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40 Steve Gadd Master: the Urgency of Now
DRIVE Machined Chain Drive + Machined Direct Drive Pedals The drive to engineer the optimal drive system. mfg Geometry, fulcrum and motion become one. Direct Drive or Chain Drive, always The Drummer’s Choice®. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12 ©2017Modern DRUM Drummer WORKSHOP, June INC. ALL2014 RIGHTS RESERVED. ROLAND HYBRID EXPERIENCE RT-30H TM-2 Single Trigger Trigger Module BT-1 Bar Trigger RT-30HR Dual Trigger RT-30K Learn more at: Kick Trigger www.RolandUS.com/Hybrid EXPERIENCE HYBRID DRUMMING AT THESE LOCATIONS BANANAS AT LARGE RUPP’S DRUMS WASHINGTON MUSIC CENTER SAM ASH CARLE PLACE CYMBAL FUSION 1504 4th St., San Rafael, CA 2045 S. Holly St., Denver, CO 11151 Veirs Mill Rd., Wheaton, MD 385 Old Country Rd., Carle Place, NY 5829 W. Sam Houston Pkwy. N. BENTLEY’S DRUM SHOP GUITAR CENTER HALLENDALE THE DRUM SHOP COLUMBUS PRO PERCUSSION #401, Houston, TX 4477 N. Blackstone Ave., Fresno, CA 1101 W. Hallandale Beach Blvd., 965 Forest Ave., Portland, ME 5052 N. High St., Columbus, OH MURPHY’S MUSIC GELB MUSIC Hallandale, FL ALTO MUSIC RHYTHM TRADERS 940 W. Airport Fwy., Irving, TX 722 El Camino Real, Redwood City, CA VIC’S DRUM SHOP 1676 Route 9, Wappingers Falls, NY 3904 N.E. Martin Luther King Jr. SALT CITY DRUMS GUITAR CENTER SAN DIEGO 345 N. Loomis St. Chicago, IL GUITAR CENTER UNION SQUARE Blvd., Portland, OR 5967 S. State St., Salt Lake City, UT 8825 Murray Dr., La Mesa, CA SWEETWATER 25 W. 14th St., Manhattan, NY DALE’S DRUM SHOP ADVANCE MUSIC CENTER SAM ASH HOLLYWOOD DRUM SHOP 5501 U.S. -
Jazz En El Auditorio
Centro PRÓXIMOS CONCIERTOS Nacional JAZZ EN EL AUDITORIO de Difusión ANM | Sala Sinfónica | 20:00h | CONCIERTOS EXTRAORDINARIOS Musical 28/10/18 MADELEINE PEYROUX: ‘ANTHEM’ Madeleine Peyroux VOZ | Aram Bajakian GUITARRA Y VOZ | Andy Ezrin TECLADOS Y VOZ Paul Frazier BAJO Y VOZ | Graham Hawthorne BATERÍA Y VOZ ENTRADAS Público general: 12€ - 30€ | Último Minuto* (<30 años y desempleados): 4,80€ - 12€ * Compra en taquillas del Auditorio Nacional, una hora antes del concierto 11/11/18 BOBBY McFERRIN & GIMME 5: ‘CIRCLESONGS’ Bobby McFerrin, Joey Blake, David Worm, Rhiannon Y Judi Vina VOZ ENTRADAS Público general: 15€ - 40€ | Último Minuto* (<30 años y desempleados): 6€ - 10€ * Compra en taquillas del Auditorio Nacional, una hora antes del concierto FRONTERAS ANM | Sala Sinfónica | 20:00h | CONCIERTO EXTRAORDINARIO 25/11/18 MARIZA: ‘MARIZA’ Mariza VOZ | Pedro Joia GUITARRA | Luis Guerreiro GUITARRA PORTUGUESA Yami BAJO ACÚSTICO | Vicky PERCUSIÓN | João Frade ACORDEÓN ENTRADAS Público general: 12€ - 30€ | Último Minuto* (<30 años y desempleados): 4,80€ - 12€ * Compra en taquillas del Auditorio Nacional, una hora antes del concierto Taquillas del Auditorio Nacional y Teatros del INAEM www.entradasinaem.es 902 22 49 49 síguenos en NIPO: 035-18-012-8 / D. L.: M-34025-2018 www.cndm.mcu.es Imagen de portada: Pilar Perea y Jesús Perea JAZZ EN EL AUDITORIO AUDITORIO NACIONAL DE MÚSICA | SALA DE CÁMARA SÁBADO 27/10/18 20:00h OMER AVITAL QANTAR QANTAR Pantone 186c cmyk 100/81/0/4 pantone: 258C | cmyk 42/84/5/1 pantone: 144C | cmyk 0/50/100/0 pantone: -
Omer Avital Abutbul Music Sortie Le 18 Mars 2016
