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A Dictionary of Literary and Thematic Terms, Second Edition
A DICTIONARY OF Literary and Thematic Terms Second Edition EDWARD QUINN A Dictionary of Literary and Thematic Terms, Second Edition Copyright © 2006 by Edward Quinn All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Quinn, Edward, 1932– A dictionary of literary and thematic terms / Edward Quinn—2nd ed. p. cm. Includes index. ISBN 0-8160-6243-9 (hc : alk. paper) 1. Criticism—Terminology. 2. Literature— Terminology. 3. Literature, Comparative—Themes, motives, etc.—Terminology. 4. English language—Terms and phrases. 5. Literary form—Terminology. I. Title. PN44.5.Q56 2006 803—dc22 2005029826 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can fi nd Facts On File on the World Wide Web at http://www.factsonfi le.com Text design by Sandra Watanabe Cover design by Cathy Rincon Printed in the United States of America MP FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. Contents Preface v Literary and Thematic Terms 1 Index 453 Preface This book offers the student or general reader a guide through the thicket of liter- ary terms. -
I Am Not Your Negro
Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. -
Gordon Parks Papers
Collection Summary Title: Gordon Parks Papers Call Number: MS 2013-01 Creator: Gordon Parks Inclusive Dates: 1878-2007 Size: 133.5 linear ft. (137 boxes), 24 oversized folders (OS) Abstract: Papers of fashion photographer, photojournalist, novelist, memoirist, poet, film director, and composer, Gordon Parks, including writings, film records, music and dance material, presentations and speeches, personal papers, correspondence, business records, submissions of work by others, artifacts, images, printed material, and audiovisual material. Languages: English, French, German, Portuguese, Russian, and Spanish Administrative Information Source: Purchased from the Gordon Parks Foundation, 2008 Citation: Parks, Gordon, Papers, MS 2013-01, Wichita State University Libraries, Special Collections and University Archives. Processed by: JLY, KD, EC and LMM, 2008-2011, LBW, JP, MS, LG, and AA, 2011-2012; LMM 2-9- 2015; AB and MN, 8-2015 Restrictions on Access: Restricted Boxes: 119-135 Restricted OS: 24 Size: 15 linear ft (16 boxes) and 1 oversized folder (OS) Selected portions in the following series are closed to researchers: Subseries 1.3: Other Writings, Box 119 Subseries 5.3: Family Papers, Boxes 119-120, 123 Subseries 6.1: Family Correspondence, Boxes 121-123 Subseries 6.2: Personal Correspondence, Boxes 123-132, OS 24 Subseries 10.1: Photographs sent to Parks through (6.2) Personal Correspondence, Box 134 Subseries 10.2: Photographs sent to Parks through (6.1) Family Correspondence and (6.2) Personal Correspondence, Box 134-135 MS 2013-01 Gordon Parks Papers Finding Aid Literary Rights Literary rights were not granted to Wichita State University. Literary rights are held by The Gordon Parks Foundation. When permission is granted to examine manuscripts, it is not an authorization to publish them. -
The Myth of the Black Male Beast in Postclassical American Cinema: ‘Forging’ Stereoytpes and Discovering Black Masculinities
THE MYTH OF THE BLACK MALE BEAST IN POSTCLASSICAL AMERICAN CINEMA: ‘FORGING’ STEREOYTPES AND DISCOVERING BLACK MASCULINITIES BY MARTIN LUTHER PATRICK A thesis submitted to The University of Birmingham For the degree of M.Phil Department of American and Canadian Studies The University of Birmingham September 2009 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Full name (surname first): Patrick, Martin Luther School/Department: Historical Studies/American and Canadian Studies Full title of thesis/dissertation: The myth of the Black male beast in postclassical American Cinema: ‘Forging’ stereotypes and discovering Black masculinities Degree: M.Phil. Date of submission: September 2009 Date of award of degree : December 2009 Abstract : The thesis examines how postclassical American film invent s Black male characters. It uses Levi-St rauss and B arthes’ methods of analyzing myth and critiques heg emonic authorship throug h Jung ’s work on archetypes in the collective unconscious and the ‘shadow’. Using Othello as a prototype character, I examine how he became an archetype that manifests two perceptions of B lack characters in the collective unconscious. -
Download Lush Life: a Novel PDF
