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40 Steve Gadd Master: the Urgency of Now
DRIVE Machined Chain Drive + Machined Direct Drive Pedals The drive to engineer the optimal drive system. mfg Geometry, fulcrum and motion become one. Direct Drive or Chain Drive, always The Drummer’s Choice®. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12 ©2017Modern DRUM Drummer WORKSHOP, June INC. ALL2014 RIGHTS RESERVED. ROLAND HYBRID EXPERIENCE RT-30H TM-2 Single Trigger Trigger Module BT-1 Bar Trigger RT-30HR Dual Trigger RT-30K Learn more at: Kick Trigger www.RolandUS.com/Hybrid EXPERIENCE HYBRID DRUMMING AT THESE LOCATIONS BANANAS AT LARGE RUPP’S DRUMS WASHINGTON MUSIC CENTER SAM ASH CARLE PLACE CYMBAL FUSION 1504 4th St., San Rafael, CA 2045 S. Holly St., Denver, CO 11151 Veirs Mill Rd., Wheaton, MD 385 Old Country Rd., Carle Place, NY 5829 W. Sam Houston Pkwy. N. BENTLEY’S DRUM SHOP GUITAR CENTER HALLENDALE THE DRUM SHOP COLUMBUS PRO PERCUSSION #401, Houston, TX 4477 N. Blackstone Ave., Fresno, CA 1101 W. Hallandale Beach Blvd., 965 Forest Ave., Portland, ME 5052 N. High St., Columbus, OH MURPHY’S MUSIC GELB MUSIC Hallandale, FL ALTO MUSIC RHYTHM TRADERS 940 W. Airport Fwy., Irving, TX 722 El Camino Real, Redwood City, CA VIC’S DRUM SHOP 1676 Route 9, Wappingers Falls, NY 3904 N.E. Martin Luther King Jr. SALT CITY DRUMS GUITAR CENTER SAN DIEGO 345 N. Loomis St. Chicago, IL GUITAR CENTER UNION SQUARE Blvd., Portland, OR 5967 S. State St., Salt Lake City, UT 8825 Murray Dr., La Mesa, CA SWEETWATER 25 W. 14th St., Manhattan, NY DALE’S DRUM SHOP ADVANCE MUSIC CENTER SAM ASH HOLLYWOOD DRUM SHOP 5501 U.S. -
The William Paterson University Department of Music Presents New
The William Paterson University Department of Music presents New Music Series Peter Jarvis, director Featuring the Velez / Jarvis Duo, Judith Bettina & James Goldsworthy, Daniel Lippel and the William Paterson University Percussion Ensemble Monday, October 17, 2016, 7:00 PM Shea Center for the Performing Arts Program Mundus Canis (1997) George Crumb Five Humoresques for Guitar and Percussion 1. “Tammy” 2. “Fritzi” 3. “Heidel” 4. “Emma‐Jean” 5. “Yoda” Phonemena (1975) Milton Babbitt For Voice and Electronics Judith Bettina, voice Phonemena (1969) Milton Babbitt For Voice and Piano Judith Bettina, voice James Goldsworthy, Piano Penance Creek (2016) * Glen Velez For Frame Drums and Drum Set Glen Velez – Frame Drums Peter Jarvis – Drum Set Themes and Improvisations Peter Jarvis For open Ensemble Glen Velez & Peter Jarvis Controlled Improvisation Number 4, Opus 48 (2016) * Peter Jarvis For Frame Drums and Drum Set Glen Velez – Frame Drums Peter Jarvis – Drum Set Aria (1958) John Cage For a Voice of any Range Judith Bettina May Rain (1941) Lou Harrison For Soprano, Piano and Tam‐tam Elsa Gidlow Judith Bettina, James Goldsworthy, Peter Jarvis Ostinato Mezzo Forte, Opus 51 (2016) * Peter Jarvis For Percussion Band Evan Chertok, David Endean, Greg Fredric, Jesse Gerbasi Daniel Lucci, Elise Macloon Sean Dello Monaco – Drum Set * = World Premiere Program Notes Mundus Canis: George Crumb George Crumb’s Mundus Canis came about in 1997 when he wanted to write a solo guitar piece for his friend David Starobin that would be a musical homage to the lineage of Crumb family dogs. He explains, “It occurred to me that the feline species has been disproportionately memorialized in music and I wanted to help redress the balance.” Crumb calls the work “a suite of five canis humoresques” with a character study of each dog implied through the music. -
