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Une Œuvre Intérieure

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Une Œuvre Intérieure 36 LA LIBRE BELGIQUE EN SCENE WEEK-END 20-21 OCTOBRE 1990 Des personnalités A la Comédie Claude Volter nous quittent Le pianiste Une œuvre intérieure américain Jorge Bolet Une émouvante et belle mise en scène du «Port-Royal» Le pianiste-virtuose et de Montherlant qui restitue avec justesse le destin professeur de piano américain d'origine de femmes entre leur foi et I autorité cubaine, Jorge Bolet, est décédé, mardi, à l'âge de 75 e son propre aveu, c'est ans, à son domicile de San une «œuvre quasiment Francisco (Californie). tout intérieure» qu'a Bolet resta longtemps Dsouhaité Henri de Monther­ apprécié, surtout comme lant en écrivant «Port-Royal». pédagogue. De 1968 à 1977 il Ni registre spectaculaire ni enseigna le piano à l’Indiana péripéties «chers aux Latins». School of Music, avec Rien que le cheminement de également une chaire à la conscience de deux femmes l'université de Bloomington, au milieu de leur communau­ avant de prendre la classe de té de Port-Royal sommée de son maître Serkin en 1977 renoncer à ce qui est leur foi. au Curtis Institute. Ce qui ne Les autorités religieuses n'ont l'empêcha pas de créer des rien à négocier avec le monas­ concertos de Joseph Marx et tère : c’est un foyer jansénis­ John La Montaine et de te, hérétique donc, et il faut se repartir, dans les années 80, soumettre à la loi. Mais c’est à la conquête des publics de la loi du plus fort : «Le roi ne la vieille Europe, veut point de frondeuses.» notamment en France, par des concerts réguliers et le Ferveur disque (ses derniers enregistrement sont Les enquêtes et les perqui­ consacrés aux 1er et 2ème sitions continuelles de la poli­ concertos de Chopin avec ce, les rumeurs mêmes, ont l'orchestre de Montréal. rapidement donné le ton : la fin est imminente si les reli­ gieuses ne se rétractent pas. La plupart refuseront, intime­ Claude Arpels ment persuadées qu'elles Claude Arpels, l'un des n'ont cherché «que la foi, le héritiers de la célèbre sérieux et la ferveur du chris­ maison de joaillerie tianisme». Elles seront disper­ française Van Cleef et sées en des lieux différents et inconnus. Irène Laurent, Claude Volter et Delphine Chariier, au cœur d’un émouvant «Port- Arpels, est décédé à l’âge de Royal». 79 ans, à Crans-sur-Sierre en Suisse. Désarrois Claude Arpels, né le 23 juin Mais avant que cet inéluc­ nique une émotion rare et mais avec une exaltation rete­ désinvolte du personnage, 1911, était l'aîné des trois table ne se produise, on suit parfaitement maîtrisée. Elle nue qui lui donne toute sa cré­ mais on lui en fait grâce. Car frères qui avaient hérité de deux femmes dont les âmes a fait bien plus que s’acquitter dibilité. Claude Volter est rien ne vient perturber la re­ l'entreprise lancée au début dans un sens du remplacement de Magali Monsieur de Beaumont de Pe- marquable homogénéité de ce du siècle par leurs parents et Orsini (éloignée de la scene refixe, archevêque de Paris. spectacle qu'il a aussi mis en leur belle-famille, place ‘^c_mnis_suite à un C'est lui oui. scène dans un décor clair et Vendôme (Paris 2ème). aéré de marbre. Pierre, le plus jeune, est Avec aussi, entres autres, décédé il y a dix ans et Sylvie d'Aney, Catherine Co­ Jacques est l'actuel P-DG de net et Liliane Simonet. la société. Benoît HAMBUCKERS. Jusqu’au 31 novembre, à Daniel Guilet 20 h 15. Rue des Frères Legrain, Daniel Guilet, ancien 98. Réservations : 02/762.09.63. remier violon de Forchestre symphonique NBC dirigé par Arturo Toscanini, et fondateur du Trio des Beaux-Arts, est décédé à New York, à l'âge ilhomme » de 91 ans. Guilet était né en 1899 à Rostov (Russie), mais avait vécu à Paris jusqu'à son instllation aux Etats-Unis en 1941. Il avait notamment effectué un tour de France musical en compagnie du compositeur Maurice Ravel. Après avoir créé un quartette à cordes aux Etats- Unis, il était entré en 1944 dans l'orchestre symphonique NBC dirigé par Arturo Toscanini, et dont il devint premier violon en 1951. Il avait conservé cette place lors de la transformation de l'orchestre en Symphony of the Air en 1954. Irina Odoevtseva eur en scène du spectacle, te représentation du chef-.
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