Download: Lush Life: A Novel PDF Free [100.Book] Download Lush Life: A Novel PDF By Richard Price Lush Life: A Novel you can download free book and read Lush Life: A Novel for free here. Do you want to search free download Lush Life: A Novel or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Lush Life: A Novel | #20165 in Audible | 2008-03-04 | Format: Unabridged | Original language: English | Running time: 781 minutes | |2 of 2 people found the following review helpful.| One of his best | By Every day a new beginning |If you are a fan of Price, you should love this one because it's Price at his best. His feel for city grit has never been more sure-footed, his prose more honed. This is a who-done-it in reverse, which allows him to describe his characters, and the ways they break, hustle, compromise and make uneasy piece with their lost dreams, from | .com | Significant Seven, March 2008: No one has a better ear and eye for the American city than Richard Price, and in Lush Life, his first novel in five years, he leaves the fictional environs of Dempsy, New Jersey, where Clockers, Freedomland A National Bestseller A New York Times Notable Book of the Year Lush Life is a tale of two Lower East Sides: one a high-priced bohemia, the other a home to hardship, it's residents pushed to the edges of their time-honored turf. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
THINGS THAT GO NOWHERE: SCALE, CITY and the LIST in RICHARD PRICE’S LUSH LIFE Accepted: 24 Jan 2018 UDK: 821.111(73).09-31Price, R
“Umjetnost riječi” LXII (2018) • 1 • Zagreb • January – June RESEARCH PAPER Brian WILLEMS (University of Split) [email protected] THINGS THAT GO NOWHERE: SCALE, CITY AND THE LIST IN RICHARD PRICE’S LUSH LIFE Accepted: 24 Jan 2018 UDK: 821.111(73).09-31Price, R. Richard Price’s 2008 crime novel Lush Life develops a narrative strategy for mediating between large-scale problems and local narratives. Police officers and suspects must come to terms with both New York City’s huge scale and the opacity of the suspects’ faulty narratives in order to solve a murder. Referencing Jean-François Lyotard, Nick Srnicek and Alex Williams, and The Invisible Committee, among others, the author develops the narrative strategy of a list (a collection of items devoid of syntactic connections) as a mediating agent. Price uses the list to penetrate the large scale of the city and the lies told by suspects. In 51 Lush Life the list traces connections between the individual and supra- -individual, suggesting a way to effect change on a large scale in the age of globalization. Key words: scale, Lush Life, list, The Wire, object-oriented ontology LOCALIZING THE GLOBAL Richard Price’s novel Lush Life (2008) maps connections between the scales of the individual and the city. The narrative technique used is the list: a collection of items devoid of syntactic connection, as in a cluster or enumeration of concepts. The list’s lack of syntax allows the individual to “scale up,” and the city to “scale down”. I argue that Lush Life localizes large scales, which seem out of reach and unchangeable, rather than offering small, local strategies of protest. -
Motherandchild Presskit FINAL
Sony Pictures Classics In Association With Everest Entertainment Presents A Mockingbird Pictures Production MOTHER AND CHILD A Film by Rodrigo Garcia Naomi Watts Annette Bening Kerry Washington Jimmy Smits and Samuel L. Jackson Producers: Lisa Maria Falcone, Julie Lynn Executive Producer: Alejandro González Iñárritu Running Time: 126 Minutes Camera: Genesis Exhibited on 35mm print East Coast Publicity West Coast Publicity Distributor Falco Ink. Block Korenbrot Sony Pictures Classics Janice Roland Melody Korenbrot Carmelo Pirrone Erin Bruce Rebecca Fisher Lindsay Macik Annie McDonough Judy Chang 550 Madison Ave 850 7th Avenue, Suite 1005 110 S. Fairfax Ave, #310 New York, NY 10022 New York, NY 10019 Los Angeles, CA 90036 212-833-8833 tel 212-445-7100 tel 323-634-7001 tel 212-833-8844 fax 212-445-0623 fax 323-634-7030 fax MOTHER AND CHILD Synopsis Three women's lives share a common core: they have all been profoundly affected by adoption. KAREN (Annette Bening) had a baby at 14, gave her up at birth, and has been haunted ever since by the daughter she never knew. ELIZABETH (Naomi Watts) grew up as an adopted child; she's a bright and ambitious lawyer, but a flinty loner in her personal life. LUCY (Kerry Washington) is just embarking with her husband on the adoption odyssey, looking for a baby to become their own. Karen lives with her elderly mother NORA (Eileen Ryan), works as a physical therapist in a rehabilitation clinic, and relies on SOFIA (Elpidia Carrillo) to look after Nora and their home while she is working. While Karen and Nora barely speak, Karen keeps up a silent monologue addressed to her absent daughter, writing journal entries and letters never to be sent. -
San Diego Public Library New Additions July 2009
San Diego Public Library New Additions July 2009 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/DVD-ROMs/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABANI Abani, Christopher. GraceLand [MYST] FIC/ADAMS Adams, Jane, 1960- A reason to kill FIC/ADIGA Adiga, Aravind. The white tiger : a novel FIC/ADVAITA KALA Advaita Kala. Almost single FIC/AHERN Ahern, Cecelia, 1981- Thanks for the memories FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/AIRA Aira, César, 1949- Ghosts [MYST] FIC/ALCORN Alcorn, Alfred. The love potion murders in the Museum of Man FIC/ALCORN Alcorn, Randy C. Lord Foulgrin's letters : a novel FIC/ALLEN Allen, Sarah Addison. The sugar queen FIC/AMICK Amick, Steve. Nothing but a smile FIC/APPLE Apple, Max. The Jew of Home Depot and other stories FIC/ARANA Arana, Marie. Lima nights : a novel FIC/ARMSTRONG Armstrong, Kelley. Men of the otherworld [SCI-FI] FIC/ASH Ash, Sarah. Tracing the shadow [MYST] FIC/ASNER Asner, Jules, 1968- Whacked FIC/ASWANI Aswānī, ʻAlāʼ, 1957- Chicago : a novel [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity slays the dragon [MYST] FIC/ATKINSON Atkinson, Deborah Turrell. Pleasing the dead [MYST] FIC/BAIN Bain, Donald, 1935- A slaying in Savannah : a Murder, she wrote mystery, a novel FIC/BALDACCI Baldacci, David. Divine justice FIC/BALDACCI Baldacci, David. -