Jazz En El Auditorio
Centro PRÓXIMOS CONCIERTOS Nacional JAZZ EN EL AUDITORIO de Difusión ANM | Sala Sinfónica | 20:00h | CONCIERTOS EXTRAORDINARIOS Musical 28/10/18 MADELEINE PEYROUX: ‘ANTHEM’ Madeleine Peyroux VOZ | Aram Bajakian GUITARRA Y VOZ | Andy Ezrin TECLADOS Y VOZ Paul Frazier BAJO Y VOZ | Graham Hawthorne BATERÍA Y VOZ ENTRADAS Público general: 12€ - 30€ | Último Minuto* (<30 años y desempleados): 4,80€ - 12€ * Compra en taquillas del Auditorio Nacional, una hora antes del concierto 11/11/18 BOBBY McFERRIN & GIMME 5: ‘CIRCLESONGS’ Bobby McFerrin, Joey Blake, David Worm, Rhiannon Y Judi Vina VOZ ENTRADAS Público general: 15€ - 40€ | Último Minuto* (<30 años y desempleados): 6€ - 10€ * Compra en taquillas del Auditorio Nacional, una hora antes del concierto FRONTERAS ANM | Sala Sinfónica | 20:00h | CONCIERTO EXTRAORDINARIO 25/11/18 MARIZA: ‘MARIZA’ Mariza VOZ | Pedro Joia GUITARRA | Luis Guerreiro GUITARRA PORTUGUESA Yami BAJO ACÚSTICO | Vicky PERCUSIÓN | João Frade ACORDEÓN ENTRADAS Público general: 12€ - 30€ | Último Minuto* (<30 años y desempleados): 4,80€ - 12€ * Compra en taquillas del Auditorio Nacional, una hora antes del concierto Taquillas del Auditorio Nacional y Teatros del INAEM www.entradasinaem.es 902 22 49 49 síguenos en NIPO: 035-18-012-8 / D. L.: M-34025-2018 www.cndm.mcu.es Imagen de portada: Pilar Perea y Jesús Perea JAZZ EN EL AUDITORIO AUDITORIO NACIONAL DE MÚSICA | SALA DE CÁMARA SÁBADO 27/10/18 20:00h OMER AVITAL QANTAR QANTAR Pantone 186c cmyk 100/81/0/4 pantone: 258C | cmyk 42/84/5/1 pantone: 144C | cmyk 0/50/100/0 pantone: -
NSR Presskit
w world m u s i c a n d p e r c u s s i o n “Anyone who enjoys the work of Codona should find Things That Happen Fast the kind of music to which they are, in fact, likely to wish to return to again and again.” - Jazz Journal International “The compositions are strong, and Robinson should be commended for the unique timbres he blended in each one. World View is a breath of fresh air.” - Percussive Notes “That he has mastered his instruments and has studied the masters well is evident in every tone.” - Drums and Percussion “The man is a musical conjurer!” - Voice in the Wind Performance Options 1) N. Scott Robinson - solo world percussion concert or assembly program - 1 hour. 2) Wind & Fire - N. Scott Robinson & Mark Holland - flute & world percussion show. 3) N. Scott Robinson & K.S. Resmi- Indian World Music - featuring world percussion andCarnatic vocal from South India. Workshops and school visits can be combined with any of the concert performance options listed above. For individual show descriptions, availability, fees, sound, and space requirements, please contact by e-mail. Also see my other social media sites: http://www.facebook.com/nscottrobinson & http://www.youtube.com/nscottrob. h t t p : / / w w w . n s c o t t r o b i n s o n . c o m Booking Contact: [email protected] Biography World percussionist N. Scott Robinson, Ph.D., is an eclectic and engaging musician Discography suitable for a wide range of audiences, from university appearances to concert halls. -
Omer Avital Abutbul Music Sortie Le 18 Mars 2016
