remained popular until the 1970s. In his book The Influential among these were Whispering Smith Searchers the western historian Glenn Frankel tells (Frank Spearman, 1906), Riders of the Purple Sage us that western novels “consistently outsold all gen- (Zane Grey, 1912), Destry Rides Again (Max Brand, res, including the closest competitor, the detective 1930) and True Grit (Charles Portis, 1968). With the story—whose protagonist was, after all, just another arrival of television in the United States in 1947, version of the Western hero”. Frankel notes that “of the western and its view of America dominated the 300 million paperbacks sold in 1956, one third the small screen for many years. Some of the most were westerns”. influential shows and stars during the television Western films were similarly popular. As Frankel western heyday included The Lone Ranger (star- reports, “Westerns by the mid-1950s accounted for ring Clayton Moore), Rawhide (Clint Eastwood), one third of the output of the major studios and half Bonanza (Michael Landon) and Gunsmoke (James the output of the smaller independents.” Incredibly, Arness). “well over seven thousand Westerns have been To most people, however, westerns are movies. made”. The American Film Institute (AFI) has defined Westerns were even more popular on television.
    [Show full text]
  • 101 Films for Filmmakers
    101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.
    [Show full text]
  • Tim Rice, Howard Ashman Alfie Burt Bacharach Song
    Airport Alfred Newman Song: Winds of Chance Aladdis(1992) Alan Menken T: Tim Rice, Howard Ashman Alfie Burt Bacharach Song : Alfie An American Dream (1966) Johnny Mandel T: Paul Francis Webster Aristocats (1968) Al Rinker,Terry Gilkyson,Richard M. u. Robert B. Sherman T: Floyd Huddleston Around the World in Eighty Days (1956) Victor Young T: Harold Adamson Song: Around the World Artists and Models (1937) Frederick Hollander T: Leo Robin Song: Whispers in the Dark The Band Wagon(1931) Arthur Schwartz T: Howard Dietz Song: Dancing in the Dark The Beauty and the Beast Alan Menken The Bells of St. Mary(1945) Jimmy Van Heusen T:Johnny Burke Song: Aren`t You Glad You’re You Der blaue Engel Friedrich Hollander Song: Ich bin von Kopf bis Fuß auf Liebe eingestellt Ins blaue Leben Franz Grothe Song: Guten Tag , liebes Glück Bodyguard Dolly Parton Songs: I Will Always Love You Bonjour, Kathrin Heinz Gietz T: Kurt Feltz Breakfast at Tiffany Henry Mancini Song: Moon River Burgtheater Peter Kreuder nach Johann Strauß Butch Cassidy and the Sundance Kid Burt Bacharach Songs: Raindrops Keep Fallin' on My Head Casablanca Herman Hupfeld Song: As Time Goes By Casino Royale Burt Bacharach Song: The Look of Love Chaplin Charles Chaplin Song: Smile Charade Henry Mancini Song: Charade Check and Double Check (1930) Harry Ruby T: Bert Kalmar Songs: Three Little Words A Countess from Hong Kong Charles Chaplin Song: This is My Song A Damsel in Distress (1937) George Gershwin T.Ira Gershwin Song: A Foggy Day Dear Heart Henry Mancini Song: Dear Heart Dirty Dancing
    [Show full text]
  • Ib Film Ii Summer Films and Reading
    IB FILM II SUMMER FILMS AND READING WHAT YOU WILL NEED • A “Netflix” or an “I Love Video” or “Vulcan Video” account to view movies. • A journal/notebook (prefer a notebook that you can bring to class). You will be writing journal entry responses to the films you watch. • Access to internet and MyBack • Mr. Regan’s email: o [email protected] REQUIREMENTS (to be completed by the first day of classes in August): This is worth three exam grades, a total of 300 points, literally the weight of your first three exams. 1) Select 15 films from the list provided (watch as many as you can!). You should watch 1 film from each of the categories, and the rest is your choice. 2) Write journal responses (1-2 pages each) for each of the films. Each response should be in paragraph form and should be about your observations, insight, comments, and connections that you are making between the reading and the movies you watch. Your writing will be much richer if you research information about the film you watch before you write – simply stating your opinion will not give you much material to write about and you will not be able to go beyond your own opinion – for example, read articles written on the film by critics (news paper articles from the New York Times, rogerebert.com, IMDB.com, filmsite.org, etc). You can also read the screenplay for the film at scriptcity.com or script-o-rama.com to get further insight. ----------------------------------------------------------------------------------------------------------- BOOKS TO BUY AND READ: • Understanding Movies (12th Edition) [Paperback ] • Film Directing: Shot by Shot – by Steven D.