OMER AVITAL ABUTBUL MUSIC SORTIE LE 18 MARS 2016 EN CONCERT LE 4 AVRIL ● PARIS (75) ● NEW MORNING ET EN TOURNÉE DANS TOUTE LA FRANCE Puissant et sauvage, le nouvel album d'Omer Avital est un hymne du jazz d'aujourd'hui. Né en Israël d’un père marocain et Omer Avital est un poète de la contrebasse, largement reconnu comme l’un des d’une mère yéménite, le contrebassiste, musiciens les plus innovants de sa génération. Dans le NewYork Times, Ben Ratliff a écrit compositeur et arrangeur Omer Avital « D’abord formé à la guitare classique, il plaque ses accords sur tout le manche et est un pilier de la scène de New York utilise le strumming tel un guitariste, avec des accents de flamenco ou de blues. Il peut depuis plus de vingt ans. A la tête de ses sonner jazz, flottant et mélodique dans le style d’Oscar Pettiford, puis faire résonner la groupes, il repousse les frontières du jazz en combinant swing moderne et tonique comme un chanteur habité. Natif de Tel Aviv issu d’une famille maroco- spiritualité. yéménite, ses influences arabes et hispaniques se mêlent au blues. Mais une bonne Son nouvel album enregistré à Paris technique ne fait pas tout, et c’est en martelant et en pinçant les cordes qu’il crée un sonne comme un manifeste. Avec un langage nouveau pour son instrument. En dehors de Charles Mingus et du son puissant, des rythmes joyeux et des contrebassiste free-jazz William Parker, une violence si spectaculaire à l’égard de mélodies orientales qui se nourrissent de l’instrument est difficile à trouver. -
Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork
UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2012 Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. NFP Securities, Inc. is not affiliated with United Wealth Management Group. NOT FDIC INSURED • MAY LOSE VALUE • NOT A DEPOSIT• NO BANK GUARANTEE NO FEDERAL GOVERNMENT AGENCY GUARANTEES 10 4.875" x 3.75" UMASS FAC Playbill Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. -
Omer Avital Ed Palermo René Urtreger Michael Brecker
JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”. -
Hadar Noiberg “Open Fields”
WORLDWIDE CD RELEASE APRIL 28TH 2018 HADAR NOIBERG “OPEN FIELDS” ALBUM DETAILS 1. I See the Light (7:03) 2. Doors Wide Open (3:33) 3. Nova Scotia (6:44) 4. Open Fields (4:49) 5. My Big Why (5:06) 6. Na’ama (7:17) 7. Rockin’ the Boat (6:12) 8. Triste (2:56) 9. Time to Let Go (5:26) Hadar Noiberg: flutes Eduardo Belo: double bass, guitar Amir Bar-Akiva: drums SPECIAL GUEST: Chano Dominguez: piano (track 3 & 6) ABOUT “OPEN FIELDS” META DATA WHO WOULD HAVE THOUGHT THAT MUSIC BY A FLUTE, BASS AND DRUMS TRIO COULD BE SO COLORFUL? SO DIVERSE AND DIFFERENT AND SO FULL ARTIST: Hadar Noiberg Trio OF DRIVE AND EMOTION? TITLE: Open Fields GENRE: Jazz / World Hadar and her musicians are pushed to find other ways of expression and com- munication and to go beyond the boundaries of their instruments – the flute LABEL: Jammin’colorS becomes the harmonic and rhythmic instrument, the double bass becomes an CATALOG NUMBER: equal melodic instrument and the drums wrap it all up with an array of sounds JM18-005 and earthy grooves. UPC: 660902938742 The album is also colored by the touching playing of the world renowned pia- STREET DATE: 28 April 2018 nist Chano Dominguez as a special guest. RADIO ADD DATE: Hadar’s music takes you by surprise- it takes you on a journey of excitement and 28 April 2018 longing, at times intense and then so clear and simple. “Open Fields” is an album of beautiful songs; of powerful heartfelt melodies with unadulterated freedom. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
Il Debutto Di Daniel Cohen Sul Podio Dell'orchestra Del Tetro La Fenice
! Il debutto di Daniel Cohen sul podio dell’Orchestra del Tetro La Fenice dirige al Malibran la Quarta e la Settima Sinfonia di Beethoven e la prima assoluta di Sul limitare della notte di Alvise Zambon Sarà Daniel Cohen, per la prima volta sul podio dell’Orchestra del Teatro La Fenice, a dirigere il prossimo concerto della Stagione Sinfonica 2019-2020, in programma al Teatro Malibran venerdì 10 gennaio 2020 ore 20.00 (turno S) e in replica domenica 12 gennaio 2020 ore 17.00. Il giovane maestro israeliano, classe 1984, attualmente direttore musicale principale dello Stattheater di Darmstadt, guiderà la compagine veneziana in un programma