Race and Ethnicity
CHAPTER 3 Race and Ethnicity Victor Joseph: You gotta look mean or people won’t respect you. White people will run all over you if you don’t look mean. You gotta look like a warrior! You gotta look like you just came back from killing a buffalo! Thomas Builds- But our tribe never hunted buffalo—we were fishermen. the-Fire: Victor Joseph: What! You want to look like you just came back from catching a fish? This ain’t “Dances With Salmon” you know! Smoke Signals (1998) Furious Styles: Why is it that there is a gun shop on almost every corner in this community? The Old Man: Why? Furious Styles: I’ll tell you why. For the same reason that there is a liquor store on almost every corner in the black community. Why? They want us to kill ourselves. Boyz n the Hood (1991) he history of race and ethnicity in Hollywood films reflects the racial and ethnic inequalities of American society. In the early 20th century, movies Twere created and exhibited to Eastern European immigrants to encourage assimilation. Whiteness was a status to be achieved, a way of life to emulate, with homogeneity as the goal, at least for immigrants from Europe. However, the por- trayal of most nondominant groups in American film was the story of the “objec- tified Other” (Collins, 2000), created and controlled through practices of exclusion, expulsion, and violence. 65 66 CINEMATIC SOCIOLOGY In 1915, D. W. Griffith made history with the first blockbuster film, The Birth of a Nation. Historians have called the film a major landmark for American cinema, and a “sacrifice of black humanity to the cause of racism” (Cripps, 1977, p. -
American Fiction Since 1984
The Pennsylvania State University The Graduate School College of the Liberal Arts ETHICS AND URBAN REALITIES: AMERICAN FICTION SINCE 1984 A Dissertation in English by Sean Moiles © 2011 Sean Moiles Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2011 ii The dissertation of Sean Moiles was reviewed and approved* by the following: Kathryn Hume Edwin Earle Sparks Professor of English Dissertation Adviser Chair of Committee Michael Bérubé Paterno Family Professor in Literature Aldon Nielsen George and Kelly Professor in American Literature Tina Chen Associate Professor of English and Asian American Studies Philip Jenkins Edwin Earle Sparks Professor of the Humanities Mark Morrison Professor of English Department Head *Signatures are on file in the Graduate School. iii ABSTRACT ETHICS AND URBAN REALITIES: AMERICAN FICTION SINCE 1984 When critics and reviewers praise contemporary urban films and television productions, they often do so by comparing these texts to 19th-century realist and naturalist urban novels. David Simon’s HBO series The Wire, for example, has been lauded for its similarities to Dickens’s multilayered and realist vision of London. Unfortunately, these commentaries usually fail to acknowledge developments in contemporary U.S. urban fiction, perhaps in no small degree because much of this fiction explores the experiences of people from a variety of ethnic backgrounds. Ethics and Urban Realities challenges general assumptions about the state of U.S. urban fiction implied in commentaries on The Wire and made more overt in essays such as Tom Wolfe’s “Stalking the Billion-Footed Beast: A Literary Manifesto for the New Social Novel” in which Wolfe blames poststructuralism for the supposed death of the urban novel. -
An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2011 An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle Dominique M. Hardiman Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Hardiman, Dominique M., "An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle" (2011). Research Papers. Paper 66. http://opensiuc.lib.siu.edu/gs_rp/66 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 1 AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM BY DONALD BOGLE Written by Dominique M. Hardiman B.S., Southern Illinois University, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Masters of Science Degree Department of Mass Communications & Media Arts Southern Illinois University April 2011 ii RESEARCH APPROVAL AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM By Dominique M. Hardiman A Research Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science in the field of Professional Media & Media Management Approved by: Dr. John Hochheimer, Chair Graduate School Southern Illinois University Carbondale April 11, 2011 1 ACKNOWLEDGEMENTS This Research would not have been possible without the initial guidance of Dr.