    [Show full text]
  • PROF. HELLERMAN's LIST of MUST-SEE OLD MOVIES * = Personal Favorite BOLD = Absolutely Essential
    PROF. HELLERMAN'S LIST OF MUST-SEE OLD MOVIES * = Personal Favorite BOLD = Absolutely Essential 1930's Saboteur Modern Times *His Gal Friday *Petrified Forest *Lifeboat *I am a Prisoner of a Chain Gang *Key Largo *Gone With The Wind *The Treasure of Sierra Madre *The Wizard of Oz *To Have and Have Not It Happened One Night Dark Passage She Done Him Wrong Conflict *The Thin Man *Out of the Past *After The Thin Man *The Stranger The Great Ziegfield Laura My Man Godfried Murder, My Sweet Dinner at Eight The Killers Fantasia Nightmare Alley *March of the Wooden Soldiers The Lady From Shanghai *The Grapes of Wrath Gilda *You Can't Take it With You Criss Cross *Mr. Smith Goes to Washington The Postman Always Rings Twice *Mr. Deeds Goes to Town White Heat *Frankenstein Woman of the Year *Bride of Frankenstein *High Sierra Son of Frankenstein Fort Apache Dracula *The Ox Bow Incident Freaks All the King's Men Stagecoach *Double Indemnity San Francisco The Third Man *Destry Rides Again *It's a Wonderful Life The 39 Steps On the Town *The Lady Vanishes *All My Sons *Little Caesar *The Best Years of Our Lives Scarface The Roaring Twenties *Almost anything by The Marx Brothers: Ninotchka *Coconuts, *Room Service, *Night at the Opera, *Day at the Races, *Animal Crackers, *At the 1940's Circus, *Night in Casablanca, *Horse Feathers, *Citizen Kane *Duck Soup...... The Philadelphia Story Sullivan's Travels 1950's *Meet John Doe *The African Queen *The Maltese Falcon *The Caine Mutiny *Casablanca *The Harder They Fall *Sahara *In a Lonely Place Across the
    [Show full text]
  • 05-10-1894 Dimitri Tiomkin.Indd
    This Day in History… May 10, 1894 Birth of Dimitri Tiomkin Dimitri Zinovievich Tiomkin on born on May 10, 1894, in Kremenchuk, Poltava Governorate, Russian Empire (present day Ukraine). Tiomkin was a celebrated composer, producing more than 100 film scores including those for It’s a Wonderful Life, High Noon, and many more. Tiomkin’s mother taught him piano when he was a young boy, hoping he would one day become a professional pianist. He went on to attend the Saint Petersburg Conservatory. Tiomkin worked for the Petrograd Military District Political Administration and played piano for Russian silent films. There were few musical opportunities in Russia following the Russian Revolution, so he moved to Berlin where he had his performing debut. Tiomkin spent some time in Paris, where he was invited to go Dimitri Tiomkin stamp From the to New York by theatrical producer Morris Gest. 1999 Hollywood Composers issue Upon arriving in New York, Tiomkin Tiomkin got his big break working provided piano accompaniment for a ballet troupe on the vaudeville circuit. He also with Capra, and they collaborated performed at Carnegie Hall and toured Europe. Following for a decade. the 1929 stock market crash, he and his wife moved to Hollywood in search of new opportunities. Tiomkin scored a few minor films and his first major film wasAlice in Wonderland (1933). He hoped to support himself as a concert pianist, but after breaking his arm in 1937, he was unable to pursue that dream. He decided to dedicate his career to film composing. In 1937, Tiomkin became a US citizen.
    [Show full text]