omaggio a Ludwig van Beethoven, con un cameo rivolto alla contemporaneità: aprirà la serata, infatti, la prima esecuzione assoluta dell’ouverture sinfonica Sul limitare della notte, una commissione al compositore Alvise Zambon nell’ambito di «Nuova musica alla Fenice», progetto realizzato con il sostegno della Fondazione Amici della Fenice e con lo speciale contributo della Fondazione Spinola Banna per l’Arte; seguirà l’esecuzione della Quarta e della Settima Sinfonia di Beethoven, compositore cui è dedicato il cartellone sinfonico nel duecentocinquantesimo anniversario della nascita. Alvise Zambon, classe 1988, così descrive la sua composizione ispirata, in qualche modo, dalle lucciole: «Frequenza, intensità e ritmo degli impulsi generati dalle lucciole sono ben noti agli studiosi: ogni tipologia di lucciola ha un suo preciso codice identificativo che si differenzia sia in base al genere che alla famiglia di appartenenza. Ben noto e curioso è il caso delle femmine di Photuris, un tipo di lucciola predatrice in grado di imitare gli impulsi di altre specie per attirare il maschio (in genere Photinus) e ucciderlo divorandolo. -
Daniel Cohen, Who Directs the Turn of the Screw, Is a Great Example of This.”
“Clarity and accuracy. There are difficult productions in which you may not always hear the orchestra, so the cue becomes crucial. I also appreciate conductors who really breathe with me in long phrases. Daniel Cohen, who directs The Turn of the Screw, is a great example of this.” Maria Bengtsson in an interview with VAN Magazin, April 2018 DANIEL COHEN CONDUCTOR Biography Daniel Cohen has been General Music Director of the Staatstheater Darmstadt since 2018/2019. From 2004 to 2014 he was Music Director of the Jersey Chamber Orchestra and Artistic Director of the Gropius Ensemble, creating projects which explored the threshold between music and theater. Cohen maintains continuous relationships to the major Berlin opera houses - in 2015/2016 he was Kapellmeister at the Deutsche Oper Berlin where he conducted numerous performances including „Così fan tutte“, „Don Giovanni“, and „La Traviata“ and has been a regular guest ever since. At the Staatsoper Unter den Linden he made his debut in 2016/17 with Stravinsky’s „Le sacre du printemps“ and returned for performances including „Il barbiere di Siviglia“ as well as a revival oft he production „Turn of the screw“ by Benjamin Britten. Further invitations lead him to the Canadian Opera Company with David Alden, the Israeli Opera Tel-Aviv, the Teatro Massimo and to the Norske Opera Oslo (Figaro, 2019). In the summer of 2019 Daniel Cohen made his debut at the Bregenz Festival conducting the Wiener Symphoniker in a production of Massenet’s „Don Quichotte“ directed by Mariame Clément. The acclaimed production, released on DVD and broadcast by the BBC, was awarded the Austrian Music Theater Prize 2020 for „Best Opera Production“. -
Summer 2014 Boston Symphony Orchestra
boston symphony orchestra summer 2014 AndRis Nelsons, Ray and MaRia Stata Music DiRectoR Designate BeRnaRd Haitink, LaCRoix Family Fund ConductoR EmeRitus, Endowed in PeRpetuity Seiji Ozawa, Music DiRectoR LauReate 133rd season, 2013–2014 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • CaRmine A. MaRtignetti, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • GeoRge D. Behrakis • Jan BRett • Paul Buttenwieser • Ronald G. Casty • Susan BRedhoff Cohen, ex-officio • RichaRd F. Connolly, JR. • Diddy Cullinane • Cynthia Curme • Alan J. DwoRsky • William R. Elfers • Thomas E. Faust, JR. • Michael GoRdon • BRent L. Henry • ChaRles W. Jack, ex-officio • Stephen B. Kay • Joyce Linde • John M. Loder • Nancy K. Lubin • Robert J. Mayer, M.D. • RobeRt P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • John Reed • CaRol Reich • Arthur I. Segel • RogeR T. SeRvison • Wendy Shattuck • CaRoline TayloR • Roberta S. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • HaRlan E. Anderson • David B. Arnold, JR. • J.P. BaRger • GabRiella Beranek • Leo L. Beranek • DeboRah Davis Berman • Peter A. BRooke • John F. Cogan, JR. • Mrs. Edith L. Dabney • Nelson J. DaRling, JR. • Nina L. Doggett • Mrs. John H. Fitzpatrick† • Nancy J. Fitzpatrick • Thelma E. Goldberg • ChaRles H. Jenkins, JR. • Mrs. Béla T. Kalman • GeoRge Krupp • Mrs. Henrietta N. Meyer • RichaRd P. MoRse • David MugaR • MaRy S. Newman • Vincent M. O’Reilly • William J. PooRvu • Peter C. Read • EdwaRd I. Rudman • RichaRd A. Smith • Ray Stata • Thomas G. Stemberg • John Hoyt Stookey • Wilmer J. Thomas, JR. • John L. ThoRndike • Stephen R. -
Omer Avital New Song
OMER AVITAL NEW SONG Parmi les nombreux musiciens talentueux originaires d’Israël qui ont déferlé sur le jazz mondial ces dernières années, Omer Avital n’est pas un personnage comme les autres. Il a raison de préciser, interrogé sur ce phénomène, qu’il ne fait pas partie de cette vague mais qu’il est de ceux qui l’ont engendrée. Omer Avital est un pionnier. En 1992, lorsqu’il a débarqué à New York, la tête pleine de rêves, l’appel du swing le tenaillant au ventre, il était l’un des premiers jazzmen originaires de son pays à venir tenter sa chance dans la patrie de cette musique, avec deux autres instrumentistes appelés à jouer un rôle clé dans l’émergence d’Israël sur la carte du jazz, le tromboniste Avi Lebovich et le contrebassiste Avishai Cohen (la légende presque trop belle qui veut qu’ils aient foulé le sol américain tous trois le même jour est authentique). À New York, Omer Avital a fait plus que s’abreuver au son de ses idoles, ces géants qui n’allaient pas tarder à quitter définitivement la scène et qu’il était encore aisé d’aller écouter en direct. Il s’est distingué comme l’un des éléments essentiels d’un mouvement de régénérescence en profondeur du jazz qui s’épanouissait alors. Le club Smalls, où se croisaient vétérans oubliés du bop et nouvelles pousses du jazz, a servi de foyer à cette renaissance qui, au milieu des années 1990, a vu émerger des artistes comme Brad Mehldau, Kurt Rosenwinkel ou Mark Turner. -
Noam Lemish Dissertation Final Submission Truly
Israeli Jazz Musicians in the International Scene: A Case Study of Musical Transculturation in Contemporary Jazz Performance and Composition by Noam Lemish A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts in Performance Faculty of Music University of Toronto © 2018 Copyright by Noam Lemish ii Israeli Jazz Musicians in the International Scene: A Case Study of Musical Transculturation in Contemporary Jazz Performance and Composition Noam Lemish Doctor of Musical Arts in Performance Faculty of Music University of Toronto 2018 ABSTRACT This dissertation is a case study of musical transculturation in jazz performance and composition through the examination of the practices of Israeli jazz musicians who began to operate on the international jazz scene starting in the 1990s. An impressive number of Israeli jazz performers have received widespread exposure and acclaim over the last twenty years. Artists such as Omer Avital (bass), Anat Cohen (woodwinds), Avishai Cohen (bass) among many others have successfully established themselves on a global scale, creating music that melds various aspects of American jazz with an array of Israeli, Jewish and Middle-Eastern influences and those from numerous other non- Western musical traditions. While each musician is developing his or her own approach to musical transculturation, common threads connect them all. Unraveling these entangled sounds and related discourses lies at the center of my study. While this is the first comprehensive study of the contributions