OMER AVITAL ABUTBUL MUSIC SORTIE LE 18 MARS 2016 EN CONCERT LE 4 AVRIL ● PARIS (75) ● NEW MORNING ET EN TOURNÉE DANS TOUTE LA FRANCE Puissant et sauvage, le nouvel album d'Omer Avital est un hymne du jazz d'aujourd'hui. Né en Israël d’un père marocain et Omer Avital est un poète de la contrebasse, largement reconnu comme l’un des d’une mère yéménite, le contrebassiste, musiciens les plus innovants de sa génération. Dans le NewYork Times, Ben Ratliff a écrit compositeur et arrangeur Omer Avital « D’abord formé à la guitare classique, il plaque ses accords sur tout le manche et est un pilier de la scène de New York utilise le strumming tel un guitariste, avec des accents de flamenco ou de blues. Il peut depuis plus de vingt ans. A la tête de ses sonner jazz, flottant et mélodique dans le style d’Oscar Pettiford, puis faire résonner la groupes, il repousse les frontières du jazz en combinant swing moderne et tonique comme un chanteur habité. Natif de Tel Aviv issu d’une famille maroco- spiritualité. yéménite, ses influences arabes et hispaniques se mêlent au blues. Mais une bonne Son nouvel album enregistré à Paris technique ne fait pas tout, et c’est en martelant et en pinçant les cordes qu’il crée un sonne comme un manifeste. Avec un langage nouveau pour son instrument. En dehors de Charles Mingus et du son puissant, des rythmes joyeux et des contrebassiste free-jazz William Parker, une violence si spectaculaire à l’égard de mélodies orientales qui se nourrissent de l’instrument est difficile à trouver. -
Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork
UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2012 Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. NFP Securities, Inc. is not affiliated with United Wealth Management Group. NOT FDIC INSURED • MAY LOSE VALUE • NOT A DEPOSIT• NO BANK GUARANTEE NO FEDERAL GOVERNMENT AGENCY GUARANTEES 10 4.875" x 3.75" UMASS FAC Playbill Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. -
Read Liner Notes
Cover Photo: Paul Winter Consort, 1975 Somewhere in America (Clockwise from left: Ben Carriel, Tigger Benford, David Darling, Paul Winter, Robert Chappell) CONSORTING WITH DAVID A Tribute to David Darling Notes on the Music A Message from Paul: You might consider first listening to this musical journey before you even read the titles of the pieces, or any of these notes. I think it could be interesting to experience how the music alone might con- vey the essence of David’s artistry. It would be ideal if you could find a quiet hour, and avail yourself of your fa- vorite deep-listening mode. For me, it’s flat on the floor, in total darkness. In any case, your listening itself will be a tribute to David. For living music, With gratitude, Paul 2 1. Icarus Ralph Towner (Distant Hills Music, ASCAP) Paul Winter / alto sax Paul McCandless / oboe David Darling / cello Ralph Towner / 12-string guitar Glen Moore / bass Collin Walcott / percussion From the album Road Produced by Phil Ramone Recorded live on summer tour, 1970 This was our first recording of “Icarus” 2. Ode to a Fillmore Dressing Room David Darling (Tasker Music, ASCAP) Paul Winter / soprano sax Paul McCandless / English horn, contrabass sarrusophone David Darling / cello Herb Bushler / Fender bass Collin Walcott / sitar From the album Icarus Produced by George Martin Recorded at Seaweed Studio, Marblehead, Massachusetts, August, 1971 3 In the spring of 1971, the Consort was booked to play at the Fillmore East in New York, opening for Procol Harum. (50 years ago this April.) The dressing rooms in this old theatre were upstairs, and we were warming up our instruments there before the afternoon sound check. -
Omer Avital Ed Palermo René Urtreger Michael Brecker
JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”. -
Hadar Noiberg “Open Fields”
WORLDWIDE CD RELEASE APRIL 28TH 2018 HADAR NOIBERG “OPEN FIELDS” ALBUM DETAILS 1. I See the Light (7:03) 2. Doors Wide Open (3:33) 3. Nova Scotia (6:44) 4. Open Fields (4:49) 5. My Big Why (5:06) 6. Na’ama (7:17) 7. Rockin’ the Boat (6:12) 8. Triste (2:56) 9. Time to Let Go (5:26) Hadar Noiberg: flutes Eduardo Belo: double bass, guitar Amir Bar-Akiva: drums SPECIAL GUEST: Chano Dominguez: piano (track 3 & 6) ABOUT “OPEN FIELDS” META DATA WHO WOULD HAVE THOUGHT THAT MUSIC BY A FLUTE, BASS AND DRUMS TRIO COULD BE SO COLORFUL? SO DIVERSE AND DIFFERENT AND SO FULL ARTIST: Hadar Noiberg Trio OF DRIVE AND EMOTION? TITLE: Open Fields GENRE: Jazz / World Hadar and her musicians are pushed to find other ways of expression and com- munication and to go beyond the boundaries of their instruments – the flute LABEL: Jammin’colorS becomes the harmonic and rhythmic instrument, the double bass becomes an CATALOG NUMBER: equal melodic instrument and the drums wrap it all up with an array of sounds JM18-005 and earthy grooves. UPC: 660902938742 The album is also colored by the touching playing of the world renowned pia- STREET DATE: 28 April 2018 nist Chano Dominguez as a special guest. RADIO ADD DATE: Hadar’s music takes you by surprise- it takes you on a journey of excitement and 28 April 2018 longing, at times intense and then so clear and simple. “Open Fields” is an album of beautiful songs; of powerful heartfelt melodies with unadulterated freedom. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
Omer Avital New Song
OMER AVITAL NEW SONG Parmi les nombreux musiciens talentueux originaires d’Israël qui ont déferlé sur le jazz mondial ces dernières années, Omer Avital n’est pas un personnage comme les autres. Il a raison de préciser, interrogé sur ce phénomène, qu’il ne fait pas partie de cette vague mais qu’il est de ceux qui l’ont engendrée. Omer Avital est un pionnier. En 1992, lorsqu’il a débarqué à New York, la tête pleine de rêves, l’appel du swing le tenaillant au ventre, il était l’un des premiers jazzmen originaires de son pays à venir tenter sa chance dans la patrie de cette musique, avec deux autres instrumentistes appelés à jouer un rôle clé dans l’émergence d’Israël sur la carte du jazz, le tromboniste Avi Lebovich et le contrebassiste Avishai Cohen (la légende presque trop belle qui veut qu’ils aient foulé le sol américain tous trois le même jour est authentique). À New York, Omer Avital a fait plus que s’abreuver au son de ses idoles, ces géants qui n’allaient pas tarder à quitter définitivement la scène et qu’il était encore aisé d’aller écouter en direct. Il s’est distingué comme l’un des éléments essentiels d’un mouvement de régénérescence en profondeur du jazz qui s’épanouissait alors. Le club Smalls, où se croisaient vétérans oubliés du bop et nouvelles pousses du jazz, a servi de foyer à cette renaissance qui, au milieu des années 1990, a vu émerger des artistes comme Brad Mehldau, Kurt Rosenwinkel ou Mark Turner. -
Pasic 2001 Marching Percussion Festival
TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.